Books like Raise High the Roof Beam, Carpenters and Seymour

At age 15, I was captivated by Ernest Hemingway and his depiction of Paris in the 1920s. This book today reignites the enchantment of those years. Hemingway's profound influence shaped my aspirations as a writer. Through his eyes, I can vividly see Paris's cafés, salons, and vibrant social scenes, which ultimately became the backdrop of my dreams.

This book, rich with lovemaking, drinking, writing, betting at the track, and the bohemian lifestyle of so many young artists in Paris, reawakens my desire to immerse myself in that world. Hemingway's narrative voice and his novels continue to speak to me in a language that feels intimately mine, reminding me of the undying impact of his work on my life and aspirations.

King’s practical advice and inspiration guided me in writing my debut historical novel.

As a new swimmer in the waters of creative writing, I appreciated King’s opinion that writers learn best by reading and writing, and that the most valuable lessons are the ones we teach ourselves.

I’ve always considered myself an experiential learner. Writing Of White Ashes was a masterclass in asking, “Wait, how do you do that?” And quirky quotes from King, like “the road to hell is paved with adverbs,” helped me choose strong words, construct them into vibrant sentences, and piece together a story I was uniquely suited to tell. 

This is, of course, considered to be one of the great books, but I have noticed that not a lot of people I know have actually read it.

I was apprehensive that it might be a bit slow, but I was surprised, in fact, thrilled to find it a great read, an amazing journey through the internal life of both the narrator (recalling events from his childhood) and of Swann and Odette.

The descriptions of both place and of emotion are exceptional, and Proust’s rendering of the characters’ psychological and emotional states, how we perceive their meaning, and how it affects their lives is phenomenal.

The book feels fresh, inventive, and modern, and although it is the first volume of seven, it easily stands alone. 

I had always thought it unfair how the bull in a bullfight was worn down until he was ready to be killed, how the bull had no chance. And then I read Hemingway’s book and learned that fairness had nothing to do with it.

Death is, and was meant to be, a certainty for the bull; danger and the possibility of death are a certainty for the man. How the danger of death is approached made a bullfight, and not just a bullfight, great.

The bravery and the “calm indifference” make the bullfighter worthy of respect. I discovered this book is not really about bullfighting at all; it is about courage and what it means to live and die well.

It’s hard to match Nora Ephron’s wit and wisdom. In this novel, which mirrors events from the novelist and screenwriter’s real life, cookbook writer Rachel Samstat learns that her husband is cheating on her while she’s pregnant. Even as her life is falling apart, Rachel maintains her sense of humor while dropping the “everything is perfect” routine and speaking her mind.

In this tale of love and loss, Ephron serves up hilarious and heartbreaking moments in equal portions alongside mouthwatering recipes.

In this highly character-driven book, Backman shows how a grieving man, an undeniable grouch on the outside, can influence an entire neighborhood in a positive way.

Sometimes the most unlikely people can change their behavior, and even the behavior of others. We learn from him that a change in one’s perspective helps us prioritize what is really important in our lives and even the world.

I savored every sentence of this book about Ruth, a thirty-something who moves back home to help care for her father with Alzheimer’s. Reading it made me feel like I was in the company of someone delightful: there’s humor and unexpected quirkiness on every page.

The book includes snippets of Ruth’s dad’s diary chronicling moments in her childhood, which are both winning and poignant. Khong is great at choosing moments and helping me see the hilarious or odd in the everyday. 

Every comedy needs a truly memorable comedy scene and once you’ve read this book, you will never look at any birthday cake with candles in quite the same way again.

This plot is based on of my favourite setups – grown up siblings being forced to spend time in their family home together. In this case, they are mourning their recently deceased Dad. The seven-day stay is long enough for all the niceties to wear off and the real sibling rivalries, unresolved arguments, and tensions to surface and here, they are properly aired and almost resolved.

The very funny side and the searingly painful side are both so well done. If your sibs and in-laws are crazy or crazy-annoying, Tropper will make sure you know you are not alone. 

Most of us have complicated feelings about our parents, and Elizabeth Hay is no exception. The time Hay spends filling in the family back story pays off by making the elder-care journey more poignant and nuanced than a sparser portrait would have produced. I read this memoir at the height of my own care-taking marathon, and while I appreciated every gorgeous word, the whole book would have been worth it for this sentence alone: "Yes, I volunteered to take [the care of my aging parents] on, but there was never a moment when I didn't wish to be let off the hook." I breathed a huge sigh of relief: I am not a monster, and I am not the only one to feel that way. I still feel grateful for that sentence.

Michael Cunningham is an author empathically attuned to the travails of individual souls trapped by the external circumstances of their lives.

Flesh and Blood is his masterpiece about the hidden desperation seething within families and the crushing transgenerational legacy of class and the immigrant experience. 

Constantine Stassos, a Greek-American and family patriarch, is determined to live out the American Dream. The novel unfolds over his lifetime and explores the emotional and physical costs on his children and wife to simultaneously embrace and reject the entrapment of rigid family values. 

Cunningham explores societal issues of gay rights, the AIDS epidemic, suicide, and depression with great sensitivity in prose that elevates and illuminates the human struggle against loneliness and isolation.