Books like Racing the Enemy — picked by fans

In 1992, I graduated high school and although I did not then know how to read or speak Russian, I interviewed six Soviet veterans who happened to live in a nursing home in Rochester NY. I was blown away by their stories; each was missing at least one limb and had a tale to tell about it. The timing was fortuitous in that there was an exhibition at the U.S. Library of Congress that summer on “Revelations from the Russian archives,” which has just opened to researchers. Although it took me some years to master Russian, I resolved then and there to go to the source and research Soviet history in Moscow itself. I am a historian now and I have been working in Moscow archives for nearly a quarter-century now. Stalin’s War is my eighth book to date, all of which draw on this work in the Russian archives.

When I was a young man reading my first books about the Second World War I was struck by the dimensions of Germany’s war in the East. Battles at El Alamein, Monte Cassino, and Normandy were familiar to me, but suddenly there emerged dozens of new battlefields in the East, most dwarfing the Anglo-American experience of the war, which I’d never heard of. My curiosity drove my reading and, as the saying goes, the more I knew, the more questions I had. Thirty years on, and ten books under my belt, has not yet satisfied that curiosity, but at least, thanks to Shepherd, I can share some of it.

In 1992, I graduated high school and although I did not then know how to read or speak Russian, I interviewed six Soviet veterans who happened to live in a nursing home in Rochester NY. I was blown away by their stories; each was missing at least one limb and had a tale to tell about it. The timing was fortuitous in that there was an exhibition at the U.S. Library of Congress that summer on “Revelations from the Russian archives,” which has just opened to researchers. Although it took me some years to master Russian, I resolved then and there to go to the source and research Soviet history in Moscow itself. I am a historian now and I have been working in Moscow archives for nearly a quarter-century now. Stalin’s War is my eighth book to date, all of which draw on this work in the Russian archives.

In 1992, I graduated high school and although I did not then know how to read or speak Russian, I interviewed six Soviet veterans who happened to live in a nursing home in Rochester NY. I was blown away by their stories; each was missing at least one limb and had a tale to tell about it. The timing was fortuitous in that there was an exhibition at the U.S. Library of Congress that summer on “Revelations from the Russian archives,” which has just opened to researchers. Although it took me some years to master Russian, I resolved then and there to go to the source and research Soviet history in Moscow itself. I am a historian now and I have been working in Moscow archives for nearly a quarter-century now. Stalin’s War is my eighth book to date, all of which draw on this work in the Russian archives.

I write about Asia, where I have spent a chunk of my life. My non-fiction reporting has centered on Beijing's territorial ambitions, including its ongoing takeover of the South China Sea, which in a sense was prefigured by the plot of my novel Performance Anomalies. The main character, Cono 7Q, has been pecking at my brain for many years, abetted by my brushes with spooks in the underbelly of Central Asia and China. I use a pen name so my travel in certain countries can be less encumbered.

Gerhard Weinberg fled Germany at the end of 1938 and experienced the first year of World War II – including the beginning of the Blitz – in England. He completed his PhD after serving in the US Army of Occupation in Japan, researched the captured German documents, established the program for microfilming them, and after writing an analysis of the origins of World War II decided to prepare a book covering the war as a whole.

As a professor of Communication, Environmental, and Native American Studies, Bruce E. Johansen taught, researched, and wrote at the University of Nebraska at Omaha from 1982 to 2019, retiring to emeritus status as Frederick W. Kayser research professor. He has published 55 books in several fields: history, anthropology, law, the Earth sciences, and others. Johansen’s writing has been published, debated, and reviewed in many academic venues, among them the William and Mary Quarterly, American Historical Review, Current History, and Nature, as well as in many popular newspapers and magazines. He's married to Patricia E. Keiffer, whose father, mother, and older sister were interned in the camp. Patricia was born there shortly before liberation.

I have always been fascinated by family histories, and am the self-selected historian in my family. I wrote my mother’s memoir, I Turned a Key and the Birds Began to Sing, put together a newsletter for aunts, uncles, and cousins near and far, and became a ghostwriter to help other people mine their personal and family stories. I’ve worked with company CEOs, survivors of the Holocaust; World War II U.S. veterans, and Hollywood celebrities. In the midst of writing books for other people I turned my sights on my husband who was born in Osaka, Japan and asked his permission to write his family’s story.  

I am the author of six books on World War II, including my book that's listed below and Escape from Java: The Extraordinary World War II Story of the USS Marblehead. My fascination with history began at a young age when I built model ships and read books about World War II. My interest eventually grew into research and writing. I have interviewed scores of veterans from the Pacific War. My articles have appeared in World War II History, Naval History, and World War II Quarterly Magazines.

I am a journalist and a novelist. I was both Forbes Magazine’s longest serving foreign correspondent – having served 18 years in London as their European Bureau Chief – and wrote the feel-good international best-seller The Hundred-Foot Journey, a novel that Steven Spielberg and Oprah Winfrey made into a much-loved 2014 film starring Helen Mirren. These twin careers have shaped my approach to writing in that I believe a good micro-story (fiction) should also make astute macro points (journalism). So, the journeys my characters undertake in my novels are also trying to address points about the world or life or humanity at large.