Books like Rabbit Hill — picked by fans

I have been a schoolteacher for over thirty years, the last ten or so in school leadership positions. In that time, I have learned that all good teaching is storytelling, and that all good storytelling is teaching, and that the most important thing we all need to learn, is to think. We need to think about courage, friendship, value, music, dance, and nature, and what is important to us, and yet thinking is hard. That is why stories, from the most ancient of fairy tales and myths to modern-day fantasy and science-fiction, are so important. They can set us to thinking without us thinking that we are thinking. 

I write and read fantasy that doesn’t play safe—where magic is messy, divine, rotten, or reborn in mud. I’m obsessed with stories that walk barefoot through forgotten folklore, eerie townships, and mythic detours. The Fallow Swallow grew from this exact craving: for fantasy that’s personal, poetic, and just a little unwell. I gravitate toward tales that embrace magical realism, morally grey characters, and dark humour—and these books helped shape my voice as a writer.

I have often spoken with the animals that I meet: from migrating ducks to street cats, woodchucks to chickadees. Mostly quietly—and always as if they not only could hear and understand, but also could reply. As our children grew, the replies became louder and more insistent. When our daughter was old enough to feel fearful of travel—particularly the crossing of open water in small boats—I began to tell her stories featuring these talking animals. Because the animals also were sometimes afraid, the stories helped to distract her from the perils of our own adventures and then, eventually, to enjoy them as well.

I was a goofy-looking kid growing up.  My ears were so big that someone once said I didn’t need an alarm clock because I could hear the sun coming up. On top of that, I was also very average at everything I tried.  However, I found that being funny made people like me. I also realized that, as long as God loved me and had a plan for me, I could be a superhero despite being average at everything. So when Focus on the Family asked me to start writing, I knew exactly what I’d write about…me! Average Boy!  

I’m a dog nut who loves reflecting on the powerful life lessons we can learn as we watch our furry best friends age happily and gratefully by our sides. I’ve also been working as a journalist for more than 30 years now — so that makes me one of the oldest dogs in my own newsroom. I’m a senior writer and editor for the website of NBC’s TODAY show, and the My Old Dog book stemmed from a viral TODAY.com story I wrote about photographer Lori Fusaro’s efforts to change people’s perceptions of older shelter animals. Writing that story was one of the best things that ever happened to me!

I’m secretly eight years old inside. I love fascinating animal and science stuff, especially cool, weird, and gross facts. Readers of my children’s books see this passion in action. My best-selling and award-winning nonfiction animal books have sold more than 3 million copies worldwide since 2000. I focus particularly on reaching reluctant, struggling, and English-language-learning readers by packing my books with lots of action and high-interest topics to keep them turning pages. I’m recommending these top-five narrative nonfiction animal books for adults because these authors have influenced my research and thinking—and because they’re terrific stories!

After teaching high school English for thirty-one years, I retired and began my second career in writing. I have published five novels and one collection of poetry. When I met Jane Tucker in 1974, she became a good friend, fellow church member, and my dental hygienist. I had no idea she had worked as a welder on Liberty Ships during World War II when she was only sixteen years old. After I learned this in 2012, I began my journey into learning all about the Rosies during World War II and writing my fourth novel Becoming Jestina. Jane’s story is an amazing one, and I still talk to her regularly.

I’ve always been fascinated with crime and crime fiction. From my early obsession with the novels of Raymond Chandler to my embarrassingly late discovery of Agatha Christie. I directed epsiodes of Sherlock Holmes with Jeremy Brett for Masterpiece theatre, which was a dream come true. But it frustrates me when television dramas tread roughshod over forensic science, making absurd claims for what can be done, when the truth, as mundane as it often can be, is so much more fascinating. To this end I have just graduated with an Mlitt from the University of Dundee in Crime Fiction and Forensic Investigation. I hope this will lend my books an air of authenticity and dramatic drive.

I have always been fascinated by statistics (I’m a statistician by profession), and anything that tells a story of actual people and events has always captured my imagination. I have a particular affection for the quirky and offbeat, something that illustrates catastrophic failure, lack of common sense, a misplaced sense of entitlement and people who repeatedly tried but always fell short. I have a passion for black humour as it helps me to realise that, no matter how dark things look in my own life, there are others who have it much worse.

During my twenty-nine nears in the federal government, I maintained a Top Secret clearance while being a CIO, Chief Architect, & Director of various things with the White House, US Congress, Department of Homeland Security, and the Department of Justice, where I served in a senior management role for the National Security Division, the agency responsible for serving as the liaison between the Attorney General and the Intelligence Community. Today, my passion is writing about my White House experiences, in both fiction and non-fiction.