Books like Rabbi Harvey Rides Again — picked by fans

I love the experience of reading a book that combines a known (to me or not!) story combined with elements that make it new again. It could be a parody, a “fractured fairy tale,” or a new retelling, funny or serious. For my book Little Red and the Cat Who Loved Cake, I read so many nursery rhymes and fairy tales in order to populate the town with fun versions of recognizable characters for Little Red to encounter, it makes me appreciate these books even more.

I love the experience of reading a book that combines a known (to me or not!) story combined with elements that make it new again. It could be a parody, a “fractured fairy tale,” or a new retelling, funny or serious. For my book Little Red and the Cat Who Loved Cake, I read so many nursery rhymes and fairy tales in order to populate the town with fun versions of recognizable characters for Little Red to encounter, it makes me appreciate these books even more.

I love the experience of reading a book that combines a known (to me or not!) story combined with elements that make it new again. It could be a parody, a “fractured fairy tale,” or a new retelling, funny or serious. For my book Little Red and the Cat Who Loved Cake, I read so many nursery rhymes and fairy tales in order to populate the town with fun versions of recognizable characters for Little Red to encounter, it makes me appreciate these books even more.

I love the experience of reading a book that combines a known (to me or not!) story combined with elements that make it new again. It could be a parody, a “fractured fairy tale,” or a new retelling, funny or serious. For my book Little Red and the Cat Who Loved Cake, I read so many nursery rhymes and fairy tales in order to populate the town with fun versions of recognizable characters for Little Red to encounter, it makes me appreciate these books even more.

I grew up in the Soviet Union, where being Jewish had no intellectual or religious substance. My discovery of Judaism and Jewish history happened after my emigration, when I was already an adult. This helps me to relate to audiences and readers who are not Jewish. For example, a Japanese translation of my book on Jewish opposition to Zionism earned a place on a bestseller list in Japan, where hardly any Jews live. In the course of my university career, I have explained events in Israel in electronic and printed media on the five continents where I also have taught as a visiting professor.

As a Jew that is both Ashkenazi and Persian that lives in Hong Kong where I’m raising my Jewish Chinese children, I see Judaism for its rich diversity. I’m passionate about changing people’s perceptions about what Jews look like and where we hail from. We are not a single story. To further that goal, in 2009, I founded Asian Jewish Life - a journal of spirit, society, and culture, have penned book chapters and articles on Jewish Asia, have written children’s books about communities that are Jewish&, and have lectured internationally on related topics. These books are about Jewish communities, but they’re really about family and tradition. Read diverse books! 

As an American, a Jew, and a novelist—though not necessarily in that order—I’ve always been interested in Jewish-American literature, and the Jewish-American experience in general. What was it like for the first Jews in America? What accounted for their success? What were the costs of assimilation? And where are they—we—headed? These books are a great starting point for anyone looking for answers to these questions. But be warned: in keeping with the Jewish tradition, they often answer those questions with more questions. Not, to quote the Jewish sage Jerry Seinfeld, that there’s anything wrong with that.

I’m a historian of China and Japan whose work has hewed close to the cultural interactions between Chinese and Japanese over recent centuries. I’m now working on the history of the Esperanto movement in China and Japan from the first years of the twentieth century through the early 1930s. The topic brings together my interests in Sino-Japanese historical relations, linguistic scholarship, and Jewish history (the creator of Esperanto was a Polish-Jewish eye doctor). Over the last couple of decades, I have become increasingly interested in Jewish history. I think by now I know what counts as good history, but I’m still an amateur in Jewish history. Nonetheless, these books all struck me as extraordinary.

I have been teaching college students about aging since I was in my late 20s. The audacity! Now that I am officially in the “young-old” category I used to describe to my students, I more fully appreciate the social constructions of aging that affect elders, the medical conditions that can derail plans for “a good old age,” and the challenges we all face in attempting to live with meaning and purpose as we grow older. In addition to teaching, writing about, and researching various aspects of aging, especially aging with various type of dementia, my work has addressed the positive and negative ways religious faith can shape how people cope with aging.

As both a playwright and novelist, I tend to gravitate to complex characters with an internal struggle. Graphic Nature, my second novel, touches upon a particular character, Edmond de Capitoir, who while considering himself a well-meaning member of society, has kept himself at arm’s length from life in many ways – not the least of which is due to his commitment to his profession as an executioner in 1913 France. Much of the work I've recommended touches upon these similar protagonists who are somehow emotionally closed off and perhaps have developed a certain guilt about their actions by what they experience through the course of these stories – even a need for love.