100 Books Like Prostitution and Irish Society, 1800-1940

Set in 1975, Louise Kennedy’s novel deals with some themes particular to Northern Ireland and its sectarian characteristics, such as the challenges of navigating conversational and attitudinal hurdles when engaging with someone from the ‘other’ community and the travails of undertaking ‘everyday’ tasks against the invasive background of the security situation. 

However, I liked that the work also dealt with wider issues, such as differences in expectations and behavior in rural and urban settings and the impact that class and education may have on social interactions. I enjoyed the novel both as a love story between the young Catholic barmaid and the older married Protestant lawyer (who doesn’t like a love story?) but also as an observational analysis of the conditions in Northern Ireland at the time and their sad outworkings on the lives of people only peripherally involved in the politics of that society.   

I love how we can catch glimpses of Irish women’s lived experiences because sources from particular moments in their lives have survived the decades. Although this social history of letters written to the archbishop of Dublin is not specifically a women’s history book, many of those who wrote for help were women and so the book offers a glimpse of their often-difficult lives.

I love how Earner-Byrne privileges the ‘voices’ of letter writers in her book, exploring what they put in writing, as well as what they implied and their silences. I found this a very thought-provoking analysis, pushing me to think about the ways that people frame their narratives and how what they choose to include or exclude about their lives informs historians. 

I don’t know how much I knew of nineteenth-century Ireland when I first read this book as a child, but I certainly wanted to know a whole lot more after reading it. And after years of researching and teaching nineteenth-century Irish history, I still love this book!

This is a wonderfully written and extremely moving account of Irish emigration to the US in the nineteenth century, as told by (fictional) teenager Peggy O’Driscoll. It is the second in a trilogy, which includes the more well-known Under the Hawthorn Tree about the Great Irish Famine. I love them all, but this one was always my favorite, following the challenges and adventures that Peggy had in the ‘new world.’

I enjoy dipping in and out of books that bring to the fore, for the first time, collective stories of diverse Irish women. Two stand out for me in 2024. Angela Byrne’s very readable Anarchy and authority focuses on the Irish in Russia from the late seventeenth to the early twentieth centuries.

I love how she is so creative with seemingly mundane or silent sources, like a list of visitors to the mountain town of Spa (in modern-day Belgium), using it to illuminate relationships and weave together very different lives. But Byrne is also honest about the historian’s challenges and her frustrations when the archives refuse to confirm in writing her hunches about what happened.

I am currently fascinated by the extraordinary women’s histories in Clodagh Finn and John Morgan’s The Irish in the Resistance: The Untold Stories of the Ordinary Heroes who Resisted Hitler. Neither of these books… show more.

Published by Oxford University Press, Common Women is an academic rather than a popular history of medieval English prostitution, and its author is an expert in medieval sexuality.

I adore the wealth of historical detail founded on original research that Karras presents. It’s a goldmine of inspiration for those of us who write fiction set in medieval England. Where else can you learn about the cross-dressing prostitute John Rykener, the Bishop of Winchester’s brothel empire in Southwark, or discover names like Clarice Clatterballock?

In my quest to learn about the inner lives of 19th-century prostitutes, I found three memoirs, all gold mines. Demi-mondaines always used a stage name and that’s what the eponymous Madeleine chose. Even though she wasn’t a writer by trade, her story as a young “public woman” in the 1890s is riveting, and heartbreaking. When Madeleine’s autobiography was first published by Harper & Brothers in 1919, it caused a scandal and led to a lawsuit against the publisher. Harper eventually successfully defended itself but still ended up withdrawing the book from circulation. It wouldn’t be available to the public again for nearly 70 years. 

Nell Kimball was the least educated of the prostitute authors I read but also the most colorful. And the only one who didn’t feel trapped in the profession. Like Josie Washburn, Nell couldn’t find a publisher for her memoir when she looked for one in 1932. She was 78 years old and reportedly in dire straits financially. Nell had started in the “trade” in St. Louis at the age of fifteen in 1867 and worked as a prostitute and then as a madam, lastly in New Orleans’s famed Storyville red-light district, until it was shut down in 1917. Nell died in 1934. Her book was finally published by Macmillan in 1970.

I’m grateful that Madeleine, Josie, and Nell were fortuitous enough to pen their stories, to record a first-hand account of an era that we otherwise would not be privy to in such a personal way.

In a tough prostitute named Virginia, escaped convict Timothy Sunblade finds the perfect partner to help execute the perfect crime. The extraordinary relationship between these two makes the book memorable. Sunblade is clear-eyed, thoughtful, disillusioned, sensitive, brutish, self-assured at times, and wavering at others. Virginia is wise, world-weary, sure of herself and what she wants, sometimes crazed like a caged animal, but always strong.

Chaze's atmospheric detail adds depth and presence to the story. The characters' arc is one of darkening fate and inevitable tragedy. Watching their slow descent is like watching a train wreck in slow motion. The characters continue to deepen throughout the story, all the way to the final page, and they stay with you long after you've put the book down.

The plot of this book seems simple enough. A guy goes to Vegas to drink himself to death, but whilst there, he develops a relationship with a prostitute. Now, if this were Hollywood, they’d end up eloping and starting a new life together. Yet, whilst there is indeed an excellent Hollywood adaptation of it starring Nicholas Cage, it is no less bleaker than the novel it is based on. A novel that was written by an alcoholic who killed himself and whose book was called a suicide note by his father.

Despite its sadness, however, the book is beautifully written. Aside from its doomed romance, it also has a romantic sense of being doomed, which I like.

This was one of the first books I read that showed me how powerful true crime can be as a vehicle for historical narrative. Jewett’s murder in 1830s New York was all but forgotten until Cline recovers that case and the social world of sex workers in that era.

It’s the writer’s eye for narrative details and her contemporary sleuthing into the complexities of Jewett’s life that keeps me coming back to this book again and again. Cline continually reveals her research process, and by doing so, I felt like I was part of the story as she reconstructs the crime and New York in the 1830s.