Here are 7 books that Presence fans have personally recommended if you like
Presence.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
The author of this book attacks the self righteous attitude of women's rights, gay rights and transexualism and the bias of positive discrimination in race as it actually creates more prejudice against these groups of people in the general population. It is fascism by any other name or outrage politics, hissy fits and victim hood, attempting to manipulate the public into accepting the lies of the situation as truth when it patently isn't.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Like his other three books in the series, you really felt for those involved and saw through the illusions of war that politicians sold as a viewpoint. The German war machine was driven by grit and determination, not weaponry or tactics, despite the lies told after the war about advanced technology (most Germans walked to war across the Russian steppes and they were overwhelmed by the size of the country and the amount of badly trained and armed forces fighting them, also they relied on horse drawn artillery, more than tanks).
Five months, one week and three days of hell. The German offensive to capture Stalingrad began in August 1942, using Friedrich Paulus's 6th Army and elements of the 4th Panzer Army. The attack was supported by intense bombing that reduced much of the city to rubble. The battle degenerated into house-to-house fighting, as both sides fought for the city on the Volga. By mid-November, the Germans were on the brink of victory as the Soviet defenders clung on to a final few slivers of land along the west bank of the river.
I’m a British author who has always had a fascination with magical realism and novels that blend the serious with the strange. For that reason, though I write literary fiction for adults, I take so much of my inspiration from children’s literature. There’s something so simple about how kids’ books stitch the extraordinary into the every day without having to overexplain things. I now live not far from the forest that inspired A. A. Milne’s Hundred Acre Wood, and my latest novel is set in and inspired by this part of rural England–with all the mystery and magic that a trip into the woods entails.
In this claustrophobic modern classic, a grieving father and Ted Hughes scholar finds himself haunted by an oily, unnerving, anthropomorphic crow.
I’m a fan of anything Porter writes, but his debut is deserving of the indelible mark it’s made upon the modern literary landscape. The crow is a character like no other, and Porter’s poetry brings this strange and beautiful bird to life.
A SUNDAY TIMES TOP 100 NOVEL OF THE TWENTY-FIRST CENTURY
Winner of the 2016 International Dylan Thomas Prize and the Sunday Times/Peter, Fraser + Dunlop Young Writer of the Year award and shortlisted for the Guardian First Book Award and the Goldsmiths Prize.
In a London flat, two young boys face the unbearable sadness of their mother's sudden death. Their father, a Ted Hughes scholar and scruffy romantic, imagines a future of well-meaning visitors and emptiness.
In this moment of despair they are visited by Crow - antagonist, trickster, healer, babysitter. This sentimental bird is drawn to the grieving family…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
Fantasy has been at the heart of our friendship for as long as we can remember. We are Adelina Cortese Pons and Valentina Branca, co-authors of our book, listed below, and our journey as writers began when we were eleven, sharing a single copy of Harry Potter and the Chamber of Secrets, reading it aloud, taking turns with each chapter. That love for fantasy only grew stronger over the years—through travels, studies in International Relations, and countless late-night writing sessions. Today, despite living an ocean apart, we still meet every Friday to write together, crafting new worlds and unforgettable stories because, for us, fantasy is more than a genre—it’s home.
While you read this story, you step into a world where magic and science intertwine, where armored bears rule the icy north, witches soar through the skies, and every person has a daemon—a living reflection of their soul. The adventure takes us across breathtaking landscapes, from the bustling streets of Oxford to the frozen wastelands of the Arctic, uncovering secrets that shake the very foundation of reality.
Lyra’s journey is thrilling, full of mystery, danger, and a sense of wonder that never fades. Philip Pullman weaves a story so immersive and thought-provoking that it makes us question everything we think we know. It’s a book that sparks curiosity, adventure, and just the right amount of rebellion.
Philip Pullman invites you into a dazzling world where souls walk beside their humans as animal companions and powerful forces clash over the nature of the universe.
When fearless young Lyra uncovers a sinister plot involving kidnapped children and a mysterious substance called Dust, she sets out on a daring quest from Oxford to the frozen Arctic. With armored bears, witch queens, and a truth-telling compass as her allies, Lyra must face choices that will shape not just her destiny—but that of countless worlds. A thrilling blend of adventure, philosophy, and wonder, perfect for curious minds.
I’ve been either studying, researching, or teaching psychology since I was 16 – but before that, I was a reader. I have always been drawn to books that pose fundamental questions about the mind,and to this day I still go back to fiction and non-fiction that can generate ideas and hypotheses for new experiments. I’ve even used fictional stories in brain-scanning experiments to explore how the mind represents voices and characters: our findings show that we are experts at automatically simulating both the sound and the intention of other people when they talk in a story (even when the stories are very simple ones).
My book starts with a series of conversations with people who have psychosis and hear voices. Some people described to me a particularly unusual experience: the feeling of a voice being there, even when it wasn’t speaking.
As an undergraduate student one of the books that first got me thinking about these topics was Richard Bentall’s Madness Explained. It really opened my eyes to the possibilities of the mind and how we can think about experiences like hallucinations without necessarily pathologizing them.
This book was my gateway to then learning about things like the International Hearing Voices moment, which argues against an overly medicalized understanding of unusual experiences like voice-hearing. My book is quite wide-ranging, but I’ve tried to retain some of the ethos ofMadness Explained in how I’ve approached the world of uncanny presences.
THIS BOOK WILL EXPLAIN WHAT MADNESS IS, TO SHOW THAT IT CAN BE UNDERSTOOD IN PSYCHOLOGICAL TERMS, AND THAT BY STUDYING IT WE CAN LEARN IMPORTANT INSIGHTS ABOUT THE NORMAL MIND. THE BOOK WILL ARGUE THAT TRADITIONAL APPROACHES TO MADNESS MUST BE ABANDONED IN FAVOUR OF A NEW APPROACH WHICH IS MORE CONSISTENT WITH THAT WE NOW KNOW ABOUT THE HUMAN MIND. OVER THE LAST CENTURY OR SO IT HAS BECOME SO COMMONPLACE TO REGARD MADNESS SIMPLY AS A MEDICAL CONDITION THAT IT HAS BECOME DIFFICULT TO THINK OF IT IN ANY OTHER WAY. BENTALL ARGUES INSTEAD THAT DELUSIONS, HALLUCINATIONS…
I’ve been either studying, researching, or teaching psychology since I was 16 – but before that, I was a reader. I have always been drawn to books that pose fundamental questions about the mind,and to this day I still go back to fiction and non-fiction that can generate ideas and hypotheses for new experiments. I’ve even used fictional stories in brain-scanning experiments to explore how the mind represents voices and characters: our findings show that we are experts at automatically simulating both the sound and the intention of other people when they talk in a story (even when the stories are very simple ones).
Some of the most famous felt presences are those that occur in survival situations under the name of the “Third Man”.
The name comes from a line inThe Wasteland, by T.S. Eliot, in which he recalled the story of Antarctic explorers being accompanied by a phantom figure. Tat story was Ernest Shackleton’s: at the end of the ill-fated Endurance expedition, Shackleton experienced something like a felt presence when crossing the interior of South Georgia Island to save the rest of his crew.
He recounts the story of the whole expedition in South, and it’s an amazing read. When I was writing my book, I was really struck by how good a psychologist Shackleton was: he was constantly trying to understand and motivate his crew, while being acutely aware of the impact of the situation and the environment around them.
First appearing in 1919, “South: The Endurance Expedition” is the gripping account of those who traveled with Sir Ernest Shackleton on his third expedition to Antarctica. In August1914, Shackleton set out with a crew of twenty-eight aboard the ship “Endurance” in an effort to become the first men to cross the vast Antarctic land mass, a grand plan that was given the lofty title “The Imperial Trans-Antarctic Expedition.” At the same time the “Endurance” set out into the Weddell Sea so that a group of six, including Shackleton, could traverse the vase continent, another ship, called “The Aurora” landed on…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I was fortunate enough to meet my husband over 17 years ago, and we have packed a lot of life in since then. Along with two kids and a dog, we’ve had our fair share of tough moments: financial challenges, bereavement, family issues, marital disagreement, and traumatic life events that taught me just as much as my two decades-long career as a relationship psychotherapist has. This, combined with working with individuals, couples, and partners in search of what love means and how to practically go about achieving it, has clarified for me just how much we all need tools and teachings when it comes to matters of the heart.
I devoured this book and its main premise: that to be a therapist is a great art and a deep discipline. Yalom is the inspiration for many psychology and psychotherapy students and trainees, and for good reason. He is the kindly, wise father many of us wish we had.
I adored this book for its insights into psychotherapy and the therapy room and for the tenderness with which Yalom treats his patients. He was also one of the first professionals to openly and publicly share his own emotions and thoughts about his patients and being a therapist. He powerfully puts forward the ‘human first, therapist second’ philosophy, one that informed my work fundamentally. He takes chances, loves his patients sincerely, and, as a result, was a hugely respected clinician who taught as well as he practiced. It is a great read for patients and therapists alike.
The collection of ten absorbing tales by master psychotherapist Irvin D. Yalom uncovers the mysteries, frustrations, pathos, and humour at the heart of the therapeutic encounter. In recounting his patients' dilemmas, Yalom not only gives us a rare and enthralling glimpse into their personal desires and motivations but also tells us his own story as he struggles to reconcile his all-too human responses with his sensibility as a psychiatrist. Not since Freud has an author done so much to clarify what goes on between a psychotherapist and a patient.