86 Books Like Philosophical Investigations Into the Essence of Human Freedom

In Žižek’s view, philosophy as we know it today does not well and truly begin until the late-eighteenth century, with Kant’s critical-transcendental “Copernican revolution.” The Critique of Pure Reason inaugurates this revolution. It insists on the ineliminable centrality of the structures and dynamics of minded subjectivity for the constitution of what we experience as objective reality. Moreover, on Žižek’s psychoanalytic rereading of Kant’s epoch-making 1781/1787 masterpiece, Kant anticipates, among many other things, Lacan’s idea of an internally divided subject as the ultimate unconscious condition of possibility for how we humans register and understand ourselves and our world. Moreover, the Kant of the first Critique is crucial for Žižek as the inspiration for the entire tradition of post-Kantian German idealism so central to Žižek’s own philosophical program.

By Žižek’s own admission, Hegel is as important to him as Lacan. And, Hegel’s mature Logic, spelled out in greatest detail in his hulking Science of Logic, sits at the very center of the entire Hegelian system in all its sprawling, encyclopedic scope. In the Science of Logic, Hegel elaborates and explores at great length the basic categories most fundamental to the very intelligibility of anything whatsoever. In addition to delineating the various conceptual contents contributing to reality being knowable, Hegel also provides, in the Science of Logic, a virtuoso display of the ways of thinking peculiar to his (in)famous speculative dialectics. One cannot fully appreciate Hegel without appreciating his Logic. Likewise, one cannot fully appreciate Žižek without appreciating Hegel.

Of all Freud’s writings, 1920's Beyond the Pleasure Principle occupies a special place in relation not only to Žižek’s conception of psychoanalysis but also to his philosophical/theoretical framework as a whole. This is the text in which Freud introduces his audacious and controversial hypothesis of the “death drive” (Todestrieb). It is not until 1920 that Freud fully brings to light tendencies within the psyche disrupting and disobeying the pleasure principle, forces of negativity able to suspend (if only momentarily) the psyche’s usual pursuits of gratification, satisfaction, well-being, and the like. Žižek repeatedly insists that his core intellectual agenda ultimately is to demonstrate an underlying equivalence between the Cogito-like subject of German idealism and the death drive as per Freud and Lacan.

One prominent feature of Žižek’s oeuvre that initially brought him to fame is his impressive ability to make Lacan’s writings and ideas crystal-clear and tangibly concrete—and this by contrast with Lacan himself, who often is described as “notoriously difficult.” Écrits is Lacan’s magnum opus, containing his most important essays and articles from the 1930s through the mid-1960s. Although the volumes of Lacan’s Seminar are comparatively easier to read, Écrits provides the single most comprehensive survey of Lacan’s thinking provided by Lacan himself. This 1966 book contains such Lacanian contributions to psychoanalytic theory as the mirror stage, the unconscious structured like a language, and the Real-Symbolic-Imaginary triad. Neither Lacan nor Žižek can be fully comprehended without a tour of the Écrits.

I love how much Mercy learns about herself. I also really admire the time and space and, above all, respect Briggs's investments in Mercy's witting and unwitting explorations of her powers and heritage. And how Mercy reacts to revelations about her mother and mostly unknown father. I, at least, admire when Mercy is allowed to get cranky and try to pick and choose what she wants to keep or discard, approve or disapprove.

All this, and it's a heck of a roller coaster ride. I rode the slow build-up, increasingly bracing myself for the first big drop, and then whoop-whoop-whoop, I whirled up and down and sideways to the end.

I have to admit, if I had the ability to see vamps, that would be both fascinating and scary. And apparently, SPI (Supernatural Protection and Investigation) feels the same way.

Makenna Fraser is a supernatural detective for SPI who is tasked with discovering who’s behind a magic-infused drug that allows humans to see vamps, monsters, and other creatures. The clock is ticking, and the city of New York’s—and the entire world’s fate rest in her hands.

This was one of the first fiction books I read that set before me a world that is ordinary interrupted, and affected by another world that is supernatural.

In this book, when the main character goes to sleep, he wakes up in another world populated by mysterious beings and people.

Perhaps most interesting about this set up, is that events in this “dream world” affect events in the waking one.

While the main character only retains a passive ability (entering this other world and healing) the whole traveling between both spaces, his interactions with both divine and malevolent beings, and his race to stop his world from destruction all pulled me into the story in such a way that I could not put down.

I can’t remember if I read WOT or GOT first… but this book was one of my entries into epic fantasy.

It begins with normal people trying to figure out something they can’t fully understand, and fearing being powerless in the face of what’s coming. Jordon really takes his time to slowly build the world, but even then, it feels like it is already established, and it is the reader who is new here.

What made it memorable was the way it balanced massive stakes with human fragility. It explores the theme that power isn’t always just a gift or a curse; it can be a burden that costs the wielders and those who are in orbit of it.

This novel is the perfect blend of historical fiction and horror, and King perfectly captures small-town rural life among people who hold a little too strongly to both tradition and stereotypes. The novel invokes that particular dread that can only be raised by those philosophical questions that one can’t seem to answer; the horror of the unknown. Plus, given my own book, I have a soft spot for traveling preachers who aren’t what they seem. 

I am a lifelong Stephen King fan. I was that potbellied kid, perpetually with a stack of books, who insisted that the librarian let me check out Skeleton Crew, even if she told me it would absolutely give me nightmares. One of many, and often. I read the classics like The Stand and It–and watched the TV and film adaptations of Uncle Stevie’s best. Stephen King’s love of pop culture (music, movies, comic books) is evident in most of what he writes, no less so than in his magnum opus: The Dark Tower series.

Want to see where Marvel Comics, Harry Potter, and Stephen King's other fictional characters start to clash and co-mingle? Well, I’m sure you do, because you know. By the time you get to Book V: The Wolves of the Calla–you are already along for the ride and you know how thin that… show more.