100 Books Like Peace Warrior

No, this isn't the title of a B-movie—it's the fun, sexy, and surprisingly sweet start of a series with wonderful world-building and likable characters.

This book is about how a group of human women abducted by evil aliens crash-land on a planet full of hunky, endearing aliens and the adventures they share.

I loved how the aliens cherished and celebrated the women in this story instead of reviling their humanity, as I've seen in other sci-fi stories. The spicy scenes are hot, and the heroine is a natural leader who doesn't passively wait around to be rescued.

This is a dual-POV story, and the alien hero's confusion over human quirks is quite funny. Escapism at its best!

Reading this book was a no-brainer for me. First – it has Maul in it. Actually, that’s enough of a reason. Who doesn’t love Maul? 

As far as I’m concerned he’s the ultimate bad guy. You don’t mess with him, he kicks serious ass, and he looks wow! My kind of hero/anti-hero. Dark, brooding, commanding, and can stop a conversation with just one look.

He’s the type of anti-hero you can’t help but root for and this book didn’t let me (or Maul) down. Imprisoned in hell, he has to complete his mission while staying alive against seemingly insurmountable odds. Plenty of deep stares, lots of kicking-ass, and a great plot that kept me up early into the morning.

I read this because it mentioned space pirates. Who doesn’t love space pirates? It’s also got a kick-ass heroine and an equally kick-ass hero. Both characters have a history and aren’t particularly fond of each other. Then she’s tasked with shipping the wronged hero back to Earth on her pirate ship, but someone doesn’t want him to stand trial. Being stuck together on her ship together makes for some interesting situations. Three guesses how that goes. 

I’ve read all of this series, but this was my favourite. I have a thing for kick-ass heroes who have a vulnerable side. I love characters who can be strong and fight to protect what’s theirs but can also be damaged, flawed, not perfect. I think it makes them far more interesting. Coal hits the mark on this. Big and strong, but seriously damaged.  It helps keep me more invested in his story and development. And yes – it does help that this book is hot!

I am fascinated by stories that encapsulate a whole life, usually from the perspective of a character looking back, assessing, wondering, and coming to terms with all that has transpired, both personally and globally. I am particularly fascinated by multi-dimensional female characters.

I was taken from page one by how well this story transitioned through different perspectives to offer a kaleidoscopic view of a life lived by a strong, unapologetic, complicated woman. 

Not crime although there are crimes in it. The narrative structure of the quartet was a major influence on structuring my trilogy. The first three present different versions of the same events and characters in Alexandria, Egypt before and during the Second World War. In Book 1, a self-absorbed, pretentious narrator, Darley, presents an account of an intense love affair. In book 2, Balthazar shows how ignorant he was about what was really going on about him. Mountolive widens the political context and shows both earlier narrators were looking through the wrong end of a telescope. Book 4 manages to tease out yet more solutions to mysteries thought resolved.

Khan al-Khalili is a famous bazaar in the historic heart of Cairo, and the setting of this powerful and thought-provoking novel by Naguib Mahfouz. One of the most important Egyptian and Arab authors of the Twentieth century, in 1988, Mahfouz became the first Arabic-language writer to be awarded the Nobel Prize in Literature. Mahfouz spent much of his life in and around Khan al-Khalili, which gives this novel an intimacy and sense of place akin to Dicken's writing about Victorian London. It is 1942, and Egypt is tense as the war moves closer and closer to the capital, and Cairenes from different generations thrust together in the crowded neighborhood variously argue for and against tradition, modernity, religious faith, and secularism. This is a great read, and even better if you’re able to read it while sitting in a café in Khan al-Khalili. 

Cairo in the War, 1939–1945 is a brilliant, fast-moving, narrative-driven piece of historical writing focussed on the British ruling elite in Egypt, before they won the war and subsequently lost this once vital North African imperial land-holding. The cast of characters reads like a Who’s Who of mid-century literary heavyweights, political operators, and military strategists, including everyone from Lawrence Durrell (whose Alexandria Quartet is also set in this period), Evelyn Waugh, Fitzroy Maclean, Olivia Manning, the brilliant Alexandrian Greek poet C.P. Cavafy, and Paddy Leigh Fermor. While much of the rest of the world burned, the British elite in Cairo partied, and in the process managed to annoy many American, Australian, and New Zealand allies and Egyptian foes alike, while sowing the seeds of an anti-monarchical feeling that eventually saw King Farouk toppled in 1952.

The war in Africa, where Rommel’s tanks seem unstoppable, sets the stage for this novel of intrigue and spies, with Egypt and The Suez Canal the prize. Follett is a master of suspense and he makes great use of it here as two secret agents lock horns. The German agent with a wonderfully appropriate name, The Spinx, enlists the wiles of a belly dancer and the British agent, seeks the help of a beautiful young Jewish woman, who plays a key role in unmasking the German agent and the final defeat of Rommel. I always love reading Follett. You’re never sure what.

This was the book that established Niall Barr’s reputation as one of the United Kingdom’s leading historians of the Second World War. Meticulously researched, thoroughly readable, and compelling, Niall Barr’s Pendulum of War has become the recognised standard work on the desert war in 1942. Anyone interested in the battles of El Alamein must read this book.