Books like Patriarchy and Accumulation on a World Scale — picked by fans

A tour de force! This is an amazing book that takes a historical view to explain the story of women’s exclusion from public life and the physical and epistemic violence they experienced through the witch trials in Europe.

I would never have put these two elements together–bringing witch trials into view to help us understand the exclusion of women from the political economy of everyday life. This, Federici argues, led to the restructuring of household relations and the role of women in them, which in turn reflected the changing needs of society with the rise of capitalism.

I found this book illuminating and inspiring as it also tells us about the struggles of women against the shifts in their roles. 

This is a great book for understanding the concept of social reproduction, the maintenance of life itself.

Many well-known and thoughtful authors have contributed chapters to this book, explaining different aspects of social reproduction–which can be understood as the production and maintenance of life itself–and the consequences of its unequal distribution. 

I enjoyed reading this book, even though, at times, I felt that it needed to broaden its approach to social reproduction to include insights from how this work affects people in the Global South. 

This book shook up the debate on domestic work and the place of women in society.

Da la Costa and James put forward the radical idea that the working class must include non-waged workers in the home, most of whom are women. This was a revolutionary idea which brought to light how the work of women is overlooked in society and the economy. Wages for housework were their symbolic and material answer to this, and this generated a huge debate about how the modern family was created by the development of capitalism, with the care labour of women being a subsidy to capital.

When I first read this book, I felt as if a whole new way of thinking about women’s work had been opened up. 

A friend gave me this book, and I couldn’t put it down. It is Bhowmick’s story–and that of her mother, who was a working mother and exhausted by managing both her professional work and homemaking.

Building on this, Bhowmick maps the lives of middle-class Indian women labouring under this double burden and yet giving hope to their daughters about the promise of the possibility of "having it all"–a fulfilling home life (despite the unequal burden of housework) and an ambitious professional life.

The tone of the book is angry as Bhowmick, a journalist, conveys her frustrations with the patriarchal social order that refuses to see the depleting effects of gendered inequalities in both the public and the private spheres of life for middle-class women in India.

In classical detective fiction, the story of the crime is like a puzzle, and piece by piece, clue by clue, we arrive at the big picture. Subdivision is, in some ways, a classic puzzle mystery (it even involves a puzzle!)—except it doesn’t start at a crime scene. It starts with a woman arriving at a guesthouse in the surreal and Kafkaesque Subdivision where she now lives. She can’t remember why she is there or really anything from her past.
Unlike more classical detective fiction, she is not a guide; I followed her—tracking, assembling, interpreting—but when certain elements of the real (maybe) slid into focus, they did so mostly despite her. I couldn’t put it down, and notwithstanding its fairly cerebral tone, I cried at the end.

This book provides outstanding biographies of the female luminaries of the Civil War, such as Clara Barton, Harriet Tubman, and Dr. Mary Walker, while also introducing readers to lesser-known women who made an impact during the great sectional conflict.  Beautifully written and full of rare photographs, Women of the Civil War is captivating.

This book kicked off my obsession with stories about young women who are trying to make sense of all the versions of themselves they have inside and weighing up which one to present to the world at any given time. The protagonist, Ruth, is an American living in London who works at a department store, spritzing perfume during the day, watching all the people go past, and trying to understand how the other young women who work there seem so self-assured. This is not a plot-driven book so much as a character study of a character who doesn’t know who she is yet.

Kate Zambreno’s writing is absolutely gorgeous. She creates a distance between Ruth—the ‘green girl’—and the world, like she’s looking through a window and can see people inside talking but not understand what they’re saying. At the same time, I recognized myself in Ruth,… show more.

Band of Sisters gives us a book full of heroism, valor, combat action, and real sacrifices of women fighting in a foreign war. For me, this book beautifully portrays why women continue to serve—it highlights comradery, the willingness to put oneself in danger for another, the pride in a job well done, the ability to continue on after the unthinkable. Especially after reading a book such as The Lonely Soldier, Band of Sisters shows what The Lonely Soldier is missing—that women, too, want to fiercely fight and fiercely protect. It also proves that there are no front lines in modern war, and that women engage in combat, proving themselves well-suited for the role. A must-have to shut up those people who say, “Well, women don’t actually see combat.”   

As a writer of feminist myths, Kartika Nair’s exquisite poetic retelling of the Mahabharata from the women’s perspective felt like it was written for me. The title is from the African writer Chinua Achebe’s words, "Until the lions have their own historians, the history of the hunt will always glorify the hunter." Using formal poetry, free verse, and prose, Nair has created a palimpsest of the great Indian epic of kingship and warring dynasties which is several times the length of The Iliad and The Odyssey combined. Here the mothers, wives, sisters, and lovers of the protagonists tell their stories, providing a counterpoint to the much-quoted verse from the epic: "All that is found here can be found elsewhere, but what is not here can be found nowhere."

The title says it all. In this short story collection, simply being a woman is a kind of emergency. These stories are slow burns, full of interiority and character development. The devastation is in the details: tiny moments that reveal deep-seated fears and barely acknowledged longings.

Each story is full of quiet revelations: there’s subtlety in the dangers these women face; in fact, it’s woven into the very fabric of their lives.