100 Books Like Parts

I am passionately keen on poetry of many types because, whether rhyming or not, most poetry employs rhythm which is something that has a subconscious appeal to human senses. For children, rhyme provides an easy introduction to poetry and I enjoy using it because children themselves love it. Mums tell me that they are asked to read the same book time and time again – and not to try to skip any spreads! At the age of three, before she could read, my son’s goddaughter knew the whole of You Can’t Take an Elephant on the Bus by heart. The rhymes children hear when very young remain with them, sometimes forever. 

I am an award-winning children’s picture book author who writes stories about obstacles children encounter, focusing on the emotional and mental health of the character so children facing similar situations are able to relate. I have been writing poems and short stories since I was a child and all of my stories are written in rhyme. I love reading a rhyming book out loud and listening to the story unfold.

I am an award-winning children’s picture book author who writes stories about obstacles children encounter, focusing on the emotional and mental health of the character so children facing similar situations are able to relate. I have been writing poems and short stories since I was a child and all of my stories are written in rhyme. I love reading a rhyming book out loud and listening to the story unfold.

I am an award-winning children’s picture book author who writes stories about obstacles children encounter, focusing on the emotional and mental health of the character so children facing similar situations are able to relate. I have been writing poems and short stories since I was a child and all of my stories are written in rhyme. I love reading a rhyming book out loud and listening to the story unfold.

Ever since I traveled to Ethiopia as a child and saw its forms of Christianity, I’ve been fascinated with the ways that a religion that seems to be “pure” and ethereal actually gets mixed with folk traditions. I came to specialize in the ways that Egyptian Christianity became Egyptian. But I have also noted this phenomenon throughout religions: Buddhism, Judaism, and Islam all assimilated themselves to particular regions and village expressions. This dynamic exchange between the “great tradition” and resilient local traditions is fascinating to trace even today when many leaders claim that nothing exists except for pure religious teaching. But historians of religions know that every religion is constantly “syncretizing.”

My interest in medieval history comes from a love of language. My favourite Old English word is wordhord, which refers to a poet’s mental stockpile of words and phrases. My word hoarding (and sharing) started with tweeting the Old English word of the day in 2013. This spread to other social media platforms, a blog, an app, and now two books. I have a PhD in English from King’s College London (my thesis was on blood in Old English, even though blood actually makes me squeamish). I enjoy histories that make me think about the past from a different perspective.

I didn’t always know that I wanted to be a doctor, perhaps because there were no doctors in my family, and I did not even realize that I wanted to (or could) go to medical school until I was almost done with college. Once I did realize this, however, it became immediately obvious to me that being a physician (a surgeon) was what I wanted to dedicate my life’s work to, and I have been passionate about it ever since. Probably the topics I am most passionate about after surgery are education, books, reading, poetry, etc., so this book lets both these passions dovetail beautifully!

I have always been interested in the overview, the joined-up, the patterns, trends, and directions rather than the details of things. As a biologist, this led me to study animal behaviour rather than molecules. Great things come from the cross-overs between disciplines. Bridges are there to be made between islands of knowledge. Both my books (Wild Health and Another Self) are books that bridge a huge divide between knowledge acquired from reductionist research and that gained by experience. We humans use both.

An acclaimed scientist, teacher, and writer, Andrew Knoll has travelled the world for decades, investigating ancient rocks to understand the intertwined histories of our planet and the life it supports. His boyhood thrill at discovering fossils has never deserted him. It continues to motivate him to explore topics that range from the earliest records of life and the emergence of an oxygen-rich atmosphere; the diversification of both plants and animals, and the intricacies of mass extinctions, past and present. He has also participated in NASA’s exploration of Mars.

I’m a traditional sculptor with more than 25 years of experience. Being a dyslectic student in the 2000s, I developed a systematic approach to translating medical anatomy texts into visual information that I could use while sculpting.  All the anatomy books for artists at the time were text-centered. My reference sketches became quite popular among colleagues. It was clear that visual artists perceive information best when it’s visual, and that is how I got the idea for my first book. Now the Anatomy for Sculptors handbooks are bestsellers among visual artists striving to better understand the human form.