Here are 100 books that Outsiders fans have personally recommended if you like
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Horror spoke to me early. In fifth grade a teacher submitted my story which landed in an anthology of Maine authors alongside Stephen King. King being a local made writing real. Whether movies or books I could not consume enough of the horror genre. My local bookstore had me (a customer) curate their horror section given my knowledge and depth of reading in the field. Anthologies excited me most with so many authors packed into one volume. I detoured into producing/writing in Hollywood for years in the non-horror field. But now I author books in the genre that means the most to me. I also edit the Little Coffee Shop of Horrors Anthology series.
Solid anthology but the cream of the crop standout is bar none, "Dog"by Joe R. Lansdale. A tale about a man on a bike being chased by a dog is like Cujo on steroids. Highly intense and fast-paced, the story never lets up from the first page. It never slows down and the poor character’s bike trip just gets worse and worse. This one will keep you on the edge of your seat and thinking about it long after.
To be able to fill an anthology with original horror tales by some of the greatest names in terror fiction is a dream come true. Bram Stoker Award-winning editors Jeff Gelb and Del Howison are living that dream... or is it nightmare? Following the first award-winning book of the series, the editors have gathered the finest horror authors from around the country, including bestselling authors James Sallis, Joe R. Lansdale, Max Brooks, Steve Niles, and Caitlin R. Kiernan.
18 original tales of carefully crafted macabre will keep you up at night. Plus there is an introduction by the late great…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
Horror spoke to me early. In fifth grade a teacher submitted my story which landed in an anthology of Maine authors alongside Stephen King. King being a local made writing real. Whether movies or books I could not consume enough of the horror genre. My local bookstore had me (a customer) curate their horror section given my knowledge and depth of reading in the field. Anthologies excited me most with so many authors packed into one volume. I detoured into producing/writing in Hollywood for years in the non-horror field. But now I author books in the genre that means the most to me. I also edit the Little Coffee Shop of Horrors Anthology series.
I recommend this book above other Stephen King anthologies for one specific story. "Mile 81". I grew up around Mr. King and he even came and read from one of his books in our high school auditorium. We all know him and there are a million to pick. But I chose this for both readers and authors. The story is about a car that is not what it seems. (Yes, a car.) The reason I believe even writers should study it, is how well it takes a concept and sticks with it and makes it real. The story is fun, gross, and tense, but also a masterclass in storytelling.
A generous collection of thrilling stories - some brand new, some published in magazines, all entirely brilliant and assembled in one book for the first time - with a wonderful bonus: in addition to his introduction to the whole collection, King gives readers a fascinating introduction to each story with autobiographical comments on their origins and motivation...
The No. 1 bestselling writer has dazzled readers with his genius as a writer of novellas and short story fiction since his first collection NIGHT SHIFT was published. He describes the nature of the form in his introduction to the book: 'There's something…
Horror spoke to me early. In fifth grade a teacher submitted my story which landed in an anthology of Maine authors alongside Stephen King. King being a local made writing real. Whether movies or books I could not consume enough of the horror genre. My local bookstore had me (a customer) curate their horror section given my knowledge and depth of reading in the field. Anthologies excited me most with so many authors packed into one volume. I detoured into producing/writing in Hollywood for years in the non-horror field. But now I author books in the genre that means the most to me. I also edit the Little Coffee Shop of Horrors Anthology series.
This little gem of an anthology is shorter than most I read but boy is it packed with superstars in horror. But the story that stands out here is "The Playhouse" by Bentley Little. I could have included his own collections here, and you should consider reading them, but this unique tale really stands out in a solid anthology, so I wanted to recommend this. Bentley Little has always been one of my influences even though I came across him later in my horror journey. His no-nonsense storytelling drags readers in quick and takes them along for the ride. In this a realtor discovers a playhouse on a property she is to show, and everything goes wrong from there. While a horror tale, it also deals with vestiges of youth and the passage of time. A truly remarkable tale.
Mick Garris, J. Kenner, Kealan Patrick Burke, Del James, and Bentley Little pry open a sarcophagus of horror and dread in Dark Screams: Volume Five, from Brian James Freeman and Richard Chizmar of the esteemed Cemetery Dance Publications.
EVERYTHING YOU’VE ALWAYS WANTED by Mick Garris It was supposed to be the night of his life: a celebration of his one hit slasher flick. But the price of admission is higher than this has-been filmmaker ever could have imagined.
THE ONE AND ONLY by J. Kenner When he was seven, Will Underwood’s nanny told him she had the Sight.…
Coyote weather is the feral, hungry season, drought-stricken, and ready to catch fire. It’s 1967, and the American culture is violently remaking itself while the country is forcibly sending its young men to fight in a deeply unpopular war.
Jerry has stubbornly made no plans for the future because he…
I’m mostly known for my zombie/post-apocalypse novels and being a prepper. So why did I choose the revenge topic and what qualifies me as an expert? Zombies and apocalypse storytelling were never my first love. My first has always been reading stories of revenge both true-life and fictional. This helped inspire and drive me as a writer in my early days in this genre. The stories by the authors I have listed here not only influenced me in my writing style but also fueled me to write my own revenge story anthology. But mostly, I have a very twisted mind!
There are a lot of great stories filled with graphic sex, gore, and violence, as Clive Barker does so well, in this anthology but for me the standout story is the one of revenge titled, "Confessions of a (Pornographer's) Shroud". It was written as a black comedy and Barker does it well.
Ronnie is a fervent Catholic who is falsely accused by the Mafia of being the ringleader of a pornography cartel. After killing two mobsters in retribution, he is brutally tortured and murdered by the mob. Except, Ronnie manifests as a vengeful spirit and animates the shroud covering his body in the morgue. He then takes revenge on the rest of his enemies, and in a gory climax, the spirit enters the mouth of the mob boss and turns him inside out. There is also a twist at the end of the story.
Five stories in the third volume of Clive Barker's "Books of Blood". The stories are titled "Sun of Celluloid", "Rawhead Rex", "Confessions of a Pornographer's Shroud", "Scapegoats" and "Human Remains".
My obsession with metamorphosis began after my wife and I discovered that we're going to have our third child. I started having nightly dreams about the butterflies I kept in a dry aquarium when I was a kid, waking up in the middle of the night with a flashlight strapped to my forehead, waiting to see them emerge from their chrysalis. A pregnancy somehow feels like our human version of emergence: few experiences are as life-changing as becoming a parent, and fewer wonders more exhilarating than the natural magic of metamorphosis. Both mark beginnings but are in fact continuations. Both, in different ways, are also forms of endings. Both make us wonder about the riddles of our world.
In this classic, Gregor Samsa, a traveling salesman, famously wakes up one morning to discover that he is a gigantic vermin.
Interpretations of the book range from Kafka trying to say that modern life reduces us all to being bugs, to the idea that Kafka was really writing about art, and how, since the artist cannot ever be understood, he might as well be an insect.
I read it as Kafka's attempt to reconcile two philosophies - that of Nietzsche, who claimed that the human will is a force that leads to happiness, and that of Schopenhauer, who claimed that the will is just about survival.
In Kafka's hands, metamorphosis is both life-affirming and life-denying.
“When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous vermin.”
With this startling, bizarre, yet surprisingly funny first sentence, Kafka begins his masterpiece, The Metamorphosis. It is the story of a young man who, transformed overnight into a giant beetlelike insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowing—though absurdly comic—meditation on human feelings of inadequacy, guilt, and isolation, The Metamorphosis has taken its place as one of the most widely read and influential works of twentieth-century…
I'm a long-time role-player/gamemaster and reader of SFF, and I've read, created, and played (and written!) a lot of stories.Good stories come from good characters. We all know that. But part of what makes characters good is that they're believable, and to me their believability is inextricable from the worlds they come from. A world-build—setting, weather, technology, magic, science, cultures, and languages—should BE as much of a character as the protagonist(s). While I admit a fond nostalgia for ye olde semi-Euro-medieval setting, I lovea world-build that challenges or surprises me, and I love the characters and stories that come out of those worlds. I hope you do too.
Shapeshifting lizard people. Oh. You want me to say something else?
How about... a world like no other, peopled by all manner of beings (but no humans, which is honestly a delight). The setting is so fantastic, but also so meticulously designed—every settlement and civilization feels organic, fully realized, and unlike anything else. But what about the story—?
Moon doesn't know where he's from, but he knows he's the only shapeshifter he's ever met, and the only person with wings...and worse, he thinkshe's part of the terrible Fell, a species that seems to be invasive and hostile and looks a lot like him.
Then he meets another Raksura, and learns how wrong he's been about everything, including himself.
Nominated for the 2018 Hugo Award for Best Series. "Wells...merrily ignores genre conventions as she spins an exciting adventure around an alien hero who anyone can identify with."-Publishers Weekly, Starred Review
Moon has spent his life hiding what he is - a shape-shifter able to transform himself into a winged creature of flight.
An orphan with only vague memories of his own kind, Moon tries to fit in among the tribes of his river valley, with mixed success. Just as Moon is once again cast out by his adopted tribe, he discovers a shape-shifter like himself . . . someone…
Homeless following the death of his adoptive parents in a car crash and the subsequent loss of their farm tenancy, Seb decides to enrol as a residential student at the Asklepios Foundation, a College of Natural Medicine, boasting a sanctuary modelled on an ancient Greek healing temple. Spending a night…
In 2006, I told a friend I wanted to write a book about grieving the death of a friend. Despite the fact that I’d never written a book before, she gave me her enthusiastic approval. Six months later she was dead. She inspired me to turn that book idea into a series of little books: the Friend Grief series. Just as I was finishing the last one, I began work on a full-length book that took me back to my work in the early days of AIDS. When COVID began, I returned to writing about friend grief. And I lost over a dozen friends while I wrote the book.
Jennifer Haupt has collected a diverse, fascinating, and powerful group of writers who dig deep into the challenges we faced at the height of COVID.
The anthology, a fundraiser for the Book Industry Charitable Foundation, features poems, essays, interviews, and more. I found the wide range of experiences and emotions both comforting and inspiring.
"Could there be a timelier gift to quarantined readers...? I doubt it." - The Washington Post "A heartening gathering of writers joining forces for community support." - Kirkus Reviews "Connects writers, readers, and booksellers in a wonderfully imaginative way. It's a really good book for a really good cause" - Bestselling author James Patterson ALONE TOGETHER: Love, Grief, and Comfort in the Time of COVID-19 is a collection of essays, poems, and interviews to serve as a lifeline for negotiating how to connect and thrive during this stressful time of isolation as well as a historical perspective that will remain…
Too many women experience trauma and a lot of these rely on fiction as a means of escape. The more realistic, flawed, diverse characters we have in books, the more real women feel heard and accepted. Life after trauma can be bumpy and unpredictable, especially when it comes to romance and relationships. Allowing readers to explore this in a safe space is not only great storytelling, but meaningful.
This candid story follows a rape victim navigate life when she is not believed, offering a tragic view on how victims can be treated. The plot follows the case of a missing girl, highlighting how the female main character’s injustice isn’t just damaging for her, but has far greater consequences.
One line that really struck me in this book was “how do I know he is safe?”, which as a fellow survivor really resonates with me. The writing is raw and the characters painfully believable, all in a page-turning plot that will stick with you long after the last page.
The sheriff's son, Kellan Turner, is not the golden boy everyone thinks he is, and Romy Grey knows that for a fact. Because no one wants to believe a girl from the wrong side of town, the truth about him has cost her everything-friends, family, and her community. Branded a liar and bullied relentlessly by a group of kids she used to hang out with, Romy's only refuge is the diner where she works outside of town. No one knows her name or her past there; she can finally be anonymous. But when a girl with ties to both Romy…
As a journalist and author and a young father, I’ve come to seek more vigorously things that make me smile, things I can cherish and appreciate. My most recent book is dedicated to “the troubled, in trouble, and once troubled.” In promoting the book, I’ve often said I still feel fairly troubled—which is true. Demons never die, we just live to learn with them. So while reading the below books I’ve discovered hallowed moments which fill a person to the brim. After each of these reads I felt that I could surmount most anything.
When I first moved overseas, I hadn’t thought about leaving my friends behind, or what role they played in my life. We had largely spent our lives apart, ever-connected if remote, and that seemed to fit us just fine. Then something akin to culture shock took hold and I needed them more than ever. They were there, in their Zoom boxes, and on telephone calls. I was reminded to check in with them often—to keep the good thing we had going.
In this "entertaining mix of social science, memoir, and humor, as if a Daniel Goleman book were filtered through the lens of Will Ferrell" (The New York Times Book Review) a middle-aged man embarks on an entertaining and relatable quest to reprioritize his ties with his buddies and forge new friendships, all while balancing work, marriage, and kids.
At the age of forty, having settled into his busy career and active family life, Billy Baker discovers that he's lost something crucial along the way: his friends. Other priorities always seemed to come first, until all his close friendships became distant…
Marriage and Fatherhood in the Nazi SS
by
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more…
A big motivation for writing Cursedwas what I saw as a dearth of authentic disability and chronic illness rep in books for kids. Where were the characters who were angry, messy, scared? Where were the kids in real pain—physically, emotionally, socially—who maybe weren’t surrounded by supportive friends and family and maybe didn’t handle their diagnoses with grace? When I was first diagnosed with juvenile arthritis at thirteen, I was all of the above—and then some. I’ve identified as disabled for 30+ years and am active in various disability groups and spaces. It’s my pleasure to champion kids’ books with authentic disability and chronic illness representation.
In this diagnosis story, author Kamins chooses to use a fictional illness—lepidopsy—to perfectly emulate the otherworldly confusion and uncertainty of being diagnosed with a disease you have no context for. Suddenly, everything changes for Anna. Nothing makes sense. It’s disorienting, uncomfortable, and terrifying. I loved how the book shows the character figuring out how to navigate this new life step by step by misstep. Despite the fictional illness, Anna’s journey feels incredibly real.
Anna is a regular teenaged girl. She runs track with her best friend, gets good grades, and sometimes drinks beer at parties.
But one day at track practice, Anna falls unconscious . . . but instead of falling down, she falls up, defying gravity in the disturbing first symptom of a mysterious disease.
This begins a series of trips to the hospital that soon become Anna’s norm. She’s diagnosed with lepidopsy: a rare illness that causes symptoms reminiscent of moths: floating, attraction to light, a craving for sugar, and for an unlucky…