100 Books Like Out of This Furnace

I haven’t recovered yet from the way Hartman recovers the lives of young Black women through historical photographs. The images were made to rob these women of their individuality, make them fit “types,” letting them say Nothing about themselves.

But Hartman writes like she’s talking to them, and they’re wonderful. She messes with categories used by authorities who thought they “knew” these women by their transgressions. I was utterly transfixed by how she imagined these women’s lives and loves in the ordinary stairways and back alleys they called home.

The photos are gorgeous. You could talk about them for days and still have more to think about—like how when it comes to women being framed for doing something wrong, maybe Nothing has changed.

As a reader of history, I’m often drawn to novels, and when it comes to historical nonfiction, I favor books that combine epic tales with personal drama.

The Long Deep Grudge hits that nail on the head. It recounts the long-running conflict between the Farm Equipment Workers (FE)—a small communist-led labor union—and the corporate behemoth International Harvester. It also features a host of memorable individuals: radical and anticommunist labor leaders, captains of industry, public officials dedicated to preserving private wealth, and rank-and-file workers fighting for power on the job out of love for one another as well as anger at the boss.

Although the FE ultimately fell victim to the Red Scare, this is a fundamentally inspiring book about how much a militant democratic union can accomplish. 

As a U.S. labor historian, I’ve read loads of books on the unionization of mass production during the Great Depression.

Labor’s New Millions stands above the rest for its power to make you feel like you’re right there at the picket lines, union halls, and other venues that the journalist Mary Heaton Vorse visited as she gathered material for this book about worker uprisings that put the Congress of Industrial Organizations on the map. As she shows in vivid detail, whole communities rallied to build the CIO, and campaigns for justice on the job spilled over into other realms.

Housewives going toe to toe against police, kids hand painting their own picket signs, strikers chanting “Freedom! Freedom”: Labor’s New Millions brings to life all of this and much more. 

Time and again, I’ve given this book to folks in need of inspiration or opened it on a bad day to remind myself of the astonishing inventiveness, generosity, and stamina working people possess.

Recounting the life of a Mexican-American farm worker who became a community activist and union organizer, the book emerged from hundreds of hours of conversation in which Maria Elena Lucas told her story to Fran Leeper Buss and from hundreds of pages of creative writing Lucas had earlier produced. The result is riveting, because of the breadth of Lucas’s experience and the depth of what she shares about her inner life.

Especially stirring to me are the passages that lay out a personal theology that sees the divine in ordinary people and identifies God as a woman of color seeking the best for her children.    

This is a book for members of the Irish diaspora. It tells of the experiences of your ancestors as they fled the conditions prevailing in their homeland.

Often single members of families whose objective was to earn money they could send back to Ireland in order to enable those family members left behind to follow. Too often the welcome they found, after travelling in appalling conditions as human cargo in ships unsuitable for the purpose, was not as warm as they had expected.

A story relevant today as we grapple with the problems created by modern migration from war- and/or famine-ravaged areas of the modern world, often still undertaken in unsuitable boats.

Sarah Hall is a phenomenal writer and this is the novel that got me hooked. The Electric Michaelangelo of the title is tattoo artist Cy Parks, a man whose heart, art, and the love of his life are all inextricably entangled. The narrative charts his journey from a Morecambe childhood to a tattoo booth on Coney Island and back again, and it’s another take on the kind of Sideshow Gothic that I love. Hall writes accessible award-worthy novels in prose that’s stripped of any pretentiousness. After reading this and then her debut novel Haweswater I just order whatever she publishes, sight unseen.

Ravvin has written excellent works of fiction and literary scholarship. His book is a masterful blend of two genres: family biography and social history.

I found this book to be so engrossing I could barely put it down. It traces the author’s grandfather’s dogged saga to emigrate from Poland to Canada, to find some mooring amidst the precarity of being a new immigrant, a foreigner, and a Jew, and to try desperately to bring over his wife during a time when Canada’s immigration gates were closing.

I love this book’s ability to seamlessly alternate between deep archives-based history (how did the immigration labyrinth actually work and why was it designed that way?) and personal/ancestral memoir (what was it like for one human–of existential consequence for the author–to navigate that labyrinth?).

It's a remarkable story of one immigrant crisscrossing the country in the era that immediately preceded the much more frequently… show more.

Very Cold People is an atmospheric, sharply observed coming-of-age novel set in an old money town called Waitsfield, outside Boston. Ruthie, the narrator, is not wealthy at all, and her story is one of slights, deprivation, and wanting. Everyone is hiding something, including Ruthie and her family, and Sarah Manguso ratchets up the tension as the book unfolds, and their secrets are revealed. 

This one is set in the early 20th century. Coralie, works at her father’s Coney Island freak show as a mermaid and has extraordinary swimming abilities but is as sheltered as a goldfish in a bowl. She meets and falls in love with a photographer who is on hand to document the famous Triangle Shirtwaist Factory fire. This is for readers who like their historical fiction touched with that kitchen-sink magical realism that Alice Hoffman is celebrated for. Turn-of-the-century New York sparkles throughout. This one is closer to my own Melting Pot roots and its eccentric characters seem so New York!

I have a fascination with countries that don’t fully exist and have visited a few myself. So when I learned that Chude-Sokei was from a country that really no longer exists, I was hooked. The country in question was not one I recognized. Biafra was a short-lived African state that declared independence from Nigeria in 1967. 

What kept me reading the book though was the humor Chude-Sokei uses to describe his unique situation as the “first son of the first son” of a leader of a country that was “killed” in 1970, as his mother puts it. Chude-Sokei’s tales of growing up an African in Jamaica followed by his yearning to become a Black American in Inglewood, Los Angeles will resonate with anyone who ever struggled with their identity.