Here are 88 books that Out from Boneville fans have personally recommended if you like
Out from Boneville.
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Growing up in California, I was enchanted by the idea of New York City—largely due to the visions of it I found in the books on this list. I’ve now lived in NYC for 20 years and love matching real locations with their versions in my imagination. In my time in the city I’ve been a staff writer for Newsweek Magazine, an editor at Scholastic, and a freelancer for many publications including The New York Times and The Washington Post. I’m currently working on a second novel.
Miranda Sinclair is a latchkey kid who lives with her single mom on the Upper West Side of New York City in the late 1970s. I love the way Miranda navigates her dirty, dangerous, yet enchanting city – her street smarts, her fears, her relationships with the adults in the neighborhood who keep a watchful eye over her. And the book, while totally gritty and real, also has a lovely, melancholy element of magical realism that makes the story mysterious and poignant.
Miranda's life is starting to unravel. Her best friend, Sal, gets punched by a kid on the street for what seems like no reason, and he shuts Miranda out of his life. The key that Miranda's mum keeps hidden for emergencies is stolen. And then a mysterious note arrives: 'I am coming to save your friend's life, and my own. I ask two favours. First, you must write me a letter.'
The notes keep coming, and Miranda slowly realises that whoever is leaving them knows things no one should know. Each message brings her closer to believing that only she…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’ve spent pretty much my entire adult life as a journalist, a dining critic, or a humor columnist. But over the past ten years, my reading choices have been influenced less by, say, The New Yorker, than by my daughter, Hannah. As she grew from Knuffle Bunny to Junie B. Jones to Judy Moody, so did I. And when she began reading middle-grade novels, I did too. Then I began writing them. There is something amazing about the endless possibilities of a kid’s imagination before they get cynical and start to care about things like being cool that makes middle-grade the sweet spot for ideas. It’s like Hannah came along and recalibrated my brain—for reading and writing alike.
This madcap book, about a boy and girl who discover a crazy mansion in the forest that looks like it was built by a drunken madman, made me laugh out loud. As they join forces with the house’s unforgettably weird inhabitants to try to save the house from the wrecking ball of a “crazed bureaucrat,” it’s impossible not to be drawn in. It’s one of those quirky adventure stories where every twist and turn comes from seemingly nowhere, while also making perfect sense. Plus: wild boars! Graff has made a career out of creative stories populated with memorably eccentric characters, and this one is my favorite.
A wild and whimsical adventure story, perfect for fans of Escape from Mr. Lemoncello’s Library
Brian can think of a few places he'd rather spend his summer than with his aunt and uncle in Boring, Illinois. Jail, for example. Or an earplug factory. Anything would be better than doing summer school on a computer while his scientist dad is stationed at the South Pole.
Boring lives up to its name until Brian and his cousin Nora have a fight, get lost, and discover a huge, wooden house in the forest. With balconies, turrets, and windows seemingly stuck on at…
I’ve spent pretty much my entire adult life as a journalist, a dining critic, or a humor columnist. But over the past ten years, my reading choices have been influenced less by, say, The New Yorker, than by my daughter, Hannah. As she grew from Knuffle Bunny to Junie B. Jones to Judy Moody, so did I. And when she began reading middle-grade novels, I did too. Then I began writing them. There is something amazing about the endless possibilities of a kid’s imagination before they get cynical and start to care about things like being cool that makes middle-grade the sweet spot for ideas. It’s like Hannah came along and recalibrated my brain—for reading and writing alike.
Lois Ruby is a YA veteran who has more than 20 books to her name, many of them historical fiction, including the beloved Steal Away Home, which appeared on basically every year-end best list back in 1994. She also happens to be my mom. And her latest book, which takes place during the “red scare” of the 1950s, is among her best. It’s a tense story about a baseball-crazy 13-year-old boy whose parents are accused of being communist sympathizers, turning his life upside down when he’s supposed to be studying for his bar mitzvah. The clock-ticking backdrop, leading up to the notorious execution of Julius and Ethel Rosenberg for supposedly passing on nuclear secrets to the Soviets, gives the whole book terrifyingly high stakes.
A suspenseful and heartfelt story about an era whose uncertainties, controversies, and dangers will seem anything but distant to contemporary readers.
If thirteen-year-old Marty Rafner had his way, he'd spend the summer of 1953 warming the bench for his baseball team, listening to Yankees games on the radio, and avoiding preparations for his bar mitzvah. Instead, he has to deal with FBI agents staking out his house because his parents―professors at the local college―are suspected communist sympathizers. Marty knows what happens to communists, or Reds, as his friends call them: They lose their jobs, get deported...or worse. Two people…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
I’ve been in love with cozy, low-stakes fantasy ever since my mother first handed me a copy of The Hobbit—so for most of my life. I love the focus on place and small comforts, the humble (and often unwilling!) heroes, the slower pace that builds to an emotional crescendo (as well as an action-packed one!), and the way these stories always leave me feeling warm, like I’ve just shared a coffee with a loved one. It should come as no surprise, then, that these are the kinds of stories I love writing best.
The older I get, the more I appreciate fantasy stories with lower, more personal stakes than, for example, saving the world from impending doom. I want the escapism of fantasy and magic grounded in emotions and scenarios I can relate to in some small way.
The Bone Houses is, amongst the walking corpses, the undead goat, the Welsh folklore, and the magic cauldron, a story about a young woman grieving for her father, and a young man searching for family. I found this book when I was still working through the grief of losing my own father—a Welshman and a miner just like the father in the story—and it felt like it had been written just for me.
Seventeen-year-old Aderyn ("Ryn") only cares about two things: her family, and her family's graveyard. And right now, both are in dire straits. Since the death of their parents, Ryn and her siblings have been scraping together a meager existence as gravediggers in the remote Welsh village of Colbren, which sits at the foot of a harsh and deadly mountain range that was once home to fae creatures known as the Otherfolk. The problem with being a gravedigger in Colbren, though, is that the dead don't always stay dead.
The risen corpses are known as "bone houses," and legend says that…
Bad boys in young adult romance have always been one of my favorite tropes to read. For seven years, I facilitated a poetry workshop with teens in a juvenile detention center and got to hear their stories—the heartbreak, the challenges, and the triumphs under all that bad boy façade. My memoir, Kids in Orange: Voices from Juvenile Detention, is about the workshops and helped me understand both myself as a writer and the “bad boys” who wrote poetry each week. There are a lot of complexities to bad boy characters and the most satisfying stories are the ones where the bad boys redeem themselves and find love.
It’s always a joy to find a good short story collection, better yet when the stories are all giving the villains from fairy tales a chance to tell their side of the story. From Jack in the Beanstalk to The Little Mermaid, this collection is a great one to dive into and find out what makes our famous villains tick.
Leave it to the heroes to save the world--villains just want to rule the world. In this unique YA anthology, thirteen acclaimed, bestselling authors team up with thirteen influential BookTubers to reimagine fairy tales from the oft-misunderstood villains' points of view. These fractured, unconventional spins on classics like "Medusa," Sherlock Holmes, and "Jack and the Beanstalk" provide a behind-the-curtain look at villains' acts of vengeance, defiance, and rage--and the pain, heartbreak, and sorrow that spurned them on. No fairy tale will ever seem quite the same again! Featuring writing from . . . Authors: Renee Ahdieh, Ameriie, Soman Chainani, Susan…
As a child, growing up in New York as a first generation Greek-American, my family believed in the power of storytelling. My family embraced both classic Greek mythology and village folklore as words to live by. I learned how transformative storytelling can be. It transformed me as a child, finding solace in freedom in reading, and formed the foundation for my career as an actress and writer.
My new book, The House in the Middle of the Street, is my winter Gothic tale about a house, its occupants, and a yearly visit made by a boy and a girl on New Year’s Eve. It's a setting where magic and myth rule. The stories below spoke to me about the mystery that surrounds us all.
This is one of my favorite stories from Gaiman who I absolutely revere.
His style is a perfect whimsical blend of mythological fairy tales with the insightful science fiction grit and truth-telling of Rod Sterling’s "Twilight Zone” tales.
This particular story of Gaiman’s ushered me into this world with its poetic rhythm. A man returns to his childhood home and meets a girl named Lettie and her family. It felt like I stepped into a world where all things are possible, a homecoming is at hand, filled with the threat of danger and the loss of self. As the man remembers his past, he travels through time and crosses between our world and a darker one that brings terror as well as an understanding and protection.
It’s a beautiful story that informs my writing and deepens my love for a modern fairy tale.
A brilliantly imaginative and poignant fairy tale from the modern master of wonder and terror, The Ocean at the End of the Lane is Neil Gaiman's first new novel for adults since his #1 New York Times bestseller Anansi Boys.
This bewitching and harrowing tale of mystery and survival, and memory and magic, makes the impossible all too real...
Big Ideas... For Small Businesses
by
John Lamerton,
Big Ideas… for Small Businesses is a straight-talking, no-nonsense guide to growing a small business without sacrificing your lifestyle. Written by a former civil servant turned entrepreneur, the book challenges hustle culture and instead champions the idea of an "ambitious lifestyle business" - one that provides freedom and financial stability,…
Before becoming an author, I’d dabbled in almost every other genre—science fiction, western, coming-of-age, fantasy, and the like. When I wrote, published, and won awards for my first two mystery thrillers, I felt like I had finally found my niche with mystery readers. Good writers are good readers, so for years, I read only the genre for which I was writing. After a time, all those mysteries started to become rather formulaic, so I decided to branch out into other genres I used to enjoy. When I heard that other mystery fans were experiencing “genre burnout,” I built this list to encourage them to enjoy the fruits of all genres.
The “King of suspense” boldly trades his horror routine for dark fantasy and boundless adventure in Stephen King’s fairy tale epic, simply titled Fairy Tale.
As a King connoisseur with early reader’s roots in the Harry Potter books, I felt like I had to read this one. King doesn’t dabble in sugary story beats found in modern fantasy. He dives headlong into Grimm-style sacrifice, archaic and believable magic, and a Lovecraftian antagonist named Gogmagog whose sole purpose is to destroy worlds—including our own.
The steady pacing, crass dialogue, and re-manipulating of story structure are familiar tools King employs with ease in a novel that combines a few of his traditional elements of horror with nods to classic fairy tales, masterfully breathing new life into the modern fantasy genre.
A #1 New York Times Bestseller and New York Times Book Review Editors' Choice!
Legendary storyteller Stephen King goes into the deepest well of his imagination in this spellbinding novel about a seventeen-year-old boy who inherits the keys to a parallel world where good and evil are at war, and the stakes could not be higher—for that world or ours.
Charlie Reade looks like a regular high school kid, great at baseball and football, a decent student. But he carries a heavy load. His mom was killed in a hit-and-run accident when he was seven, and grief drove his…
Growing up, I was introduced to Japanese
culture and history through anime. But I decided to dig a little deeper,
reading history books and looking up more and more information. I was
fascinated by what was presented of “Old Japan,” both the misconceptions that
were spread by pop culture and by the surprising details that it gets right
that no one would believe. This fascination is one of the most consistent
things about me through the years, and the idea of delving into works of my own
that merged samurai drama with lesbian relationships has been a recurring
desire of mine for years.
While it feels a little slow to start, this novel is the kind of thing that takes typical fantasy tropes, puts them in a bucket, and dumps it upside down. The story is fantastical and doesn't shy away from that fact, but it is also deeply influenced by Japan's folklore, mythology, and spiritual traditions.
The forces of the God of Light and the Goddess of Darkness have waged a ruthless war across the land of Toyoashihara for generations. But for 15-year-old Saya, the war is far away and unimportant--until the day she discovers that she is the reincarnation of the Water Maiden and a princess of the Children of the Dark. Raised to love the Light and detest the Dark, Saya must come to terms with her heritage even as she tumbles into the very heart of the conflict that is destroying her country. The armies of the Light and Dark both seek to…
Once upon a time, I came to the realization that I had no idea what my parents were thinking, much less anyone else. This has turned into a life of repeated musing over how much I do and don't understand about other people. More recently, my mother's death brought to light the many different ways family and friends remembered her, with joy and pain, loss and wariness. I chose this topic for the list because these books help highlight and explore the mysteriousness of family and memory and how a person can be whole and complete and sure of what they've lived through, only to turn and see a new angle never before recognized.
I love how much Mercy learns about herself. I also really admire the time and space and, above all, respect Briggs's investments in Mercy's witting and unwitting explorations of her powers and heritage. And how Mercy reacts to revelations about her mother and mostly unknown father. I, at least, admire when Mercy is allowed to get cranky and try to pick and choose what she wants to keep or discard, approve or disapprove.
All this, and it's a heck of a roller coaster ride. I rode the slow build-up, increasingly bracing myself for the first big drop, and then whoop-whoop-whoop, I whirled up and down and sideways to the end.
The sixth novel in the international No. 1 bestselling Mercy Thompson series - the major urban fantasy hit of the decade
'I love these books!' Charlaine Harris
'The best new fantasy series I've read in years' Kelley Armstrong
MERCY THOMPSON: MECHANIC, SHAPESHIFTER, FIGHTER
Car mechanic Mercy Thompson has always known there was something different about her, and not just the way she can make a VW engine sit up and beg. Mercy is a shapeshifter, a talent she inherited from her long-gone father. And she's never known any others of her kind. Until now.
The problem is not with the actions young women take but with the toxic, sexist conditions they are responding to.
Tanenbaum found, based on six years of interviews with young people ages 14-30, that young women are navigating a culture littered with gendered dress codes, revenge porn, and sexually explicit…
Stories that have stayed with me the longest are ones I can relate to. I like being able to put myself in others' shoes and feel the world they do. Even in the most crazy imagined places I like when the writer brings us along them in their journeys. Whether it's books or stories, I like seeing worlds from different perspectives. It's also the same approach I try to use while writing, thinking about how someone would handle something, but another character would handle it a different way. I've always been good at adapting to any situation, and now I can show it while telling a story through different eyes.
Mostly, I loved Tolkien's fascinating world he created.
He opened me up not only to the people but to the world around them as well. When entering his story, the world felt lived in, and everyone had their own stories, from Tom Bombadil to Aragorn. I thought the Ringwraiths were very cool, and characters like Samwise, Gollum, and Gandalf really stole it for me.
Tolkien explained why things were the way they are but still left most to the imagination. Before the movies, I had my own picture in my head, as I imagined others did as well. When I finally saw Moria on screen, I knew I hadn't done it justice in my head.
This brand-new unabridged audio book of The Fellowship of the Ring, the first part of J. R. R. Tolkien's epic adventure, The Lord of the Rings, is read by the BAFTA award-winning actor, director and author, Andy Serkis.
In a sleepy village in the Shire, a young hobbit is entrusted with an immense task. He must make a perilous journey across Middle-earth to the Cracks of Doom, there to destroy the Ruling Ring of Power - the only thing that prevents the Dark Lord Sauron's evil dominion.
Thus begins J. R. R. Tolkien's classic tale of adventure, which…
