Books like Our Subway Baby — picked by fans

This is a sentimental favourite. There is bathroom humour and funny furry “Gigglers” that protect children from mean adults. I read this book to my son on a plane from Dublin to Toronto after my mother died and he was hooked. I was hoarse after 4 hours but he wanted to finish it. It got very rude at the end (you have to read to find out) and I wanted to stop as we were close to other passengers and I was fading fast. I was talking him out of finishing when the passenger beside me piped up and said “you can’t stop now—what happens?" They added, “I never wanted children but seeing you with your son makes me think.” It’s a good read funny read and a moment I will always remember.

This book is a conversation between a grandchild and their grandma who is a residential school survivor. With childlike simplicity, grandma explains why her colourful clothes, long hair, and treasured time with her brother are a reaction to being taken “from community” and being sent “far far away”. Grandma talks about students forced to wear uniforms, cut their hair, forbidden from speaking Cree, and separation from her brother.

This is a book I would probably have steered clear of “not wanting to frighten my children” when I was parenting, David Roberson does a masterful job of gently laying out facts without explanation or accusation. The book opens the door to further questions and conversations that have to be had but are very difficult to start. This is a great start.

I really like this book because it is a story about a strong woman, a science student, someone who studied at university. The message “if you are part of the problem, you can be part of the solution” and the message of education, and environmental responsibility resonates with me. The illustrations are gentle pastoral scenes and the fact that it was the women who saved Kenya from hunger and devastation makes this a must-read. My favourite scene is when Wangari is telling soldiers to have a gun in one hand and a seed in the other. The true story that just one person beginning with a small act of planting some seeds made a big difference is definitely worth a read.

This book is immensely entertaining due to its blend of slapstick humor, imaginative storytelling, and simple illustrations. In my mind, no other cartoonist or illustrator can convey so much silliness with so few lines!

Pilkey’s creation of a half-dog, half-man hero who finds himself in hilarious predicaments is a simple but genius premise. There are all kinds of wonderful supporting characters, too, like Evil Petey and cute Cat Kid. The comic book style format, drawn by mischief-makers Harold and George, adds to the charm here.

Clever wordplay, puns, and relatable themes of friendship, bravery, and perseverance will show you why this book was such a home-run success.

There’s something about the grittiness of turn-of-the-century New York that seems especially well-suited to the different and strange, including the depictions in this novel of the Coney Island seashore, the tenements of the Lower East Side, and a brutal asylum.

The characters include a “night-soiler” cleaning out tenement privies, an undertaker’s wife, and estranged twin sisters, and the way their stories weave together is a Dickens-esque plot full of intrigue, deception, heroism, and forgiveness. Over it all is a sense of magic and possibility, including people who aren’t who or what they claim to be.

There is history quite literally buried beneath the concrete of New York City. This book tells the almost-forgotten story of the city’s first underground train, built before the subway system as we know it today was constructed. Alfred Ely Beach managed to secretly dig an underground tunnel and use a fan-powered pneumatic tube to move people back and forth on a train car. Though his invention quickly came to an end— likely due to complicated city politics— it remains a fascinating reminder that there is often a story behind the story and that new technology evolves from the ideas of many people.

I was overwhelmed with the loving simplicity of this beautifully rendered and highly charged romantic graphic novel. Reading it was akin to watching a film–I was drawn in and held tight until I had finished the last page.

Tender, emotional, cross-cultural, and cross-class, it resonated with me on so many levels but especially reaffirmed my belief that love is possible at any age and despite any obstacle.

My favorite gay autobiography. Humorous, explicit, and thought-provoking. Like my story, his is far from a neatly packaged “coming out” story of self-acceptance. He describes some way-out-of-bounds-for-most-people sexual adventures in detail but with no intention to shock or titillate. He is just telling stories he finds interesting, and he is a great storyteller. Not surprising, since he is a celebrated science fiction author.

Always surprising in a quirky way. Example: in the 1950s, he is at an outdoor gay cruising area at night when there is a police raid. It is only as the men flee that he grasps how many were there: hundreds. It is his first sense of being in a large gay male community, and it is empowering.

This is a novel about Italian immigrants struggling to survive in New York City’s Little Italy during the early years of the twentieth century amid the growth of the Black Hand, the precursor to the American mafia. The book is unique in that most of the characters are the author’s actual ancestors and people with whom they had come into contact during that era. Similarly, the grisly central events described in the story all occurred.

It is beautifully written and filled with fascinating historical details. The characters and the descriptions of places and events come alive on the page. Fabiano includes an extensive Glossary of Italian Terms used in the book, as well as a multi-generational family tree. Elizabeth Street makes for very good reading!

This is post-modern crime fiction thematically linked and all with increasingly unreliable characters—because they’re each going insane.

In City of Glass private investigator, Daniel Quinn, goes mad sinking deeper into an investigation about identity. Who is telling his story and can they be relied on? Is it any of these characters who appear: ‘the author,’ ‘Paul Auster the writer,’ ‘Paul Auster the detective’? Whoosh.

I love this stuff but understand it’s an acquired taste!