100 Books Like Orphaned

I’m not a fan of novels that are paced like greased rockets, as if the author’s afraid you’ll suddenly throw the book across the room, turn on Netflix, and order a pizza. Which is a key reason I love this book. Precious Ramotswe is a “traditionally built” woman who solves crimes in a superbly witty yet unhurried fashion and with deep compassion that stops short of sentimentality.

Her heart (huge) and brain (gently incisive) work in perfect tandem in this book. The plot is simple, which will frustrate readers who prefer intricate puzzles in their crime fiction. But for me, the pleasure lies in leisurely getting to know this wise, ingenious detective and her humble neighborhood in Botswana’s capital city.

What William Dalrymple is to India, Philip Marsden is to Ethiopia. They are both inspired travel writers and scholarly historians. What I particularly loved about The Barefoot Emperor was that it actually reads like a page-turning thriller. Central to the story is the towering figure of the Emperor Tewedros, a brilliant military commander, political reformer, and charismatic leader, who was both loved and loathed by the warring factions that made up his kingdom. His rise and fall compare with anything achieved by Julius Ceasar or Genghis Khan, and Marsden captures his incredible, true-life story with bravura writing that leaps off the page. He turns a searing searchlight onto one of the most forgotten episodes in African history and captures it all with a breathtaking sense of spirit of place.        

How do you describe and encapsulate a country that can trace its history back to the days of the Queen of Sheba, whose ethnic peoples speak over 80 separate languages and whose many traditions and culture remain untouched by time? The genius of Ethiopia: Through Writers’ Eyes is that it solves this conundrum brilliantly by compiling the writings of explorers, travel writers, and journalists dating from the ancient Greeks right up to the modern day. The result is a fascinating kaleidoscope of images and experiences that turn constantly in this reader’s mind long after putting the book down. It’s a book I return to time after time and it always transports me back to one of the most mysterious and beguiling countries on earth.       

Ethiopia is a treasure trove of traditional folktales and learning. Elizabeth Laird has travelled the length and breadth of the country digging them out by talking to tribal elders, community leaders, and traditional storytellers. What emerged for me was a fascinating record of an ancient culture and its wisdom that can trace its roots back to the days of the Old Testament but whose lessons still ring true to this today. I loved accompanying Elizabeth on her travels as she went in search of the stories; enjoyed meeting alongside her the storytellers she managed to track down; and most of all was charmed by the stories themselves, which are a match in wit and human insight for anything that was ever penned by Aesop or Hans Christian Andersen. 

The author is an Ethiopian/Canadian journalist living in London. The book is a vivid biography of her grandmother, Yetemegnu, based on many conversations and interviews. It begins in a traditional household in northern Ethiopia where the grandmother was married at the age of 10 to an ambitious priest twenty years older than her, and it takes us through a century of history as the family lives through and adapts to turbulent times, ending up in modern Addis Ababa where her son became a successful doctor and emigrated to Canada. It’s a beautiful and affectionate account that introduces us to a changing society. 

How could I not love a book about an Indian surgeon who finds himself living and working in Ethiopia, especially when the book has a plot that simply refused to allow me to put the book down?

I was deeply touched by the struggles of a surgeon trying to apply his craft in circumstances that seemed nearly impossible. I was equally affected by the fulfillment he experienced by being welcomed and so deeply appreciated by a community. I was hooked when his trust and resilience were put to the ultimate test.

All of Kapuscinski’s books are gems. He traveled Africa and other parts of the developing world as a Soviet journalist. The Emperor describes the rule and decline of the Ethiopian Emperor, Haile Selassie. The dry day-to-dry accounts of the emperor’s benign neglect for his people is chilling. Haile Selassie knew to keep those around him happy and not to worry about the people: “A man starved all his life will never rebel…. No one raised his voice or hand there. But just let the subject start to eat his fill and then try to take the bowl away, and immediately he rises in rebellion. The usefulness of hunger is that a hungry man thinks only of bread.”.

I first encountered Evelyn Waugh’s classic novel Scoop in a backpacker guesthouse in Kowloon in 1987. Some traveler had left it behind, and I read it insatiably, cover to cover, and then started again from the beginning. It was even more hilarious and bitingly satirical on the second read and is the one book I’d take along were I banished to a desert island where luggage allowance was severely restricted.

First published in 1938, Scoop delivers a timeless and elegant roasting of the profession of journalism and self-important foreign correspondents. I have to admit–up to a point–that the bumbling exploits of William Boot, the book’s reluctant protagonist, played more than a small role in my own decision to both pick up a camera and put pen to paper!

I’ve been a fan of Elizabeth Wein’s since I read her bestselling YA thriller Code Name Verity, and I was thrilled to discover she herself is a TCK. In this novel, two adopted siblings (one white, one Black), move from the US to Ethiopia in the 1930s, just before Ethiopia’s war with Italy. TCKs will relate to Teo and Em’s struggle with not feeling fully at home in any one place. Like all of Elizabeth Wein’s books, there is plenty of airplane-flying adventure to keep readers on the edge of their seats!

Not technically a “nineteenth-century” book, this 1902 novel is the most surprising work of fiction from the period that you’ll ever read. 

Written by a Black woman from Boston who had achieved success first as an actress and then as a magazine editor, this wild fantasy reads like a cross between the film The Black Panther and a Verdi opera. It concerns a Black physician who passes for white (until he can’t), then joins an archeological expedition to discover the remains of an ancient civilization in Ethiopia. 

The plot unfolds at breakneck speed, and there are so many twists you might get whiplash. But if you slow down and focus on the details of the story you’ll find an extraordinarily complex picture of politics, spirituality, psychology, music, history, and science.