Here are 100 books that One Shot at Forever fans have personally recommended if you like
One Shot at Forever.
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I’m a storyteller and jack of all trades who grew up on a family farm in Indiana. I can operate a combine, analyze data, or edit a book. Writing about sports can create great stories, but the true beauty lies in the people and circumstances, not the stats and game highlights. Most of my works are nonfiction—personal interest, sports, history, and sports history. I enjoy unearthing untold stories, especially when they involve equal rights, underdogs, hidden history, and non-famous people. Everyone has a story to tell.
Mike Roos did a great job telling this true story of Indiana high school basketball. Roos’s father was the high school principal that hired that crazy coach referenced in the title. He used extensive interviews and years of rewrites to recreate meetings, locker room pep talks, and dialogue. Not only is this a good story, but Roos showed readers what is wonderful about creative nonfiction. It reads like a novel, but it’s genuine nonfiction.
In the summer of 1962, the peripatetic and irrepressible Pete Gill was hired on a whim to coach basketball at tiny Ireland High School. There he would accomplish, against enormous odds, one of the great small-town feats in Indiana basketball history. With no starters taller than 5'10", few wins were predicted for the Spuds. Yet, after inflicting brutal preseason conditioning, employing a variety of unconventional motivational tactics, and overcoming fierce opposition, Gill molded the Spuds into a winning team that brought home the town's first and only sectional and regional titles. Relying on narrative strategies of creative nonfiction rather than…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
My father used to take me to watch the Twins play at Metropolitan Stadium in Bloomington, a twenty-minute drive from our house in suburban Minneapolis. As soon as the Twins announced their schedule each year, he would buy tickets for the doubleheaders. Our favorites were the twilight doubleheaders, when we watched one game by daylight, and the other under the night sky. Baseball was pure to me then: played outdoors on real grass. Seated beside my dad during those twin bills, I felt his love for the game seep into me and take root. All these years later, almost two decades after his death, that love remains strong.
I liked this slice of history and the sense of importance David Halberstam imparted to it. He cared about the story, and so I did, too.
I love the All-Star cast—Casey Stengel, Yogi Berra, Joe DiMaggio, Ted Williams, Bobby Doerr, et al.—that animates the action. I’m there on the field with these guys, sweating out the action Halberstam so passionately describes, and feeling their emotions.
This #1 bestselling baseball classic of the Yankees-Red Sox rivalry is “dazzling . . . heart-stopping . . . A celebration of a vanished heroic age” (The New York Times Book Review). The summer of 1949: It was baseball’s Golden Age and the year Joe DiMaggio’s New York Yankees were locked in a soon-to-be classic battle with Ted Williams’s Boston Red Sox for the American League pennant. As postwar America looked for a unifying moment, the greatest players in baseball history brought their rivalry to the field, captivating the American public through the heart-pounding final moments of the season. This…
I’m a storyteller and jack of all trades who grew up on a family farm in Indiana. I can operate a combine, analyze data, or edit a book. Writing about sports can create great stories, but the true beauty lies in the people and circumstances, not the stats and game highlights. Most of my works are nonfiction—personal interest, sports, history, and sports history. I enjoy unearthing untold stories, especially when they involve equal rights, underdogs, hidden history, and non-famous people. Everyone has a story to tell.
An 11-time NBA champion, Bill Russell revealed the insecurity of being a super tall, lanky, Black man that can’t avoid notice. He wrote honestly about racism and civil rights in America. He mentioned great Celtics players and described the NBA’s early days. His description of the physical demands of traveling and playing so many games made me realize his job was hard work. Read it just to find the passage where Russel describes—better than any writer ever has—that rare, amazing feeling you get when teammates are in sync, everything is clicking, and a team plays at its peak.
Back in print for the first time in decades, Go Up for Glory is the classic 1968 basketball memoir by NBA legend Bill Russell, with a new foreword from the author.
From NBA legend Bill Russell, Go Up for Glory is a basketball memoir that transcends time. First published in 1965, this narrative traces Russell's childhood in segregated America and details the challenges he faced as a Black man, even when he was a celebrated NBA star. And while some progress has been made, this book serves as an urgent reminder of how far we still have to go in…
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
I’m a storyteller and jack of all trades who grew up on a family farm in Indiana. I can operate a combine, analyze data, or edit a book. Writing about sports can create great stories, but the true beauty lies in the people and circumstances, not the stats and game highlights. Most of my works are nonfiction—personal interest, sports, history, and sports history. I enjoy unearthing untold stories, especially when they involve equal rights, underdogs, hidden history, and non-famous people. Everyone has a story to tell.
In the 1990s, I didn’t know of any collection of basketball stories and few great basketball books had been written. Dennis Trudell saw the same thing and fixed it with this literary anthology. I appreciated the broad array of stories in the collection. It includes John Updike’s poem, “The Ex-basketball Player.” In “Posting Up,” Stephanie Grant captured the beauty of basketball in a story about a teenage girl learning to play the post. Most stories tackle hard topics beyond the basketball court. If you love basketball and literature, you must find this hard-to-find book.
I wanted this book to exist because I love to read and I love basketball.
And there was no gathering of strictly "creative" writing about what is surely one of our most spontaneous, creative sports. While many literary baseball anthologies were available, fans of basketball and writing had only collections of journalism, or journalism mixed with an occasional story and novel fragment. Yet basketball is now our nation's most popular sport (fifty-four percent to forty-six percent over baseball, I read in the newspaper-though we're talking about passion, and how does one measure?). Further, it is a sport…
I write memoir. I didn’t set out to write memoir. But I’ve become convinced by the power of personal narrative, both on its own merits, and as a frame and lens through which to view the world—a way to take a reader by the hand before slipping into whatever other subject matter sings its siren call. And the memoirs I love best are always in conversation with something bigger, or beyond the self. As Annie Dillard wrote, “there’s nothing you can’t do with [literary nonfiction]. No subject matter is forbidden, no structure is proscribed. You get to make up your own form every time.” I like to see these works as doing just that.
Margo Jefferson is one of the smartest humans on the planet and her memoir reflects that. She tells her story as intertwined with the story of her first cultural context—the Black elite of the 1950s, and the crisis of identity she experienced with the rise of the Black Power movement of the 1960s. She brings her critic’s sharp intelligence and wit to bear in every paragraph, but doesn’t hold back any of her heart. It’s a terrifically moving book anda masterpiece of personal/cultural criticism, full of elegance and nuance.
The daughter of a successful paediatrician and a fashionable socialite, Margo Jefferson spent her childhood among Chicago's black elite. She calls this society 'Negroland': 'a small region of Negro America where residents were sheltered by a certain amount of privilege and plenty'. With privilege came expectation. Reckoning with the strictures and demands of Negroland at crucial historical moments - the civil rights movement, the dawn of feminism, the fallacy of post-racial America - Jefferson brilliantly charts the twists and turns of a life informed by psychological and moral contradictions.
As a scholar as well as performer of the African American creative improvised music usually called jazz, my attunement to this art form resonates with its historico-cultural matrix as much as with the sounds themselves. These books distinguish themselves for being well-researched and rigorous. They are the real deal, doing justice to the heart as well as the intellect of this art form.
This book is remarkable for Lewis’s unique profile, which combines status as a major contributor to, as well as a critic of, creative improvised African-American music. It tells of the Association for the Advancement of Creative Music (AACM), an organization focused on freely improvised music, which is unique for having wedded aesthetic innovation with the struggle for social justice.
Founded in 1965 and still active today, the Association for the Advancement of Creative Musicians (AACM) is an American institution with an international reputation. George E. Lewis, who joined the collective as a teenager in 1971, establishes the full importance and vitality of the AACM with this communal history, written with a symphonic sweep that draws on a cross-generational chorus of voices and a rich collection of rare images. Moving from Chicago to New York to Paris, and from founding member Steve McCall's kitchen table to Carnegie Hall, "A Power Stronger Than Itself" uncovers a vibrant, multicultural universe and brings…
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
In 2017, I was laid off from my first job out of college, an experience that I think more young people are going through as we move further into an uncertain economic future. That experience formed the basis of my novel, which was published earlier this year. Afterwards, I met a lot of people, most of whom I didn’t know, who told me they’d resonated with the feeling of malaise captured by those first few chapters: of working jobs that seem to be dead ends, wondering if you’ll be here, at this desk, twenty years from now. It’s something most everybody can relate to but doesn't appear in novels nearly as much as it should.
This may be the first book one thinks of when picturing The American Office Novel. It’s one of the older books on this list. It’s also the funniest, and strangest, and the truest.
Centered around a Chicago advertising agency struggling to preserve its relevancy amid the vastly changing media landscape of the 90s and employing one of the only uses of first-person plural that I think works in entirety, this book is a true gem, a marvel that tells a fairly straightforward story that practically vibrates with the amount of beautiful, carefully arranged detail throughout it.
No one knows us quite the same way as the men and women who sit beside us in department meetings and crowd the office refrigerator with their labeled yogurts. Every office is a family of sorts, and the ad agency Joshua Ferris brilliantly depicts in his debut novel is family at its strangest and best, coping with a business downturn in the time-honored way: through gossip, pranks, and increasingly frequent coffee breaks. With a demon's eye for the details that make life worth noticing, Joshua Ferris tells a true and funny story about survival in life's strangest environment--the one we…
I love history. I’ve loved it ever since I was a kid, listening to my dad’s history lectures. And in my history classes, I always tucked away stories about women. There weren’t many; most were trailblazers like Amelia Earhart or Susan B. Anthony. They were completely admirable, but I wanted to know about the women who had strayed from the straight and narrow: the murderers, the liars, and the thieves. Now, I write about women committing crimes throughout history. As a reader, I can never resist a story about a woman from the past doing things she shouldn’t. These books were endlessly entertaining and sometimes downright chilling to read.
In 1920s Chicago, the theater and the courtroom collided as a pair of men dropped dead in the vicinity of beautiful, duplicitous women. The musical Chicago has always been one of my favorites, and I was delighted to read this book about the real women who inspired Velma Kelly and Roxie Hart. It did not disappoint.
Douglas Perry tells the story of Beulah and Belva with all the flair and drama of the musical. I will never forget reading about how callously Beulah Annan sipped cocktails and listened to music for hours as her lover lay bleeding on the floor. It sent chills down my spine.
With a thrilling, fast-paced narrative, award-winning journalist Douglas Perry vividly captures the sensationalized circus atmosphere that gave rise to the concept of the celebrity criminal - and gave Chicago its most famous story. "The Girls of Murder City" recounts two scandalous, sex-fueled murder cases and how an intrepid "girl reporter" named Maurine Watkins turned the beautiful, media-savvy suspects -"Stylish Belva" and "Beautiful Beulah"- into the talk of the town. Fueled by rich period detail and a cast of characters who seemed destined for the stage, "The Girls of Murder City" is a crackling tale that simultaneously presents the freewheeling spirit…
I’m a longtime food writer, magazine editor, cookbook author, and certified chef (through Kendall College, also in Chicago of course!). I was born in Chicago, raised in the Northern suburbs, and came back right after graduating from the University of Michigan in the early 2000s. For two decades, I lived in various parts of the city and wrote about the food scene for local and national outlets. The first edition of The Chicago Chef’s Table came out in 2012. Even though I moved to the suburbs a few years ago with my growing family, we still get down to the city often to enjoy the hottest new spots. My love for Chicago will never subside!
Carol Haddix served as the former editor of the Chicago Tribune’s food section and is a personal friend and colleague of mine; we are both part of Les Dames d’Escoffier Chicago, an international society for women in food service with chapters around the world. This literal tome is a homage to all things Chicago and food. It’s a bookshelf must-have if you live in the area, have lived here or want to live here!
The Chicago Food Encyclopedia is a far-ranging portrait of an American culinary paradise. Hundreds of entries deliver all of the visionary restauranteurs, Michelin superstars, beloved haunts, and food companies of today and yesterday. More than 100 sumptuous images include thirty full-color photographs that transport readers to dining rooms and food stands across the city. Throughout, a roster of writers, scholars, and industry experts pays tribute to an expansive--and still expanding--food history that not only helped build Chicago but fed a growing nation. Pizza. Alinea. Wrigley Spearmint. Soul food. Rick Bayless. Hot Dogs. Koreatown. Everest. All served up A-Z, and all…
For more than thirty years, I worked as journalist covering the biggest news stories of the day—at Newsweek magazine (where I became the publication’s first African-American top editor), then as a news executive at NBC News and CNN. Now, I keep a hand in that world as a judge of several prestigious journalism awards while taking a longer view in my own work as a contributor for CBS Sunday Morning, Washington Post book reviewer, and author of narrative non-fiction books with a focus on key personalities and turning points in Black History.
Mining contemporaneous news accounts, personal letters and diaries, and dozens of in-depth interviews, scholar Marcia Chatelain explores the impact that the Great Migration had on a generation of young Black Chicago women, who coped with coming of age in the urban North while shouldering the expectations and aspirations of their uprooted parents. Anyone new to Chatelain’s work should also check out her next and equally original book, Franchise: The Golden Arches in Black America, a study of the deeply mixed legacy of McDonald’s restaurants in Black neighborhoods that won the 2021 Pulitzer Prize for History.
In South Side Girls Marcia Chatelain recasts Chicago's Great Migration through the lens of black girls. Focusing on the years between 1910 and 1940, when Chicago's black population quintupled, Chatelain describes how Chicago's black social scientists, urban reformers, journalists and activists formulated a vulnerable image of urban black girlhood that needed protecting. She argues that the construction and meaning of black girlhood shifted in response to major economic, social, and cultural changes and crises, and that it reflected parents' and community leaders' anxieties about urbanization and its meaning for racial progress. Girls shouldered much of the burden of black aspiration,…
