Here are 100 books that One More River to Cross fans have personally recommended if you like
One More River to Cross.
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The books I read have to draw me in like a good movie. It has to be relatable as far as characters and plot go. I want to see it, smell it, and taste it. We’ve moved a lot, and every time we’ve moved, we always check out the local history and geology. There are so many stories to tell. I’ll see the name of a road, a creek, or a mountain, and it will spark a story within me, like seeing a really good movie with great actors.
This author is great at setting a scene. It was a fast-paced romance that concentrated on the man's determination and satisfied my craving for a strong flavor of the period with plenty of historical backdrop. I was enthralled, captivated, and entertained by the dialog and the maneuvering of the characters' exchanges.
The plot was simple and straightforward but it never lagged or ceased to keep me reading.
From #1 New York Times bestselling author, and creator of the Bridgerton series, Julia Quinn presents the fourth and final installment in the Bridgerton adjacent Regency era-set world featuring the romantic adventures of the well-meaning but less-than-accomplished Smythe-Smith musicians. In this case, cellist Iris Smythe-Smith finds herself courted by a suspiciously eager nobleman—but is he only playing with her heartstrings?
Sir Richard Kenworthy has less than a month to find a bride. He knows he can’t be too picky, but when he sees Iris Smythe-Smith hiding behind her cello at her family’s infamous musicale, he thinks he might have struck…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
The books I read have to draw me in like a good movie. It has to be relatable as far as characters and plot go. I want to see it, smell it, and taste it. We’ve moved a lot, and every time we’ve moved, we always check out the local history and geology. There are so many stories to tell. I’ll see the name of a road, a creek, or a mountain, and it will spark a story within me, like seeing a really good movie with great actors.
Simply put, Ms. Miller never fails to entertain me. She always gives a strong plot. I can count her to present strong women, and men who can appreciate them, even though they bug the hell out of them.
The purpose and goals of her characters are right up front in her stories. I like that, too; it keeps me turning the pages. Also, she places her stories in familiar territory. I can see myself there, among the citizens of her towns, her people. It’s relatable. I’m at home when I read her stories.
The books I read have to draw me in like a good movie. It has to be relatable as far as characters and plot go. I want to see it, smell it, and taste it. We’ve moved a lot, and every time we’ve moved, we always check out the local history and geology. There are so many stories to tell. I’ll see the name of a road, a creek, or a mountain, and it will spark a story within me, like seeing a really good movie with great actors.
The story plopped me down into the plot within the first few pages. I love this Victorian time period. It’s dark and moody without being threatening. You can almost smell the grungy, wet streets and the smog. Lots of twists and turns and characters that are both menacing and charmingly deceptive.
I wasn’t given the answer to all the questions right away, but I liked that, even though I probably could have guessed where it was going. I like a strong plot and strong female characters with their own agenda. And men who can admire, fall in love with, and not be threatened by smart women.
From New York Times bestselling author Amanda Quick comes a delightful romp filled with breathtaking suspense, dazzling wit, and steamy Victorian passion...
The first kiss occurred in a dimly-lit hallway on the upper floor of Elwin Hastings's grand house. Louisa Bryce never saw it coming. Of course, handsome, wealthy Anthony Stalbridge couldn't possibly have had romantic intentions. The kiss was merely meant to distract the armed guard about to catch the two unlikely sleuths. After all, the only thing these two interlopers have in common is a passionate interest in uncovering the dastardly secrets of Mr. Hastings-a prominent member of…
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
The books I read have to draw me in like a good movie. It has to be relatable as far as characters and plot go. I want to see it, smell it, and taste it. We’ve moved a lot, and every time we’ve moved, we always check out the local history and geology. There are so many stories to tell. I’ll see the name of a road, a creek, or a mountain, and it will spark a story within me, like seeing a really good movie with great actors.
This author is new to me, but she won’t be for long. As Western romances go, it was different. I liked that there was a quest. I also liked that the female character was intrepid, strong-willed, and fierce. And the man had to accept that.
Both of them were tough; they had to be, and yet both of them were soft-hearted, and they recognized that they were equal. It was a delight to read. It even brought forth a giggle or two as they spared and rangled like a really good John Wayne movie.
Be swept away by these passionate ALASKA COWBOYS and MOUNTIES! This heartwarming western historical romance series by USA TODAY bestselling author, Kate Bridges, celebrates sexy heroes and remarkable women as they fall in love.
Alaska and the Yukon, 1898
MEET COLT, the strong and silent Mountie who's forced to escort the beautiful, brainy and talkative Elizabeth through the northern wilderness.
Mountie Colt Hunter is on a dangerous undercover mission with his team of Mounties, traveling to Alaska and the Yukon, and the last thing he wants is the delicate doctor Elizabeth Langley joining them. He agrees to take her on…
I’ve always been fascinated by the convergence of the serious and the absurd. Raised on the experimental humor of the 90s, I was delighted to find that weird humor and an absurd sensibility were not limited to experimental novelists of the 20th century. In the literature of the Enlightenment, I found proof that taking a joke to its limit can also produce experimental insight, deep feeling, and intellectual discovery. I discovered a time when early novelists moved seamlessly between satirical mimicry and serious first-person narrative; when esoteric philosophy and scientific abstraction blended in with the weirdness of formalist experimentation. I discovered that the Enlightenment was anything but dull.
I love how this book elevates lying into an art form. Following the convention of the era, Defoe published the work as if it were written by its main character, Robinson Crusoe. Crusoe stands out from its peers for the subtlety of its mimicry. I envy how natural and easy Defoe makes writing look.
The book reveals the novel’s roots in other genres, such as satire, journalism, religious writing, and personal narrative. Defoe excelled at all of these, and I find the strange convergence mesmerizing. It’s possible to see the outlines of these earlier traditions even as something like a modern novel comes into view.
With apologies to Oprah and James Frey, this book helps me remember that the best writers have always been a bit loose with the truth.
'Robinson Crusoe has a universal appeal, a story that goes right to the core of existence' Simon Armitage
Daniel Defoe's Robinson Crusoe, regarded by many to be first novel in English, is also the original tale of a castaway struggling to survive on a remote desert island.
The sole survivor of a shipwreck, Robinson Crusoe is washed up on a desert island. In his journal he chronicles his daily battle to stay alive, as he conquers isolation, fashions shelter and clothes, enlists the help of a native islander who he names 'Friday', and fights off cannibals and mutineers. Written in…
I have always been a fan of Young Adult fiction, even into my late thirties. This is why when I decided to write my first novel, I wrote it for that genre. My biggest draw to this type of book is the emotional connection and hope you get from younger characters. Like most of us, we lose hope as we get older, so reading a book about a young character full of hope in a chaotic world gives me a little of that hope back. Young people feel things much stronger than we do when we’re older. It feels good to reconnect to that and remember what it’s like.
When I read this book, I was very glad I came to it late. I never had to wait to get the next book in the series. While I am recommending this book in particular because it is the first, the whole trilogy is needed to get the full effect of the story.
Following 16-year-old Adam through this story was fun and exciting. The emotions ranging from scared as hell to hopeful throughout kept me engaged. The main feeling I kept was the hope that he and his family would stay safe in the community stronghold that they had built. I also hoped that even though society had fallen fast, maybe it could eventually be healed.
One shocking afternoon, computers around the globe shut down in a viral catastrophe. At sixteen-year-old Adam Daley's high school, the problem first seems to be a typical electrical outage, until students discover that cell phones are down, municipal utilities are failing, and a few computer-free cars like Adam's are the only vehicles that function. Driving home, Adam encounters a storm tide of anger and fear as the region becomes paralyzed. Soon-as resources dwindle, crises mount, and chaos descends-he will see his suburban neighbourhood band together for protection. And Adam will understand that having a police captain for a mother and…
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
I worked as an industrial electrician for over two decades. At one point during a meeting to discuss an upcoming project, a question was posed about the delivery time of a specific piece of equipment. When the answer was given that it would be about a year away, it got me thinking: what if a specialized piece of equipment—critical to the grid and with an equally long lead time—was destroyed, how would the grid survive? More importantly; how would we survive? That single statement was the spark that ignited the fire in me to learn all about the grid, and to write Dark State.
I chose Outage by Ellisa Barr because it came from a unique viewpoint with regards to an attack that brings down an electrical grid; namely, a young person’s perspective. While other novels about grid attacks primarily have adults as a protagonist, Outage tackles the topic from a younger person’s frame of reference, along with all the unique adolescent problems that come with it.
And while the temptation would be for the main character, an adolescent girl, to become a courageous and seasoned adult overnight, the author wisely takes her time and sets us on a journey of a slower evolution. While not containing any revelatory information about what elements of a society beset with no electricity would have to endure, I still liked this book as it reminded me to not always see things from my adult perspective.
When fifteen-year-old Dee is left at her grandpa's farm in rural Washington, she thinks her life is over. She may be right.
An electromagnetic-pulse attack has destroyed the country's power grid, sending the United States back to the Dark Ages. Now Dee and Grandpa must face a world without electricity and clean water-let alone cell phones and the Internet-as well as the chaos brought on by this sudden catastrophe. Soon their town begins to collapse as disease and lawlessness run rampant. With handsome, troubled Mason and friendly boy-next-door Hyrum at her side, Dee fights to survive and deals with a…
Like most people, I started to think about the end of the world during the COVID-19 pandemic. Instead of learning how to bake sourdough bread, I read stories and made art about the apocalypse. The true and catastrophic experiences of people throughout history interested me so much that the project turned into a book. My background in printmaking and illustration has formed my approach to visualizing narrative scenes using crisp black and white linocut prints. My current position as a studio art professor has given me practice in providing information concisely. I try to entertain as much as inform.
A little levity may be required as we watch the world crumble around us. Anne Washburn’s play reads as a multi-generational game of telephone. Beginning shortly after the apocalypse, with television now obsolete, people gather round a campfire and begin retelling what they remember from random episodes ofThe Simpsons. In the second act, the retelling has evolved into an oral tradition far from the original. By the third act, we’re eighty years removed from the apocalypse, and the story has become its own bizarre and surreal performance. I readMr. Burnsand saw the play in person years ago, but I still think about it and laugh. It might also somehow be a fairly accurate depiction of our post-apocalyptic world.
It's the end of everything in contemporary America. A future without power. But what will survive?
Mr Burns asks how the stories we tell make us the people we are, explodes the boundaries between pop and high culture and, when society has crumbled, imagines the future for America's most famous family.
I’m a science fiction writer who loves my chosen genre for the promises it makes for the worlds that we can have—and the warnings that it offers for the worlds that might be ours if we don’t take care. I’ve picked books for people who like their thinking to be challenged, and who also long for the world to be a much better place. These are the kinds of books I love to read—and the kinds of books I try to write.
England, in the near future, walking blindly into totalitarianism, everything falling apart. Eve has grown up in a happy family, with loving parents, but not even they can protect her from the world collapsing around them. Eve sets out on a journey, alone, across the wild Yorkshire moors, in search of new ways of living. This is a powerful, beautiful graphic novel from Una.
A powerful novel of mothers and daughters, and how we imagine our future, from acclaimed author of BECOMING UNBECOMING
'A disturbing and necessary book for our times ... Una has held up a chilling mirror for us, and leaves us with a choice - what kind of world will we make for ourselves?' JACKY FLEMING
In the near future, in a world that seems just like our own, Eve grows up in a loving family that is increasingly threatened by a society which seems to be sleepwalking into totalitarianism. After a catastrophe that changes everything, Eve must set off on…
Worldbuilding is something I absolutely adore, and I have always wanted to see more fantasy in worlds created around a more modern thought process. Worlds that got away from the medieval and instead found inspiration in places like 1920s America or 1950s Mexico or anywhere with cars and motorcycles existing right alongside dragons. It’s what I try to write and its desperately what I want to read. Fantasy has so much more range than I think it is given credit for.
I love this book because it marries the brutality of military sci-fi with epic fantasy in a colossally satisfying fashion. It has dark gods, blood magic, and the grueling rigors of military training. And Ikenna, the main character, takes no crap from anyone, no matter how powerful. You can’t help but to root for her!
Blending fantasy and science fiction, N. E. Davenport's fast-paced, action-packed debut kicks off a duology of loyalty and rebellion, in which a young Black woman must survive deadly trials in a racist and misogynistic society to become an elite warrior.
It's all about blood.
The blood spilled between the Republic of Mareen and the armies of the Blood Emperor long ago. The blood gifts of Mareen's deadliest enemies. The blood that runs through the elite War Houses of Mareen, the rulers of the Tribunal dedicated to keeping the republic alive.
The blood of the former Legatus, Verne Amari, murdered.
