Books like Once Upon a Tim

After high school, I traveled, exploring cultures beyond North America. I worked on kibbutzim in Israel for nearly two years. During the Yom Kippur War, exploding bombs drove us into underground shelters until the ceasefire. That experience made me consider the impact of war in new ways. Decades later, I wrote about the issue of "conflict" in my country: the Acadian deportation and World War Two. As a school librarian meeting Palestinian families in 2002, I decided to research and visit families in the West Bank through Christian Peacemaker Teams for my novel The Shepherd’s Granddaughter. A story children told me there inspired my picture book What the Kite Saw.

I’m a graphic novelist and designer based in beautiful Minneapolis. I tend to be varied in my artistic style and medium, moving between comics, illustration, design, and occasionally animation. Having created a graphic novel adaptation of The Great Gatsby, I feel very passionate about the subject of graphic novel adaptations. One of the most important things is that there should be a compelling reason for it to be a graphic novel in the first place; the graphic novel should do something that a prose book cannot. For my adaptation, that was the visual depiction of metaphors, the ethereal character designs, and the lush jewel-colored watercolor. The books I recommended add to the original story in unique and compelling ways. 

UK-born CY Croc started her career in the health industry, but later changed professions after obtaining a postgraduate degree in teaching. It was while teaching she discovered her dream profession. An author was invited to the school to showcase her latest book. Inspired, CY wrote over 30 books in the next 3 years in contemporary, sci-fi, and paranormal romance. She loves to include positive subliminal messages in her stories about body image, prejudice, and love from a higher realm and always practices inclusion in her writing. Her main characters practice autonomy and come from all races. CY believes everyone should experience love, and that's why some of her protagonists are not of this world.

I have a passion for fairy tale stories especially ones for adults because they are often the first stories we learned as kids. The ability to look back at how we interpreted them and how our understanding changes over time and culture makes for something that is truly timeless, and therefore like a beloved trope is never the exact same thing twice. Each time only builds on our enjoyment and the many possibilities we can imagine. Not only in worlds of magic, but our own.

I identify as a member of the GLBTQ+ community. My husband and I had a church wedding. I have written several stories that have GLBTQ+ representation and are love stories. I have also read and familiarized myself with many GLBTQ+ children’s books. 

I have loved books where the main character goes from his/her own ordinary existence into another world, with inspiration from The Lion, The Witch, and the Wardrobe by C.S. Lewis, who was a tutor in English Literature. Since I love history, there’s nothing more fun for me than historical time travel, and I wonder how difficult it might be for a modern woman or man, well-versed in the history and literature of the time, to navigate the customs, etiquette, language, clothing, and politics in 1344. 

I’m a writer of historical novels and primary literacy books, and a poet. I was born in Trinidad and live in London. So why am I writing about the magic of castles? I’ve loved visiting them since I was a child, when I’d run round them and imagine what had happened there. Back home, I’d immerse myself in reading legends and fairy stories—at bedtime, lying in my top bunk, I'd make up stories to entertain my sister in her bottom bunk. So it was natural to move on to writing fiction—the novel I’ve just completed is about King Canute. I’ve written primary literacy books for Collins, Oxford, and Ransom.

I’ve always been fascinated by history, and when I dreamed of being an author, imagined I’d write historical fiction. However, it took many writing detours to arrive there. (Nim’s Island, by the way, has no basis in historical fact!). When I first imagined the story that led to the Minoan Wings trilogy, I fell in love with researching this era, which is particularly intriguing because there are virtually no written records. Visiting the ruins of a four-thousand-year-old town on Crete under the guidance of an archaeologist who had not only excavated there but had become passionately involved with my imaginary characters, was an absolute highlight of my life. 

I confess I was a serious little boy and used to be an excessively serious writer. Stoning the Devil, which is about desperate Gulf Arab women, was longlisted for major prizes and hailed by the feminist press. Poignant, even heart-breaking, but hardly a barrel full of laughs—though even then I couldn’t resist some black humour. But when I became a professor of Creative Writing at an American university, I found I’d fallen into a world madder than Wonderland, and realised that the best way to tackle woke insanity was through humour—as the great comedians are doing. Nearly all the best British fiction is humorous, so I started letting out my own zany side.

I have studied, worked, and lived in Taiwan, China, and Japan and am now a history professor at the University of South Alabama. I have skinny-dipped on Mount Tai, where Confucius said, "Climb Mount Tai and the world seems small," and at the Peach Blossom Spring, where the poet Tao Yuanming wrote of a lost society, untouched by the corruption and power-lust of his own day.