Here are 100 books that On Revolution fans have personally recommended if you like
On Revolution.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
My fascination with the relationship between Rome and America grows out of the work I have done on early American culture, contemporary political thought, and ancient Rome. My most recent work, Rome and America: Communities of Strangers, Spectacles of Belonging, took shape through a lot of conversations over the years with friends and colleagues about the different tensions I saw in Roman politics and culture around questions of national identity, tensions that I saw being played out in the United States. I don’t like tidy histories. I am drawn to explorations of politics and culture that reveal the anxieties and dissonance that derive from our own attempt to resolve our incompleteness.
I am an academic writer, but I admire when someone is able to write a thoughtful book that is accessible to a popular audience. Are We Rome? made a big splash and launched a cottage industry of comparisons (and debates about comparisons) of America to Rome. In exploring parallels between Rome and America, Murphy serves up dire warnings about how America’s worldview could portend its own demise. My latest book approaches the question of Rome and America in a different way, but tries to blend scholarship with a more accessible style that everyone might find interesting.
What went wrong in imperial Rome, and how we can avoid it: “If you want to understand where America stands in the world today, read this.”—Thomas E. Ricks
The rise and fall of ancient Rome has been on American minds since the beginning of our republic. Depending on who’s doing the talking, the history of Rome serves as either a triumphal call to action—or a dire warning of imminent collapse.
In this “provocative and lively” book, Cullen Murphy points out that today we focus less on the Roman Republic than on the empire that took its place, and reveals a…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
My fascination with the relationship between Rome and America grows out of the work I have done on early American culture, contemporary political thought, and ancient Rome. My most recent work, Rome and America: Communities of Strangers, Spectacles of Belonging, took shape through a lot of conversations over the years with friends and colleagues about the different tensions I saw in Roman politics and culture around questions of national identity, tensions that I saw being played out in the United States. I don’t like tidy histories. I am drawn to explorations of politics and culture that reveal the anxieties and dissonance that derive from our own attempt to resolve our incompleteness.
One of the issues I have sought to counter in my work is our sense of the Romans as boring. At times they even saw themselves that way. We know the Romans by way of their contributions to law, constitutionalism, administration, and oratory. This collection of essays is engaging because of the surprising ways in which Rome not only figures into popular culture, from Broadway to the movies, but is employed in explorations of marginal identities.
The phenomenal success of the recent film Gladiator ensures that ancient Rome will continue to inspire moviemakers and attract audiences as it has done since the dawn of cinema. Indeed, the creators of popular culture have so often appropriated elements of Roman history and society for films and television programs, novels and comic books, advertising and computer games that most people's knowledge of ancient Rome derives from these representations. In Imperial Projections, scholars from a variety of fields-classics, history, film studies, and gender theory-provide an interdisciplinary look at how ancient Rome has been depicted in the media and what these…
My fascination with the relationship between Rome and America grows out of the work I have done on early American culture, contemporary political thought, and ancient Rome. My most recent work, Rome and America: Communities of Strangers, Spectacles of Belonging, took shape through a lot of conversations over the years with friends and colleagues about the different tensions I saw in Roman politics and culture around questions of national identity, tensions that I saw being played out in the United States. I don’t like tidy histories. I am drawn to explorations of politics and culture that reveal the anxieties and dissonance that derive from our own attempt to resolve our incompleteness.
Winterer provides the classic discussion of the place of Rome (and then Greece) in early American education and intellectual life. The book is about how American classicists sought to shape a relationship to the classical past that persists to this day, creating a canon of ancient texts as a reaction against and refuge from modernity. The real payoff of this book for me lies in showing how the past is never just the past but a continuing aspect of our own identity-formation.
Debates continue to rage over whether American university students should be required to master a common core of knowledge. In The Culture of Classicism: Ancient Greece and Rome in American Intellectual Life, 1780-1910, Caroline Winterer traces the emergence of the classical model that became standard in the American curriculum in the nineteenth century and now lies at the core of contemporary controversies. By closely examining university curricula and the writings of classical scholars, Winterer demonstrates how classics was transformed from a narrow, language-based subject to a broader study of civilization, persuasively arguing that we cannot understand both the rise of…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
My fascination with the relationship between Rome and America grows out of the work I have done on early American culture, contemporary political thought, and ancient Rome. My most recent work, Rome and America: Communities of Strangers, Spectacles of Belonging, took shape through a lot of conversations over the years with friends and colleagues about the different tensions I saw in Roman politics and culture around questions of national identity, tensions that I saw being played out in the United States. I don’t like tidy histories. I am drawn to explorations of politics and culture that reveal the anxieties and dissonance that derive from our own attempt to resolve our incompleteness.
I ran across this book recently and it resonated with my attempts to expand how we think about the relationship between past and present. In my own thinking about Rome and America, I wanted to move away from just talking about analogies. Storey opens up a way of thinking about the relationship between Rome and America that departs from analogies and explores how America incorporated a Roman logic of empire, not by recalling a past but by grafting itself onto a constellation of images and metaphors that connect past with present. The book is challenging, but opens up a different way of thinking about history.
This is a book about two empires-America and Rome-and the forms of time we create when we think about them together. Ranging from the eighteenth century to the present day, through novels, journalism, film, and photography, Time and Antiquity in American Empire reconfigures our understanding of how cultural and political life has generated an analogy between Roman antiquity and the imperial US state-both to justify and perpetuate it, and to resist and critique it.
The book takes in a wide scope, from theories of historical time and imperial culture, through the twin political pillars of American empire-republicanism and slavery-to the…
I was born in southern Entre Ríos, Argentina, where my father worked as a beekeeper. From an early age, I witnessed how external markets and unpredictable weather shaped livelihoods—long before I had the words to describe these forces. Later, at the University of Buenos Aires, I developed a deep passion for understanding political and social change in a country undergoing the process of consolidating democracy while facing recurrent economic crises and institutional tensions. My experiences in Spain and Switzerland further enriched my perspective, teaching me the importance of context as well as collective action. Curiosity and commitment have been the driving forces behind my research ever since.
I love this book because it opened my eyes to global historical transformations beyond Latin America. Theda Skocpol’s monumental research and comparative approach fascinated me, especially her structured explanations of why revolutions emerge and succeed.
Her distinction between social and political revolutions reshaped my understanding. As a young student, I also found inspiration in her work as a leading female scholar in the field.
State structures, international forces, and class relations: Theda Skocpol shows how all three combine to explain the origins and accomplishments of social-revolutionary transformations. Social revolutions have been rare but undeniably of enormous importance in modern world history. States and Social Revolutions provides a new frame of reference for analyzing the causes, the conflicts, and the outcomes of such revolutions. It develops a rigorous, comparative historical analysis of three major cases: the French Revolution of 1787 through the early 1800s, the Russian Revolution of 1917 through the 1930s, and the Chinese Revolution of 1911 through the 1960s. Believing that existing theories…
I am an emeritus professor of Russian and modern European history with twenty-five years of teaching and research experience, and I’ve been teaching the history of terrorism for almost that long. I am drawn to the field because it gives me a prism through which to explore nearly every topic in modern history that I’m passionate about: violence, extremism, the growth of the state, the proliferation of modern ideologies, and so on. In fact, I could teach most of my courses, including the survey of European history, almost entirely through the lens of terrorism, which is a sobering thought!
This is the one book on the history of terrorism that I wish I had written. Zamoyski spins out a great tale, one that reads like a spy thriller. It’s the story of how early 19th-century European politicians and statesmen overreacted to small, marginalized, underground revolutionary movements, turning them into existential threats to the civilized order.
In doing so, men like Austrian leader Klemens von Metternich created both our modern understanding of the terrorist boogeyman and the mechanisms and justification of the modern police state. Zamoyski is a great writer, and I eagerly followed him down his conspiratorial rabbit hole. I hesitate to say it, given the subject matter of the book, but this is one fun read.
For the ruling and propertied classes of the late eighteenth century, the years following the French Revolution were characterized by intense anxiety. Monarchs and their courtiers lived in constant fear of rebellion, convinced that their power--and their heads--were at risk. Driven by paranoia, they chose to fight back against every threat and insurgency, whether real or merely perceived, repressing their populaces through surveillance networks and violent, secretive police action. Europe, and the world, had entered a new era. In Phantom Terror, award-winning historian Adam Zamoyski argues that the stringent measures designed to prevent unrest had disastrous and far-reaching consequences, inciting…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I became passionate about this subject when I was at university and I realised that so many revolutions that were conducted in the name of high ideals ended up involving considerable suffering and death on the part of the ordinary people. And not just the ordinary people, but the revolutionaries as well. Why, I wondered, was this the case, and did it mean, as many in the 1960s and 1970s argued, that revolution was ultimately self-defeating? The quest to answer these questions remains on-going, but the books I have suggested have helped me to make some headway towards a resolution.
I found this comparative study of England, France and Russia an elegant and theoretically sophisticated analysis of three of what are considered to be the “great revolutions”.
It is a 2014 reworking of the 1938 classic by Crane Brinton and, like its predecessor, its great strength is in its comparative historical analysis. I loved the depth of historical analysis of each of the case studies, with sufficient detail to enable me at times to reach different conclusions from the author.
It was also able to go beyond Brinton’s original, in terms both of its historical detail and theoretical sweep. Its ambition, grounded in the case studies, was exhilarating.
I am a Canadian writer who has, at one time or another, been a magician, an avid Dungeon & Dragons player, and the creator of fictional worlds where magic is both surprisingly fun and yet hidden in the shadows of our own everyday world. I love it when a writer spins original magic into a familiar world, and I am even more impressed when magic and a new world drag my attention and won’t let me go. These five diverse novels touch on everything I love about magic and storytelling without rehashing the old tropes of wizards, dragons, and fair maidens in distress.
It’s been a long time since I read an original magic system in a novel, and Stewart’s Locus Award-nominated The Bone Shard Daughter caught me completely off guard!
It was so easy to get lost in the dark, fascinating world, interesting yet flawed characters, and a tale that just won’t let go.
The Bone Shard Daughter is an unmissable debut from a major new voice in epic fantasy — a stunning tale of magic, mystery, and revolution in which the former heir to the emperor will fight to reclaim her power and her place on the throne.
"One of the best debut fantasy novels of the year." — BuzzFeed News "An amazing start to a new trilogy." — Culturess "It grabs you by the heart and the throat from the first pages and doesn't let go." — Sarah J. Maas
The emperor's reign has lasted for decades, his mastery of bone shard…
I have always loved the Stoics, from the first time I read Seneca. I appreciate that they seek to speak to a wider audience than most philosophers, on issues that concern many: happiness, anxiety, pain, loss. The Stoics were wonderful writers, whose influence has been manifest throughout western philosophy. And they extended their expertise beyond the academy, and were very involved in politics. Seneca was the advisor to the emperor Nero; Cicero, who dabbled in Stoicism, was perhaps the most famous senator of Rome. Marcus Aurelius was emperor.
John Gray is an exceptional writer. In that respect alone, he is already reminiscent of the Stoics, who are some of the best writers among philosophers. Black Mass deals with the pitfalls of anger and ideology, when it comes to politics. The Stoics were famously skeptical of both, and urge practitioners to resist becoming too impassioned in political affairs—which reliably roil the soul.
A prophetic warning against the foolishness of crusades, John Gray's Black Mass challenges our belief in human progress.
Our conventional view of history is wrong. It is founded on a pernicious myth of an achievable utopia that in the last century alone caused the murder of tens of millions.
In Black Mass John Gray tears down the religious, political and secular beliefs that we insist are fundamental to the human project, examines the interaction of terrorism, declining world resources, environmental change, human myths of redemption and a flawed belief in Western democracy, and shows us how a misplaced faith in…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
Monsters and magic have always had a hook on me, ever since I was just a kid going through a stack of Stephen King paperbacks that I was definitely too young for my brother to have given me – not that many would call his work “fantasy” exactly, despite the amount of vampires ghosts and magic that say otherwise. Urban fantasy, blending those elements with the familiar world we know, is a particular favourite of mine. So much so, that I wrote my own! Granted, the urban area in question is 19th-century Paris, but I say that still counts.
This is high-caliber space fantasy in the realm of Star Wars or Dune. It brings together a grizzled holy warrior having doubts about his faith with a naïve and sheltered princess in a brutal world ruled by absolutely vile overlords. The perspective switches between the two of them. The warrior – Drin – grapples with whether the church’s mission to fight evil brings it to use methods too similar to the evil it fights. Meanwhile the princess – Anais – has to come to terms very quickly with the reality of life outside the palace when slavers invade her home and abduct her off-world.
After years of fighting for justice with his deadly nanotech, Templar Drin abandons his post, crash landing on a desert world controlled by a tyrannical alien empire. Its inhabitants are forced into slavery, broken where a once-proud race cultivated its lands.
For the first time in Drin's life, he has no backup, no support, none of his brothers.
He stands alone against evil.
Drin must face overwhelming odds to liberate millions of slaves from their captors and bring faith to a downtrodden world. But in his way stands the most dangerous…
