Here are 100 books that On Revolution fans have personally recommended if you like
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My fascination with the relationship between Rome and America grows out of the work I have done on early American culture, contemporary political thought, and ancient Rome. My most recent work, Rome and America: Communities of Strangers, Spectacles of Belonging, took shape through a lot of conversations over the years with friends and colleagues about the different tensions I saw in Roman politics and culture around questions of national identity, tensions that I saw being played out in the United States. I don’t like tidy histories. I am drawn to explorations of politics and culture that reveal the anxieties and dissonance that derive from our own attempt to resolve our incompleteness.
I am an academic writer, but I admire when someone is able to write a thoughtful book that is accessible to a popular audience. Are We Rome? made a big splash and launched a cottage industry of comparisons (and debates about comparisons) of America to Rome. In exploring parallels between Rome and America, Murphy serves up dire warnings about how America’s worldview could portend its own demise. My latest book approaches the question of Rome and America in a different way, but tries to blend scholarship with a more accessible style that everyone might find interesting.
What went wrong in imperial Rome, and how we can avoid it: “If you want to understand where America stands in the world today, read this.”—Thomas E. Ricks
The rise and fall of ancient Rome has been on American minds since the beginning of our republic. Depending on who’s doing the talking, the history of Rome serves as either a triumphal call to action—or a dire warning of imminent collapse.
In this “provocative and lively” book, Cullen Murphy points out that today we focus less on the Roman Republic than on the empire that took its place, and reveals a…
In 1964, the FBI found smoldering remains of the station wagon that James Chaney, Michael Schwerner, and Andrew Goodman were driving before they disappeared at the hands of the Ku Klux Klan. Shortly after, Julie Kabat’s beloved brother Luke arrived in Mississippi as a volunteer to assist Black civil rights…
My fascination with the relationship between Rome and America grows out of the work I have done on early American culture, contemporary political thought, and ancient Rome. My most recent work, Rome and America: Communities of Strangers, Spectacles of Belonging, took shape through a lot of conversations over the years with friends and colleagues about the different tensions I saw in Roman politics and culture around questions of national identity, tensions that I saw being played out in the United States. I don’t like tidy histories. I am drawn to explorations of politics and culture that reveal the anxieties and dissonance that derive from our own attempt to resolve our incompleteness.
One of the issues I have sought to counter in my work is our sense of the Romans as boring. At times they even saw themselves that way. We know the Romans by way of their contributions to law, constitutionalism, administration, and oratory. This collection of essays is engaging because of the surprising ways in which Rome not only figures into popular culture, from Broadway to the movies, but is employed in explorations of marginal identities.
The phenomenal success of the recent film Gladiator ensures that ancient Rome will continue to inspire moviemakers and attract audiences as it has done since the dawn of cinema. Indeed, the creators of popular culture have so often appropriated elements of Roman history and society for films and television programs, novels and comic books, advertising and computer games that most people's knowledge of ancient Rome derives from these representations. In Imperial Projections, scholars from a variety of fields-classics, history, film studies, and gender theory-provide an interdisciplinary look at how ancient Rome has been depicted in the media and what these…
My fascination with the relationship between Rome and America grows out of the work I have done on early American culture, contemporary political thought, and ancient Rome. My most recent work, Rome and America: Communities of Strangers, Spectacles of Belonging, took shape through a lot of conversations over the years with friends and colleagues about the different tensions I saw in Roman politics and culture around questions of national identity, tensions that I saw being played out in the United States. I don’t like tidy histories. I am drawn to explorations of politics and culture that reveal the anxieties and dissonance that derive from our own attempt to resolve our incompleteness.
Winterer provides the classic discussion of the place of Rome (and then Greece) in early American education and intellectual life. The book is about how American classicists sought to shape a relationship to the classical past that persists to this day, creating a canon of ancient texts as a reaction against and refuge from modernity. The real payoff of this book for me lies in showing how the past is never just the past but a continuing aspect of our own identity-formation.
Debates continue to rage over whether American university students should be required to master a common core of knowledge. In The Culture of Classicism: Ancient Greece and Rome in American Intellectual Life, 1780-1910, Caroline Winterer traces the emergence of the classical model that became standard in the American curriculum in the nineteenth century and now lies at the core of contemporary controversies. By closely examining university curricula and the writings of classical scholars, Winterer demonstrates how classics was transformed from a narrow, language-based subject to a broader study of civilization, persuasively arguing that we cannot understand both the rise of…
An eyewitness account of the first major international war-crimes tribunal since the Nuremberg trials, Twilight of Impunity is a gripping guide to the prosecution of Slobodan Milošević for war crimes, crimes against humanity, and genocide committed during nearly a decade of wars in the former Yugoslavia.
My fascination with the relationship between Rome and America grows out of the work I have done on early American culture, contemporary political thought, and ancient Rome. My most recent work, Rome and America: Communities of Strangers, Spectacles of Belonging, took shape through a lot of conversations over the years with friends and colleagues about the different tensions I saw in Roman politics and culture around questions of national identity, tensions that I saw being played out in the United States. I don’t like tidy histories. I am drawn to explorations of politics and culture that reveal the anxieties and dissonance that derive from our own attempt to resolve our incompleteness.
I ran across this book recently and it resonated with my attempts to expand how we think about the relationship between past and present. In my own thinking about Rome and America, I wanted to move away from just talking about analogies. Storey opens up a way of thinking about the relationship between Rome and America that departs from analogies and explores how America incorporated a Roman logic of empire, not by recalling a past but by grafting itself onto a constellation of images and metaphors that connect past with present. The book is challenging, but opens up a different way of thinking about history.
This is a book about two empires-America and Rome-and the forms of time we create when we think about them together. Ranging from the eighteenth century to the present day, through novels, journalism, film, and photography, Time and Antiquity in American Empire reconfigures our understanding of how cultural and political life has generated an analogy between Roman antiquity and the imperial US state-both to justify and perpetuate it, and to resist and critique it.
The book takes in a wide scope, from theories of historical time and imperial culture, through the twin political pillars of American empire-republicanism and slavery-to the…
I became passionate about this subject when I was at university and I realised that so many revolutions that were conducted in the name of high ideals ended up involving considerable suffering and death on the part of the ordinary people. And not just the ordinary people, but the revolutionaries as well. Why, I wondered, was this the case, and did it mean, as many in the 1960s and 1970s argued, that revolution was ultimately self-defeating? The quest to answer these questions remains on-going, but the books I have suggested have helped me to make some headway towards a resolution.
I found this comparative study of England, France and Russia an elegant and theoretically sophisticated analysis of three of what are considered to be the “great revolutions”.
It is a 2014 reworking of the 1938 classic by Crane Brinton and, like its predecessor, its great strength is in its comparative historical analysis. I loved the depth of historical analysis of each of the case studies, with sufficient detail to enable me at times to reach different conclusions from the author.
It was also able to go beyond Brinton’s original, in terms both of its historical detail and theoretical sweep. Its ambition, grounded in the case studies, was exhilarating.
I was born in southern Entre Ríos, Argentina, where my father worked as a beekeeper. From an early age, I witnessed how external markets and unpredictable weather shaped livelihoods—long before I had the words to describe these forces. Later, at the University of Buenos Aires, I developed a deep passion for understanding political and social change in a country undergoing the process of consolidating democracy while facing recurrent economic crises and institutional tensions. My experiences in Spain and Switzerland further enriched my perspective, teaching me the importance of context as well as collective action. Curiosity and commitment have been the driving forces behind my research ever since.
I love this book because it opened my eyes to global historical transformations beyond Latin America. Theda Skocpol’s monumental research and comparative approach fascinated me, especially her structured explanations of why revolutions emerge and succeed.
Her distinction between social and political revolutions reshaped my understanding. As a young student, I also found inspiration in her work as a leading female scholar in the field.
State structures, international forces, and class relations: Theda Skocpol shows how all three combine to explain the origins and accomplishments of social-revolutionary transformations. Social revolutions have been rare but undeniably of enormous importance in modern world history. States and Social Revolutions provides a new frame of reference for analyzing the causes, the conflicts, and the outcomes of such revolutions. It develops a rigorous, comparative historical analysis of three major cases: the French Revolution of 1787 through the early 1800s, the Russian Revolution of 1917 through the 1930s, and the Chinese Revolution of 1911 through the 1960s. Believing that existing theories…
I am an emeritus professor of Russian and modern European history with twenty-five years of teaching and research experience, and I’ve been teaching the history of terrorism for almost that long. I am drawn to the field because it gives me a prism through which to explore nearly every topic in modern history that I’m passionate about: violence, extremism, the growth of the state, the proliferation of modern ideologies, and so on. In fact, I could teach most of my courses, including the survey of European history, almost entirely through the lens of terrorism, which is a sobering thought!
This is the one book on the history of terrorism that I wish I had written. Zamoyski spins out a great tale, one that reads like a spy thriller. It’s the story of how early 19th-century European politicians and statesmen overreacted to small, marginalized, underground revolutionary movements, turning them into existential threats to the civilized order.
In doing so, men like Austrian leader Klemens von Metternich created both our modern understanding of the terrorist boogeyman and the mechanisms and justification of the modern police state. Zamoyski is a great writer, and I eagerly followed him down his conspiratorial rabbit hole. I hesitate to say it, given the subject matter of the book, but this is one fun read.
For the ruling and propertied classes of the late eighteenth century, the years following the French Revolution were characterized by intense anxiety. Monarchs and their courtiers lived in constant fear of rebellion, convinced that their power--and their heads--were at risk. Driven by paranoia, they chose to fight back against every threat and insurgency, whether real or merely perceived, repressing their populaces through surveillance networks and violent, secretive police action. Europe, and the world, had entered a new era. In Phantom Terror, award-winning historian Adam Zamoyski argues that the stringent measures designed to prevent unrest had disastrous and far-reaching consequences, inciting…
My name is Thomas Tarasios and I'm a fantasy author. I was a huge fan of the Final Fantasy games growing up, particularly I to IX, and as a voracious fantasy reader I've made it my business to find novels that deliver that 'Final Fantasy feeling' (eccentric ensemble cast, adventure, hard magic system, grim yet fun, etc.), scouring the web, message boards and Reddit for recommendations on this topic and reading the suggested books. When it came time to write my own fantasy series, I set out to write as if it were an original Final Fantasy game—a fan novelization of an awesome new Final Fantasy game that doesn't actually exist as a game!
The best fantasy novel you’ve probably never heard of! British author and screenwriter Chris Wooding has been cranking out top-quality material for years, and he’s only just hitting his peak with the ongoing Darkwater Legacy series beginning with this book.
I love how this multi-POV ensemble cast masterpiece takes the best of traditional black-and-white fantasy and combines it with the best of modern shades-of-grey fantasy. With a large and quirky cast of heroes on a thrilling quest to liberate the world from an evil empire, it’s about as close as I’ve found to Final Fantasy in novel form. The characters are a total delight and the plot twists had me whooping and punching the air in satisfaction.
'The Ember Blade is hands down the best fantasy novel I've ever read' Grimdark Magazine
Empires rise, civilisations fall and one culture comes to subsume another. It's the way of the world . . . sometimes ways of life are improved, sometimes they are not. But the progression of change is huge and - usually - unstoppable.
In this story, the Ossian way of life is fading and the Dachen way is taking its place and Aren is comfortable with that. Even when his parents are accused of treason he supports the establishment and maintains there's been some mistake .…
I came to my passion for history later in life—when I realized I could trade in the endless date memorization I remembered from history class for an exploration of fierce lady pirates like Shek Yeung and unwilling empresses like Sisi of Austria. Historical stories that felt like thrillers, adventures, or mystery novels. Comedies. Tragedies. And most of all: books that didn’t require a history PhD to get swept up in the story. These are the books that made me fall in love with history, and they’re the kind of books I now write. I’m the author of three historical novels, all written first and foremost to sweep you away into a damn good story.
Another way to ease yourself into historical fiction is to start with books for young readers—like this gorgeous, compelling read set during the Communist regime’s fall in Romania in 1989.
Our heroine is a young girl named Ileana who loves stories, even though stories can be dangerous (like the one that got her uncle arrested for criticizing the government). Afraid for her life, her parents send her to live with grandparents she’s never met—and still she gets caught up in the independence.
I adored this book as an adult reader and—bonus!—it would be the perfect thing to co-read with a middle schooler or young teen if you’ve got one in your life.
“By turns surprising, poetic, and stark, The Story That Cannot Be Told is one that should most certainly be read.” —Alan Gratz, New York Times bestselling author of Refugee “A mesmerizing debut.” —Publishers Weekly (starred review)
A powerful middle grade debut with three starred reviews that weaves together folklore and history to tell the story of a girl finding her voice and the strength to use it during the final months of the Communist regime in Romania in 1989.
Ileana has always collected stories. Some are about the past, before the leader of her country tore down her home to…
Growing up as a total tomboy in the early 90s, I naturally gravitated toward traditionally male-dominated sports, jobs, and hobbies throughout my life. Despite encountering instances of sexual harassment and sexism along the way, I had strong role models and books with fierce main characters to turn to for support. I have always been passionate about women claiming their power, which is why I love writing about and reading stories that center on this theme.
I loved how this book portrayed women supporting each other instead of succumbing to hatred and jealousy. The book handled so many delicate topics beautifully. I wish I had the space to share them all.
One such element was the nuanced portrayal of women’s responses to sexual abuse, highlighting the complexities of victimhood and power dynamics. The entire story is profound, thought-provoking, and a must-read for those seeking YA feminist literature.
Each year, eight beautiful girls are chosen as Paper Girls to serve the king. It's the highest honour they could hope for . . . and the most demeaning. This year, there's a ninth.
And instead of paper, she's made of fire.
'A timely reminder that, in the right hands, the fantasy genre has things to say about injustice and abuse of power in the real world' Guardian
Lei is a member of the Paper caste, the lowest and most persecuted class of people in Ikhara. Ten years ago, her mother was snatched by…
