Books like Off the Rails in Phnom Penh — picked by fans

I was born in England but was ‘exported’ to Malaya/sia in the 1950s, where my father worked as an engineer. I developed a life-long love for the languages and cultures of the region. I did Chinese Studies at Leeds University and then went to study Chinese literature in China, arriving there in 1976. I have retained a love and fascination for the Far East and have lived and worked in tertiary institutions in Burma, China, Hong Kong, Singapore, and Taiwan. I loved the books on my list because they all added to my knowledge of China but in very different ways.

In addition to writing novels, I’m also a playwright. Whatever form I work in, I’m drawn to character, drama, and emotion. I aspire to write literary page-turners that feel as rich and complicated as real life.  Also, I want the endings of my books to slay readers and break their hearts. Of course, when I say that, I’m not necessarily speaking of sorrow; sometimes your heart breaks from expanding, from a surfeit of feeling. Your heart breaks only to grow larger.

Right after college, I lived abroad in Asia, in the small, landlocked country of Laos. A key theme of the book is the role of the U.S. in the world. During the Vietnam War, Laos was subject to a massive bombing campaign by the U.S., and decades later, the country was still coping with the effects. As unexploded bombs continued to kill people every year, how would my colleagues and neighbors react to an American living among them? The book is mainly about the joys of navigating another culture, and while Laos is unique, I’ve read a lot of books about living abroad in Asia, and common themes certainly emerge.

Right after college, I lived abroad in Asia, in the small, landlocked country of Laos. A key theme of the book is the role of the U.S. in the world. During the Vietnam War, Laos was subject to a massive bombing campaign by the U.S., and decades later, the country was still coping with the effects. As unexploded bombs continued to kill people every year, how would my colleagues and neighbors react to an American living among them? The book is mainly about the joys of navigating another culture, and while Laos is unique, I’ve read a lot of books about living abroad in Asia, and common themes certainly emerge.

Twelve years ago, I visited Cambodia for the first time to begin co-writing the memoir of my friend Chantha Nguon, a Cambodian survivor and social entrepreneur. As I traveled around the country with Chantha, echoes of history were everywhere: ruined temples, bomb craters from American B-52s, unmarked mass graves. We also tasted history in the meals we shared—at roadside stands and in her kitchen. I soon learned that food unlocked Chantha’s memories, so we decided to tell her life story through remembered meals and recovered recipes. Meanwhile, I read books that informed our project, a few of which I’ve listed below. 

Twelve years ago, I visited Cambodia for the first time to begin co-writing the memoir of my friend Chantha Nguon, a Cambodian survivor and social entrepreneur. As I traveled around the country with Chantha, echoes of history were everywhere: ruined temples, bomb craters from American B-52s, unmarked mass graves. We also tasted history in the meals we shared—at roadside stands and in her kitchen. I soon learned that food unlocked Chantha’s memories, so we decided to tell her life story through remembered meals and recovered recipes. Meanwhile, I read books that informed our project, a few of which I’ve listed below. 

My travels have been quite adventurous, purposely or by accident. I’ve visited 32 countries, 5 of them Communist. I look below the surface. I love the jungle and even Mexican police. My young reader novels have elements of crime. I knew and know a lot of tough guys and use elements of them in my characters. Crime weaved through much of my 32-year firefighting career. Firefighter crime thrillers are rare. Firefighters do come in contact with crime: bomb threats, meth labs, child abuse, arson of all sorts, murder, assaults, drownings, and as they say ‘much, much more’. I’m glad to be retired.

I'm a writer and journalist with an eye on South and Southeast Asia. I first visited Cambodia in 1995, an ill-fated trip into Koh Kong, then a war-torn backwater town. I returned in 2001 to research a TV documentary about the likely effects of tourism on the Angkor monuments, Cambodia’s tourist magnet. I’ve visited many times since, traveled on trucks, motorbikes, beaten-up Toyotas, and by bicycle, and have written extensively about the southeast Asian kingdom’s post-war recovery, popular culture, tragic politics, and seedy underbelly. Cambodia is a small country, but its turbulent past and uncertain future, along with its wonderful people, touched me like few other places.

I am a professor of ancient art at Vassar College where I teach Roman art and archaeology. I have published widely in the field and traveled extensively in the Mediterranean. My first encounters with Roman art occurred as a child in the Metropolitan Museum of Art in NYC where I would stand before Roman portrait heads because their faces seemed stern and grim, yet ordinary and matter-of-fact. I have continued to observe Roman portraits over the years, but admit that I still sometimes find them daunting.

I’m a playwright who loves not only writing plays but also teaching dramatic writing workshops – mostly through my San Francisco program and Chicago Dramatists where I’m a Resident Playwright. My plays have received many awards and honors, including three selections for the National Playwrights Conference at the Eugene O’Neill Theatre Center, and have been presented in Europe, Russia, and Australia as well as the U.S. Meanwhile my workshops and script consultations have given me the opportunity to work with thousands of writers over the past 35 years. This led me to begin writing books for writers, starting with The Dramatic Writer’s Companion, now in its Second Edition.