Here are 100 books that Obit fans have personally recommended if you like
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Born to a Tibetan mother and an American father, I was raised in the U.S. As a girl, I wondered why things were always changing: the seasons, people, and places I loved. Growing older, I became fascinated with how to find happiness in a world where nothing lasts forever. After college, I lived in India with my Tibetan grandmother, learning about Buddhist “bardo” perspectives on life’s ephemerality. I realized that though we resist change, accepting impermanence allows us to live happier lives. I publish widely on impermanence and host a Tricycle interview series about bardo, with guests including David Sedaris, Elizabeth Gilbert, Malcolm Gladwell, Ann Patchett, and Dani Shapiro.
Some years ago, my father fell ill and I barely made it to his bedside in time to say goodbye.
Written after her husband’s sudden death, Didion’s book has not only helped me come to terms with losing my father, but has also shed light on our all-too-human response to endings. Didion is committed to analysis yet acknowledges our irrationality in the face of loss—like when she keeps her husband’s shoes, believing he’ll need them if he returns.
I can relate to this: when my father died, I kept one of his favorite shirts and his birding binoculars, thinking he might want them later. Didion doesn’t offer closure, just a portrait of the grieving mind and heart that I find consoling and, in the end, life-affirming.
From one of America's iconic writers, a portrait of a marriage and a life - in good times and bad - that will speak to anyone who has ever loved a husband or wife or child. A stunning book of electric honesty and passion.
Several days before Christmas 2003, John Gregory Dunne and Joan Didion saw their only daughter, Quintana, fall ill. At first they thought it was flu, then pneumonia, then complete sceptic shock. She was put into an induced coma and placed on life support. Days later - the night before New Year's Eve -the Dunnes were…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
When I was a young adult, I lost someone whom I’d loved intensely. In the aftermath, I experienced a grief that would not subside for more than a year and interfered with my ability to function. This is known as complicated grief. As a result, I’ve done a lot of reading on the subject, looking for books that present complicated grief in a humane and understandable manner. While there is a place for self-help books, I’ve found creative literature to be more helpful, especially books written in the first person that offers a metaphorical hand to the reader. I published a detailed essay in Shenandoah on this topic.
C.S. Lewis is best known for his Narnia books, but the book of his that sticks with me the most is this one, a first-person contemporaneous account of the famed fiction writer’s mourning for his wife. He began a journal shortly after she died and stopped when he reached the end of the notebook and then published it.
When I read it, I was dealing with intense grief that I felt no one around me understood, and reading Lewis’ journal/memoir made me feel like someone living in the same headspace had reached out his hand to me. One of the early statements in the book struck such a chord with me that I remember it to this day, more than 30 years later: “No one ever told me that grief felt so like fear.”
The perennial classic: this intimate journal chronicling the Narnia author's experience of grief after his wife's death has consoled readers for half a century with its 'sensitive and eloquent' magic (Hilary Mantel)
'An intimate, anguished account of a man grappling with the mysteries of faith and love ... Elegant and raw ... A powerful record of thought and emotion experienced in real time.' Guardian
'Raw and modern ... This unsentimental, even bracing, account of one man's dialogue with despair becomes both compelling and consoling ... A contemporary classic.' Observer
'A source of great consolation ... Lewis deploys his genius for…
I was eleven when my brother died in a car accident and, although I didn’t know it at the time, this experience shaped me in ways I couldn’t anticipate. Many years later, when I began working as a social worker at a local hospice, I realized that I was drawn to the work as a way to finally grieve that early loss. As I helped people navigate their own losses I found myself feeling my own grief for the first time. It wasn’t until I started writing about the hospice work that I found my brother again. I am powerfully drawn to the parallels between writing and the work of dying.
Maggie Callanan and Patricia Kelley were both hospice nurses when they wrote this book in 1992 and their book, having sold over 500,000 copies, is still a guide for those who find themselves in the presence of the dying.
The authors act as interpreters for the living and help them understand the language the dying often use. As a hospice social worker, it was not uncommon for me to hear the dying speak of packed suitcases or imaginary taxis pulling up to their doors.
This book helped me to engage with that language and to enter the altered reality that the dying often experience. It encourages us to let go of the rational and invites us into the mystery of death and dying in ways that are life-changing.
In this moving and compassionate classic—now updated with new material from the authors—hospice nurses Maggie Callanan and Patricia Kelley share their intimate experiences with patients at the end of life, drawn from more than twenty years’ experience tending the terminally ill.
Through their stories we come to appreciate the near-miraculous ways in which the dying communicate their needs, reveal their feelings, and even choreograph their own final moments; we also discover the gifts—of wisdom, faith, and love—that the dying leave for the living to share.
Filled with practical advice on responding to the requests of the dying and helping them…
This book is an elegiac meditation on the will to survive. Tor, a beluga whaler, and his wife, Astrid, a botanist specializing in Arctic flora, are stranded during the dark season of 1937-38 at his remote whaling station in the Svalbard archipelago when they misjudge ice conditions and fail to…
I am an artist and writer drawn to the intersections of non-believe. My work explores the friction points non-believers encounter and illuminates a path forward informed by reason and empathy. My writing is evidence-based, with the skepticism that comes with being an atheist, but infused with warmth, clarity, and understanding. Grief can present friction for non-believers. I aim to support those navigating such losses by providing evidence-based guidance and compassion. I hope you find some valuable nuggets in this list of books.
This simple children’s book shares the story of the death of a beloved pet and the subsequent processing of the loss. It has a gentle and clear approach, without any suggestion of an afterlife but rather an appreciation for all the wonderful things about the pet who is gone.
If you are interested in continuing bonds with a child after a loss, this is a nice way to approach and expand on the topic.
My cat Barney died this Friday. I was very sad. My mother said we could have a funeral for him, and I should think of ten good things about Barney so I could tell them... But the small boy who loved Barney can only think of nine. Later, while talking with his father, he discovers the tenth -- and begins to understand.
Like my main character, I’m a Norwegian writer with ties to the US, who grew up with various chronic illnesses. I discovered the reason for much of my trouble when I was diagnosed with endometriosis. Isolated and in pain, I have always turned to books. I craved seeing my life reflected. Since Please Read This Leaflet Carefully came out, I’ve heard from many readers. I hope that it can help people who haven’t seen themselves in art before. This list addresses the needs of a life with chronic illness and pain: guidance, darkness, humor, comfort, and poetry. I hope these books will help you as much as they did me.
This collection, published by Bloodaxe Books, categorizes poems loosely by theme and contains a treasure trove of the best poems to help you keep on living when life is too hard. There is a wide range of themes, as well as some uplifting poems that explore everything beautiful about being alive.
Staying Alive is an international anthology of 500 life-affirming poems fired by belief in the human and the spiritual at a time when much in the world feels unreal, inhuman and hollow. These are poems of great personal force connecting our aspirations with our humanity, helping us stay alive to the world and stay true to ourselves. Many people turn to poetry only at unreal times, whether for consolation in loss or affirmation in love, or when facing other extremes and anxieties. Staying Alive includes many of the great modern love poems and elegies, but it also shows the power…
Years ago, I returned to school at Mount Holyoke College to complete my bachelor’s degree in American Studies. I took a course on Emily Dickinson at the poet’s home in Amherst, Massachusetts—what a thrill! On the first day of class I learned that for sixteen years Emily’s constant companion was Carlo, a Newfoundland dog. Having experienced a hairy, slobbery encounter with a Newf when I was twenty while wearing a white dress, I knew the myth of Emily, pristinely dressed, untouched by the more earthy emotions was wrong. A new story needed to be told. That was the beginning of Emily and Carlo.
“Friends, Romans, countrymen, lend me your ear.” This is a must-have for any library. I wish I had begun reading William Shakespeare much earlier than high school! This 48-page volume provides a wonderful introduction for young and older readers with an assortment of Bard’s poems and speeches. Each entry is beautifully illustrated and explained by an expert. Definitions of hard-to-understand words are thoughtfully included at the bottom of each page.
Love! Betrayal! Ambition! Tragedy! Jealousy! William Shakespeare's universal themes continue to resonate with readers of all ages more than 400 years after his death.
This wonderful, fully illustrated book introduces children to the Bard and more than thirty of his most famous and accessible verses, sonnets, and speeches. From "Shall I compare thee to a summer's day?" to "O, she doth teach the torches to burn bright!" and "All the world's a stage," the words and poetry of the greatest playwright and poet spring to life on the page.
The next generation of readers, poets, and actors will be entranced…
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away, leaving Tina with feelings of abandonment and suspicion.
As a teacher, I often talk with my students about current events and highlight how disasters can spiral. Wildfire seasons are worsening, storms are getting stronger, wars are starting and never-ending, and sometimes, my students express some despair in the face of such cycles. Though it’s not a cure-all for this anxiety, I encourage my students to try and create something from this existential worry. Rather than scrolling through all the bad things that cross our screens, creativity can help us imagine a better world to work towards. Poetry about disasters can help us see them through.
What I love most about this book is the strident, confident way the poems tackle our expectations about prose and poetic genres. Right from the collection's first poem, the book says that language is only the beginning; it still has its limits, though it can achieve longevity in the right conditions.
However, my favorite poem of the collection is 'Shakespeare Doesn't Care,' a poem where Dove imagines Shakespeare’s confident, coy response to comments on his prolific, inimitable career. In doing so, she highlights how his work points the finger of judgment through time. Dove does this, too.
This is not a book of portents, nor is it strictly a celebration or mourning of an apocalyptic world; instead, it highlights the strange echoes of history.
In her first volume of new poems in twelve years, Rita Dove investigates the vacillating moral compass guiding the world's experiments in democracy.
Whether depicting the first Jewish ghetto in sixteenth-century Venice or Black Lives Matter, this extraordinary poet never fails to connect history's grand exploits to the triumphs and tragedies of individual lives-the simmering resentment of a lift operator, an octogenarian's exuberant mambo, the mordant humour of a philosophising cricket.
Audaciously playful yet grave, alternating poignant meditations on mortality and acerbic observations of injustice, Playlist for the Apocalypse takes us from the smallest moments of redemption to…
As a poet and a novelist, I'm fascinated by the places where these two genres meet, undo each other, and create something new again. That sounds a lot like what love can do, and whenever I read a long poem that achieves a unique aesthetic unity, I feel the writer has found a new way to love the world, to love the reader. And, as usual, both the world and the reader are challenged by that love—to grow.
Poets have many tools at their disposal in their attempt to bring aesthetic unity to a long poem, and C. D. Wright is innovative in her use of imagery and cinematic grammar to do exactly that.
This is a book to be studied for its remarkable ability to convey, in what Auden called “memorable speech,” the beautiful doom of the common heart.
Rebellious and fiercely lyrical, the poems of C.D. Wright incorporate elements of disjunction and odd juxtaposition in their exploration of unfolding context. "In my book," she writes, "poetry is a necessity of life. It is a function of poetry to locate those zones inside us that would be free, and declare them so."
C.D. Wright was born and raised in the Ozark Mountains of Arkansas. She has received numerous awards for her work, including grants from the National Endowment for the Arts, the Guggenheim Foundation, the American Academy and Institute for Arts and Letters, and the Lila Wallace-Reader's Digest Foundation.…
I love to write about the places, folklore, nature, and above all the magic of Cornwall. I have lived in Cornwall most of my life, I learned to crawl along the rockpools of Cornish beaches and I went to school in a moorland village. Now, I live on the edge of Bodmin Moor and write in the Cornish wilds, I live close to both the moors and the sea. I began writing for Cornish folklore project Mazed in 2013 and I have been retelling Cornish Folk Tales and writing poetry and stories inspired by Cornish folklore ever since.
Charles Causley’s poems celebrate every turn of Cornwall’s stride. He writes of the sea, towns, moors, and people with incredible imagery humor, and tragedy.
The poems ask questions of love and nature. "And careless, like tide-marks, the hedges / Are bursting with Almond and May." Causley sings the magic of Cornwall, ‘Its anchor is glittering granite," "His smile was sharp as tin."
My favorites are the ballads, I was inspired to write the Caradoc ballads by reading Causley’s ballads over and over. Folklore underpins many of his poems, there are mermaids, giants, saints, and even a baby devil.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I listen to about eight albums of music per week. At least one per day and another of that bunch gathers a re-listen, though more warrant the same! Listening is my favorite hobby. I name it like one would rock climbing or gardening, and though we are here connecting through words and swapping ideas, it all starts with my ear. I most want to feel what I’d like to know, and it is possible that music sometimes held the work of thinking on my behalf. In writing my book, I was most interested in what it meant to be offered the world in such a personal yet composed way each day.
For only the fifth of what could be more recommendations on musical collections, I wanted to draw attention to Avery Young’s book for its relentless approach to enactment and what movements manifest in the aftermath of music’s touch.
I read this collection during a low period of 2022 when COVID was still rampant, and it was a reminder of what it is I am listening for. Past our doctoring or our purities, our humanity is most clear when we are true about our experiences.
I would highly encourage readers to grab a copy of this dream of a book and look out for what’s next from Chicago’s inaugural poet laureate.
The ""blk alter"" of Avery R. Young's poetic vision makes its stunning debut in a multidisciplinary arsenal entitled, neckbone: visual verses. Young's years of supernatural fieldwork within the black experience and the gospel of his transitions between poetry, art and music, become the stitch, paint brush, metaphor, and narrative of arresting visual metaphors of childhood teachings and traumas, identity, and the personal reverence of pop culture's beauty and beast. A mastermind in a new language of poetry, that engages and challenges readers to see beyond the traditional spaces poems are shaped and exist, Young's neckbone extends tentacles in literature, art,…
