100 Books Like Notes from No Man's Land

All that happens throughout most of this book is that a Nigerian grad student in psychiatry nightly wanders end-to-end the streets of New York City, observing. And yet I couldn’t put this book down, riveted by this angry mind on fire and the differences in the landscape he sees from the one I thought I knew so well.

Author Teju Cole is highly visual, as one would expect from one whose other job as he wrote this was as photography editor of the New York Times Magazine. But then, as you get to the ending of his narrator’s musings, as you feel you have a handle on this plotless novel, the trap is sprung so that you cannot but reevaluate everything that has come before. This book is a stunner!

Imagine waking up to discover you’ve become the City of New York. And meeting the avatar of São Paulo walking around trying to be a mentor. As a New Yorker, I’m all for it, and I was hooked right from the start of this urban fantasy. Aliens are trying to eat the cities of Earth, but the cities fight back by choosing champions from among their populations.

New York, being New York, has six—one for the City as a whole and one for each borough because we do things right here. I got such a kick out of every borough’s particular personality and approach to being part of the whole, when just the other day, these were all ordinary people pursuing their own aims. Sudden, magical, consequential reinvention. Love it.

This Is All I Got: A New Mother’s Search for Home tells the story of the difficulty of finding acceptable housing for the poor in New York City. Sandler follows the story of a young, poor, unwed mother, Camila, for one year as she struggles to find safe and affordable housing for herself and her newborn son. Against all odds, red tape, and never-ending bureaucracy, Camila never gives up. I found this story inspiring as well as educational about the homelessness crisis in New York City, a new found passion after my experience trying to feed the homeless during the first year of the pandemic.

It seems like a bit of a long title for a New York Times Bestseller but I promise this book is educational, entertaining, and worth every second. Sullivan spent a year observing a rat-infested alley, and came away with a better understanding of our least-favorite rodents, as well as the many people who spend their lives trying to keep rats and humans apart. At first it might seem weird to sit outside and watch the rats every night, but by the end, you can’t imagine doing anything else.

We love this memoir that reads like a mystery story.

E. Dolores Johnson is the daughter of a Black father and white mother who fell in love in Indianapolis in the 1940s, when Indiana still enforced anti-miscegenation laws. Her mother “disappeared” so that she could flee to NY with the African American man she loved and marry there. Dolores’s birth certificate listed her as Black (the “one drop” of Black blood rule); she grew up in a Black family and lived in a Black neighborhood. Her mother never spoke of her white family.

The book resonated with us for both its graphic details about the racism Dolores and her African husband endured as highly educated corporate executives, including a cross-burning on their front lawn, and poignant description of her journey to find her white family and understand her biracial identity. Her mother’s response when Dolores says she is going to… show more.

The history of colonial and antebellum New York, in Harris’s hands, becomes a map of Black activism. This book moves beyond a history of slavery and abolition to offer a sweeping historical narrative of Black life in New York City, starting with the arrival of the first enslaved people in 1626 and culminating in the brutally violent draft riots of 1863. Harris works creatively with little-studied sources to chronicle how, even in the direst of circumstances, Black New Yorkers created vibrant communities. While Harris certainly depicts the obstacles that Black New Yorkers faced in the seventeenth, eighteenth, and nineteenth centuries, she also showcases individual lives, marked by sharp ambition and myriad achievements. In this narrative, talented political operatives create national movements, argue with white abolitionists, and create institutions and traditions that influence racial politics to the present day. 

This book helped me to understand the cultural complexity of my family—my father is a Jamaican immigrant, and my mother is a native-born African American—and the cultural richness of my neighborhood, Harlem, in New York City.

Like Lacy, Clerge centers her research in suburbia, not in a city. And Clerge explains how cultural distinctions across Caribbean and African American communities offer a rich tapestry of expression, and ways of being and belonging.

She reveals how cultural differentiation shapes and is shaped by class variation and strategies for navigating White domination and anti-Black racism. Clerge also discusses the implications for solidaristic behaviors across people of African descent in the United States. 

This is a comparative short study of slave societies in the Americas with an emphasis on how the Brazilian system was more legally and morally fluid than the more rigid North American system. The importance of this book lies in its originality and influence as a model for generations of historians.  Tannenbaum’s legalistic themes have been superseded by enriched data sources and social science theories and models. An additional characteristic of this comparative model was the introduction of the work of controversial Brazilian sociologist Gilberto Freyre, his thesis of miscegenation and its role in defining Brazilian national character. Tannenbaum’s optimistic closing prediction about racial harmony has not yet occurred.

I love this book because Fleming offers necessary socio-historical correctives and demystifies many myths that people believe about race, racism, and stereotypes.

The writing is punchy, pithy and humorous. As such, it is entertainingly educational and scholarly while presenting facts in a way that is accessible to general readers.

I also love this book because it is incredibly useful both to those who are “stupid about race,” so to speak, and those who aren’t. For the former, I think this is a great book to start with on one’s journey toward becoming more race-conscious and more educated about race.

Who gets to claim “childhood innocence” and the protections that come with this designation? Certainly not Black children in nineteenth-century America, according to Robin Bernstein. They were instead pictured as “pickaninnies”—comic figures who felt no pain, whatever mischief befell them. This book won a slew of awards for good reason: reading the racial ‘scripts’ in seemingly innocuous cultural products like children’s picture books, dolls, and knickknacks, Bernstein reveals how race-making hides in plain sight.