47 Books Like Nocturnal

For those interested in a compelling work of fiction built loosely around Nazism and the occult, Michael Chabon’s The Amazing Adventures of Kavalier & Clay is the perfect novel.

Whether it’s one of the protagonists, a young Jewish magician, escaping Nazi-occupied Central Europe in the coffin of the “Golem of Prague” or the eponymous cousins finding success with their own comic book series infused by contemporary esoterica, Kavalier & Clay evokes the world in which young, first and second generation Jewish immigrants from Central and Eastern Europe created the Marvel and DC superheroes and super(natural) villains, often allied with the Third Reich, that have defined our popular culture for the past eighty years. 

In the days after World War II, an alien device explodes in the skies above New York, blanketing the planet with an extraterrestrial virus. Most of the victims die horrible deaths. A smaller percentage – the “Jokers” – find their bodies mutated in various unpredictable ways. And a scant few draw an “Ace” – superpowers without the consequences of a Joker mutation. Wild Cards is the first in a series of “mosaic novels,” books of stories featuring the work of several writers contributing their own pieces of a larger tapestry that helps build and flesh out a remarkable world. The Wild Cards series is perhaps the most elaborate and provocative superhero universe that exists in prose fiction. 

As much as I love comic books, it's always bothered me how many people think comics are superheroes and vice-versa. This was one of the first really successful attempts at doing something with… show more.

Not a novel, but Supergods is one of the most intriguing books about the superhero as a concept that I’ve ever read. In Supergods, the always thought-provoking Grant Morrison digs into what superheroes actually are by picking apart archetypes, delving into the history of the medium, and exploring their place as a sort of modern mythology. Having written countless superhero comics, including some of the most surreal such stories ever to exist, Morrison is in a unique position to dissect the genre in a way that leaves you thinking about what superheroes mean and why they matter. It's the kind of book that makes you examine what the building blocks of superheroes are, and as someone who enjoys playing in that sandbox, it makes me look at one of my favorite genres in new and unique ways. 

In the world of Lafferty’s Playing For Keeps, super-powered types fall into one of three categories. The heroes are powerful, but arrogant jerks. The villains have all the charm and charisma, but are still villains. Then there are people like Keepsie Branson, whose “useless” powers don’t let them fall into either category. After all, what good is the power to prevent something from being stolen from your own possession when it comes to fighting crime – or committing it? Lafferty’s style is slick, funny, and very original. This book isn’t like any other superhero story I know.

I really enjoyed the entire 87th Precinct series, wherein Ed McBain creates the American police procedural genre.

Cop Hater, the first in the series, is hard-hitting, fast-paced, filled with complex characters, and captures the essence of a cop’s soul while giving the reader a wonderful glimpse into the world of criminal investigations.

I am a huge fan of mystery novels written by Michael Connelly featuring the detective Harry Bosch, so I was delighted to read Jill Leovy’s account of real-life homicide detectives in Los Angeles working under very difficult circumstances to provide a measure of justice to otherwise ignored crime victims and their families.

The book does a wonderful job of documenting the craft of good police work and shows how poorly functioning formal legal systems – a legacy of Jim Crow – negatively impacts Black communities.

As the fictional detective Harry Bosch likes to say, “everyone counts or no one counts.”

Leovy’s book shows what it takes for that vision of everyone counting to become a reality. 

Diane Day’s Fremont Jones is a heroine after my own heart. She remains plucky throughout the entire series, even though the great San Francisco earthquake and fire of 1906. Of course, a plucky woman in the first decade of the 20th century was bound to run afoul of society and propriety. Fremont found herself in scrape after silly scrape. This is a mystery with lots of fun. But more than that, it offers a charming sense of life in the olden days during the times that tried women’s souls.

This book made me realise that women’s role in fiction didn’t have to be the ‘little woman’ or the ‘love interest’.

It was published back in 2001 when female protagonists were a rarity, but James Patterson gives us not one, but four strong women who get together to solve crimes that the police alone cannot. I love the fact that these women are willing to break the rules in order to succeed in a man’s world. But at the same time, they are a club in the traditional sense: they eat, drink, and have fun together, while watching each other’s backs.

It was a wonderfully empowering experience to discover this book (and even more so when I realised there were a whole series of books about the same group of women).

A book of photographs that show the Nutshell Studies in great detail.

This book inspired me to learn more about the wealthy woman who spent so much time creating these hugely detailed crime scenes.

Why? It took more research to learn that she had developed a passion for teaching investigators to follow the old saying "convict the guilty, clear the innocent, and find the truth in a nutshell.”

It seems to me this is what the investigator is always trying to do in mystery stories, like the 9 I had already written in my Emily Cabot Mysteries. If a picture is worth a thousand words, these pictures suggest a lot of stories.

This tremendous little book is about who has the right to discipline and kill. In an ideal world, the author argues, this right is monopolized by territorial entities we know as states. This is not the case in Brazil, however. In Brazil, or rather in metropolitan São Paulo, the right to discipline and kill is shared—hence the book’s title—between the various agents of the public security state and an extremely well-organized and powerful criminal faction known as the Primeiro Comando do Capital or PCC.