Here are 100 books that Nobody Is Ever Missing fans have personally recommended if you like
Nobody Is Ever Missing.
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I am the author of three novels that all explore contemporary notions of fidentity. In 2016 I received a scholarship to travel from New Zealand to Berlin for three months and fell in love with the city. I ended up staying there for nearly four years, until the pandemic started. As a writer I liked the way that being detached from your regular life, and living in a country where you are unfamiliar with the language and the rules, makes you alert to the quirks. It helps you to gain a fresh perspective about the place that you came from, and also the place that you are in.
This book, the first in Rachel Cusk’s famous trilogy, was a revelation to me because it feels so radically unstructured but at the same time is fascinating in its form.
The narrator travels to Athens to teach a summer writing course but the details about her are kept so sketchy that we only really get to know her through the way she receives what others tell her. Faye is brilliantly observant, and only gradually do you begin to realise, as a reader, that the author is subtly meditating on a series of themes through these conversations, mostly about disappointments and divorces.
The first in Rachel Cusk's critically-acclaimed trilogy, shortlisted for the Folio Prize and the Goldsmith Prize and longlisted for the IMPAC Prize.
Outline is a novel in ten conversations. Spare and lucid, it follows a novelist teaching a course in creative writing over an oppressively hot summer in Athens. She leads her student in storytelling exercises. She meets other writers for dinner. She goes swimming in the Ionian Sea with her seatmate from the place. The people she encounters speak volubly about themselves, their fantasies, anxieties, pet theories, regrets, and longings. And through these disclosures, a portrait of the narrator…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
This fiercely feminist novel catalogues the obstacles encountered by a young woman fighting to become a filmmaker in the 1970s and 1980s.
The novel begins with Ana Fried struggling to step out of her mother's shadow. While filming Indian goddesses at Mount Abu, a bout of malaria sends her back…
I studied music as an undergraduate and play the cello or the drums most days. Yet when I set out to write Concert Black, I found that there are surprisingly few novels set in the world of the conservatory and the concert hall. To me, these are ideal settings for drama because they are filled with competition, ego, and high art. Novels that pivot on classical music combine two of my great passions and are among my favorite type of book.
This novel explores what it means to leave music behind.
August Blue follows a concert pianist who walks off the stage, mid-performance, then follows her doppelganger across Europe. As she moves further from her artistic career, music becomes a memory.
I admire the dream-like nature of the story, and the way Deborah Levy manages to capture in prose the idea of a sound heard, remembered, and slowly forgotten, as in this passage: "There were weeks when I played fragments of my score through the night, which is when I felt most in communion with [her]. I projected myself into her and she became music."
The mesmerising new novel from the twice Booker-shortlisted author of Hot Milk and Swimming Home
At the height of her career, concert pianist Elsa M. Anderson - former child prodigy, now in her thirties - walks off the stage in Vienna, mid-performance.
Now she is in Athens, watching as another young woman, a stranger but uncannily familiar - almost her double - purchases a pair of mechanical dancing horses at a flea market. Elsa wants the horses too, but there are no more for sale. She drifts to the ferry port, on the run from her talent and her history.
I am the author of three novels that all explore contemporary notions of fidentity. In 2016 I received a scholarship to travel from New Zealand to Berlin for three months and fell in love with the city. I ended up staying there for nearly four years, until the pandemic started. As a writer I liked the way that being detached from your regular life, and living in a country where you are unfamiliar with the language and the rules, makes you alert to the quirks. It helps you to gain a fresh perspective about the place that you came from, and also the place that you are in.
Suffering from writer’s block, a novelist leaves her husband and children in Brooklyn and checks into the Tel Aviv Hilton to be near the pool from her childhood holidays.
Away from her usual domesticity, she considers where her choices have lead her: “What if, I thought, rather than existing in a universal space, each of us is actually born alone into a luminous blankness, and it’s we who snip it into pieces, assembling staircases and gardens and train stations in our own peculiar fashion, until we have pared our space into a world?”
This novel has many strands, but I loved how the writer is drawn into a mystery surrounding Kafka’s estate, with an elderly cat hoarder claiming legal rights to his unpublished papers. All the more alluring because it is based in truth.
CHOSEN AS BOOK OF THE YEAR BY THE OBSERVER, NEW YORKER, NEW YORK TIMES BOOKS REVIEW, TIMES LITERARY SUPPLEMENT AND THE TIMES 'Lucid and exhilarating ... A great gift' New York Review of Books 'Tantalizes and compels ... A welcome reminder of how a novel can be defiantly and brilliantly novel' Douglas Kennedy, New Statesman Jules Epstein has vanished: first slowly, then all at once. He begins divesting himself of all of his worldly possessions. Now he's fallen off the face of the earth, and all the search parties can find is his empty monogrammed briefcase, abandoned in the Judean…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
This fiercely feminist novel catalogues the obstacles encountered by a young woman fighting to become a filmmaker in the 1970s and 1980s.
The novel begins with Ana Fried struggling to step out of her mother's shadow. While filming Indian goddesses at Mount Abu, a bout of malaria sends her back…
I am the author of three novels that all explore contemporary notions of fidentity. In 2016 I received a scholarship to travel from New Zealand to Berlin for three months and fell in love with the city. I ended up staying there for nearly four years, until the pandemic started. As a writer I liked the way that being detached from your regular life, and living in a country where you are unfamiliar with the language and the rules, makes you alert to the quirks. It helps you to gain a fresh perspective about the place that you came from, and also the place that you are in.
A Kirkus review aptly described this novel as “mysterious, bizarre, frustrating, weirdly smart and pretty cool”.
It’s mostly a fiercely intelligent exploration of both political and personal crises in 2017, the year of Trump and Brexit. Radical feminist Kathy has also fairly inexplicably agreed to get married. Pre-wedding she travels to a resort in Italy with her fiancé where she tumbles through a range of highly-emotive stances on intimacy and closeness.
After an argument about prosciutto and fig ciabattas with her husband “she hated him, she hated any kind of warmth or dependency, she wanted to take up residence as an ice cube in a long glass of aqua frizzante.” Her fury quickly dissolves “anyway they sorted it out” and the novel travels brilliantly onwards.
"She had no idea what to do with love, she experienced it as invasion, as the prelude to loss and pain, she really didn't have a clue."
Kathy is a writer. Kathy is getting married. It's the summer of 2017 and the whole world is falling apart. Fast-paced and frantic, Crudo unfolds in real time from the full-throttle perspective of a commitment-phobic artist who may or may not be Kathy Acker.
From a Tuscan hotel for the superrich to a Brexit-paralyzed United Kingdom, Kathy spends the first summer of her forties adjusting to the idea of a lifelong…
I’m a writer from Aotearoa New Zealand and I’ve always been drawn to stories of struggle, especially where a character fights against outside control. I started writing for the high school students I was teaching and got hooked on the YA genre. I love it partly because it crosses all genres – I can write about a 14-year-old girl trying to live in a repressive religious cult but I can also write about a 15-year-old boy who’s a champion kart driver. Karting at top level takes enormous skill as I discovered, but it also has room for dirty tricks.
I was privileged to be asked to mentor Lilia as she wrote of her life in and escape from the Gloriavale religious cult, a community of about 500 people living a secluded and strictly controlled life in a remote part of the South Island of New Zealand. Her life was like my fictional book,but on steroids. Four years after leaving the pain of knowing she’d never again see those she loved was still so acute that she wept as she wrote of it. Life inside Gloriavale fascinated and horrified me. But while Lilia gained the freedom to forge her own life she lost the closeness and love of wider family and friends. A heart-wrenching but ultimately triumphant story.
In this personal account, Lilia Tarawa exposes the shocking secrets of the cult, with its rigid rules and oppressive control of women. She describes her fear when her family questioned Gloriavale's beliefs and practices.
When her parents fled with their children, Lilia was forced to make a desperate choice: to stay or to leave. No matter what she chose, she would lose people she loved.
In the outside world, Lilia struggled. Would she be damned to hell for leaving? How would she learn to navigate this strange place called 'the world'? And would she ever find out the truth about…
USA Today and #1 internationally bestselling author of The Marsh King's Daughter - “Subtle, brilliant and mature . . . as good as a thriller can be.” – The New York Times Book Review, and soon to be a major motion picture starring Daisy Ridley and Ben Mendelsohn, and The Wicked Sister, a Publishers Weekly Best Book of 2020. "Massively thrilling and altogether unputdownable. Dionne is proving to be one of the finest suspense writers working today.” – Karin Slaughter
I read this novel in one sitting, swept up and carried away to a world I never knew and a place I’ve never been: New Zealand’s West Coast, a rough and rugged land where after just five days in the country, the entire Chamberlain family disappears.
With the parents dead, what will become of the children? And what will they do to survive? Complicated moral choices elevate this richly drawn, intensely atmospheric, and absolutely stunning story of loss and endurance.
Lost in the wilderness: subjugation, survival, and the meaning of family
Up on the highway, the only evidence that the Chamberlains had ever been there was two smeared tire tracks in the mud leading into an almost undamaged screen of bushes and trees. No other cars passed that way until after dawn. By that time the tracks had been washed away by the heavy rain. After being in New Zealand for only five days, the English Chamberlain family had vanished into thin air. The date was 4 April 1978. In 2010 the remains of the eldest child are discovered in…
I love Aotearoa New Zealand books! Our writers are brave, feisty, original - and living in ‘the land of the long white cloud’ at the bottom of the globe gives us a unique take on the world that permeates through everything we write. But we struggle to get our voices heard internationally, so far from the rest of you! This is your chance to push out your boundaries and explore stories that derive from a culture very different from your own, while sharing the same human emotions that bring us all together. As one of these writers, I challenge you to check us out – you won’t be disappointed!
Elizabeth Knox is a world-class writer with an exceptional imagination and her fantasy novel, Dreamhunter, is a great introduction to her work. Set in an alternative past, dreamhunters harvest dreams which are transmitted to the public for entertainment and therapy – or worse. Fifteen-year-old Laura Hame must enter The Place of Dreams to uncover what happened to her missing dreamhunter father and in the process reveals how the government has used dreams to control an ever-growing population of convicts and political dissenters. Those who love Philip Pullman or Garth Nix won’t be disappointed.
Laura comes from a world similar to our own but for one difference: The Place. An unfathomable land filled with dreams of every kind and invisible to all but a select few: the Dreamhunters. Treated as celebrities, the Dreamhunters catch larger-than-life dreams and relay them to audiences in the magnificent dream palace, The Rainbow Opera.
Now, 15 year-old Laura and her cousin Rose are going to find out whether they are part of this prestigious group. But nothing in their darkest nightmares can prepare them for what they are about to discover. For within the Place lies a horrific secret…
Nothing about the art of writing is more interesting to me—as both reader and writer—than the power of language to open, or to enhance, or to teach, our perceptions about life and about living in the richest emotional and thoughtful ways possible. My own Sweetbitter is my major effort at imagining in language or with language as a kind of perception. Our intuitions are immensely valuable, when we can catch hold of them; for the writer, the process of imagining and articulating is a kind of method of deepening our perceptiveness and our intuitions. My books of poems, also, are a necessary—for me—practice of the art of writing.
I *adore* Katherine Mansfield’s work. She wrote short stories, not novels.
She was still rather young when she died of tuberculosis. Her portrayals of love, family, and especially of children, are for me gloriously wonderful with insight and perceptiveness about relationships. From the New Zealand settings of many of her stories (where she was born and grew up), she emigrated to London, then to France (where she received medical treatment for TB), and Switzerland (also for treatment for TB—unsuccessful).
She seems to me a lonely genius—perceiving deeply not only other persons (of many sorts) on whom she modeled her short stories but also herself. Her seemingly idyllic childhood in NZ is perhaps the core source of her accomplishment—especially the novellas At the Bay and Prelude. But her adult life was difficult and she seems to have been uncertain about her writing, even though to me she seems a genius…
With an Introduction and Notes by Professor Stephen Arkin, San Francisco State University.
Katherine Mansfield is widely regarded as a writer who helped create the modern short story. Born in Wellington, New Zealand in 1888, she came to London in 1903 to attend Queen's College and returned permanently in 1908. her first book of stories, In a German Pension, appeared in 1911, and she went on to write and publish an extraordinary body of work. This edition of The Collected Stories brings together all of the stories that Mansfield had written up until her death in January of 1923.
As a writer from Aotearoa New Zealand, I’ve always been interested in social justice and human rights, and my own writing explores such issues, including who holds the power and who exerts the control. By writing about real-world issues in a speculative future, it allows us to peel back the layers of conditioning and look at ourselves and our actions through the eyes of an outsider – which forces us to examine our best and worst human traits. I love the way speculative fiction can do this, and I love that it challenges us to do better.
The first in a trilogy, it takes a little while to adjust your reading ‘ear’ to the strange new language used, but then you’re rewarded by another great speculative cli-fi novel, with complex, layered characters, lots of tension, and a plot that will challenge you to think harder about how climate change may affect the future.
Truth died in the fires. Only through courage can it be born again. Under the iron rule of the Revelayshun, one boy discovers the truth… ‘Ty promised my ma he’d bring me up right. Bring him up to hear the rhythm beat, she said, and to feel the heartsblood warm. Not Strong – not in their way – but strong in the ways of the heart.’ When the Revelayshun murders his pa, Wil discovers through savage inquisition that he’s marked as a Heater, one of the old-time heretics who burned up the world. But Wil holds the key to a…
I love Aotearoa New Zealand books! Our writers are brave, feisty, original - and living in ‘the land of the long white cloud’ at the bottom of the globe gives us a unique take on the world that permeates through everything we write. But we struggle to get our voices heard internationally, so far from the rest of you! This is your chance to push out your boundaries and explore stories that derive from a culture very different from your own, while sharing the same human emotions that bring us all together. As one of these writers, I challenge you to check us out – you won’t be disappointed!
This gripping psychological thriller centers around a girl who is caught up in a religious cult, her name changed and all her supports ripped away. How will she survive this? Will she be able to escape? Still in print after 20 years, this book won the Storylines Gaelyn Gordon Award for a Much-loved Book 2009.
A classic bestseller that's been in print for over 20 years, this gripping YA thriller follows a teenage girl caught in a religious cult.
Imagine that your mother tells you she's going away. She is going to leave you with relatives you've never heard of - and they are members of a strict religious cult. Your name is changed, and you are forced to follow the severe set of social standards set by the cult. There is no television, no radio, no newspaper. No mirrors. You must wear long, modest clothes. You don't know where your mother is, and you…
