Here are 100 books that No Walls And The Recurring Dream fans have personally recommended if you like
No Walls And The Recurring Dream.
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“Big Butt.” That’s all you need to know about me. It was the first song I wrote and recorded on a dusty cassette tape in 1986. I was 10 years old and an obsessive Prince fan. On the back of his records, he wrote some variation of “written, recorded, produced and performed by Prince.” Those words empowered me to be an artist. More specifically, here’s what I wrote as a 10-year-old: “When I grow up, I want to be a rock star like Prince.” Five years later, I started writing poetry, and all of the poems I wrote felt like songs. Music is the fuel for all that I create.
I’ve always loved mysterious musicians. Musicians who seem otherwordly. Musicians who make magic in the studio and take you to magical places.
I used to never want to know the process behind that magic. But as I get older, I’ve enjoyed learning about the human behind the magician.
Thom Yorke is a wizard. I’ve been a fan since 1993, so it’s fascinating to take a look at some of his process in the Kid A Mnesia book. It’s gorgeous. Weird. And yes… magical.
Stanley Donwood’s art is fantastic, and is just as important as the music. I heard the albums differently after flipping through these pages.
Whilst these records were being conceived, rehearsed, recorded and produced, Thom Yorke and Stanley Donwood made hundreds of images. These ranged from obsessive, insomniac scrawls in biro to six-foot-square painted canvases, from scissors-and-glue collages to immense digital landscapes. They utilised every medium they could find, from sticks and knives to the emerging digital technologies.
The work chronicles their obsessions at the time: minotaurs, genocide, maps, globalisation, monsters, pylons, dams, volcanoes, locusts, lightning, helicopters, Hiroshima, show homes and ring roads. What emerges is a deeply strange portrait of the years at the commencement of this century. A time that seems an…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I love music books and annoy my wife with how many I consume per month. (She wants me to read fiction. Pish-posh.) The ones that play with format and provide multiple viewpoints are my favorites. I became a music journalist after spending my teenage years in a ska band; that alone taught me that music is complex, ever-evolving, and the technical is intrinsically tied to the personal. I approached my book with the same acknowledgment of diverse opinions and fierce emotional connection. I have devoted my life to loving and playing ska, and it seemed to be the only genre lacking a defender. The defender turned out to be me.
I think music is magic. Sometimes, it feels like reading about music deflates its inherent mystery. When I finished Dilla Time, it was like I had taken mushrooms and could see beat patterns with my mind’s eye. Although a good portion of Dilla Time is biographical, the parts I love are the chapters explaining how rhythm works, and Charnas dives deep into this topic.
The biography portion strengthens those sections because Dilla fundamentally changed the rhythm of pop music. I read this book, and my understanding of rhythm completely changed—and I am a drummer! Plus, the mixed-media, multi-formatted content is such a delight. He even includes graphs. Who doesn’t enjoy a nice graph?
It's Dilla Time. Finally. Dilla Time is the story of the invention of a new kind of time, a new kind of sound, by the most influential music producer of the last twenty-five years, someone you may never have heard of: J. Dilla. He's revered by rappers and producers from Kanye West to Kendrick Lamar, and he worked with the likes of Michael Jackson and Janet Jackson-but Dilla himself never rose to mainstream fame, despite revolutionizing the way music sounds before his untimely death at the age of thirty-two.
In Dilla Time, Dan Charnas chronicles the life of J. Dilla,…
“Big Butt.” That’s all you need to know about me. It was the first song I wrote and recorded on a dusty cassette tape in 1986. I was 10 years old and an obsessive Prince fan. On the back of his records, he wrote some variation of “written, recorded, produced and performed by Prince.” Those words empowered me to be an artist. More specifically, here’s what I wrote as a 10-year-old: “When I grow up, I want to be a rock star like Prince.” Five years later, I started writing poetry, and all of the poems I wrote felt like songs. Music is the fuel for all that I create.
The moment I realized I was getting older was the moment I put two little pieces of toilet paper in my ears in the middle of a Mogwai show in Asheville, NC.
It was the loudest show I’d ever attended. And it was phenomenal.
Mogwai has been making cinematic music for a long time, and I came into awareness of the band with 2008’s “The Hawk is Howling.” They are epic, funny, mysterious, meditative, and relentless.
It’s no surprise that Stuart Braithwaite’s book is perfect for the Mogwai fanbase in that it gives some insight into the band’s philosophy while maintaining a sense of mystery. I also like that Braithwaite doesn’t seem to take himself too seriously.
Born the son of Scotland's last telescope-maker, Stuart Braithwaite was perhaps always destined for a life of psychedelic adventuring on the furthest frontiers of noise in MOGWAI, one of the best loved and most ground-breaking post-rock bands of the past three decades.
Modestly delinquent at school, Stuart developed an early appetite for 'alternative' music in what might arguably be described as its halcyon days, the late '80s. Discovering bands like Sonic Youth, My Bloody Valentine, and Jesus and Mary Chain, and attending seminal gigs (often incongruously incognito as a young girl with long hair to compensate for his babyface features)…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
“Big Butt.” That’s all you need to know about me. It was the first song I wrote and recorded on a dusty cassette tape in 1986. I was 10 years old and an obsessive Prince fan. On the back of his records, he wrote some variation of “written, recorded, produced and performed by Prince.” Those words empowered me to be an artist. More specifically, here’s what I wrote as a 10-year-old: “When I grow up, I want to be a rock star like Prince.” Five years later, I started writing poetry, and all of the poems I wrote felt like songs. Music is the fuel for all that I create.
Can we have more books on Alice Coltrane, please? I enjoy telling people I love “Coltrane” and then correcting them when they assume I’m talking about John.
John was great. He was transcendent. And so was Alice.
Alice came into her true self after John dropped his body. I am eternally fascinated by her music and where it takes me.
Franya J. Berkman’s book is tragically one of the few books where you can learn about Alice’s story. It’s expertly factual and insightful.
Alice Coltrane was a composer, improviser, guru, and widow of John Coltrane. Over the course of her musical life, she synthesized a wide range of musical genres including gospel, rhythm-and-blues, bebop, free jazz, Indian devotional song, and Western art music. Her childhood experiences playing for African-American congregations in Detroit, the ecstatic and avant-garde improvisations she performed on the bandstand with her husband John Coltrane, and her religious pilgrimages to India reveal themselves on more than twenty albums of original music for the Impulse and Warner Brothers labels.
In the late 1970s Alice Coltrane became a swami, directing an alternative spiritual…
I’m Allison Lange, and I’m a historian who writes, gives talks, teaches, and curates exhibitions. For the 19th Amendment centennial, I served as Historian for the United States Congress’s Women’s Suffrage Centennial Commission. I am also creating the first filmed series on American women’s history for Wondrium (formerly The Great Courses).
My first book, Picturing Political Power: Images in the Women’s Suffrage Movement focuses on the ways that women’s voting rights activists and their opponents used images to define gender and power. My next book situates current iconic pictures within the context of historical ones to demonstrate that today’s visual debates about gender and politics are shaped by those of the past.
You might be surprised to learn that some prominent suffrage leaders had intimate relationships with women, including Susan B. Anthony and Jane Addams. However, some of these women destroyed their papers to make it difficult for historians to learn about their personal lives (ahem, Anthony and Addams). Scholars are in the process of recovering these stories as much as possible, and Anya Jabour’s Sophonsiba Breckenridge gives us an amazing glimpse into one woman’s experiences. Born in 1868, Breckinridge became one of the first American women to earn a PhD in Political Science. She was a prominent social worker, peace activist, and women’s rights activist until she died in 1948. Breckinridge navigated the spotlight and same-sex relationships, and Jabour tells us how she did it.
Sophonisba Breckinridge's remarkable career stretched from the Civil War to the Cold War. She took part in virtually every reform campaign of the Progressive and New Deal eras and became a nationally and internationally renowned figure. Her work informed women's activism for decades and continues to shape progressive politics today. Anya Jabour's biography rediscovers this groundbreaking American figure. After earning advanced degrees in politics, economics, and law, Breckinridge established the University of Chicago's School of Social Service Administration, which became a feminist think tank that promoted public welfare policy and propelled women into leadership positions. In 1935, Breckinridge's unremitting efforts…
I’ve spent my entire life in pursuit of peace and nonviolence, and tried to be a peacemaker to our poor world of permanent warfare, extreme poverty, systemic violence, nuclear weapons, and environmental destruction. I’ve organized hundreds of demonstrations, spoken to a million people, written some forty books on peace and nonviolence, been arrested 85 times, traveled the warzones of the world—all the while trying to practice peace and nonviolence, and not doing a good job of it. That’s why I look to the examples of legendary peacemakers who lived the life of peace and changed the world with their disarming presence, people like Gandhi, Dr. King, Dorothy Day, Daniel Berrigan and Thomas Merton.
I consider Dorothy Day one of the greatest peacemakers in modern history, and as Pope Francis said when he addressed Congress, one of the all-time greatest Americans. As a woman, she stood against every form of injustice, war, and nuclear weapons, all while living with the poor and founding the Catholic Worker movement. This book gives the best, most complete portrait of her long, storied life and is filled with pictures and quotes. She will soon be canonized as a saint and take her place along with St. Francis of Assisi as one of the greatest Christians of all time. She sets a high bar for Christian living as hospitality to the poor, resistance to war, and total nonviolence. A must-read for every would-be peacemaker, servant of the poor, and aspiring Christian.
Dorothy Day (1897-1980), founder of the Catholic Worker movement, and one of the most prophetic voices in the American Catholic church, has recently been proposed as a candidate for canonization. In this lavishly illustrated biography, Jim Forest provides a compelling portrait of her heroic efforts to live out the radical message of the gospel for our time.
A journalist and social reformer in her youth, Day surprised her friends with the decision in 1927 to enter the Catholic church. Her conversion, prompted by the birth out of wedlock of her daughter Tamar left her searching for some way to reconcile…
A fake date, romance, and a conniving co-worker you'd love to shut down. Fun summer reading!
Liza loves helping people and creating designer shoes that feel as good as they look. Financially overextended and recovering from a divorce, her last-ditch opportunity to pitch her firm for investment falls flat. Then…
Technically, I’m a lawyer and pharmacy technician but I spend my time writing, mostly for kids. I'm inspired by a childhood in different countries as well as what’s currently occurring in our world. I delight in stories for all ages, believing that even adults can enjoy and learn from picture book biographies. At the very least, they provide jumping-off points for further research, and at best they inspire us to achieve the seemingly impossible.
In Malala’s own kid’s eye view of the world, she tells how she yearned for a magic pencil, like the boy in a TV show she watched, so she could magically make the world a better place. One of the fortunate girls in Afghanistan who was sent to school because her parents believed strongly in education for women, she eventually realized she had that magic pencil already. Her words, her voice, could bring change. This is an empowering book for kids to see that they can make a difference in their world from one of the heroes of their time.
** Shortlisted for the Little Rebels Children's Book Award! **
As a child in Pakistan, Malala made a wish for a magic pencil that she could use to redraw reality. She would use it for good; to give gifts to her family, to erase the smell from the rubbish dump near her house. (And to sleep an extra hour in the morning.)
As she grew older, Malala wished for bigger and bigger things. She saw a world that needed fixing. And even if she never found a magic pencil, Malala realized that she could still work hard every day to…
As an academic, activist, author, and a student of American women’s history, I’m passionate about recognizing the contributions of diverse American women. I graduated from Wellesley College, on the cusp of the 1970s women’s movement. My doctoral dissertation, a biography of suffragist Elizabeth Cady Stanton, in Her Own Right,hailed by both Oprah and theWall Street Journal, was the basis of Ken Burns’ documentary, Not for Ourselves Alone. My career centered on women: working to advance women’s rights, writing and teaching women’s history, and leading a girls’ school. As a cisgender white woman, I’m a member of the Society of American Historians and Veteran Feminists of America.
This pathbreaking work is the first in-depth biography of Terrell (1863-1954). It challenges common stereotypes about Black women and identifies common ground among women who struggle to balance work and family. Mary Church, born during the Civil War, had two white grandfathers, who impregnated enslaved women and then allowed their offspring to marry. After Emancipation, Molly’s father became a wealthy Memphis land developer, which allowed her to attend Oberlin, earn a master’s degree, and travel in Europe. She married a graduate of Harvard and Howard Law, whom Theodore Roosevelt named the first Black justice of the peace in Washington, DC. She did not allow her distrust of Susan B. Anthony to derail her fight for Black voting rights, before and after the Nineteenth Amendment passed. A founder and the first president of the National Association of Colored Women in 1896, Terrell used her lace and pearls and Republican connections…
Born into slavery during the Civil War, Mary Church Terrell (1863-1954) would become one of the most prominent activists of her time, with a career bridging the late nineteenth century to the civil rights movement of the 1950s. The first president of the National Association of Colored Women and a founding member of the NAACP, Terrell collaborated closely with the likes of Frederick Douglass, Ida B. Wells, and W. E. B. Du Bois. Unceasing Militant is the first full-length biography of Terrell, bringing her vibrant voice and personality to life. Though most accounts of Terrell focus almost exclusively on her…
I am fascinated by historical figures who were deemed marginal, outcast, or eccentric and also by experiences (like sleep or madness) that usually fall beneath historical scrutiny. I am drawn to nineteenth-century literature and history because I find such a rich store of strange and poignant optimism and cultural experimentation dwelling alongside suffering, terror, and despair. As a writer, I feel a sense of responsibility when a great story falls into my hands. I try to be as respectful as I can to the life behind it, while seeking how it fits into a larger historical pattern. I am always on the lookout for books that do the same!
If you think the 1960s tops the list of eras that experimented with counter-cultural protest movements, utopian societies, and radical social experimentation, think again.
There are more free love advocates, anti-racist rebels, anti-capitalist communes, oversexed vegans, and messianic prophets in this book than you could shake a staff at. Jackson tells their stories with verve, wit, and a perfectly measured assessment of their contributions and failures.
A dynamic, timely history of nineteenth-century activists—free-lovers and socialists, abolitionists and vigilantes—and the social revolution they sparked in the turbulent Civil War era
“In the tradition of Howard Zinn’s people’s histories, American Radicals reveals a forgotten yet inspiring past.”—Megan Marshall, Pulitzer Prize–winning author of Margaret Fuller: A New American Life and Elizabeth Bishop: A Miracle for Breakfast
NAMED ONE OF THE TEN BEST HISTORY BOOKS OF THE YEAR BY SMITHSONIAN
On July 4, 1826, as Americans lit firecrackers to celebrate the country’s fiftieth birthday, both John Adams and Thomas Jefferson were on their deathbeds. They would leave behind a groundbreaking…
“Rowdy” Randy Cox, a woman staring down the barrel of retirement, is a curmudgeonly blue-collar butch lesbian who has been single for twenty years and is trying to date again.
At the end of a long, exhausting shift, Randy finds her supervisor, Bryant, pinned and near death at the warehouse…
Little House on the Prairie, Roots, the Bicentennial, family vacations, and an early childhood in New Orleans all shaped my perception of the world as a place overlaying history. Although I could not have completely articulated this then, I specifically wanted to know what women before me had done, I wanted to know about parts of the story that seemed to be in the shadows of the places where I consumed history, and I wanted to know “the real story.” The intensity of recreating a person’s world and their experience in it made me question how historians know what we know, and how deeply myth, nostalgia, or even preconceptions guide readings of the evidence. The authors here all show an awareness that re-telling a person’s life can move it away from the evidence and they try to return to that evidence and find the “real story,” or as near to it as possible.
Find a performance of Truth’s speech, “A’rn’t I a Woman,” and the actress inevitably slips into a southern accent. Margaret Washington’s book, along with Nell Irvin Painter’s Sojourner Truth: A Life, a Symbol, will tell you that Truth actually spoke with a Dutch accent and that the more famous version of that speech was a revision by a white abolitionist woman. Truth was born and raised in New York, not the south, and she slipped through the cracks of the state’s Emancipation laws, remaining a slave well into adulthood. Her life tells a national story of slavery and shows the complicated relationships of religion, abolition, women, and class.
This fascinating biography tells the story of nineteenth-century America through the life of one of its most charismatic and influential characters: Sojourner Truth. In an in-depth account of this amazing activist, Margaret Washington unravels Sojourner Truth's world within the broader panorama of African American slavery and the nation's most significant reform era. Born into bondage among the Hudson Valley Dutch in Ulster County, New York, Isabella was sold several times, married, and bore five children before fleeing in 1826 with her infant daughter one year before New York slavery was abolished. In 1829, she moved to New York City, where…
