Here are 100 books that No Walls And The Recurring Dream fans have personally recommended if you like
No Walls And The Recurring Dream.
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“Big Butt.” That’s all you need to know about me. It was the first song I wrote and recorded on a dusty cassette tape in 1986. I was 10 years old and an obsessive Prince fan. On the back of his records, he wrote some variation of “written, recorded, produced and performed by Prince.” Those words empowered me to be an artist. More specifically, here’s what I wrote as a 10-year-old: “When I grow up, I want to be a rock star like Prince.” Five years later, I started writing poetry, and all of the poems I wrote felt like songs. Music is the fuel for all that I create.
I’ve always loved mysterious musicians. Musicians who seem otherwordly. Musicians who make magic in the studio and take you to magical places.
I used to never want to know the process behind that magic. But as I get older, I’ve enjoyed learning about the human behind the magician.
Thom Yorke is a wizard. I’ve been a fan since 1993, so it’s fascinating to take a look at some of his process in the Kid A Mnesia book. It’s gorgeous. Weird. And yes… magical.
Stanley Donwood’s art is fantastic, and is just as important as the music. I heard the albums differently after flipping through these pages.
Whilst these records were being conceived, rehearsed, recorded and produced, Thom Yorke and Stanley Donwood made hundreds of images. These ranged from obsessive, insomniac scrawls in biro to six-foot-square painted canvases, from scissors-and-glue collages to immense digital landscapes. They utilised every medium they could find, from sticks and knives to the emerging digital technologies.
The work chronicles their obsessions at the time: minotaurs, genocide, maps, globalisation, monsters, pylons, dams, volcanoes, locusts, lightning, helicopters, Hiroshima, show homes and ring roads. What emerges is a deeply strange portrait of the years at the commencement of this century. A time that seems an…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I love music books and annoy my wife with how many I consume per month. (She wants me to read fiction. Pish-posh.) The ones that play with format and provide multiple viewpoints are my favorites. I became a music journalist after spending my teenage years in a ska band; that alone taught me that music is complex, ever-evolving, and the technical is intrinsically tied to the personal. I approached my book with the same acknowledgment of diverse opinions and fierce emotional connection. I have devoted my life to loving and playing ska, and it seemed to be the only genre lacking a defender. The defender turned out to be me.
I think music is magic. Sometimes, it feels like reading about music deflates its inherent mystery. When I finished Dilla Time, it was like I had taken mushrooms and could see beat patterns with my mind’s eye. Although a good portion of Dilla Time is biographical, the parts I love are the chapters explaining how rhythm works, and Charnas dives deep into this topic.
The biography portion strengthens those sections because Dilla fundamentally changed the rhythm of pop music. I read this book, and my understanding of rhythm completely changed—and I am a drummer! Plus, the mixed-media, multi-formatted content is such a delight. He even includes graphs. Who doesn’t enjoy a nice graph?
It's Dilla Time. Finally. Dilla Time is the story of the invention of a new kind of time, a new kind of sound, by the most influential music producer of the last twenty-five years, someone you may never have heard of: J. Dilla. He's revered by rappers and producers from Kanye West to Kendrick Lamar, and he worked with the likes of Michael Jackson and Janet Jackson-but Dilla himself never rose to mainstream fame, despite revolutionizing the way music sounds before his untimely death at the age of thirty-two.
In Dilla Time, Dan Charnas chronicles the life of J. Dilla,…
“Big Butt.” That’s all you need to know about me. It was the first song I wrote and recorded on a dusty cassette tape in 1986. I was 10 years old and an obsessive Prince fan. On the back of his records, he wrote some variation of “written, recorded, produced and performed by Prince.” Those words empowered me to be an artist. More specifically, here’s what I wrote as a 10-year-old: “When I grow up, I want to be a rock star like Prince.” Five years later, I started writing poetry, and all of the poems I wrote felt like songs. Music is the fuel for all that I create.
The moment I realized I was getting older was the moment I put two little pieces of toilet paper in my ears in the middle of a Mogwai show in Asheville, NC.
It was the loudest show I’d ever attended. And it was phenomenal.
Mogwai has been making cinematic music for a long time, and I came into awareness of the band with 2008’s “The Hawk is Howling.” They are epic, funny, mysterious, meditative, and relentless.
It’s no surprise that Stuart Braithwaite’s book is perfect for the Mogwai fanbase in that it gives some insight into the band’s philosophy while maintaining a sense of mystery. I also like that Braithwaite doesn’t seem to take himself too seriously.
Born the son of Scotland's last telescope-maker, Stuart Braithwaite was perhaps always destined for a life of psychedelic adventuring on the furthest frontiers of noise in MOGWAI, one of the best loved and most ground-breaking post-rock bands of the past three decades.
Modestly delinquent at school, Stuart developed an early appetite for 'alternative' music in what might arguably be described as its halcyon days, the late '80s. Discovering bands like Sonic Youth, My Bloody Valentine, and Jesus and Mary Chain, and attending seminal gigs (often incongruously incognito as a young girl with long hair to compensate for his babyface features)…
AcClaim is a dark, high-society romance about Beatrix Winslow-Hale, a successful romance author who believes desire can be negotiated and controlled—until enigmatic billionaire Dorian Wolker crosses the line between consensual surrender and violation. Publicly humiliated and emotionally shattered, Beatrix turns to Manon de Rochemaure, her fiercely loyal best friend and…
“Big Butt.” That’s all you need to know about me. It was the first song I wrote and recorded on a dusty cassette tape in 1986. I was 10 years old and an obsessive Prince fan. On the back of his records, he wrote some variation of “written, recorded, produced and performed by Prince.” Those words empowered me to be an artist. More specifically, here’s what I wrote as a 10-year-old: “When I grow up, I want to be a rock star like Prince.” Five years later, I started writing poetry, and all of the poems I wrote felt like songs. Music is the fuel for all that I create.
Can we have more books on Alice Coltrane, please? I enjoy telling people I love “Coltrane” and then correcting them when they assume I’m talking about John.
John was great. He was transcendent. And so was Alice.
Alice came into her true self after John dropped his body. I am eternally fascinated by her music and where it takes me.
Franya J. Berkman’s book is tragically one of the few books where you can learn about Alice’s story. It’s expertly factual and insightful.
Alice Coltrane was a composer, improviser, guru, and widow of John Coltrane. Over the course of her musical life, she synthesized a wide range of musical genres including gospel, rhythm-and-blues, bebop, free jazz, Indian devotional song, and Western art music. Her childhood experiences playing for African-American congregations in Detroit, the ecstatic and avant-garde improvisations she performed on the bandstand with her husband John Coltrane, and her religious pilgrimages to India reveal themselves on more than twenty albums of original music for the Impulse and Warner Brothers labels.
In the late 1970s Alice Coltrane became a swami, directing an alternative spiritual…
I’m Allison Lange, and I’m a historian who writes, gives talks, teaches, and curates exhibitions. For the 19th Amendment centennial, I served as Historian for the United States Congress’s Women’s Suffrage Centennial Commission. I am also creating the first filmed series on American women’s history for Wondrium (formerly The Great Courses).
My first book, Picturing Political Power: Images in the Women’s Suffrage Movement focuses on the ways that women’s voting rights activists and their opponents used images to define gender and power. My next book situates current iconic pictures within the context of historical ones to demonstrate that today’s visual debates about gender and politics are shaped by those of the past.
You might be surprised to learn that some prominent suffrage leaders had intimate relationships with women, including Susan B. Anthony and Jane Addams. However, some of these women destroyed their papers to make it difficult for historians to learn about their personal lives (ahem, Anthony and Addams). Scholars are in the process of recovering these stories as much as possible, and Anya Jabour’s Sophonsiba Breckenridge gives us an amazing glimpse into one woman’s experiences. Born in 1868, Breckinridge became one of the first American women to earn a PhD in Political Science. She was a prominent social worker, peace activist, and women’s rights activist until she died in 1948. Breckinridge navigated the spotlight and same-sex relationships, and Jabour tells us how she did it.
Sophonisba Breckinridge's remarkable career stretched from the Civil War to the Cold War. She took part in virtually every reform campaign of the Progressive and New Deal eras and became a nationally and internationally renowned figure. Her work informed women's activism for decades and continues to shape progressive politics today. Anya Jabour's biography rediscovers this groundbreaking American figure. After earning advanced degrees in politics, economics, and law, Breckinridge established the University of Chicago's School of Social Service Administration, which became a feminist think tank that promoted public welfare policy and propelled women into leadership positions. In 1935, Breckinridge's unremitting efforts…
I’ve always been interested in the interconnected lives of women and of womanhood. I find that it's also important to acknowledge the diversity in women’s experiences in all cultures and points in history. My first academic essay, which was published, was “Reevaluating of the Role of Women in Beowulf” which, in my youth, helped to not only flesh out the historical and contemporary roles women or persons who identify as women have had but also to begin to understand what that means to myself and to those around me. Since then, when writing about women in my numerous stories and novels, I focus on how she exists within her world and how she defines herself.
Alice Walker is one of my constant and favorite authors and I find myself re-reading her works often. I was fortunate enough to be part of a discussion of this book with Alice Walker present and was in awe of how forthright she was. Gathering Blossoms Under Fire is a collection of her journals that shared such intimate moments from her life.
'These journals are a revelation, a road map and a gift to us all' TAYARI JONES, author of An American Marriage
From the acclaimed author Alice Walker - winner of the National Book Award and the Pulitzer Prize - comes an unprecedented compilation of four decades' worth of journals that draw an intimate portrait of her development as an artist, intellectual and human rights activist.
In Gathering Blossoms Under Fire, Walker offers a passionate, intimate record of her intellectual, artistic and political development. She also intimately explores - in real time - her thoughts and feelings as a woman, a…
"A profound and often affecting story of resilience." —Kirkus Reviews
The Silent Women, an extraordinary novel inspired by the real women of Oak Ridge, Tennessee—the Manhattan Project’s “Secret City," where thousands kept the deadliest secret of World War II—is a sweeping, absorbing, and deeply human story about chosen…
I am fascinated by historical figures who were deemed marginal, outcast, or eccentric and also by experiences (like sleep or madness) that usually fall beneath historical scrutiny. I am drawn to nineteenth-century literature and history because I find such a rich store of strange and poignant optimism and cultural experimentation dwelling alongside suffering, terror, and despair. As a writer, I feel a sense of responsibility when a great story falls into my hands. I try to be as respectful as I can to the life behind it, while seeking how it fits into a larger historical pattern. I am always on the lookout for books that do the same!
If you think the 1960s tops the list of eras that experimented with counter-cultural protest movements, utopian societies, and radical social experimentation, think again.
There are more free love advocates, anti-racist rebels, anti-capitalist communes, oversexed vegans, and messianic prophets in this book than you could shake a staff at. Jackson tells their stories with verve, wit, and a perfectly measured assessment of their contributions and failures.
A dynamic, timely history of nineteenth-century activists—free-lovers and socialists, abolitionists and vigilantes—and the social revolution they sparked in the turbulent Civil War era
“In the tradition of Howard Zinn’s people’s histories, American Radicals reveals a forgotten yet inspiring past.”—Megan Marshall, Pulitzer Prize–winning author of Margaret Fuller: A New American Life and Elizabeth Bishop: A Miracle for Breakfast
NAMED ONE OF THE TEN BEST HISTORY BOOKS OF THE YEAR BY SMITHSONIAN
On July 4, 1826, as Americans lit firecrackers to celebrate the country’s fiftieth birthday, both John Adams and Thomas Jefferson were on their deathbeds. They would leave behind a groundbreaking…
As a picture-book writer and illustrator as well as a mother and teacher, the most important goal I can think of is fueling a child’s imagination with possibilities by providing true stories of trailblazing women. My reviews highlight remarkable women in the arts, government, sports, social work, and history. I hope you enjoy these books!
This is a marvelous picture book on Jane Addams, founder of Hull House in 1889. Hull House was a Chicago settlement house for newly-arrived European immigrants. When we first meet Jane, she is a sad, sickly child who relates to those living without hope. She promises to help them when she grows up – and she does! Through her tenacity and grit, she studies, travels, and figures out how to help struggling families.
Called “Saint Jane” when Hull House opened, she also formed the Women’s Peace Party during WWI. A Nobel Peace Prize winner, Jane Addams is an inspiration. The text of Dangerous Jane is spare, clear, and poetic; illustrations are beautifully drawn and carefully designed. This book is a treasure!
An inspiring picture book biography of Jane Addams, the groundbreaking social activist who went from the FBI's "Most Dangerous Woman in America" to Nobel Peace Prize winner.
From the time she was a child, Jane Addams's heart ached for others—for those who were sad, hungry, and hopeless. When she grew up, Jane created Hull House, a settlement house in Chicago where she worked eighteen hours a day, providing whatever her immigrant neighbors needed: English lessons, childcare, steady work—as well as friendship, dignity, and hope. Then World War I broke out. Jane had helped people from different countries live in peace…
I am the grown-up little girl who loved to read. I loved novels and children’s biographies—Amelia Earhart, Marie Curie, Annie Oakley. I imagined that if I could learn to write books that inspired readers and moved them to tears like my favorite books, I would have accomplished a great good. My first biography, The Peabody Sisters, took twenty years and won awards for historical writing. My second biography, Margaret Fuller, won the Pulitzer. But what matters more than all the prizes is when people tell me they cried at the end of my books. I hope you, too, will read them and weep over lives lived fully and well.
Nell Painter’s biography of Sojourner Truth breaks new ground in a different way. Sojourner Truth is famous, an iconic freedom fighter and advocate for Black and female suffrage. Weall know her demand for recognition, “Ain’t I a woman?” Or do we? Painter’s research reveals a much more complicated woman and investigates why history has reduced a fascinating life story to that one simple question, which might never have been asked, at least in those precise words. Read this book to find out the true story of Sojourner Truth.
Sojourner Truth first gained prominence at an 1851 Akron, Ohio, women's rights conference, saying, "Dat man over dar say dat woman needs to be helped into carriages, and lifted over ditches. . . . Nobody eber helps me into carriages, or ober mud-puddles . . . and ar'n't I a woman?"
Sojourner Truth: ex-slave and fiery abolitionist, figure of imposing physique, riveting preacher and spellbinding singer who dazzled listeners with her wit and originality. Straight-talking and unsentimental, Truth became a national symbol for strong black women--indeed, for all strong women. Like Harriet Tubman and Frederick Douglass, she is regarded…
Broken Boots, Redeemed Soul: A Veteran’s War with Sin and Salvation
by
Brian Lofton,
Broken Boots, Redeemed Soul: A Veteran’s War with Sin and Salvation, is a raw and faith-centered memoir about life after military service—and the internal battles many never see. Brian Lofton shares his journey through addiction, shame, identity loss, and spiritual distance, revealing how the hardest struggles often begin after…
I'm a writer and journalist. I grew up in London’s Jewish community, and lived in Israel and Jerusalem for most of my life. I'm fascinated by the Mid-East region, its history, religions, music, cultures, and colors, and by Jewish history. As a result of my experiences as a soldier in the Second Lebanon War of 2006, and the Second Intifada of 2000-4, my focus on conflict became central to my work. After the 2006 war, I became a conflict reporter, and I've covered war and insurgency in Syria, Turkey, Iraq, Ukraine, Lebanon, and Israel/West Bank/Gaza for a variety of publications. I also like to focus on the ways war and conflict impact human lives.
Naipaul was one of the greatest English language writers of the last century, in my view. In this novel he traces the fortunes of one Willie Chandran, an Indian resident in the UK, who makes his way to India to join a rural Maoist insurgency against the Indian authorities. The book is a fascinatingly original description of and take on insurgent warfare, fascinating precisely because Naipaul is not a writer especially interested in war, or the usual themes that govern literary treatments of it. As a result, the parts of the book dealing with the insurgency succeed in a masterful and haunting description of the people involved and the conditions they are facing, while entirely avoiding the pitfalls of both sentimentality and cliché.
Nobel laureate V. S. Naipaul’s magnificent Magic Seeds continues the story of Willie Chandran, the perennially dissatisfied and self-destructively naive protagonist of his bestselling Half a Life. Having left a wife and a livelihood in Africa, Willie is persuaded to return to his native India to join an underground movement on behalf of its oppressed lower castes. Instead he finds himself in the company of dilettantes and psychopaths, relentlessly hunted by police and spurned by the people he means to liberate. But this is only one stop in a quest for authenticity that takes in all the fanaticism and folly…
