Here are 100 books that No Walls And The Recurring Dream fans have personally recommended if you like
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“Big Butt.” That’s all you need to know about me. It was the first song I wrote and recorded on a dusty cassette tape in 1986. I was 10 years old and an obsessive Prince fan. On the back of his records, he wrote some variation of “written, recorded, produced and performed by Prince.” Those words empowered me to be an artist. More specifically, here’s what I wrote as a 10-year-old: “When I grow up, I want to be a rock star like Prince.” Five years later, I started writing poetry, and all of the poems I wrote felt like songs. Music is the fuel for all that I create.
I’ve always loved mysterious musicians. Musicians who seem otherwordly. Musicians who make magic in the studio and take you to magical places.
I used to never want to know the process behind that magic. But as I get older, I’ve enjoyed learning about the human behind the magician.
Thom Yorke is a wizard. I’ve been a fan since 1993, so it’s fascinating to take a look at some of his process in the Kid A Mnesia book. It’s gorgeous. Weird. And yes… magical.
Stanley Donwood’s art is fantastic, and is just as important as the music. I heard the albums differently after flipping through these pages.
Whilst these records were being conceived, rehearsed, recorded and produced, Thom Yorke and Stanley Donwood made hundreds of images. These ranged from obsessive, insomniac scrawls in biro to six-foot-square painted canvases, from scissors-and-glue collages to immense digital landscapes. They utilised every medium they could find, from sticks and knives to the emerging digital technologies.
The work chronicles their obsessions at the time: minotaurs, genocide, maps, globalisation, monsters, pylons, dams, volcanoes, locusts, lightning, helicopters, Hiroshima, show homes and ring roads. What emerges is a deeply strange portrait of the years at the commencement of this century. A time that seems an…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I love music books and annoy my wife with how many I consume per month. (She wants me to read fiction. Pish-posh.) The ones that play with format and provide multiple viewpoints are my favorites. I became a music journalist after spending my teenage years in a ska band; that alone taught me that music is complex, ever-evolving, and the technical is intrinsically tied to the personal. I approached my book with the same acknowledgment of diverse opinions and fierce emotional connection. I have devoted my life to loving and playing ska, and it seemed to be the only genre lacking a defender. The defender turned out to be me.
I think music is magic. Sometimes, it feels like reading about music deflates its inherent mystery. When I finished Dilla Time, it was like I had taken mushrooms and could see beat patterns with my mind’s eye. Although a good portion of Dilla Time is biographical, the parts I love are the chapters explaining how rhythm works, and Charnas dives deep into this topic.
The biography portion strengthens those sections because Dilla fundamentally changed the rhythm of pop music. I read this book, and my understanding of rhythm completely changed—and I am a drummer! Plus, the mixed-media, multi-formatted content is such a delight. He even includes graphs. Who doesn’t enjoy a nice graph?
It's Dilla Time. Finally. Dilla Time is the story of the invention of a new kind of time, a new kind of sound, by the most influential music producer of the last twenty-five years, someone you may never have heard of: J. Dilla. He's revered by rappers and producers from Kanye West to Kendrick Lamar, and he worked with the likes of Michael Jackson and Janet Jackson-but Dilla himself never rose to mainstream fame, despite revolutionizing the way music sounds before his untimely death at the age of thirty-two.
In Dilla Time, Dan Charnas chronicles the life of J. Dilla,…
“Big Butt.” That’s all you need to know about me. It was the first song I wrote and recorded on a dusty cassette tape in 1986. I was 10 years old and an obsessive Prince fan. On the back of his records, he wrote some variation of “written, recorded, produced and performed by Prince.” Those words empowered me to be an artist. More specifically, here’s what I wrote as a 10-year-old: “When I grow up, I want to be a rock star like Prince.” Five years later, I started writing poetry, and all of the poems I wrote felt like songs. Music is the fuel for all that I create.
The moment I realized I was getting older was the moment I put two little pieces of toilet paper in my ears in the middle of a Mogwai show in Asheville, NC.
It was the loudest show I’d ever attended. And it was phenomenal.
Mogwai has been making cinematic music for a long time, and I came into awareness of the band with 2008’s “The Hawk is Howling.” They are epic, funny, mysterious, meditative, and relentless.
It’s no surprise that Stuart Braithwaite’s book is perfect for the Mogwai fanbase in that it gives some insight into the band’s philosophy while maintaining a sense of mystery. I also like that Braithwaite doesn’t seem to take himself too seriously.
Born the son of Scotland's last telescope-maker, Stuart Braithwaite was perhaps always destined for a life of psychedelic adventuring on the furthest frontiers of noise in MOGWAI, one of the best loved and most ground-breaking post-rock bands of the past three decades.
Modestly delinquent at school, Stuart developed an early appetite for 'alternative' music in what might arguably be described as its halcyon days, the late '80s. Discovering bands like Sonic Youth, My Bloody Valentine, and Jesus and Mary Chain, and attending seminal gigs (often incongruously incognito as a young girl with long hair to compensate for his babyface features)…
In 1913, a 15-year-old pregnant girl was found dead of apparent suicide. Dr. James Wilson, a new graduate and the first doctor ever to start a practice in this rural town, feels guilty over her death because of his delayed intervention.
“Big Butt.” That’s all you need to know about me. It was the first song I wrote and recorded on a dusty cassette tape in 1986. I was 10 years old and an obsessive Prince fan. On the back of his records, he wrote some variation of “written, recorded, produced and performed by Prince.” Those words empowered me to be an artist. More specifically, here’s what I wrote as a 10-year-old: “When I grow up, I want to be a rock star like Prince.” Five years later, I started writing poetry, and all of the poems I wrote felt like songs. Music is the fuel for all that I create.
Can we have more books on Alice Coltrane, please? I enjoy telling people I love “Coltrane” and then correcting them when they assume I’m talking about John.
John was great. He was transcendent. And so was Alice.
Alice came into her true self after John dropped his body. I am eternally fascinated by her music and where it takes me.
Franya J. Berkman’s book is tragically one of the few books where you can learn about Alice’s story. It’s expertly factual and insightful.
Alice Coltrane was a composer, improviser, guru, and widow of John Coltrane. Over the course of her musical life, she synthesized a wide range of musical genres including gospel, rhythm-and-blues, bebop, free jazz, Indian devotional song, and Western art music. Her childhood experiences playing for African-American congregations in Detroit, the ecstatic and avant-garde improvisations she performed on the bandstand with her husband John Coltrane, and her religious pilgrimages to India reveal themselves on more than twenty albums of original music for the Impulse and Warner Brothers labels.
In the late 1970s Alice Coltrane became a swami, directing an alternative spiritual…
I’m Allison Lange, and I’m a historian who writes, gives talks, teaches, and curates exhibitions. For the 19th Amendment centennial, I served as Historian for the United States Congress’s Women’s Suffrage Centennial Commission. I am also creating the first filmed series on American women’s history for Wondrium (formerly The Great Courses).
My first book, Picturing Political Power: Images in the Women’s Suffrage Movement focuses on the ways that women’s voting rights activists and their opponents used images to define gender and power. My next book situates current iconic pictures within the context of historical ones to demonstrate that today’s visual debates about gender and politics are shaped by those of the past.
You might be surprised to learn that some prominent suffrage leaders had intimate relationships with women, including Susan B. Anthony and Jane Addams. However, some of these women destroyed their papers to make it difficult for historians to learn about their personal lives (ahem, Anthony and Addams). Scholars are in the process of recovering these stories as much as possible, and Anya Jabour’s Sophonsiba Breckenridge gives us an amazing glimpse into one woman’s experiences. Born in 1868, Breckinridge became one of the first American women to earn a PhD in Political Science. She was a prominent social worker, peace activist, and women’s rights activist until she died in 1948. Breckinridge navigated the spotlight and same-sex relationships, and Jabour tells us how she did it.
Sophonisba Breckinridge's remarkable career stretched from the Civil War to the Cold War. She took part in virtually every reform campaign of the Progressive and New Deal eras and became a nationally and internationally renowned figure. Her work informed women's activism for decades and continues to shape progressive politics today. Anya Jabour's biography rediscovers this groundbreaking American figure. After earning advanced degrees in politics, economics, and law, Breckinridge established the University of Chicago's School of Social Service Administration, which became a feminist think tank that promoted public welfare policy and propelled women into leadership positions. In 1935, Breckinridge's unremitting efforts…
I’m Allison Lange, and I’m a historian who writes, gives talks, teaches, and curates exhibitions. For the 19th Amendment centennial, I served as Historian for the United States Congress’s Women’s Suffrage Centennial Commission. I am also creating the first filmed series on American women’s history for Wondrium (formerly The Great Courses).
My first book, Picturing Political Power: Images in the Women’s Suffrage Movement focuses on the ways that women’s voting rights activists and their opponents used images to define gender and power. My next book situates current iconic pictures within the context of historical ones to demonstrate that today’s visual debates about gender and politics are shaped by those of the past.
You’ve probably heard of icon Ida B. Wells, but how much do you really know about her life? Wells actually knew Mary Church Terrell, and Terrell’s father even provided Wells with early financial support. Wells was a journalist who led the fight against the lynching of Black people. She left the South and moved to Chicago after white supremacists destroyed her newspaper office. In 1913, she founded the Alpha Suffrage Club to advance the political interests of local Black women and marched in the first national suffrage parade in Washington, DC. In the beautifully illustrated Ida B. The Queen, Wells’s great-granddaughter, Michelle Duster, tells Wells’s life story. Duster details Wells’s place in current popular culture and the legacy of her social justice activism that still inspires us today.
Journalist. Suffragist. Antilynching crusader. In 1862, Ida B. Wells was born enslaved in Holly Springs, Mississippi. In 2020, she won a Pulitzer Prize.
Ida B. Wells committed herself to the needs of those who did not have power. In the eyes of the FBI, this made her a "dangerous negro agitator." In the annals of history, it makes her an icon.
Ida B. the Queen tells the awe-inspiring story of an pioneering woman who was often overlooked and underestimated-a woman who refused to exit a train car meant for white passengers; a woman brought to light the horrors of…
Voyager 1 was launched on September 5, 1977, and Voyager 2 was launched on August 20, 1977. Both began a historic journey with unique 'time capsules' on board intended to communicate a story of our world to extraterrestrials. The Voyager message is carried by a phonograph record 12-inch gold-plated disk…
I am the grown-up little girl who loved to read. I loved novels and children’s biographies—Amelia Earhart, Marie Curie, Annie Oakley. I imagined that if I could learn to write books that inspired readers and moved them to tears like my favorite books, I would have accomplished a great good. My first biography, The Peabody Sisters, took twenty years and won awards for historical writing. My second biography, Margaret Fuller, won the Pulitzer. But what matters more than all the prizes is when people tell me they cried at the end of my books. I hope you, too, will read them and weep over lives lived fully and well.
Nell Painter’s biography of Sojourner Truth breaks new ground in a different way. Sojourner Truth is famous, an iconic freedom fighter and advocate for Black and female suffrage. Weall know her demand for recognition, “Ain’t I a woman?” Or do we? Painter’s research reveals a much more complicated woman and investigates why history has reduced a fascinating life story to that one simple question, which might never have been asked, at least in those precise words. Read this book to find out the true story of Sojourner Truth.
Sojourner Truth first gained prominence at an 1851 Akron, Ohio, women's rights conference, saying, "Dat man over dar say dat woman needs to be helped into carriages, and lifted over ditches. . . . Nobody eber helps me into carriages, or ober mud-puddles . . . and ar'n't I a woman?"
Sojourner Truth: ex-slave and fiery abolitionist, figure of imposing physique, riveting preacher and spellbinding singer who dazzled listeners with her wit and originality. Straight-talking and unsentimental, Truth became a national symbol for strong black women--indeed, for all strong women. Like Harriet Tubman and Frederick Douglass, she is regarded…
As a picture-book writer and illustrator as well as a mother and teacher, the most important goal I can think of is fueling a child’s imagination with possibilities by providing true stories of trailblazing women. My reviews highlight remarkable women in the arts, government, sports, social work, and history. I hope you enjoy these books!
This is a marvelous picture book on Jane Addams, founder of Hull House in 1889. Hull House was a Chicago settlement house for newly-arrived European immigrants. When we first meet Jane, she is a sad, sickly child who relates to those living without hope. She promises to help them when she grows up – and she does! Through her tenacity and grit, she studies, travels, and figures out how to help struggling families.
Called “Saint Jane” when Hull House opened, she also formed the Women’s Peace Party during WWI. A Nobel Peace Prize winner, Jane Addams is an inspiration. The text of Dangerous Jane is spare, clear, and poetic; illustrations are beautifully drawn and carefully designed. This book is a treasure!
An inspiring picture book biography of Jane Addams, the groundbreaking social activist who went from the FBI's "Most Dangerous Woman in America" to Nobel Peace Prize winner.
From the time she was a child, Jane Addams's heart ached for others—for those who were sad, hungry, and hopeless. When she grew up, Jane created Hull House, a settlement house in Chicago where she worked eighteen hours a day, providing whatever her immigrant neighbors needed: English lessons, childcare, steady work—as well as friendship, dignity, and hope. Then World War I broke out. Jane had helped people from different countries live in peace…
I’m a picture-book author who wrote about Mahalia Jackson so more people would feel the sense of awe about her that I do. When I first read how she was treated by our own country, I was furious. But her amazing grace allowed me to focus on the positive aspects of her life, like she did.
This delightful picture book opens with Eleanor Roosevelt’s firm footing in the White House. Then it transports us back to her childhood, where we see the foundation for that footing: Eleanor cultivating her own character, way before she met her husband. The wonderful backmatter asks children how they might make their own mark, to enhance their lives…and the world.
Deputy Jenna Hart has only been working in her sleepy hometown of Pearl Springs for seven months when city officials begin to be targeted by a killer. Twenty years ago, the construction of a dam caused people to lose their land to eminent domain. That wound has not healed with…
As an academic, activist, author, and a student of American women’s history, I’m passionate about recognizing the contributions of diverse American women. I graduated from Wellesley College, on the cusp of the 1970s women’s movement. My doctoral dissertation, a biography of suffragist Elizabeth Cady Stanton, in Her Own Right,hailed by both Oprah and theWall Street Journal, was the basis of Ken Burns’ documentary, Not for Ourselves Alone. My career centered on women: working to advance women’s rights, writing and teaching women’s history, and leading a girls’ school. As a cisgender white woman, I’m a member of the Society of American Historians and Veteran Feminists of America.
This pathbreaking work is the first in-depth biography of Terrell (1863-1954). It challenges common stereotypes about Black women and identifies common ground among women who struggle to balance work and family. Mary Church, born during the Civil War, had two white grandfathers, who impregnated enslaved women and then allowed their offspring to marry. After Emancipation, Molly’s father became a wealthy Memphis land developer, which allowed her to attend Oberlin, earn a master’s degree, and travel in Europe. She married a graduate of Harvard and Howard Law, whom Theodore Roosevelt named the first Black justice of the peace in Washington, DC. She did not allow her distrust of Susan B. Anthony to derail her fight for Black voting rights, before and after the Nineteenth Amendment passed. A founder and the first president of the National Association of Colored Women in 1896, Terrell used her lace and pearls and Republican connections…
Born into slavery during the Civil War, Mary Church Terrell (1863-1954) would become one of the most prominent activists of her time, with a career bridging the late nineteenth century to the civil rights movement of the 1950s. The first president of the National Association of Colored Women and a founding member of the NAACP, Terrell collaborated closely with the likes of Frederick Douglass, Ida B. Wells, and W. E. B. Du Bois. Unceasing Militant is the first full-length biography of Terrell, bringing her vibrant voice and personality to life. Though most accounts of Terrell focus almost exclusively on her…