Here are 100 books that No Walls And The Recurring Dream fans have personally recommended if you like
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“Big Butt.” That’s all you need to know about me. It was the first song I wrote and recorded on a dusty cassette tape in 1986. I was 10 years old and an obsessive Prince fan. On the back of his records, he wrote some variation of “written, recorded, produced and performed by Prince.” Those words empowered me to be an artist. More specifically, here’s what I wrote as a 10-year-old: “When I grow up, I want to be a rock star like Prince.” Five years later, I started writing poetry, and all of the poems I wrote felt like songs. Music is the fuel for all that I create.
I’ve always loved mysterious musicians. Musicians who seem otherwordly. Musicians who make magic in the studio and take you to magical places.
I used to never want to know the process behind that magic. But as I get older, I’ve enjoyed learning about the human behind the magician.
Thom Yorke is a wizard. I’ve been a fan since 1993, so it’s fascinating to take a look at some of his process in the Kid A Mnesia book. It’s gorgeous. Weird. And yes… magical.
Stanley Donwood’s art is fantastic, and is just as important as the music. I heard the albums differently after flipping through these pages.
Whilst these records were being conceived, rehearsed, recorded and produced, Thom Yorke and Stanley Donwood made hundreds of images. These ranged from obsessive, insomniac scrawls in biro to six-foot-square painted canvases, from scissors-and-glue collages to immense digital landscapes. They utilised every medium they could find, from sticks and knives to the emerging digital technologies.
The work chronicles their obsessions at the time: minotaurs, genocide, maps, globalisation, monsters, pylons, dams, volcanoes, locusts, lightning, helicopters, Hiroshima, show homes and ring roads. What emerges is a deeply strange portrait of the years at the commencement of this century. A time that seems an…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I love music books and annoy my wife with how many I consume per month. (She wants me to read fiction. Pish-posh.) The ones that play with format and provide multiple viewpoints are my favorites. I became a music journalist after spending my teenage years in a ska band; that alone taught me that music is complex, ever-evolving, and the technical is intrinsically tied to the personal. I approached my book with the same acknowledgment of diverse opinions and fierce emotional connection. I have devoted my life to loving and playing ska, and it seemed to be the only genre lacking a defender. The defender turned out to be me.
I think music is magic. Sometimes, it feels like reading about music deflates its inherent mystery. When I finished Dilla Time, it was like I had taken mushrooms and could see beat patterns with my mind’s eye. Although a good portion of Dilla Time is biographical, the parts I love are the chapters explaining how rhythm works, and Charnas dives deep into this topic.
The biography portion strengthens those sections because Dilla fundamentally changed the rhythm of pop music. I read this book, and my understanding of rhythm completely changed—and I am a drummer! Plus, the mixed-media, multi-formatted content is such a delight. He even includes graphs. Who doesn’t enjoy a nice graph?
It's Dilla Time. Finally. Dilla Time is the story of the invention of a new kind of time, a new kind of sound, by the most influential music producer of the last twenty-five years, someone you may never have heard of: J. Dilla. He's revered by rappers and producers from Kanye West to Kendrick Lamar, and he worked with the likes of Michael Jackson and Janet Jackson-but Dilla himself never rose to mainstream fame, despite revolutionizing the way music sounds before his untimely death at the age of thirty-two.
In Dilla Time, Dan Charnas chronicles the life of J. Dilla,…
“Big Butt.” That’s all you need to know about me. It was the first song I wrote and recorded on a dusty cassette tape in 1986. I was 10 years old and an obsessive Prince fan. On the back of his records, he wrote some variation of “written, recorded, produced and performed by Prince.” Those words empowered me to be an artist. More specifically, here’s what I wrote as a 10-year-old: “When I grow up, I want to be a rock star like Prince.” Five years later, I started writing poetry, and all of the poems I wrote felt like songs. Music is the fuel for all that I create.
The moment I realized I was getting older was the moment I put two little pieces of toilet paper in my ears in the middle of a Mogwai show in Asheville, NC.
It was the loudest show I’d ever attended. And it was phenomenal.
Mogwai has been making cinematic music for a long time, and I came into awareness of the band with 2008’s “The Hawk is Howling.” They are epic, funny, mysterious, meditative, and relentless.
It’s no surprise that Stuart Braithwaite’s book is perfect for the Mogwai fanbase in that it gives some insight into the band’s philosophy while maintaining a sense of mystery. I also like that Braithwaite doesn’t seem to take himself too seriously.
Born the son of Scotland's last telescope-maker, Stuart Braithwaite was perhaps always destined for a life of psychedelic adventuring on the furthest frontiers of noise in MOGWAI, one of the best loved and most ground-breaking post-rock bands of the past three decades.
Modestly delinquent at school, Stuart developed an early appetite for 'alternative' music in what might arguably be described as its halcyon days, the late '80s. Discovering bands like Sonic Youth, My Bloody Valentine, and Jesus and Mary Chain, and attending seminal gigs (often incongruously incognito as a young girl with long hair to compensate for his babyface features)…
“Big Butt.” That’s all you need to know about me. It was the first song I wrote and recorded on a dusty cassette tape in 1986. I was 10 years old and an obsessive Prince fan. On the back of his records, he wrote some variation of “written, recorded, produced and performed by Prince.” Those words empowered me to be an artist. More specifically, here’s what I wrote as a 10-year-old: “When I grow up, I want to be a rock star like Prince.” Five years later, I started writing poetry, and all of the poems I wrote felt like songs. Music is the fuel for all that I create.
Can we have more books on Alice Coltrane, please? I enjoy telling people I love “Coltrane” and then correcting them when they assume I’m talking about John.
John was great. He was transcendent. And so was Alice.
Alice came into her true self after John dropped his body. I am eternally fascinated by her music and where it takes me.
Franya J. Berkman’s book is tragically one of the few books where you can learn about Alice’s story. It’s expertly factual and insightful.
Alice Coltrane was a composer, improviser, guru, and widow of John Coltrane. Over the course of her musical life, she synthesized a wide range of musical genres including gospel, rhythm-and-blues, bebop, free jazz, Indian devotional song, and Western art music. Her childhood experiences playing for African-American congregations in Detroit, the ecstatic and avant-garde improvisations she performed on the bandstand with her husband John Coltrane, and her religious pilgrimages to India reveal themselves on more than twenty albums of original music for the Impulse and Warner Brothers labels.
In the late 1970s Alice Coltrane became a swami, directing an alternative spiritual…
I’m Allison Lange, and I’m a historian who writes, gives talks, teaches, and curates exhibitions. For the 19th Amendment centennial, I served as Historian for the United States Congress’s Women’s Suffrage Centennial Commission. I am also creating the first filmed series on American women’s history for Wondrium (formerly The Great Courses).
My first book, Picturing Political Power: Images in the Women’s Suffrage Movement focuses on the ways that women’s voting rights activists and their opponents used images to define gender and power. My next book situates current iconic pictures within the context of historical ones to demonstrate that today’s visual debates about gender and politics are shaped by those of the past.
You might be surprised to learn that some prominent suffrage leaders had intimate relationships with women, including Susan B. Anthony and Jane Addams. However, some of these women destroyed their papers to make it difficult for historians to learn about their personal lives (ahem, Anthony and Addams). Scholars are in the process of recovering these stories as much as possible, and Anya Jabour’s Sophonsiba Breckenridge gives us an amazing glimpse into one woman’s experiences. Born in 1868, Breckinridge became one of the first American women to earn a PhD in Political Science. She was a prominent social worker, peace activist, and women’s rights activist until she died in 1948. Breckinridge navigated the spotlight and same-sex relationships, and Jabour tells us how she did it.
Sophonisba Breckinridge's remarkable career stretched from the Civil War to the Cold War. She took part in virtually every reform campaign of the Progressive and New Deal eras and became a nationally and internationally renowned figure. Her work informed women's activism for decades and continues to shape progressive politics today. Anya Jabour's biography rediscovers this groundbreaking American figure. After earning advanced degrees in politics, economics, and law, Breckinridge established the University of Chicago's School of Social Service Administration, which became a feminist think tank that promoted public welfare policy and propelled women into leadership positions. In 1935, Breckinridge's unremitting efforts…
I’m Allison Lange, and I’m a historian who writes, gives talks, teaches, and curates exhibitions. For the 19th Amendment centennial, I served as Historian for the United States Congress’s Women’s Suffrage Centennial Commission. I am also creating the first filmed series on American women’s history for Wondrium (formerly The Great Courses).
My first book, Picturing Political Power: Images in the Women’s Suffrage Movement focuses on the ways that women’s voting rights activists and their opponents used images to define gender and power. My next book situates current iconic pictures within the context of historical ones to demonstrate that today’s visual debates about gender and politics are shaped by those of the past.
You’ve probably heard of icon Ida B. Wells, but how much do you really know about her life? Wells actually knew Mary Church Terrell, and Terrell’s father even provided Wells with early financial support. Wells was a journalist who led the fight against the lynching of Black people. She left the South and moved to Chicago after white supremacists destroyed her newspaper office. In 1913, she founded the Alpha Suffrage Club to advance the political interests of local Black women and marched in the first national suffrage parade in Washington, DC. In the beautifully illustrated Ida B. The Queen, Wells’s great-granddaughter, Michelle Duster, tells Wells’s life story. Duster details Wells’s place in current popular culture and the legacy of her social justice activism that still inspires us today.
Journalist. Suffragist. Antilynching crusader. In 1862, Ida B. Wells was born enslaved in Holly Springs, Mississippi. In 2020, she won a Pulitzer Prize.
Ida B. Wells committed herself to the needs of those who did not have power. In the eyes of the FBI, this made her a "dangerous negro agitator." In the annals of history, it makes her an icon.
Ida B. the Queen tells the awe-inspiring story of an pioneering woman who was often overlooked and underestimated-a woman who refused to exit a train car meant for white passengers; a woman brought to light the horrors of…
An Heir of Realms tells the tale of two young heroines—a dragon rider and a portal jumper—who fight dragon-like parasites to save their realms from extinction.
Rhoswen is training as a Realm Rider to work with dragons and burn away the Narxon swarming into her realm. Rhoswen’s dream is to…
I have always been drawn to biographies. Individual stories make the past personal. Biographies also transcend the usual boundaries of time and topic, illuminating multiple issues across an individual’s entire life course. I’m especially interested in feminist biography—not just biographies of feminists, but biographies that combine the personal and the political, showing how individuals’ personal experiences and intimate relationships shaped their professional choices and political careers. I also enjoy group biographies, especially when they weave multiple stories together to illuminate many facets of shared themes. Ideally, a great biography will introduce a reader to an interesting individual (or group of people) whose story illuminates important themes in their lifetime.
Common Sense and a Little Fire is a group biography of four Jewish immigrant women who became important leaders in the labor movement and the New Deal: Rose Schneiderman, Fannia Cohn, Clara Lemlich Shavelson, and Pauline Newman. Building on their shared experiences growing up in New York City’s Lower East Side, these women challenged sexism in the labor movement and classism in the suffrage movement and became leaders in “industrial feminism,” which fused labor organizing and feminist activism. Annelise Orleck skillfully weaves together a variety of sources, including interviews with the women, as well as the women’s life stories to produce a compelling new history of working women’s activism.
Twenty years after its initial publication, Annelise Orleck's Common Sense and a Little Fire continues to resonate with its harrowing story of activism, labor, and women's history. Orleck traces the personal and public lives of four immigrant women activists who left a lasting imprint on American politics. Though they have rarely made more than cameo appearances in previous histories, Rose Schneiderman, Fannia Cohn, Clara Lemlich Shavelson, and Pauline Newman played important roles in the emergence of organized labor, the New Deal welfare state, adult education, and the modern women's movement. Orleck takes her four subjects from turbulent, turn-of-the-century Eastern Europe…
I’ve been writing books about Abraham Lincoln for 15 years. I also have two daughters, and I spend a lot of time at night telling bedtime stories. A couple of years ago, I decided to combine these two areas of my life by writing a Lincoln book for kids. But I didn’t want it to be another run-of-the-mill history book. So, I developed a story about a girl who travels back in time and meets a young Abe. Along the way, she learns a lot about his life. I like to tell people that everything about it is historically accurate . . . except the time travel!
Most people don’t know that at one time, slavery existed in every state, not just in the South. This powerful book tells the story of Sojourner Truth’s time in slavery in New York, from her birth in 1797 until she escaped as a young woman in the 1820s.
Unfortunately, Truth continued to face hardships in freedom, most terribly when her son was sold away from her to Alabama. Fortunately, she fought in court and won so that he was returned.
Truth continued to fight for women’s rights and black civil rights for the rest of her life. In 1864, she even met with Lincoln at the White House.
Sojourner Truth was born into slavery but possessed a mind and a vision that knew no bounds. So Tall Within traces her life from her painful childhood through her remarkable emancipation to her incredible leadership in the movement for rights for both women and African Americans. Her story is told with lyricism and pathos by Gary D. Schmidt, one of the most celebrated writers for children in the twenty-first century, and brought to life by award winning and fine artist Daniel Minter. This combination of talent is just right for introducing this legendary figure to a new generation of children.
When I went to law school, so many of the stories we heard in class treated men’s experiences as the ordinary baseline and women’s experiences as something to skip over or briefly mention as a footnote. This narrow perspective warps our understanding of the past, present, and future, and helps perpetuate women’s inequality. I have been studying and writing about sex discrimination for more than two decades. I wanted to write a book that included women in the center of American law and history. In the process, I learned about scores of fascinating women who Americans know too little about or forget entirely.
Another common misconception is that the Nineteenth Amendment extended the vote to all American women. In fact, many women—especially women of color—remained disenfranchised after the Amendment’s ratification in 1920.
Jones’s engaging book tells the story of the black women who continued to fight for enfranchisement and equal rights for decades after the Amendment.
“An elegant and expansive history” (New YorkTimes)of African American women’s pursuit of political power—and how it transformed America
InVanguard, acclaimed historian Martha S. Jones offers a new history of African American women’s political lives in America. She recounts how they defied both racism and sexism to fight for the ballot, and how they wielded political power to secure the equality and dignity of all persons. From the earliest days of the republic to the passage of the 1965 Voting Rights Act and beyond, Jones excavates the lives and work ofBlackwomen—Maria Stewart, Frances Ellen Watkins Harper, Fannie Lou Hamer, and…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
As an academic, activist, author, and a student of American women’s history, I’m passionate about recognizing the contributions of diverse American women. I graduated from Wellesley College, on the cusp of the 1970s women’s movement. My doctoral dissertation, a biography of suffragist Elizabeth Cady Stanton, in Her Own Right,hailed by both Oprah and theWall Street Journal, was the basis of Ken Burns’ documentary, Not for Ourselves Alone. My career centered on women: working to advance women’s rights, writing and teaching women’s history, and leading a girls’ school. As a cisgender white woman, I’m a member of the Society of American Historians and Veteran Feminists of America.
This pathbreaking work is the first in-depth biography of Terrell (1863-1954). It challenges common stereotypes about Black women and identifies common ground among women who struggle to balance work and family. Mary Church, born during the Civil War, had two white grandfathers, who impregnated enslaved women and then allowed their offspring to marry. After Emancipation, Molly’s father became a wealthy Memphis land developer, which allowed her to attend Oberlin, earn a master’s degree, and travel in Europe. She married a graduate of Harvard and Howard Law, whom Theodore Roosevelt named the first Black justice of the peace in Washington, DC. She did not allow her distrust of Susan B. Anthony to derail her fight for Black voting rights, before and after the Nineteenth Amendment passed. A founder and the first president of the National Association of Colored Women in 1896, Terrell used her lace and pearls and Republican connections…
Born into slavery during the Civil War, Mary Church Terrell (1863-1954) would become one of the most prominent activists of her time, with a career bridging the late nineteenth century to the civil rights movement of the 1950s. The first president of the National Association of Colored Women and a founding member of the NAACP, Terrell collaborated closely with the likes of Frederick Douglass, Ida B. Wells, and W. E. B. Du Bois. Unceasing Militant is the first full-length biography of Terrell, bringing her vibrant voice and personality to life. Though most accounts of Terrell focus almost exclusively on her…
