64 Books Like Nine Goblins

I first encountered Douglas Adams when I caught The Hitchhiker’s Guide on late-night radio, and I was hooked. The novel is slightly different, with Adams giving a bit more consideration to plot and logic, but it has the same wonderful, rapid-fire dialogue style, which has seldom been replicated.

I absolutely love Arthur Dent’s ludicrous accidental odyssey, meeting characters like Zaphod Beeblebrox and the wonderfully named Slartibartfast. The Guide sits in the background, popping up to provide superbly funny explanations of the history of the universe, humanity’s obsession with money, and a lot more.

For me, the thing that sets this apart from a lot of SFF humor is its ‘Britishness’—there’s a distinct feel of the surreal comic legacy of, for example, Monty Python and The Goon Show.

I fell in love with Terry Pratchett’s writing style with the first Discworld novel I read—they’re all great, and could fill a ‘best of’ list by themselves. But if I’m forced to pick a single favorite, it’s this one. I love the witches (and Nanny’s cat, Greebo), and can’t help but grin at the conversations between Granny Weatherwax and Nanny Ogg.

The highlight of this particular book is Nanny Ogg’s rather rude ‘cookbook.’ Oh, and Greebo in human form. And Henry Slug pretending to be Enrico Basilica, while wanting nothing more than wholesome Ankh-Morpork cuisine, not to mention… I could go on for ages: I love everything about this book.

One warning, though: don’t listen to the audiobook in public. When among strangers, it’s embarrassing to burst out laughing for no readily apparent reason.

This book is a parody of a certain story set in a galaxy far, far away, and does a wonderful job of sending up the franchise. Low humor throughout, but I enjoyed every minute of it.

My absolute favorite aspect of the book is how, every now and then, the typeface changes and something new and ‘polished’ is dropped into the text, just like a certain director remastering the original movie and inserting modern CGI special effects, effects which looks totally out of place compared to the older non-CGI material.

I loved the Red Dwarf TV series (at least, the early ones), and this book captures the spirit of the show, no question. It expands the world and characters, and provides a giggle a chapter, if not per page. I found I couldn’t help but ‘hear’ the dialogue being spoken in the voices of the TV characters.

The TV series is perhaps losing its luster (it has been going for a looong time), but the books still rock it for me.

Rie is a kickass heroine who must survive in a world where humans like her don’t fit in and are not respected. The story mixes creatures of different types, high elves, dark elves, pixies, goblins, imps, and more. Handles the problem of an inferior trying to deal with more powerful friends and enemies. Great story.

Lingeria is a sarcastic, humor-infused take on the portal fantasy, which forces the author of a beloved fantasy series into the world that he's written - and come to despise.

It's a solidly entertaining book that appropriately skewers a lot of the tropes of fantasy fiction and the associated fandom.

I enjoyed the world of Lingeria and it's definitely a fun read for people seeking to scratch that Discworld itch.

This is a story about a girl with a port-wine stain under her eye. Looking different, people treat her differently. The main character, Sophie, copes by carrying around a book called "The Big Book of Monsters" and identifying the monsters and humans around her. I found Sophie pretty knowledgeable on the subject of old legends! There were a few I hadn't heard of and had to look up myself. I also like her character development, and how she becomes more empathetic. Overall, it was entertaining and informative.

Life Reset follows a once-dominant player of the game NEO named Oren who is betrayed by his guildmates and ends up trapped as a goblin NPC within the game. This setup allows the story to focus on unique, goblin-specific abilities.

However, what I found most interesting about this book was its emphasis on an almost real-time strategy system of constructing and upgrading various buildings to manage his goblin tribe. While that wasn’t something I drew upon too heavily for my own story, I did love Oren’s frequent creative problem-solving, as well as the ways he tried to bend or even break the game’s systems to his advantage.

I personally feel that stories like this work best when the protagonist has limited options but the freedom to apply those options in a variety of surprising ways.

George MacDonald’s mystical adoration of nature shines through all his writings. His books take place in Nineteenth-Century Scotland and England, in an obviously much quieter age. His insights into the living chorus of the natural world transcend any I have ever read.

His characters walk everywhere and absorb the natural world as if through a loving relationship with another soul. I consider George MacDonald my teacher, as did C.S. Lewis. This was written for children, or the childlike in all of us. I read it every year and have dedicated my book, Whippoorwill Willingly to MacDonald.

This book has had a profound impact on me, as a child reader, as an artist, and as a parent. (It was initially published in 1978 and was reissued more recently.) The images are stunning. Each spread is a sweeping perspective of a surreal, Edenic valley. When I first read the book as a kid in the 1980s, I was transfixed. It’s a thriller! In a tension-filled operation, seven goblins are trying to steal the colors of the rainbow.

When I read the book now, I see the story as a parable about resource exploitation and environmental stewardship. The Rainbow Goblins (I won’t spoil the ending, but it is spectacular) has nestled its way into my brain and has become a touchstone for me in thinking about the most effective ways to tell a story.