100 Books Like Nick Drake

As a DJ tutor who's been in this game for 30+ years, I'm amazed at how often students really want me to tell them a bit about what it was like to DJ on the club scene "back in the day." When they do, I send them to this book.

Written by an anonymous DJ who toured the world playing in the best clubs for long enough to experience many highs and some considerable lows, it is part memoir, part Spinal Tap, as it lifts the lid on the hedonism, stupidity, and craziness of the club/rave scene at its height. Certainly harrowing in parts, but it is also laugh-out-loud funny - and is nothing if not brutally honest.

The war was also operated at an unseen level and J. C. Masterson was in the midst of it–espionage. The Brits added another to it–double cross, in which they provided known German agents with false information, and were successful in convincing the Germans that D-Day landings would take place in the Pas de Calais.

The book is an authoritative account of their activities and the great nicknames they used to pull it off. Names like Snow, Celery, Biscuit, Charlie, Midas, Dragonfly, Tricycle, and what their responsibilities were. They also used letter-writing agents who were part of their deception to get the Germans to retain a Panzer division in the Bordeau area, away from the landing area. You’ll marvel at their cleverness.

I know the book intrigued me and I’m sure you’ll come away from it amazed as I was.

This tome was the size of a phone book but it has relevance even today. It's one of the slightly obscure classics but it speaks to the profound spiritual questions that transcend time. Parris was an idealist Englishman who served in the legion in the early 90s. but this was not a story of glory and medals. Parris saw action in Chad and had to spill blood. This chilling act never left him and he was haunted by his actions for years to come. The author passed from illness but dedicated the book to his son.

I’ve read it multiple times and also listened to an audiobook. Of course, there are movies, too. I read it on my own out of pure interest as a young woman and then again repeatedly as an adult.

I get wildly involved in Dickens’ plots. (Most of his novels would fulfill my category of children overcoming odds.) David is bereft, having lost his father. He has a loving but weak mother. He experiences beatings, hunger (Oh, I hate hunger), and loneliness as he is tossed about the world. And yet he never loses his humanity, that is, his native kindness.

Somehow, Dickens finds ways to leverage all the pain with comedy. Amazing. I love his strange characters (Peggoty, Mr. Dick) and thrill to his evil characters (Uriah Heep) because Dickens has the gift to often make them comic.  

John Le Carré, the undisputed master of espionage, shifts gears in The Night Manager as the Cold War ends and an unsteady detente emerges in Europe, creating a power vacuum quickly filled by mercenaries, arms dealers, and drug smugglers who accumulate vast fortunes in the black markets that spring forth.

This book rekindles the flame for Le Carré readers who thought his best storytelling days were behind him.

Blind Justice, set in 1768, is the first of Bruce Alexander’s 11 Sir John Fielding mysteries. Its hero is the famous blind magistrate of London’s Bow Street Court; its narrator is thirteen-year-old Jeremy Proctor, whom Fielding’s wisdom has saved from an unjust accusation of theft. The pair investigate the death of Sir Richard Goodhope, who has been discovered shot in his library, locked from the inside. Sir John assumes suicide, but Jeremy’s observation of a detail that the magistrate could not see suggests murder. Proof of murder involves following Goodhope’s history through London’s streets, gambling houses, coffee houses, and great houses—to Drury Lane theater and Newgate—in a compelling portrait of eighteenth-century London.

I like how this book is both personal and factual in assessing Britain’s imperial past. I’ve always loved this author’s work, and she said some lovely things about my novel The Attic Child.

Her writing really makes you think about the subject matter and want to find out more...

I was heavily influenced by the storytelling and humor in this memoir, as well as the comic and childish cover and illustrations. Although I had a very different upbringing, I wrote in a similar style. Roald Dahl's tales of his own childhood are completely fascinating and fiendishly funny, especially for adults. He tells of crazy conflicts in his English schools with headmasters and teachers, and I had similar experiences. He writes of a visit to a chocolate factory, whereas our town’s factories were not so innocent. The air was filled with the by-products of pesticide, herbicide, plastics, fertilizer, and steel castings production, as well as a slaughterhouse. Roald Dahl employed a professional illustrator to add humor, whereas I decided to learn how to draw, coming up with over 50 illustrations to amplify the humor.

Although this is non-fiction, I’ve included this book in my list because it’s written in a thriller style. The true-life security service missions it describes are written like a first-person novel and are as page-turning as many thrillers.

The author was an officer in a secret group responsible for counter-terrorism, and these tales of his missions are delivered, not like a record of events, but as a story. I don’t frequently read non-fiction, but I recommend this because of the way in which the content is presented. You’re there – you feel the adrenalin, the fear, and the tension as the missions unfold on the pages.

Imagine being in a tour group with the most annoying person in the world, Susan. Every tour group has that one person who talks non-stop about things that don’t matter. The difference here is that the tour guide Rowan Rover is an inept hitman who can’t seem to bump Susan off. An added element of fun is that the group is touring England’s most famous murder sites. When I was learning to write mysteries, I had two prominent influences, Sue Grafton and Sharyn McCrumb. Both taught me how to construct a solid mystery. Sue Grafton opened my eyes to the power of connection created by writing in first person. And Sharyn McCrumb showed me the importance of using humor even when talking about dark subjects like murder.