70 Books Like Neon Angel

Patti Smith’s book beautifully chronicles her intense and formative friendship with the groundbreaking artist Robert Mapplethorpe as they navigated the vibrant and often gritty art scene of late 1960s and 1970s New York City.

Theirs wasn’t a fairytale romance, but a complex, evolving bond between two flawed yet undeniably brilliant creatives. Reading about their struggles, their artistic pursuits within the legendary Chelsea Hotel, and the wider New York City scene evoked a strong sense of nostalgia for me, a time and place I've always found artistically inspiring.

The exploration of their creative partnership, the push and pull between them as individuals finding their artistic voices, is something I’ve often yearned for but haven’t quite experienced in such a profound way.

Viv Albertine’s memoir is raw and completely unfiltered, just like punk itself. I was hooked from the first page because it lives and breathes punk while also documenting its history.

Having photographed the New York and Boston punk scene firsthand, I connected deeply with her storytelling. It reminded me of the energy I felt photographing the bands back in the late 1970s.

The phrase “girl in a band” in the title got me to pick this book up off a table in the bookstore. I am the kind of guy who will pick up five or so books at a bookstore, take them over to the most comfortable spot I can find, and read the first few pages to see if I want to buy any of them.

The writer Kim Gordon was in an indie post-punk band called Sonic Youth, and I had just barely heard of them. After three years in Sonic Youth, Kim marries one of her fellow band members, and they stay married for 29 years. This book starts when the two of them take the stage together for the last time as they head for divorce and the band's breakup.

“They say when a marriage ends,” Gordon writes on the first pages, “that little things you never… show more.

I happened to have spent time with Patti Schemel when my band Scarce toured for a month with Hole in 1995. Patti is the real deal when it comes to being a musician. She’s a badass on the drums, and in real life.

I really enjoyed the intimate moments she shared about Kurt Cobain. They are tender and sweet, and show a very different side of his public persona. She takes us into the back scenes of what was like to be in a band as it took off, backing up the very unpredictable Courtney Love onstage, and what it means to be a rock star.

I also loved that she spent time writing about what it was like to be a lesbian in the male-dominated rock world, where women are seen often as simply something pretty to look at.

Her personality really shines through her writing. She’s fierce, honest,… show more.

A film noir in book form, Davis’ astute, visceral, and impassioned chronicle of Los Angeles at the turn of the millennium offers a dystopian view of future urban society.

I was recommended this book by my secondary school geography teacher shortly before starting university. Although my teacher did not know it, I had been questioning whether I’d made the right choice in choosing Geography for my degree, but this book captivated me like no other and assuaged my academic concerns. 

Los Angeles is a world-famous city that means very different things to different people. Davis shows how Los Angeles is simultaneously a utopia and a dystopia, a place of gated communities and private police forces, where libraries look like fortresses and prisons, on the outside at least, resemble futuristic hotels.

Over three decades after the first edition’s publication, this book remains essential reading for anyone seeking a sobering peek into… show more.

As a mom of six, I must say that I’m in a constant state of balancing motherly duties with other obligations—so Lucy Heron has my sympathy as a fellow native of Los Angeles, who juggles her kids, a bakery, and apparently her job as “Agent 485,” fighting supernatural crime.

Lucy works for a secret organization that wants to keep magic in the realm of myth and humanity none the wiser to its existence. Well, that will be tough as a tribe of ancient witches gets thrown into the mix, some unscrupulous magical beings, and the fact that this mom of three has to get this all done in time for dinner. This is definitely a fun read to check out!

What can you say about the book that kicked off a whole new genre?

Widely regarded as the first ‘cyberpunk’ novel, reading Virtual Light today is beyond eery. It takes place in the dystopian future year of 2006 (the book was written in 1994) and is set in San Francisco during a time when the middle class has disappeared and the only people left are either disgustingly rich or living on the street. And as I look around at what San Francisco, and many other cities have become, it makes me think that Gibson might be the Cassandra of the modern world. 

Joyce Carol Oates is genuinely an extraordinary author, known for her prolific output. While some writers focus on series, Oats dedicates her time to crafting numerous standalone books, each a gem in its own right. 

The plot may appear simple at first glance—a missing sister, and a protagonist who must piece together the clues to find her. However, as the story unfolds, the reader becomes immersed in a web of subtle evidence that gradually weaves together, resulting in a rich and suspenseful novel. Put the book down.

In this book by Jennifer J. Chow, I loved how the differences between Yale Yee, the sleuth, and her cousin, Celine, not only created tension throughout the book but ultimately played on each of their strengths to solve the mystery. 

The two cousins are thrown together when quiet Yale is tapped by her dad to run the family bubble tea stand at L.A.’s night market. Loud and flamboyant Celine, a social media influencer, arrives in L.A. and gets tasked with helping Yale out.

Chow does a great job of showing the two girls' very different personalities and adding in that family tension. On top of that, the L.A. night market is fascinating! I hope this will be a long-running series!  

This is a memoir about being a writer—and failing. With scholarly rigor and tenderhearted sympathy, Specktor excavates the lives of artists forgotten (Carol Eastman, Eleanor Perry), underappreciated (Thomas McGuane, Hal Ashby), and notorious (Warren Zevon, Michael Cimino), while always circling back to his own benighted Hollywood upbringing, complete with a lovely tribute to his mother, a failed screenwriter. This is an angry, sad, but always somehow joyful book about not hitting it big, and I've never read anything quite like it.