Books like Nell Plants a Tree — picked by fans

“Pie is for sharing. It starts out whole and round. Then...you can slice it into as many pieces as you wish. Almost.” Each time I read these opening lines I know I am in the hands of a master poet.

I adore everything about this book. Who doesn’t want to share a slice of pie? It’s perfect for sharing! But so is a book, a ball, “And a tree? A tree is always shared...” With exquisite lyrical text, and gorgeous illustrations by a Caldecott artist, Pie Is for Sharing is about families, friends, picnics, celebrations, and, most importantly, the experiences we share with one another.     

When one of her family members goes to school to learn English, Luli passes the time in the classroom next door with other children her age. She can’t speak English, and neither can they.

“All around the room, children played alone.” Luli notices that although the kids don’t share the same language, many do speak the language of tea. And that’s when she decides to plan a tea party for her friends. “Hands curled around warm cups. Mouths curved into shy smiles.” The mood shifts. The playroom is no longer quiet. Luli’s teapot is empty, “but her heart was full.”

Beautifully written, with charming illustrations, Luli and the Language of Tea is about community, shared traditions, and the language of small thoughtful acts that bring people together. 

I love the lyricism of this book. Set in the Tongass National Forest, I love how the girl and her grandmother gather the bounty of the earth, including lots and lots of berries. I never knew so many different kinds of berries existed.

I like the nod to their ancestors singing to them and their voices dancing on the water. They sing, too, so they will always remember their ancestors and their land.

Doughnuts and friends. Need I say more? This adorable rhyming picture book is a gem.

LouAnn has cooked up a delicious snack in anticipation of a long, winter nap when, Ding-Dong! A forest friend arrives. “Do you have enough for a neighbor to share?” asks Woodrow the woodchuck. “Sure,” says LouAnn, and she pulls up a chair. Can you imagine what comes next? Ding-Dong another visitor at the door!

Reminiscent of the old favorite, The Doorbell Rang, by Pat Hutchins, Dozens of Doughnuts is a counting book, but so much more. It’s about generosity, and the kind of open-hearted sharing that happens between good friends. 

I loved Ayo, this book’s fourteen-year-old main character. She’s burnt out on activism, having been raised by a famous activist mom fighting for Black rights in America. All Ayo wants is to take a break and live a normal teen life. This makes so much sense to me—why do people who are at a disadvantage have to spend their time fighting for basic rights—what if they just want to spend their time making art or writing books like selfish white dudes are free to do?

But when something terrible happens at a big march, Ayo skipped, all the education and activist spirit her mom drilled into her no longer feels like a burden. I loved how she figured out she wanted to fight and really came into her own.

Drawing upon her expertise in African American literature, Katherine Clay Bassard writes about the ways Black women poets, novelists, preachers, and orators from the 1700s through the 1900s used biblical themes and images to challenge the dominant culture’s oppression of women and people of color. African American women used a variety of scriptural images, including the Queen of Sheba and the “black but comely” female speaker in the Song of Songs, to argue for Black women’s dignity. Bassard celebrates African American women’s creativity and their shrewd employment of scriptural passages to engage in resistance to racism and sexism.   

This book is a real joy to read, with a particular story of a particular family but a universal feel to it. It could be my story or yours. The illustrations have the charm of the eighties, but the story doesn’t feel dated, and it is really inspirational to get quilting or think about which pieces of fabric I would use to tell my family’s story.

We tend to think about the Black Arts Movement of the 1960s as dominated by militant male voices. This book explores the rich contributions of black women artists to the movement—by amplifying the voices of women artists in their own words. The book is a collection of oral histories, drawing on dozens of interviews with influential Black women artists. Some of them are recognizable, like playwrights/poets Sonia Sanchez and Ntozake Shange. Others are less familiar names whose influence should be appreciated more fully. This is a rich celebration of the impact of women artists during a key period of African American cultural change.

This work is not a history book but a collection of Zora Neal Hurston’s writings. Hurston wrote fiction and nonfiction and was a trained anthropologist. Her work taught me that history is oft-times found in the strangest places. This reader did this for me – a writer and anthropologist Hurston was. When I read the reader, I wanted to raise my hand and ask questions. Other times, I remained silent, only talking to myself and thinking.

In my former life as a trial lawyer, I remember quoting her writings in a final argument to explain language and culture. As my voice broke, tears flowed – this was the first time I explained the power of this book. They understood, and some of my jurors cried with me.  

What a gift of a book.

This book is a foundational text in Black women’s studies and includes the statement by the Black lesbian feminist Combahee River Collective, which just celebrated 50 years. In the statement, they write, "We believe that sexual politics under patriarchy is as pervasive in Black women's lives as are the politics of class and race."

I appreciate the book because it shows the rich history of Black women’s writing and movement building, including the important role of Black lesbian feminist sisterhood. It was so exciting to read the letter written by Lorraine Hansberry to the lesbian periodical The Ladder in 1957, in which she links homophobia to the sexual oppression experienced by all women. I can’t help but scribble in the margins: see, lesbians have always been here! 

Although queer organizing is so often presented as something that is new or emerging, this book challenges… show more.