100 Books Like Neighbors

How could ordinary policemen be implicated in the Holocaust by participating in mass shootings of Jews? After SS leader Heinrich Himmler took over the police forces in 1936, he was able to call up regular (i.e., non Nazified) police battalions and order them into Nazi-occupied Poland.

The historian Browning's book is based on the post-war interrogations of some of these policemen for trial. Browning delves into the reasons they went along with the mass shootings, even though they could have opted out and requested a different assignment.

His gripping analysis shows how peer pressure shapes individuals, and how participation in unspeakable, genocidal crimes becomes possible in an order-based hierarchy.

One of the most difficult facets of Nazism for my college students to grasp is that the Nazis had a sense of ethics and morals. It’s easy to look at the horrors of Nazism, rightfully condemn the Nazis as monstrous, and congratulate ourselves on having the moral and ethical fiber that would never allow us to engage in such atrocities. The thing is, though, that so much of the evil committed in this world is committed by people who think they are doing what’s right. Koonz’s examination of Nazi morals is an uncomfortable read but a necessary one. It forced me and it forces my students to confront the unpleasant truth that evil also has a sense of “moral” and “immoral.”

Even after years of studying the Holocaust, I remain overwhelmed by the enormity of the horrors, and there are still times when I find my faith in humanity wavering and all I can think to ask in anger and confusion is “Why?” I know I’m not alone. Peter Hayes’s masterful book is the result of an entire career centered on asking that very question.  The outcome is an incredibly readable, insightful, and thought-provoking account of the Holocaust that doesn’t shy away from answering the big questions. After reading it, one might still ask “why,” but it won’t be out of frustration, anger, and confusion, but rather out of a desire to keep learning more about one of the greatest catastrophes in the history of humanity.

With a narrative of just over 650 pages, this is the book for the reader out there who wants it all: the names, the dates, the facts, the figures, the individual experience, and the analysis, all wrapped up in an engrossing, readable narrative. Friedländer’s impeccable scholarship speaks to the historian in me, but, more importantly, it speaks to the humanity in me.  When I sat down to read this second volume, I wasn’t struck by how thick it was. I was struck by the magnitude of tragedy that the book represented. For the reader who has read widely on the Holocaust, in particular, this book will answer many of your questions. What appeals to me most, though, is the historical data never obscures the victims or their experiences.      

The collective memory of Mennonites during the Holocaust has long been mythologized or has remained unexamined. A recent renewal of interest from both the Mennonite community itself and scholars of the Holocaust has led to a number of conferences and publications. This collection of essays showcases the latest scholarship and paints a complex portrait of Mennonites in both western and eastern Europe during the Holocaust. The book highlights the many roles that Mennonites played, largely due to their proximity to the events of the Holocaust, including as neighbors, killers, enablers, witnesses, and rescuers. The contributors discuss Mennonite identity, theology, agency, and collective memory, all situating their stories in local, national, and European geopolitical contexts. 

A memoir written by a holocaust survivor’s experience, as well as that of her family, Martin tells the story of how the war came to their lives and uprooted their daily lives.

I met Martin when she signed my copy of her book, so this one holds a special place for me. The story is told from multiple perspectives, as Martin and her siblings take turns describing the ordeals they went through both inside concentration camps and out.

Heartbreaking and harrowing at times, the story also makes a point to address things that helped Martin’s family smile in spite of it all. Martin’s story reminds us of why we keep going, as well as shows us how her family endured the six long years of the war. 

Elsa Thon recounts her war experiences in a cinematic tale with the eye of an artist. A teenager in Poland who had apprenticed in photo retouching, she was recruited by the Jewish underground. She left her family behind in the Warsaw Ghetto, ending up in Krakow with false papers. This was difficult for her, a deeply honest person. She writes, “I lied all the time.” She takes the reader with her on her dangerous journey, the degradation of a labour camp, and a forced march. Elsa was also a student in my seniors writing class and I found her to be generous and good-humoured, despite her painful past. She lost her whole family in the Holocaust but she writes that it was her “destiny” to survive. 

This is a vivid and gripping true account of how a brilliant Polish Jewish pianist survived by a fluke the Nazi mass-murder of Warsaw’s Jews in which his parents and three siblings died. The author hid in the ruins of Warsaw through two winters without heating and eating only scraps of food he managed to scavenge. Near death, he was, almost unbelievably, found and helped by a German SS officer who had heard him playing a battered piano.

The book shows humanity at both its worst and its best. The film by Roman Polanski is brilliant, but this memoir is even more powerful.

To learn about the Holocaust, I read personal remembrances, eyewitness accounts, and detailed descriptions of ghettos, camps, and transports, but this graphic novel based on Spiegelman’s father captured me like none of the others. Its words tell its terrible story masterfully and its drawings fill in what words can’t say, both as his father lived it and as his son learns about it. Banning it from U.S. schools would be completely wrongheaded. It should be required reading.

What I appreciate about Hunter's novel is that it takes a new approach to the subject of the Holocaust. With the outbreak of WWII, the Kurcs, a Polish-Jewish family, find themselves driven into another diaspora, with their family members cast to the four corners of the globe. Hunter touches on the plight of Poland during the early years of the war when the country was torn asunder by Germany from the west and the Soviet Union from the east. The plot follows the various family members as they struggle to survive the Holocaust in Poland, in Stalin's Gulag, and as one member tries to flee to South America. A big, sprawling, family epic filled with tragedy and humanity, brutality and heroism.