Books like Natural Art Forms — picked by fans

This book has been criticized for not including enough different locations of fluorescent minerals (which, here, are centred mainly around North America and Greenland), but personally, I think it is enough to make a start - it all depends where we are on, in our journey! 

Myself, I’m most stunned by the amazing photographs, which occupy a large portion of the book - showing various minerals under UV light (which, incidentally, is not the “UV light” that we know from parties) in a completely different context. This world is all around us, and yet most of us make no attempt to even know it. Has anyone done tours of underground caves under these lighting conditions, yet? And, if not, why not?

This is a book I have in my library because of its sheer virtuosity, and because it is such a mine of information about its subject. From what I gather, it took the author around a decade to write, and is applicable to the beginning jeweller, as well as to the seasoned diamond-cutter, or goldsmith. 

I like to have this book around, and reasonably close to me at all times, because it reminds me of what I ought to be. I sit my laptop on it, because the thickness of it (hardback, at over 800 pages) offers a comfortable height for my typing experience. Maybe one day - when I have the time, and the space - I will read it, from cover to cover, and digest it in all of its breathtaking detail. If, like me, you are a curious mix of art/chemistry/geology nerd, then this book is for… show more.

I had the great pleasure of meeting Michael Hickey at one of the RHS shows in London, at which I was exhibiting some of my botanical art; a thoroughly nice man, who sadly died soon after. I also met the personable and talented Coral Guest, the creator of the most exquisite botanical paintings, at the same show!

This is an excellent introduction to plant families for the beginner in botanical painting, focusing on 25 core plant families. It leaves out some of the technical botanical detail which would probably be included on an undergraduate botany course, but which would be confusing for the botanical painter who simply wanted to illustrate. It is clearly laid out, written, and illustrated; a must for plant artists, would-be botanists, and even medical herbalists - everywhere!

Dover (one of my favourite publishers) has the knack of knowing good art when they see it. This is one of my favourite books, slimline though it happens to be - showing the genius imagination, and fashion illustration, of “RT (his real initials)” at its most luscious. 

We’re treated to: the alphabet; numbers; playing cards; gems; and The Seasons - albeit, not in the forms you might think - but in the glorious, arresting, Art-Nouveau style that was Erte’s trademark. A feast for the eyes, and above all - just the sort of fun we need, to motivate us, in this day and age!

All scientists are different, and this book brings that home in a very fun way. It's on the shelf with art coffee table books in my house because that's essentially what it is. The book collects photos of science tattoos and descriptions of the science behind the tattoos.

Some are small, simple line drawings of molecules; others are colorful sleeves or back tattoos with intricate scenes of plants, animals, or famous textbook images. As a science writer, I meet a lot of scientists and people who love (and live) science, and this book has had me keeping an eye out for DNA molecules and other science tattoos. 

Psillos defends a view called scientific realism.

Scientific realists generally assume that the growth of scientific knowledge is continuous and cumulative, with no significant setbacks. Discoveries in science generally add on to our current understanding of the world. Scientific realists generally regard scientific revolutions or paradigm changes as a threat to the rationality of science as such changes seem to imply that scientists have had a fundamentally flawed understanding of the world.

Psillos presents one of the most comprehensive and strongest cases for realism. Anyone who is serious about defending a view of the development of science that involves periodic revolutionary changes of theory, as I do, has to take Psillos’ arguments very seriously.

As the Western Roman Empire crumbled in the early 5th century, science and learning were extinguished for a thousand years…or, perhaps not. As Ehsan Masood shows in this highly enjoyable book to accompany a BBC series, Islamic scholars did much more than simply blow on the cinders of ancient Greek learning to keep them burning from the 8th to the 16th century. Names such as ibn-Sina, Jabir ibn-Hayyan, and Al-Khwarizmi may not be quite so well known to Western European ears as Copernicus, Galileo, and Descartes, but Masood shows that they were actively involved in medicine, chemistry and mathematics during this time. So go with Masood on a journey through the Umayyad and Abbasid dynasties, and beyond to be persuaded that the so-called ‘Dark Ages’ were perhaps not quite so dark as we’ve been led to believe.

It is almost impossible to choose just one of Bernd Heinrich’s many eye-opening books on the natural world. These beautifully written essays on “the inconnectedness of all of life” explore how species solve the problems of surviving and reproducing in a world packed with millions of other species. These stories, gleaned from his detailed observations and experiments in nature, relate how species depend on, defend, and manipulate each other. The battles and manipulations among species he describes are the raw material for relentless coevolution. Heinrich infuses his observations in the Maine woods with wonderfully original insights, grounded in a clear-thinking understanding of current ecological, evolutionary, and behavioral science. 

Bookshelves groan under the weight of highly skilled science communicators, and through them those of us with no specialist knowledge can learn about evolution, quantum mechanics, neuroscience et al, and then bore people to death with our newfound knowledge. There is, however, a world of difference between the things science discovers and the stories we tell about these discoveries. I love this book because it makes the reader do the hard yards, thinking not just about the breathless new discoveries, but also the very nature of this knowledge, and hence its limits.

Eiseley first became known for his book The Immense Journey. I enjoyed that book, but I enjoyed this one considerably more, perhaps because its context was closer to my interests.

There were paragraphs within this book where my thoughts were right there on the page. I found that to be very exciting.