Here are 100 books that My Thirty Years' War fans have personally recommended if you like
My Thirty Years' War.
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Growing up in a small town and realizing I was gay, I saw nothing but dread ahead of me. In graduate school, I came across a one-sentence description of Margaret Anderson as a “lesbian anarchist.” I knew I was home. My book is the first full-length biography of Anderson and her partner, Jane Heap. They went through a lot of crap–they were tried for publishing Joyce’s masterpiece Ulysses–but above all, they were witty rebels, strong women, and proud and out.
Like Anderson, Gertrude Stein had a sense of humor about gay Paree. Who else would write someone else’s autobiography?
I love her tone of detached amusement when describing the artistic titans of the Lost Generation. If you don’t get it, try the recipe for Alice B. Toklas brownies.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Growing up in a small town and realizing I was gay, I saw nothing but dread ahead of me. In graduate school, I came across a one-sentence description of Margaret Anderson as a “lesbian anarchist.” I knew I was home. My book is the first full-length biography of Anderson and her partner, Jane Heap. They went through a lot of crap–they were tried for publishing Joyce’s masterpiece Ulysses–but above all, they were witty rebels, strong women, and proud and out.
This biography gives you the inside experience of one of the most visible lesbians in Paris during the mid-twentieth century.
Genet was the pseudonym for Janet Flanner, The New Yorker’s correspondent for France. Flanner knew and wrote about everyone. Her column noting Anderson’s death is particularly touching. From Indiana to the City of Lights in one lifetime.
The daughter of an Indianapolis mortician, Janet Flanner really began to live at the age of thirty, when she fled to Paris with her female lover. That was in 1921, a few years before she signed on as Paris correspondent for the New Yorker, taking the pseudonym Genet. For half a century she described life on the Continent with matchless elegance.
Growing up in a small town and realizing I was gay, I saw nothing but dread ahead of me. In graduate school, I came across a one-sentence description of Margaret Anderson as a “lesbian anarchist.” I knew I was home. My book is the first full-length biography of Anderson and her partner, Jane Heap. They went through a lot of crap–they were tried for publishing Joyce’s masterpiece Ulysses–but above all, they were witty rebels, strong women, and proud and out.
They were poets, actresses, singers, artists, journalists, publishers, baronesses, and benefactresses. They were thinkers, and they were drinkers. Edna St Vincent Millay, Djuna Barnes, Isadora Duncan, and Ma Rainey–knew how to have fun.
I love the way the author deftly describes each woman—women who lived in an era that still defined women as second-class citizens. Each was unique in her own way—bold, brassy, and making no compromise with gender and sexual norms of the day.
This book is an entertaining and informative guide to the music, martinis, and sometimes mayhem of these daring, brazen, and historical heroines!
They were smart. Sassy. Daring. Exotic. Eclectic. Sexy. And influential. One could call them the first divas--and they ran absolutely wild. They were poets, actresses, singers, artists, journalists, publishers, baronesses, and benefactresses. They were thinkers and they were drinkers. They eschewed the social conventions expected of them--to be wives and mothers--and decided to live on their own terms. In the process, they became the voices of a new, fierce feminine spirit.There's Mina Loy, a modernist poet and much-photographed beauty who traveled in pivotal international art circles; blues divas Bessie Smith and Ethel Waters; Edna St. Vincent Millay, the lyric poet…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
Growing up in a small town and realizing I was gay, I saw nothing but dread ahead of me. In graduate school, I came across a one-sentence description of Margaret Anderson as a “lesbian anarchist.” I knew I was home. My book is the first full-length biography of Anderson and her partner, Jane Heap. They went through a lot of crap–they were tried for publishing Joyce’s masterpiece Ulysses–but above all, they were witty rebels, strong women, and proud and out.
A murder mystery set in Prohibition Greenwich Village–fun, frothy, and a fictional but true new take on all of these lovely ladies.
I love the recapturing of the Village of the era–the winding streets, brownstones, speakeasies, and gangsters. Who is the dead woman detective Olivia Brown tripped over?
In a mystery set in New York's Greenwich Village during the Roaring Twenties, newly published poet Olivia Brown, determined to experience everything her bohemian neighborhood has to offer, suddenly finds herself embroiled in a murder and on the trail of a killer bent on revenge
I am the author of two novels, and I currently teach fiction writing in the MFA program at the University of Missouri – St. Louis. I’ve long been fascinated with journeys both real and literary. In the early 1990’s I lived in Taiwan and traveled across China—from Guangzhou to the far northwestern desert province of Xinjiang, an extraordinary journey that informed my first novel.
A true marvel of a novel. It follows the famous jester Tyll Ulenspiegel and the Winter Queen and several learned and lethal Jesuit priests (among others). Most novels that cut between storylines lose momentum and direction. Tyll takes bold leaps and keeps transforming into new adventures, new truths, a new vision of the seventieth century that subtly mixes historical fact and magical possibility.
'A masterly achievement, a work of imaginative grandeur and complete artistic control' Ian McEwan
'Brilliant and unputdownable' Salman Rushdie
He's a trickster, a player, a jester. His handshake's like a pact with the devil, his smile like a crack in the clouds; he's watching you now and he's gone when you turn. Tyll Ulenspiegel is here!
In a village like every other village in Germany, a scrawny boy balances on a rope between two trees. He's practising. He practises by the mill, by the blacksmiths; he practises in the forest at night, where the Cold Woman whispers and goblins roam.…
I was born in East Germany and experienced the disappearance of that country and the huge changes that followed as a child. My history teachers reflected this fracture in the narratives they constructed, switching between those they had grown up with and the new version they had been told to teach after 1990. It struck me how little resemblance the neat division of German history into chapters and timelines bears to people’s actual lives which often span one or even several of Germany’s radical fault lines. My fascination with my country’s fractured memory has never left me since.
It is impossible to understand Germany or indeed continental Europe without understanding the horrific conflict that raged on its soil during the first half of the 17th century. One of the most devastating conflicts ever fought in Europe, it tore communities and families apart along dynastic, religious, and political lines. Famine and disease added to the horrors of war, depopulating regions in Germany by up to two-thirds of pre-war levels. The conflict left a deep scar in German collective memory, the consequences of which can still be seen in religious, linguistic, and cultural divisions today. It was a collective experience of trauma with loud echoes in the 19th and 20th centuries. Wilson’s excellent work remains the best overview in English.
Winner of the Society for Military History Distinguished Book Award 2011
The horrific series of conflicts known as the Thirty Years War (1618-48) tore the heart out of Europe, killing perhaps a quarter of all Germans and laying waste to whole areas of Central Europe to such a degree that many towns and regions never recovered. All the major European powers apart from Russia were heavily involved and, while each country started out with rational war aims, the fighting rapidly spiralled out of control, with great battles giving way to marauding bands of starving soldiers spreading plague and murder. The…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
From my earliest memories I’ve always been interested in military history, and as a young man I served in the U.S. Navy on a nuclear submarine. As an ardent bibliophile, my home and office overflows with books. As a professor, for the past 25 years I’ve been fortunate enough to teach a broad survey on western military history, which gives me the opportunity to experiment with many books for my own and the students’ enjoyment. The books on this list are perennial favorites of the traditional-age undergraduates (18-22) I teach, but will appeal to any reader interested in premodern military history.
Wedgewood published this in 1938, on the cusp of World War II.
In many ways the disaster that was the Thirty Years war provided an allegory of what was to come. Many authors have tackled this subject since Wedgewood wrote, some far more massive than her 500 pages, but there’s a reason this one remains in print. Wedgewood wrote an eminently readable narrative that is as delightful to read as its subject is dreadful. She excelled at what narrative should provide: a sense of development, how a huge event happens from beginning to end, all while keeping the reader’s attention.
Wedgewood conveyed the nastiness, carnage, and utter craziness of the conflict in a dispassionate, easily understandable way.
Europe in 1618 was riven between Protestants and Catholics, Bourbon and Hapsburg--as well as empires, kingdoms, and countless principalities. After angry Protestants tossed three representatives of the Holy Roman Empire out the window of the royal castle in Prague, world war spread from Bohemia with relentless abandon, drawing powers from Spain to Sweden into a nightmarish world of famine, disease, and seemingly unstoppable destruction.
I have been drawn to the history of the German lands ever since I opened a historical atlas as a child and wondered why the middle of Europe was a colorful patchwork compared to the solid blocks depicting other countries. I then wondered how the people living under this multitude of authorities could manage their affairs, resolve differences, and defend themselves against each other and outsiders. Digging deeper into these questions has unearthed fascinating stories, not all of them pleasant, but which also shed light on the complexities of our shared existence.
The Thirty Years War remains seared into the popular consciousness across Germany and Austria as a momentous catastrophe against which other conflicts are still measured.
The conflict was indeed terrible, yet its impact was uneven across time, place, social status, and gender.
Sigrun Haude writes sympathetically about how ordinary people coped with calamity whilst skillfully weaving individual stories with the wider dynamic of military and political events.
At its core, Coping with Life during the Thirty Years' War (1618-1648) explores how people tried to survive the Thirty Years' War, on what resources they drew, and how they attempted to make sense of it. A rich tapestry of stories brings to light contemporaries' trauma as well as women and men's unrelenting initiatives to stem the war's negative consequences. Through these close-ups, Sigrun Haude shows that experiences during the Thirty Years' War were much more diverse and often more perplexing than a straightforward story line of violence and destruction can capture. Life during the Thirty Years' War was not…
Very little Scottish history or culture was taught in school when I was growing up in the 1950s and 1960s. When I began to read books on the subject from the local library and then studied Scottish literature at Edinburgh University, I realised what my brother and sister Scots had missed out on, and was determined to rectify that by writing accessible books which would both inform and entertain as well as enrich their lives and change the way they perceived their culture. I love their reaction to my work and the influence my books have had.
In terms of Scottish political and cultural history, this is a hugely important book that will astonish and delight everyone engaged in the matter of Scotland. What impresses is the range and scope of Murray Pittock’s global vision for Scotland, but what engages is the minute human detail of the people in the diaspora that he reveals to us, positive and negative. This is the polar opposite of dry history, it is a magisterial work that Scots will actively return to again and again, as we redefine our role in Europe and the world in the 21st Century. I have interviewed Murray for several BBC programmes and he has always come across as a brilliant communicator, who like me, is passionate about Scotland.
An engaging and authoritative history of Scotland's influence in the world and the world's on Scotland, from the Thirty Years War to the present day
Scotland is one of the oldest nations in the world, yet by some it is hardly counted as a nation at all. Neither a colony of England nor a fully equal partner in the British union, Scotland's history has often been seen as simply a component part of British history. But the story of Scotland is one of innovation, exploration, resistance-and global consequence.
In this wide-ranging, deeply researched account, Murray Pittock examines the place of…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I spent 40 years as a soldier studying war. After graduation from Royal Military College, I joined the Armoured Corps. Throughout history, we have regaled each other with stories of war. From Greek myths to Norse sagas to modern movies, we cannot seem to get enough of war stories. And yet, we know that war is inherently a bad idea. It is evil. It is a form of collective madness. War is destructive and cruel, unworthy of our better selves. To paraphrase Abraham Lincoln, war breaks the bonds of our affection and does not speak to our better angels. I study it in order to better understand this madness.
If you are to be a serious student of war, warfare, and tactics, then you will need a general reference guide. This book should be your go-to reference for general knowledge on this subject. Jones elegantly combines three major components of war (tactics, strategy, and logistics) to explain the last 2,500 years of military history, from phalanxes in ancient Greece through to the Thirty Years’ War that shaped modern Europe. Well written and thoroughly researched, I have kept it on my desk for the last thirty years.
"The magnum opus of one of America's most respected military historians, "The Art of War in the Western World" has earned its place as the standard work on how the three major operational components of war - tactics, logistics, and strategy - have evolved and changed over time. This monumental work encompasses 2,500 years of military history, from infantry combat in ancient Greece through the dissolution of the Roman Empire to the Thirty Years' War and from the Napoleonic campaigns through World War II, which Jones sees as the culmination of modern warfare, to the Israeli-Egyptian War of 1973".
