Here are 100 books that My Mad Fat Diary fans have personally recommended if you like
My Mad Fat Diary.
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I am less interested in what happens than in how and why—to me, that’s where the real suspense is. As a writer, I’m always bickering with traditional plot structures, which I love for their comfort and familiarity and then turn against when a story becomes too obedient to them. As a reader…well, sometimes I flip to the end to see where we’re going so I can slow down and enjoy the journey more. Anytime we think we know what’s going to happen is an opportunity for suspense, and challenges and rebellions to those familiar story arcs can be twists in their own right.
I was wrung out after finishing this book and immediately looked around for someone else who’d read it. I needed a shoulder to cry on. If Endless Love is about lives undone by teenagers driven insane by love and lust, then this book is its counterpoint: two teenage outsiders whose love and understanding help them survive.
There’s awfulness in Eleanor’s life, but there’s also exchanging comics and listening to Joy Division with Park on a shared walkman on the school bus. I loved these characters completely and rooted for them with everything I had.
'Reminded me not just what it's like to be young and in love, but what it's like to be young and in love with a book' John Green, author of The Fault in our Stars
Eleanor is the new girl in town, and she's never felt more alone. All mismatched clothes, mad red hair and chaotic home life, she couldn't stick out more if she tried.
Then she takes the seat on the bus next to Park. Quiet, careful and - in Eleanor's eyes - impossibly cool, Park's worked out that flying under the radar is the best way to…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
As a writer, I’ve always been drawn to exploring the teenage experience. Maybe that’s because my experiences in high school and college were rife with the highest of highs and the lowest of lows—everything was intensely beautiful and painful at once. That tension played a major role in my self-discovery process, and story-wise, it makes for a compelling character. But in a lot of literature, I find the depiction of teenage characters to be either sensationalized or infantilizing, melodramatic, or unconvincingly flat. When writing my own adolescent subjects in The Wayside, I turned often toward the rich, complex characters in the stories here.
Along with Anthropology of an American Girl, this is one of the books that made me want to become a writer. More specifically, it opened my eyes to what a writer can do with a teenage subject.
The story follows a prep-school student, Lee, but Sittenfeld handles her experience with all the nuance of “adult” subjects. I also admire how Sittenfeld captures the labyrinthine social politics of an elite boarding school and comments on class and race hierarchies without ever feeling didactic.
I think people mistake this book as YA—I certainly did when I first picked it up as a thirteen-year-old—but don’t be fooled by that candy-colored ribbon belt on the cover. This is as complex a novel as they come.
An insightful, achingly funny coming-of-age story as well as a brilliant dissection of class, race, and gender in a hothouse of adolescent angst and ambition.
Lee Fiora is an intelligent, observant fourteen-year-old when her father drops her off in front of her dorm at the prestigious Ault School in Massachusetts. She leaves her animated, affectionate family in South Bend, Indiana, at least in part because of the boarding school’s glossy brochure, in which boys in sweaters chat in front of old brick buildings, girls in kilts hold lacrosse sticks on pristinely mown athletic fields, and everyone sings hymns in chapel.…
Coming of age in the '70s, I set out to prove that I could do anything men could do as if it were my duty as a woman. This led me to become an exploration geologist, jumping out of helicopters in grizzly bear country. But I had a nagging feeling that I was neglecting what was meaningful to me. I struggled to even know what that was. My next career as a story analyst led me deep into the world of Joseph Campbell and Carl Jung and a fascinating exploration of how people find their best life. And I’m still enthusiastically exploring.
From the first chapter, as I read Charlie’s letter to a friend, I wished I could meet the man this teenager would become. The magic of this book is that it is related entirely through journal-like letters. Charlie writes with so much authenticity, curiosity, and vulnerability that I’m glad he has three friends who hold him with love as he faces his demons and comes of age.
I found the ways he makes sense of the world fascinating, humourous, and admirable, and at other times heartbreaking. I sincerely admire Charlie’s strength as he manages to sustain vulnerability and a constant rope of connection to himself, even though it gets very thin at times.
A modern cult classic, a major motion picture and a timeless bestseller, The Perks of Being a Wallflower is a deeply affecting coming-of-age story.
Charlie is not the biggest geek in high school, but he's by no means popular.
Shy, introspective, intelligent beyond his years, caught between trying to live his life and trying to run from it, Charlie is attempting to navigate through the uncharted territory of high school. The world of first dates and mixed tapes, family dramas and new friends. The world of sex, drugs, and music - when all one requires to feel infinite is that…
What hope does an army of children have against the might of the Mamluks?
Brother Foulques de Villaret just wants to stay in Acre and perform his sworn duties. Instead, the young Hospitaller Knight of Saint John must undertake a dangerous journey from the Holy Land to a remote village…
As a latchkey kid with cable access, I was practically raised by MTV. In the 80s/90s, Music Television defined popular culture, and it’s through music videos that I received my education on how songs can enhance the motion picture experience (and vice versa). My favorite books are ones that read like movies, and since movie soundtracks are, essentially, mixtapes for stories, I work to incorporate the perfect songs into my writing to set the mood for my readers. I take note with other writers do that, too, which is how I developed this list.
Unlike the previous two titles, Pure doesn’t have an author built-in soundtrack. However, this story, written in 2000 by a sixteen-year-old (!!!), is as paradoxically blunt and elusive as so many alternative music albums of the 1990s were. A mixtape for Pure would definitely include Hole, Radiohead, Tori Amos, an Explicit Content label, and just about all the trigger warnings you can think of. As difficult as some of the scenes of this book were to read, I found it deeply impactful and empathy-inducing. I’ve yet to meet another person who connected with this book that I don’t feel a certain kinship to. They are few and far between, like people who still own a Temple of the Dog CD.
A sensational and accomplished novel that made its young author one of the most talked about in Britain last year, Pure is about fourteen -- the age when you know everything, except when you don't know anything. It's about first love and the end of innocence in all its passion and absurdity. It's about the raw transition between loving your parents as a child and understanding them as an adult. It's about the cool friend for whom everything seems effortless, and the impossibly embarrassing friend you're nice to when your cool friends can't see. It's about the struggle between desire…
Wendy Moore is a journalist and author of five non-fiction books on medical and social history. Her writing has appeared in the Guardian, Times, Observer and Lancet. Her new book is about Endell Street Military Hospital which was run and staffed by women in London in the First World War.
Shipton’s book is a brilliantly researched account of the thousands of incredible women who refused to sit at home knitting socks when war began. Using diaries, letters and memoirs, she tells the story of the women who put on uniforms of various hues to drive ambulances, carry stretchers, nurse the wounded and even to bear arms close to the frontlines of World War One. They included the wonderful Flora Sandes who went to Serbia to nurse casualties and ended up joining the Serbian Army. It’s a testimony to women’s bravery, daring and refusal to take no for an answer.
The First World War saw one of the biggest ever changes in the demographics of warfare, as thousands of women donned uniforms and took an active part in conflict for the first time in history. Female Tommies looks at the military role of women worldwide during the Great War and reveals the extraordinary women who served on the frontline.
Through their diaries, letters and memoirs, meet the women who defied convention and followed their convictions to defend the less fortunate and fight for their country. Follow British Flora Sandes as she joins the Serbian Army and takes up a place…
I grew up with my Dad telling us stories of how he used to sneak outside to lie on the roof of the family home in Brighton to watch the dogfight battles overhead during World War II – then at school I was captivated by a story we studied about a brave agent in France who needed to acquire the undercover skill of not looking the wrong way when she crossed the road! I emerged with an appreciation of courage and a love of reading in a variety of genres. I hope you enjoy the books on the list as much as I have!
I was so moved by this fascinating and engaging story of Pippa Latour’s wartime SOE operations.
The number of female undercover operatives who were parachuted into occupied France (and survived) was modest. Pippa somehow had the wit and presence of mind to know how to deceive the Germans. She was not spared terrible suffering.
I also made contact with Pippa when she was aged 100 at a time when much of the interviewing for this book took place, and I am so pleased that a gripping sense of her bravery and determination shines through.
'Extraordinary... enthralling. We may think we have read all we need to about the Second World War's secret war, but despite an army of histories and fine biographies, Latour's account is the only first-person memoir we have by a female agent within it. It's also almost certainly the last. A darkly moving, marvellously detailed book.' -Telegraph, 5 STARS
'Vivid, honest, inspiring and sometimes shocking, Pippa Latour's memoir shows how right the SOE were to assess her as having '"tons of guts"' -CLARE MULLEY, author of Agent Zo
'A rare glimpse into the life of the last surviving…
It seems I was destined to write about textiles. Long after I started documenting the tapestries of the Dovecot Studios, Edinburgh—over 45 years ago—I discovered that my great-grandfather was a cotton mule-spinner, working one of those machines that spurred on the industrial revolution. So it’s in my blood. I’ve interviewed dozens of people who’ve made similar discoveries, and have become a firm believer in the long-lasting inherited significance of textiles. We’ve made them and they in turn have made us who we are. Now more than ever, my hope is to entangle people into the wonderful web that connects every era and every culture.
Small things have large stories to tell. Here the topic is a particular type of pocket: generously-sized containers tied on, usually hidden from sight beneath a skirt. Brought to life through surviving examples and depictions of their use, the passages from novels, diaries, court proceedings, and more are especially revealing (in every sense). Is the pocket the necessary accessory of the neat housewife, or an aid to duplicity and secret immorality? This thorough and attractive study has the answer.
"A riveting book . . . few stones are left unturned."-Roberta Smith's "Top Art Books of 2019," The New York Times
This fascinating and enlightening study of the tie-on pocket combines materiality and gender to provide new insight into the social history of women's everyday lives-from duchesses and country gentry to prostitutes and washerwomen-and to explore their consumption practices, sociability, mobility, privacy, and identity. A wealth of evidence reveals unexpected facets of the past, bringing women's stories into intimate focus.
"What particularly interests Burman and Fennetaux is the way in which…
I became interested in the genre of memoir during the lockdown when I found myself reflecting on my past during the extended solitary periods. Looking through a shoebox of old letters put me in touch with the person I had once been. I then discovered that the act of writing downmemories opened up areas that I had forgotten about or that had faded almost to nothing, and suddenly they became quite vivid. I decided to create memoirist.org for writing at a more literary level and only publish highly polished pieces. Memoirist now has many followers and some posts have nearly a thousand views.
A memoir that deals with the everyday life of an office worker in 1950s/60s London seems like a joke and, indeed, when it came out, it was treated as such but there is some kind of poetry in this exploration of the humdrum. The manuscript was discovered in the slush pile by a rare editor who grasped the humour of what would appear to be an empty life but a life that Smith is content with. She lived with her parents until her twenties then moved into various lodgings, descriptions, and inhabitants of which are examined in detail. Smith had many short-term boyfriends, usually meeting them at a 'social club'.
Chapters are minimalistic and quirky but I wondered if some could be expanded and if she had missed some opportunities. Not a lot happens as Smith moves through life as a secretary making her observations, some grotesque, some unusual, some…
Part memoir, part comic monologue, this is an ensemble of mishaps and anecdotes that, taken together, reveals the ups and downs of one woman's life. Relentlessly self-deprecating, Sylvia Smith's diary at first seems to relay the humdrum, everydayness of living, yet it steadily gains momentum as a darker undertone gathers force. Interspersed between humorous tales of first-date disasters and "get-rich-quick" schemes gone awry, the reader is thrown off-balance by the loss of sexual innocence and a pervading sense of loneliness. As Sylvia stumbles from one temporary job to another, and through a variety of furnished flats, her deadpan delivery is…
I’ve always been fascinated by the personal stories of ‘ordinary’ people in the past, especially in their family lives. I’ve written about married couples, siblings, parents and children, and grandparents. All these are subjects familiar to us in our own lives, and I love exploring where our ancestors held very different ideas and assumptions. Marriage, parenting, and gender relations have been controversial issues for centuries. Our ancestors certainly didn’t have all the answers, but their stories give us food for thought, and their familiar personal problems bring the past much closer to us.
Men thought women had no place in politics, but when England was engulfed in civil war in the 1640s women couldn’t opt out.
Ann Hughes explores the lives of those trapped in cities and castles under siege, or left to support their families when their husbands went off to war, perhaps never to return. I like the way she widens the scope of her book to show, for example, how both Cavalier and Roundhead propagandists exploited gender images, mocking their adversaries as effeminate cuckolds.
Hughes demonstrates too how the war broke down gender barriers, just as the twentieth-century world wars were to do. Women found a new voice, and played new roles, unparalleled until modern times.
In this fascinating and unique study, Ann Hughes examines how the experience of civil war in seventeenth-century England affected the roles of women and men in politics and society; and how conventional concepts of masculinity and femininity were called into question by the war and the trial and execution of an anointed King. Ann Hughes combines discussion of the activities of women in the religious and political upheavals of the revolution, with a pioneering analysis of how male political identities were fractured by civil war. Traditional parallels and analogies between marriage, the family and the state were shaken, and rival…
A tragicomic novel about the toxic relationship between two couples who first met at medical school and whose paths cross again many years later.
Charlotte is married to Henry, a retired consultant pathologist. She abandoned her own medical training after a harrowing experience left her emotionally…
I’m endlessly fascinated by the stories of young women from the WW2 era, who came of age at the moment the world was torn apart. As an author of wartime historical fiction with strong female characters, it’s vital for me to understand the experience of ordinary women who grew up in such extraordinary times, so I’m always on the hunt for real voices from the era. I’d love to think that in similar circumstances I’d face my challenges with the same humour, resourcefulness, bravery, and humanity as my favourite five female memoirists selected for you here.
If I’d been a London teenager at the outbreak of WW2, Joan is who I’d choose to have as my best friend. Joan’s memoirs, taken from her actual diaries, which were written secretly during bombing raids, reveal a conflicted, hormonally charged, humorous woman. This snippet gives you an idea: “Well here I sit in the air-raid shelter with screaming bombs falling right and left…I can’t help feeling that each moment may be my last, and as the opposite of death is life, I think I shall get seduced by Rupert tomorrow.” Written with great wit, and full of joie de vivre, Love Lessons is a wonderful read.
On my way to the studio there was an air-raid. I ran into the brick shelter in the middle of the road. There were poor little Leonard and Agnes sitting on their suitcases, having lost their all. Luckily Leonard had been wearing his best trousers at the time. Madame Arcana was there too wearing a gold brocade toque and a blanket. It was bloody cold and I wanted to pee badly, but couldn't. Leonard wouldn't give me his seat as he believes in the equality of the sexes, so I sat on the floor...'