Here are 100 books that My Life with Earth, Wind & Fire fans have personally recommended if you like
My Life with Earth, Wind & Fire.
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I’ve been playing and singing music since I was six, and my childhood dream was to become an orchestral cello player. Over the years, I learned a number of other instruments and studied music around the globe, yet I was always intrigued, even intimidated, by those who were able to compose. This list of books helps readers like me really get inside the heads of some of the greatest composers (and performers) of popular music in the 20th and 21st centuries. While many of my questions were answered, there remains a sense of mystery and wonder that even the artists themselves can’t always explain.
Tegan and Sara’s joint autobiography reminded me how often music acts as a lifeline to survive childhood and beyond.
These identical twins from Calgary have such an amazing vibe and energy to their songs, and through their music they have been super advocates for gender and sexuality equality. Learning more about them also made me proud to be Canadian.
From iconic musicians Tegan and Sara comes a nostalgic memoir about high school, detailing their first loves and first songs in a compelling look back at their origin story.
'Genius' Augusten Burroughs, author of Running with Scissors 'A gift' Elliot Page, actor 'Utterly charming' Carmen Maria Machado, author of Her Body and Other Parties
Before they became international musicians and LGBTQ+ icons, twin sisters Sara and Tegan Quin came of age in 90s Canada. They argued relentlessly, skipped school, dropped acid and fell in and out of love - sometimes with their best friends.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’ve been playing and singing music since I was six, and my childhood dream was to become an orchestral cello player. Over the years, I learned a number of other instruments and studied music around the globe, yet I was always intrigued, even intimidated, by those who were able to compose. This list of books helps readers like me really get inside the heads of some of the greatest composers (and performers) of popular music in the 20th and 21st centuries. While many of my questions were answered, there remains a sense of mystery and wonder that even the artists themselves can’t always explain.
I always knew there was something special, even mystical, about Led Zeppelin’s lead guitarist Jimmy Page. As a high school student, there was something about the band that drew me in, as if I didn’t have a choice.
I now know that I love their music, and Page’s playing in particular, because of the vision Page had for the band’s music, lyrics, and iconography on their album covers and artwork. Light and shade, light and heavy, clear and murky, simple and epic—how better to sum up Led Zeppelin?
This “oral autobiography” of Jimmy Page, the intensely private mastermind behind Led Zeppelin—one of the most enduring bands in rock history—is the most complete and revelatory portrait of the legendary guitarist ever published.
More than 30 years after disbanding in 1980, Led Zeppelin continues to be celebrated for its artistic achievements, broad musical influence, and commercial success. The band's notorious exploits have been chronicled in bestselling books; yet none of the individual members of the band has penned a memoir nor cooperated to any degree with the press or a biographer. In Light & Shade, Jimmy Page, the band’s most…
I’ve been playing and singing music since I was six, and my childhood dream was to become an orchestral cello player. Over the years, I learned a number of other instruments and studied music around the globe, yet I was always intrigued, even intimidated, by those who were able to compose. This list of books helps readers like me really get inside the heads of some of the greatest composers (and performers) of popular music in the 20th and 21st centuries. While many of my questions were answered, there remains a sense of mystery and wonder that even the artists themselves can’t always explain.
I’ve never read an autobiography by anyone as humble, funny, reflective, poetic, and oftentimes downright scary as the bass player Flea from Red Hot Chili Peppers.
I’ve always been in love with his sound and sense of timing, a groove master who has few equals. With this book, I discovered the love, boredom, synchronicities, intelligence, and madness that made up his life, and because of it, I admire Flea and the band like almost no other.
With "virtuosic vulnerability" (The Atlantic), the iconic bassist and Red Hot Chili peppers co-founder pens a New York Times bestselling love letter to his wild Los Angeles youth in his raw and riveting coming-of-age memoir, now in paperback.
In Acid for the Children, Flea takes readers on a deeply personal and revealing tour of his formative years, spanning from Australia to the New York City suburbs to, finally, Los Angeles. Through hilarious anecdotes, poetical meditations, and occasional flights of fantasy, Flea deftly chronicles the experiences that forged him as an artist, a musician, and a young man. His dreamy, jazz-inflected…
Separating the true stories from the myths, The Duty of Memory provides a deeper understanding of the diverse motivations that drove ordinary people to join an underground network of French Resistants despite terrible odds and horrifying consequences.
This book takes the reader inside the true story of men and women…
I’ve been playing and singing music since I was six, and my childhood dream was to become an orchestral cello player. Over the years, I learned a number of other instruments and studied music around the globe, yet I was always intrigued, even intimidated, by those who were able to compose. This list of books helps readers like me really get inside the heads of some of the greatest composers (and performers) of popular music in the 20th and 21st centuries. While many of my questions were answered, there remains a sense of mystery and wonder that even the artists themselves can’t always explain.
Tom Petty has always been an enigma to me, because his music always seemed to be impervious to the musical trends of any decade or era. I slowly came to love his music, his overall vibe, as I got older, and reading this book provided incredible insights into this super thoughtful and perceptive musician and human being.
I also got to interview his drummer a few years back (Stan Lynch)—Petty speaks quite a bit to their special and contested relationship.
Official and authorised! Tom Petty has been long been seen as sone of the great songwriters of American rock 'n' roll, as well as one of the key standard bearers of integrity in the music business.Conversations With Tom Petty is the first authorized book to focus solely on the life and work of the man responsible for some of the most memorable rock anthems of our generation, including: "American Girl," "Breakdown," "Refugee," "The Waiting," "Don't Come Around Here No More," "I Won't Back Down," "Free Fallin'," "Runnin' Down a Dream," "You Don't Know How It Feels," "Mary Jane's Last Dance,"…
Paul Harris is one of the UK’s most influential music educationalists. He studied the clarinet at the Royal Academy of Music, where he won the August Manns Prize for outstanding performance in clarinet playing and where he now teaches. He is in great demand as a teacher, composer, and writer (he has written over 600 books); and his inspirational masterclasses and workshops continue to influence thousands of young musicians and teachers all over the world in both the principles and practice of musical performance and education.
For anyone who is performing at any level really, this book will help them enhance their performance and manage the stress that sometimes seems to appear in the performance situation. The book looks at ways to approach the music that we have decided to perform a variety of practice strategies and some particularly interesting techniques for all-around improvement taking in both the physical side of playing and the musical side. It’s a serious and quite academic book but well worth the effort.
Musical Excellence offers performers, teachers, and researchers, new perspectives and practical guidance for enhancing performance and managing the stress that typically accompanies performance situations. It draws together, for the first time in a single collection, the findings of pioneering initiatives from across the arts and sciences. Specific recommendations are provided alongside comprehensive reviews of existing theory and research, enabling the practitioner to place the strategies and techniques within the broader context of human performance and encouraging novel ways of conceptualizing music making and teaching.
Part I, Prospects and Limits, sets out ground rules for achieving musical excellence. What roles do…
Writing about history came to me rather late in life and I suppose it’s because the past now looks more inviting than the future. But there’s more to it than that. Everything has a history; it’s a bottomless topic. I became fascinated with the history of my own geographic environment and began exploring areas that were basically in my own backyard, which led to the inception of my first book. And, after years working as a graphic artist, I decided to help the narrative along by adding illustrations. A second book soon followed, then a third, a fourth, and now I’ve just finished my fifth book.
This is an absolute must for anyone interested in almost any musical genre.
Now in its fifth edition, it takes on the arduous task of sifting through the back stories of over 1,000 of the most familiar tunes through 500 years of musical history.
A more recent, albeit still antique reference, is the story of how “Jingle Bells” came to be, and the controversy regarding where it was actually, written; the snow-covered streets of Medford, Massachusetts, or the live oak-lined thoroughfares of Savanah, Georgia.
This classic, painstakingly researched compilation of music information, newly revised and enlarged, analyzes nearly 1,000 of the world's most familiar melodies, tracing them back to their original printed sources. Here in one convenient volume are the composers, lyricists, copyright date, first lines of music, lyrics, physical condition of first editions, and other data on a tremendous range of compositions, including We Shall Overcome, Haydn's Surprise Symphony, The Well-Tempered Clavier, There's No Business Like Show Business, Silent Night, Pictures at an Exhibition, Schubert’s Ave Maria, and many more. 30 black-and-white illustrations.
What were America's first prisons like? How did penal reformers, prison administrators, and politicians deal with the challenges of confining human beings in long-term captivity as punishment--what they saw as a humane intervention?
The Deviant Prison centers on one early prison: Eastern State Penitentiary. Built in Philadelphia, one of the…
I've been passionate about music for almost my entire life. Jazz music in particular speaks to me but not just jazz. I love music, full stop. I really discovered jazz when I attended a jazz club workshop in London and there, I had to join in or leave. I chose to join in and since then I have never looked back. I was introduced to more jazz musicians and now write about music for three major columns as well as Readers’ Digest. My Women In Jazz book won several awards. I have been International Editor for the Jazz Journalist Association and had my work commissioned by the Library of Congress.
Howard Goodall is one of those authors who explains things incredibly clearly.
I found this book an eye-opener, a way into a deeper understanding of music, and a book to have by my side, to dip into whenever I needed to get an idea straight of understand a concept. Because he writes in such an accessible manner, the complexity of music becomes clearer. There are eye-opening facts, historical stories, and facts alongside well written and informative passages.
Music is an intrinsic part of everyday life, and yet the history of its development from single notes to multi-layered orchestration can seem bewilderingly complex.
In his dynamic tour through 40,000 years of music, from prehistoric instruments to modern-day pop, Howard Goodall leads us through the story of music as it happened, idea by idea, so that each musical innovation-harmony, notation, sung theatre, the orchestra, dance music, recording-strikes us with its original force. Along the way, he also gives refreshingly clear descriptions of what music is and how it works: what scales are all about, why some chords sound…
Music is a major passion of mine. I’m highly involved in making and promoting independent music both locally and internationally via social media. The primary focus of all my endeavors is promoting a do-it-yourself ethos. Whenever I work with musicians, I’m always fascinated by how their creativity allows them to do a lot with a little. Hence, I suppose, the story of Frankie Lumlit. It’s a story about falling in love with music and finding a way to make it even when the world says no.
Phil Ramone has been involved in producing records for some of the biggest acts in music, including Bob Dylan, Frank Sinatra, Ray Charles, and Paul Simon. Ostensibly, his book is about record production, but really it’s about people. Yes, Ramone worked with some big names over the course of his long career, but at the end of the day (as he emphasizes throughout the book), they’re all human beings, and while some degree of technical expertise is necessary when it comes to making music, what really matters is knowing how to talk to people. At the end of the day, making music is all about making human connections.
Sinatra. Streisand. Dylan. Pavarotti. McCartney. Sting. Madonna. What do these musicians have in common besides their super-stardom? They have all worked with legendary music producer Phil Ramone.
For almost five decades, Phil Ramone has been a force in the music industry. He has produced records and collaborated with almost every major talent in the business. There is a craft to making records, and Phil has spent his life mastering it. For the first time ever, he shares the secrets of his trade.
Making Records is a fascinating look "behind the glass" of a recording studio. From Phil's exhilarating early days…
Music is a major passion of mine. I’m highly involved in making and promoting independent music both locally and internationally via social media. The primary focus of all my endeavors is promoting a do-it-yourself ethos. Whenever I work with musicians, I’m always fascinated by how their creativity allows them to do a lot with a little. Hence, I suppose, the story of Frankie Lumlit. It’s a story about falling in love with music and finding a way to make it even when the world says no.
I knew that Phil Spector had a reputation for being mercurial (and that he was in prison for murder), but I never realized how off the rails he really was. I also never realized how many people he’d worked with—both as a producer and just as a guy who was trying to network his way into the business. I knew about his “girl groups,” about his work with the Beatles and some of their solo projects, and about his work with the Ramones, but I didn’t realize that he was very good friends with Ahmet Ertegun of Atlantic Records and that he saw Berry Gordy of Motown as one of his biggest competitors. Overall, a bizarre, tragic life, but an interesting read with a lot of information about some of the big names in rock history that Spector encountered.
A stunning biography of "pure self-interest and cruelty, tempered only slightly by the great musical achievements of Mr. Spector's golden age in the early 1960s" (The New York Times).
He had a number one hit at eighteen. He was a millionaire with his own record label at twenty-two. He was, according to Tom Wolfe, “the first tycoon of teen.” Phil Spector owned pop music. From the Crystals, the Ronettes (whose lead singer, Ronnie, would become his second wife), and the Righteous Brothers to the Beatles (together and singly) and finally the seventies punk icons The Ramones, Spector produced hit after…
Pioneer Paddles of the Colonial South
by
William D. Auman,
Award-winning novelist William Auman, author of If Trees Could Testify..., takes the reader on a time-traveling odyssey featuring 345 bodies of water in six states within the historical context through which they unfold.
Journey into remaining Colonial-era wilderness with stories of pirate treasure, epic frontiersmen, Indigenous Peoples, and Revolutionary…
I am an academic researcher and an avid non-fiction reader. There are many popular books on science or music, but it’s much harder to find texts that manage to occupy the space between popular and professional writing. I’ve always been looking for this kind of book, whether on physics, music, AI, or math – even when I knew that as a non-pro, I wouldn’t be able to understand everything. In my new book I’ve been trying to accomplish something similar: A book that can intrigue readers who are not professional economic theorists, that they will find interesting even if they can’t follow everything.
This is actually not one book but a five-volume (!) series of books which contains some of the best writing on classical music I’ve ever come across.
Taruskin, who passed away recently, was a legendary musicologist. In his writings, he managed to combine analytic writing that addresses his colleagues with unbelievably sharp and insightful writing that I, as a classical music fan who is not a pro, enjoy tremendously.
Taruskin loved picking intellectual fights, and this sort of combative energy is gripping. In this series, there are major story arcs like the interplay between “oral” and “literate” traditions or the role of nationalism in 19th-century music. I liked how Tarsukin switches smoothly between a close analysis of a piece and a discussion of how it relates to the wider culture.
The Oxford History of Western Music is a magisterial survey of the traditions of Western music by one of the most prominent and provocative musicologists of our time. This text illuminates, through a representative sampling of masterworks, those themes, styles, and currents that give shape and direction to each musical age.
Taking a critical perspective, this text sets the details of music, the chronological sweep of figures, works, and musical ideas, within the larger context of world affairs and cultural history. Written by an authoritative, opinionated, and controversial figure in musicology, The Oxford History of Western Music provides a…
