Here are 92 books that My Friend Dahmer fans have personally recommended if you like
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From an early age I have been drawn to dark themes in stories. I always wanted to hear the dark fairy tales when I was a kid. My mother is from Finland originally, so I was weaned on Finnish folk tales and the Finnish mythology, the Kalevala, which has very many dark stories. Being a graphic novelist myself, I tend to favor morally ambiguous, darker broken characters in my stories. Happy characters make for boring stories I believe. There needs to be conflict for there to be drama. And there needs to be drama to make interesting stories.
An incredibly haunting book. At first glance it looks like a fairy tale for children but after only a few pages in you realise it is quite a sinister tale and something much darker altogether. It is a very brave book I think and I’m not really sure how to categorize it other than it being very, very dark indeed.
Newly homeless, a group of fairies find themselves trying to adapt to their new life in the forest. As they dodge dangers from both without and within, optimistic Aurora steps forward to organize and help build a new community. Slowly, the world around them becomes more treacherous as petty rivalries and factions form. Beautiful Darkness became a bestseller and an instant classic when it was released in 2014. This paperback edition of the modern horror classic contains added material, preparatory sketches, and unused art. While Kerascoet mix gorgeous watercolors and spritely cartoon characters, Fabien Vehlmann takes the story into bleaker…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
Growing up, there was nothing I hated more than reading. Struggling with dyslexia and learning disabilities made books miserable and the distractions of screens didn’t help. However, everything changed when I discovered graphic novels and comics! That led to a newfound love of stories and books (especially graphic novels) which took me on a journey of not being able to read at age ten, to publishing my first novel at age fifteen. Since then, I’ve written and illustrated children’s books and young adult novels, but Mup is my first graphic novel. This has inspired me to create more graphic novels designed specifically for those who are just like me – reluctant readers.
Bone was the first book I ever read on my own as a 5th grader. For the first time, I didn’t use an audiobook or need a parent/teacher to read it to me. For that alone, I’ve put it at the top of the list. Bone follows the story of three wayward brothers as they each find their way to a fantastical valley filled with mythical dragons, bizarre creatures, and a lost princess. What starts off as this fun and goofy comic, spirals into this adventure of epic proportions as the author-illustrator takes young readers into a world they never imagined before.
This fast-paced saga helped captivate me from the first page to the last and I personally owe a lot to this book for helping me overcome my dislike for reading as a young person. This book helped me on my journey to becoming a reader and it…
Winner of 41 National and International Awards including 10 Eisner Awards and 11 Harvey Awards!
Meet the Bone cousins, Fone Bone, Phoney Bone and Smiley Bone, three misfits who are run out of Boneville and find themselves lost in a vast uncharted desert. They make their way into a deep, forested valley filled with wonderful and terrifying creatures. With the help of the mysterious Thorn, her tough-as-nails Gran’ma Ben and the Great Red Dragon, the boys do their best to survive in the middle of brewing trouble between the valley’s denizens.…
I’m a storyteller. I’ve told stories through journalism, theater, film, and comics. When I was the editor of a film magazine, Scenario: “The Magazine of the Art of Screenwriting” I interviewed filmmakers about the craft of telling a great story. As a journalist, I love original sources and voices, for the way they tell a personal version of history. They say history is told by the winners. I prefer the reverse angle—history told, not by the “losers” but by true, strong, authentic voices. I somehow want to read, reveal, recommend, and illuminate marginalized voices.
I’ve always loved so-called monsters, and Emil Ferris, with her comforting voice and detailed, luminous drawings, elevates “monsters” to a transcendent place. This is a compelling graphic novel, a must-read for anyone who has felt labeled “monstrous” by societal norms or felt at all marginalized.
In reading My Favorite Thing is Monsters, Emil Ferris’s deep empathy for outsiders is felt in every line and drawing. The child’s point-of-view of 10-year-old Karen’s wild imagination felt like the author and protagonist were sharing their private diary with us. All this, and a mystery too, as Karen, who sees herself as a werewolf, tries to solve a monstrous murder mystery.
Set against the tumultuous political backdrop of late ’60s Chicago, My Favorite Thing Is Monsters is the fictional graphic diary of 10-year-old Karen Reyes, filled with B-movie horror and pulp monster magazines iconography. Karen Reyes tries to solve the murder of her enigmatic upstairs neighbor, Anka Silverberg, a holocaust survivor, while the interconnected stories of those around her unfold. When Karen’s investigation takes us back to Anka’s life in Nazi Germany, the reader discovers how the personal, the political, the past, and the present converge.
Coyote weather is the feral, hungry season, drought-stricken, and ready to catch fire. It’s 1967, and the American culture is violently remaking itself while the country is forcibly sending its young men to fight in a deeply unpopular war.
Jerry has stubbornly made no plans for the future because he…
From an early age I have been drawn to dark themes in stories. I always wanted to hear the dark fairy tales when I was a kid. My mother is from Finland originally, so I was weaned on Finnish folk tales and the Finnish mythology, the Kalevala, which has very many dark stories. Being a graphic novelist myself, I tend to favor morally ambiguous, darker broken characters in my stories. Happy characters make for boring stories I believe. There needs to be conflict for there to be drama. And there needs to be drama to make interesting stories.
I personally read everything Burns makes. He is one of my all-time favourite graphic novelists and I’m heavily inspired by his work. This penultimate work of his has again that sense of otherwordly weirdness to it that he does so well. I just adore the tight line work and moody nightmarish sequences he does. Painting a tale here that raises questions that only get answered when the entire trilogy is completed. Mind-bogglingly well-constructed and strange but very good.
Meet Doug, aspiring young artist. He's having a strange night. A weird buzzing noise on the other side of the wall has woken him up, and there across the room, next to a huge hole torn out of the bricks, sits his beloved cat Inky. Who died years ago. But that's no longer the case, as he slinks through the hole, beckoning Doug to follow. So he does. Now there's no turning back. What the heck is going on? To say much more would spoil the creepy, Burnsian fun, especially since - unlike Black Hole - X'ed Out has not…
Neighbors. We’ve all got ‘em, right? We believe we’re the good ones, and we pray we don’t live next door to the bad ones… but sometimes it’s inevitable that we share our property lines with those ill-suited for neighborly behavior. Horror books about bad neighbors are the perfect window into our own communities. We can peer into the lives of others without worry of getting caught. We can tiptoe through their rooms and rummage through their drawers… Who knows what we might find. Are they witches? Serial killers? Devil worshippers? Only their dirty laundry will tell.
So few books give me chills, but I could feel my temperature downright drop the deeper into this graphic novel I went. Certainly not for the weak-hearted, or stomached for that matter, Powell and Schechter plunge into one of the most depraved characters of the Midwest… none other than Ed Gein himself. There is an odd beauty to the madness at display here. It just goes to show you never know what’s going on behind the closed doors of your next-door neighbors.
“It is fantastic! Not only is Eric Powell's art on point, but Harold Schechter introduces some new ideas about Ed Gein that have never been heard.” - THE LAST PODCAST ON THE LEFT
“A natural choice for true-crime fans.”―BOOKLIST
“As extensively researched as the Alan Moore/Eddie Campbell Jack the Ripper graphic novel From Hell, ”Did You Hear What Eddie Gein Done?” is a masterpiece of the form, standing as the best possible dramatization of Ed Gein's tale in any medium.”―BLOODY DISGUSTING
“This is a new true crime comics essential.”―SYFY WIRE
I’ve been working professionally as a writer for twenty-five years. I’m nothing close to a household name, but a number of my articles have gone viral throughout the years. I’ve had educators reach out to mention they’ve taught my work at both the high school and college levels. Writing is an occupation of passion, and the authors I’ve mentioned are all talented and passionate about their craft. It’s rare to find people who speak the truth anywhere in our society. These writers don’t just speak the truth, they make it sing.
Dan Woll is an exceptional author who writes about outdoor life in Northern Wisconsin. He’s an avid runner, cyclist, and climber. This collection features an account of the Barneveld tornado that blew through Wisconsin back in 1984. Woll’s work is filled with both humor and wisdom. This is a great book for anyone with a passion for the outdoors.
Dan Woll, co-author of Death on Cache Lake is back with more tales of adventure in the Northwoods. This time, they’re true! You will love this book if you’ve ever paddled a canoe on a wild river, climbed a mountain, cycled lonely country roads, or sat by a roaring campfire while a solitary loon cries on a moonlit lake.
Homeless following the death of his adoptive parents in a car crash and the subsequent loss of their farm tenancy, Seb decides to enrol as a residential student at the Asklepios Foundation, a College of Natural Medicine, boasting a sanctuary modelled on an ancient Greek healing temple. Spending a night…
I’ve only ever lived in small Midwestern towns. I grew up there, raised my kids there, recovered from a divorce there, remarried there. I’ve had the same best friends for 40 years. I’ve paid and bartered for my classmates’ trade services. I’ve argued with them in churches and cafes, rooted for and against their kids at high school basketball and football games all over the state. We’ve celebrated and buried each other’s loved ones. I’ve run hundreds of miles of Wisconsin trail, soaked in her waters, marveled at her sunsets. It’s as home to me as my own body, and I’ll never tire of reading about it.
I’m a sucker for gorgeous prose, Wisconsin landscape as a character, strong female protagonists, small-town community dynamics, and the complexities of found family—Carol Dunbar’s debut novel checks all of these boxes and then some.
I got so excited when I read this book. The prose crackles. The sensory details are vivid. It’s a literary slow-burn with just enough sizzle to keep you turning pages, and I savored every word. What would you do if you were a young wife and mother living off-grid in Northwoods, Wisconsin, and your partner suddenly became incapacitated? Dunbar left me feeling like I now know.
He promised her he would never let go. She's willing to risk everything to hold on.
In the aftermath of her husband's logging accident, Elsa has more questions than answers about how to carry on while caring for their two small children in the unfinished house he was building for them in the woods of rural Wisconsin. To cope with the challenges of winter and the near-daily miscommunications from her in-laws, she forges her own relationship with the land, learning from and taking comfort in the trees her husband had so loved. If she wants to stay in their home,…
Conflict and disagreement have always interested me. I was a middle child, so I naturally fell into the role of peacemaker. But I also had strong opinions, and I always thought I knew the right answer. The pursuit of education, love, and a career brought me to rural Montana, an Asian metropolis, and everywhere in between. These experiences deepened my fascination regarding how people could have such different beliefs, and how we are to live together despite those differences. A PhD in Science and Technology Studies, supervised by a political scientist, sent me on the path to diagnosing what ails American democracy, and what the cure might be.
Before Trump, there was Scott Walker. The controversial former governor of Wisconsin, Walker waged war against the state’s unionized public employees and universities.
I tell everyone I know to read this book, because it is an honest and incisive portrayal of why rural people vote for politicians like Walker and Trump. Too often leftists seem to want to unfairly dismiss all rural conservatives as hopelessly ignorant, racist, or even worse. The Politics of Rural Resentment’s humanizing portrayal helped me to better understand the motivations of people who don’t live in urban centers.
If we are to bridge the divides in this country, it will be only by following Cramer’s lead.
Since the election of Scott Walker, Wisconsin has been seen as ground zero for debates about the appropriate role of government in the wake of the Great Recession. In a time of rising inequality, Walker not only survived a bitterly contested recall that brought thousands of protesters to Capitol Square, he was subsequently reelected. How could this happen? How is it that the very people who stand to benefit from strong government services not only vote against the candidates who support those services but are vehemently against the very idea of big government?
In the ‘60s, everyone was reading—or claiming to have read—Jack Kerouac’s On the Road. I faked reading it, to appear cool. The idea of a road trip, though—characters running away, running toward, or often both—and the self-discovery that ensues—was so intriguing, I made it the heart of the novel I first drafted decades ago. I wrote about a middle-aged woman who flees her life to find a lost love and her lost youth, then put the manuscript away. For 30 years. When I retired from my social work career, I pulled it from the closet, revised it, and became an author at 74.
When this astonishing debut novel about a complicated mother-daughter relationship came out, I wondered if the author had met my mother. Because Adele August believes there’s nothing for her in her small Wisconsin town, she sets off for Los Angeles with her twelve-year-old daughter and a dream—Ann will be a child star; Adele will make a wealthy marriage; they’ll live the lives they were meant to. Simpson’s writing is gorgeous: “My mother and I should have both been girls who stayed out on the porch a little longer than the rest… who strained to hear the long-distance trucks on the highway... girls who looked at the sky and wanted to go away… but who finally sighed, and calling the dog with a mixture of reluctance and relief, shut the door and went home.” Reality can’t live up to Adele’s delusions; mother-child roles are often reversed; but love underlies this tangled…
A national bestseller—adapted into a movie starring Natalie Portman and Susan Sarandon—Anywhere But Here is the heart-rending tale of a mother and daughter. A moving, often comic portrait of wise child Ann August and her mother, Adele, a larger-than-life American dreamer, the novel follows the two women as they travel through the landscape of their often conflicting ambitions. A brilliant exploration of the perennial urge to keep moving, even at the risk of profound disorientation, Anywhere But Here is a story about the things we do for love, and a powerful study of familial bonds.
Marriage and Fatherhood in the Nazi SS
by
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more…
Because sometimes I think they go further than the formulas set by traditional publishing. I love fantasy and similar genres because there are no limits for the imagination. The books I’ve chosen fulfill what I think is important – world-building, imagination, thought-provoking, intelligent, and wonderful characters on a mission of some kind.
I’ve read all of this author’s work and the Rushed series is my favourite because although it’s a sinister paranormal fantasy, it is filled with humour. The world-building for each book is amazing – certainly daunting and nasty in parts, yet believable.
There are remarks in reviews that it’s confusing and weird, so maybe you have to be odd to understand and appreciate it. I did, so I must be.
Eric can't remember the recurring dream that keeps waking him in the middle of the night with an overwhelming urge to leave, yet he spends each day feeling as if he desperately needs to be somewhere. With no idea how to cure himself of this odd compulsion, he decides to let it take its course and go for a drive, hoping that once he proves to himself that there is nowhere to go, he can return to his normal life. Instead, he finds himself hurled headlong into a nightmare adventure across a fractured Wisconsin as the dream reveals itself one…
