Here are 100 books that Murder Most Florid fans have personally recommended if you like
Murder Most Florid.
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As a forensic sculptor at the FBI, I was always trying to envision the best way to sculpt features from an unidentified skull. This is what led me to create a research project with the University of Tennessee to collect 3D scans of skulls and live photos of donors to use as a reference in my forensic casework. I’ve also diagrammed crime scenes, created demonstrative evidence for court, and worked with detectives, FBI agents, medical examiners, and forensic anthropologists on casework. Forensic art was never just a job to me; I feel it was what I was meant to do in my life.
I bought this book when I was doing some research for a project, expecting it to be very dry but was happily surprised at the humor and style of her writing. She is extremely knowledgeable about her field and has helped solve hundreds of cases, but you won’t hear any humble bragging. She is all about the teamwork that goes into solving criminal cases, which makes me respect her even more.
I learned so much more about anthropology from this book than I did working at my job, and in a thoroughly entertaining way. This is easily a book I can read more than once.
Book of the Year, Saltire Literary Awards A CrimeReads Best True Crime Book of the Month
For fans of Caitlin Doughty, Mary Roach, Kathy Reichs, and CSI shows, a renowned forensic scientist on death and mortality.
Dame Sue Black is an internationally renowned forensic anthropologist and human anatomist. She has lived her life eye to eye with the Grim Reaper, and she writes vividly about it in this book, which is part primer on the basics of identifying human remains, part frank memoir of a woman whose first paying job as a schoolgirl was to apprentice in a butcher shop,…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’ve always been fascinated with crime and crime fiction. From my early obsession with the novels of Raymond Chandler to my embarrassingly late discovery of Agatha Christie. I directed epsiodes of Sherlock Holmes with Jeremy Brett for Masterpiece theatre, which was a dream come true. But it frustrates me when television dramas tread roughshod over forensic science, making absurd claims for what can be done, when the truth, as mundane as it often can be, is so much more fascinating. To this end I have just graduated with an Mlitt from the University of Dundee in Crime Fiction and Forensic Investigation. I hope this will lend my books an air of authenticity and dramatic drive.
Forensic pathologist Dr. Richard Shepherd has performed over 23,000 autopsies over his career. This has given him a unique perspective on life and death.
His description of his arrival at one of the first crime scenes he’d attended The Hungerford Massacre is worth the price of this book alone. It reads a like a haunting, eerie screenplay. Driving through a normal, ordinary suburban housing estate, coming across body after body. Haunting and respectful.
Shepherd also deals with the difficulty of not taking his work home with him after examining the results of the horrors people can inflict upon one another.
I’ve always been fascinated with crime and crime fiction. From my early obsession with the novels of Raymond Chandler to my embarrassingly late discovery of Agatha Christie. I directed epsiodes of Sherlock Holmes with Jeremy Brett for Masterpiece theatre, which was a dream come true. But it frustrates me when television dramas tread roughshod over forensic science, making absurd claims for what can be done, when the truth, as mundane as it often can be, is so much more fascinating. To this end I have just graduated with an Mlitt from the University of Dundee in Crime Fiction and Forensic Investigation. I hope this will lend my books an air of authenticity and dramatic drive.
This is a fantastically readable book about the world-famous Department of Forensic Medicine at Guy’s Hospital in London.
A little macabre at times, the most macabre on this list perhaps, it is always dosed with a good measure of humour. What is unique about the book is that it is told from the perspective of a husband and wife team working in the same department. You may enjoy CSI on TV but this is the real deal.
As gripping as it is gruesome, How to Solve a Murder is a fascinating insight into the career of a forensic scientist. Includes a foreword from Dr Richard Shepherd, bestselling author of Unnatural Causes.
FRACTURED SKULLS. GAS MASKS. BRAIN BUCKETS. VATS OF ACID. PICKLED BODY PARTS.
Not the usual tools of trade, but for Chief Forensic Medical Scientist Derek and Forensic Secretary Pauline they were just part of a normal day in the office inside the world-famous Department of Forensic Medicine at Guy's Hospital in London.
Derek has played a pivotal role in investigating some of the UK's most high-profile…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
I’ve always been fascinated with crime and crime fiction. From my early obsession with the novels of Raymond Chandler to my embarrassingly late discovery of Agatha Christie. I directed epsiodes of Sherlock Holmes with Jeremy Brett for Masterpiece theatre, which was a dream come true. But it frustrates me when television dramas tread roughshod over forensic science, making absurd claims for what can be done, when the truth, as mundane as it often can be, is so much more fascinating. To this end I have just graduated with an Mlitt from the University of Dundee in Crime Fiction and Forensic Investigation. I hope this will lend my books an air of authenticity and dramatic drive.
What is compelling about this book is that the author has worked on some of the most famous cases in the UK. Some like Stephen Lawrence, Rachel Nickell, and Damilola Taylor are still very much in the public consciousness.
She details the difficulties in the case and how she worked methodically on them. The Guardian said, "Her ability to reconstruct violent events in her mind and to see how forensic science can be used to reveal a suspect would leave even Sherlock Holmes in awe."
'Fascinating. A book that will be essential reading for every aspiring crime writer' Guardian
'Offers a chilling glimpse into her life's work. Fascinating stuff.' Sunday Times
'Compelling' Daily Mirrror
__________
By the time I arrived at the wood yard in Huddersfield on a bitterly cold night in February 1978, the body of the 18-year-old victim had already been taken to the mortuary. __________
Never before has criminal justice rested so heavily on scientific evidence. With ever-more sophisticated and powerful techniques at their disposal, forensic scientists have an unprecedented ability to help solve even…
Food has always been my existential retreat from the world. Whether eating solo or with people, countless meals have been the best hyperbolic time chambers for strengthening relationships with others and with myself. And I’ve always wanted to write, to participate in ageless forums of subject and technique in this great literary tradition of ours. I guess these two art forms and obsessions were bound to lock horns in my aesthetic makeup. In my world, good reading is good eating. It’s that simple. No other qualifications are needed. I inhaled the following books and was made full every time – to eventually take a stab at a couple of recipes also.
If Cooking Gene is the rallying cry, Food: A Love Story is the marching time music.
Gaffigan expands the food observations and shenanigans from his standup routines and this memoir is just as funny as watching the family man on stage. Gaffigan’s food writing maintains a golden dynamic of being approachable and personal at the same time.
It was full of personality and gave me valuable insight into how to shape my character’s food habits as the focal point of literary scrutiny.
“What are my qualifications to write this book? None really. So why should you read it? Here’s why: I’m a little fat. If a thin guy were to write about a love of food and eating I’d highly recommend that you do not read his book.”
Bacon. McDonalds. Cinnabon. Hot Pockets. Kale. Stand-up comedian and author Jim Gaffigan has made his career rhapsodizing over the most treasured dishes of the American diet (“choking on bacon is like getting murdered by your lover”) and decrying the worst offenders (“kale is the early morning of foods”). Fans flocked to his New York…
Poems irritated me as a child. They seemed parodies of counting, chants of rhythm, and repetition. I included them in my moratorium against reading fiction. On the other hand, I respected the alphabet, a kind of poem of pure form. It was orderly for no good reason and didn't mean anything. So I concluded that poems were meaningless forms that had their uses, but were not serious. I changed my mind, but it took a while—studying math and science, theology, and then philosophy and literature. I'm now a professor who studies and teaches modern literature and philosophy. I got my Ph.D. from Harvard, became a professor at Stanford, and teach at the University of Dallas.
A photograph gives me the form of the bird, but it remains up to me to see the bird as a bird. And that can be difficult. What do we see when we see a bird?
The Peregrine, J. A. Baker’s masterpiece of descriptive prose, provides an answer, an answer that is as much about how we see as it is about what we see when we see birds. Sometimes we pull ourselves into the sight of others and the world emerges as more than its light. We see by being seen.
Baker achieves this kind of seeing both in his efforts to see a pair of peregrines and in his description of this achievement.
David Attenborough reads J. A. Baker's extraordinary classic of British nature writing.
The nation's greatest voice, David Attenborough, reads J. A. Baker's extraordinary classic of British nature writing, The Peregrine.
J. A. Baker's classic of British nature writing was first published in 1967. Greeted with acclaim, it went on to win the Duff Cooper Prize, the pre-eminent literary prize of the time. Luminaries such as Ted Hughes, Barry Lopez and Andrew Motion have cited it as one of the most important books in twentieth-century nature writing.
Despite the association of peregrines with the wild, outer reaches of the British Isles,…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
I have often spoken with the animals that I meet: from migrating ducks to street cats, woodchucks to chickadees. Mostly quietly—and always as if they not only could hear and understand, but also could reply. As our children grew, the replies became louder and more insistent. When our daughter was old enough to feel fearful of travel—particularly the crossing of open water in small boats—I began to tell her stories featuring these talking animals. Because the animals also were sometimes afraid, the stories helped to distract her from the perils of our own adventures and then, eventually, to enjoy them as well.
Although not nearly as well-known as Richard Adams’ Watership Down (an epic tale, with voyages and battles on the scale of Homer’s Odyssey), this book was published decades earlier and could be seen as a quiet precursor to that far more violent story.
The gardeners among you will immediately recognize both the fear and the excitement that the animals feel when contemplating unfamiliar humans. My wife and I, who have moved dozens of times in our long careers, often quote a line from Little Georgie: “New folks coming, oh my!”
It has been a while since Folks lived in the Big House, and an even longer time has passed since there has been a garden at the House. All the animals of the Hill are very excited about the new Folks moving in, and they wonder how things are going to change. It’s only a matter of time before the animals of the Hill find out just who is moving in, and they may be a little bit surprised when they do.
I’m secretly eight years old inside. I love fascinating animal and science stuff, especially cool, weird, and gross facts. Readers of my children’s books see this passion in action. My best-selling and award-winning nonfiction animal books have sold more than 3 million copies worldwide since 2000. I focus particularly on reaching reluctant, struggling, and English-language-learning readers by packing my books with lots of action and high-interest topics to keep them turning pages. I’m recommending these top-five narrative nonfiction animal books for adults because these authors have influenced my research and thinking—and because they’re terrific stories!
Are you ready to change the way you see the world forever? Reading Peter Wohlleben’s three-book Mysteries of Nature series will do just that.
This second volume focuses on animal emotions and making connections with human behavior. Until fairly recently, most serious scientists focused only on observable behavior and didn’t try to imagine or determine what animals’ actions tell us about their feelings.
However, all animal lovers can benefit, as I did, from questioning our assumptions, better understanding our similarities, and becoming more aware of how much there is to learn about the inner life of animals. Get ready for some surprises!
Can horses feel shame? Do deer grieve? Why do roosters deceive hens?
We tend to assume that we are the only living things able to experience feelings but have you ever wondered what's going on in an animal's head? From the leafy forest floor to the inside of a bee hive, The Inner Life of Animals opens up the animal kingdom like never before. We hear the stories of a grateful humpback whale, of a hedgehog who has nightmares, and of a magpie who commits adultery; we meet bees that plan for the future, pigs who learn their own names…
I am a creature of habitat. I can’t help but connect with my environment in every possible way. It’s physical, emotional. I spent the first 23 years of my life in Mexico City. Leaving was heart-wrenching, but the promise to fulfill a dream drew me to Los Angeles. During the next four decades I became a student of Los Angeles and the Latino community that populates it. I agree with Randy Newman: I love L.A.
If You Lived Here You’d Be Famous By Nowis a debut novel by Via Bleidner, a young writer who reports her experiences living in the L.A./San Fernando Valley enclave of Calabasas, attending the Calabasas High School. Calabasas, for those who have missed this essential chapter of contemporary lunacy, is home to the Kardashians. Bleidner writes about the world she has inhabited as a reporter. She participates, but she also is able to maintain a certain writer's detachment describing the shenanigans the natives engage in: lip surgery, social media, and dog celebrities. But there is humor in this slice of the L.A. experience. Bleidner not only describes, but also tries to understand and reflect.
If You Lived Here You'd Be Famous by Now is an insider's collection of funny and warmhearted stories about coming of age in the Los Angeles suburb famed for birthing the Kardashian-Jenners and the Bling Ring.
For Via Bleidner, transferring to Calabasas High from the private Catholic school she's attended since second grade is a culture shock, not to mention absolutely lonely. Suddenly thrust into an unfamiliar world of celebrities, affluenza, and McMansions, Via takes a page from Cameron Crowe and pretends she's on a journalism assignment, taking notes on her classmates and jotting down bits of overheard gossip.
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
As author and editor of six books about cemeteries, I have visited gravesites all around the world, from the world-famous to little family burial grounds to tombs tucked inside churches. On my travels, I’ve collected more than 300 books about cemeteries. My absolute favorites are the memoirs in which people—who are as passionate about cemeteries as I am—take me along on their graveyard adventures. I want to know what cemeteries mean to people, whether they’re travelers like me, or grew up in cemeteries, or worked in them, or are fiercely curious about the inequities that follow us to the grave. So many cemeteries, so little time!
I learned a lot reading her memoir, from the word for a sexual attraction to statues (agalmatophilia) to the fact that it was Diego Rivera who named Catrina, the elegant female skeleton in the tight dress.
Enriquez visited a lot of cemeteries that I've only read about and others that I've never heard of, all the while writing passionately about indigenous erasure in colonial cemeteries, the recovery of the bodies of Argentina’s Disappeared, and the history and traditions of all the countries she visits. I was fascinated to explore the perspective of a cemetery tourist who isn't American or European.
In Somebody is Walking on Your Grave, Mariana Enriquez blends journalistic rigour and her fascination with the macabre as we encounter famous graveyards steeped in history, such as Montparnasse in Paris, Highgate in London, and the Jewish cemetery in Prague, as well as more remote, decrepit, hidden, or secretly beautiful ones. These pages are full of the graves of famous figures - Elvis in Memphis, Karl Marx in London - mournful sculptures, traces of voodoo, catacombs, skeletons and an array of legends and stories. Mariana's personal journey weaves through haunting narratives, transforming burial grounds into spaces of reflection, obsession, and…
