Books like Mummy's Little Soldier — picked by fans

Some look through the glass and admire what lies beyond. I look beyond the glass and imagine what's ahead. What is an adventure? It's an encounter with the unexpected, an exquisite moment in time that can never be repeated, those memorable chapters in our personal story that cause us to go to the attic and lift the lid of the trunk. I've lived the experiences in my books because I walked the beaten paths where those stories were born and embraced the culture that colors the pages. I'm an intrepid traveler and adventurer with still a few personal chapters to write. As I look beyond the glass, I wonder… Will my trunk ever be full?

I was fascinated by American True Crime magazines from an early age. I used to buy them with my pocket money from a second-hand bookstore near my home. I graduated to reading novels by the age of ten, sneaking my father’s book collection into my bedroom one at a time to read after lights out. His books covered everything from The Carpetbaggers by Harold Robbins to The Devil Rides Out by Dennis Wheatley. By seventeen, I promised myself I’d write a novel one day. Most of my books are crime themed with a supernatural flavour. My debut, The Sister was published in 2013 and since then I’ve completed three more novels and several short stories.

I was fascinated by American True Crime magazines from an early age. I used to buy them with my pocket money from a second-hand bookstore near my home. I graduated to reading novels by the age of ten, sneaking my father’s book collection into my bedroom one at a time to read after lights out. His books covered everything from The Carpetbaggers by Harold Robbins to The Devil Rides Out by Dennis Wheatley. By seventeen, I promised myself I’d write a novel one day. Most of my books are crime themed with a supernatural flavour. My debut, The Sister was published in 2013 and since then I’ve completed three more novels and several short stories.

I was fascinated by American True Crime magazines from an early age. I used to buy them with my pocket money from a second-hand bookstore near my home. I graduated to reading novels by the age of ten, sneaking my father’s book collection into my bedroom one at a time to read after lights out. His books covered everything from The Carpetbaggers by Harold Robbins to The Devil Rides Out by Dennis Wheatley. By seventeen, I promised myself I’d write a novel one day. Most of my books are crime themed with a supernatural flavour. My debut, The Sister was published in 2013 and since then I’ve completed three more novels and several short stories.

I am a big fan of romance books with thrilling plots. It’s partly how I remember the stories years later. When I wrote Flowers for Kate in the Rainbow Desire anthology, it started as a pure romance, but I added a supernatural thrill. One reader admitted checking over her shoulder in case a spectral being was there while reading the story. I love writing stories with twists and turns, and surprising readers. Maybe it comes from my childhood days of being a Scooby-Doo fan—I loved the thrill of guessing the mysteries behind each character and the villain being unmasked. I’m an ex-journalist who has published romance stories from erotic to sweet.

Growing up, I commonly read a sci-fi or fantasy novel a day. I craved freshly innovative stories, not megastar copycats. Innovation lacking, I stopped reading. I loved Salvatore’s invention of the Drow and favored groundbreaking stories where authors build on a predecessor’s shoulders rather than writing formulaic remakes for easy sales. Devastatingly, when I began writing, publishers, agents, and literary voices unitedly screamed at authors to “stay in their genre.” Write sci-fi or fantasy, never both. That wasn’t me, so I wrote about what happens when technology clashes with magic. The result? Mosaic Digest recently dubbed me “one of speculative fiction’s most inventive voices.”

Some men need killing. Whether monsters, serial killers, or husbands, women often face off with danger and must put a stop to it. How they do that fascinates me as a former psychotherapist. Must her life be in imminent danger, his finger depressing the trigger, for her to shoot? What if he terrorized or stalked her, but at the moment of death, she sneaks up on him? What if this guy killed her family, and she seeks revenge? Where we draw these lines in fiction informs who we are as humans and the very nature of our souls. And each of the books on my list, prism-like, reveals a separate facet.

As a writer of Psychological Horror who specializes in stories about serial killers, the first-person serial killer narrative stands out as a fascinating vehicle to explore the psyche of real human ‘monsters.’ Which is precisely what I did, using books from this list as subject material for my Master’s thesis. The research also informed Blood Related, my debut novel, a first-person serial killer narrative and the most controversial book I’ve written so far. Perhaps, gaining insight from fictional serial killers would be a failed enterprise if life didn’t imitate art, but the fact is that these types of narratives are mostly informed by their real-life counterparts. Be warned – read at your own discretion.

I’ve always loved crime books and I love writing YA so why not combine the two! It makes fun school talks (I get to do a lot – so much more enjoyable than talking to adults!), especially when you get to discuss crimes with teenagers before the teachers realise! Most of them are amazed the kids are getting into reading before they actually realise we’re discussing ways to kill people! And this is what books should be about (not necessarily violence of course) but thrilling, page turning, who did it, what happened stories. If I can get kids reading – then job done!

I have loved horror since my early teens, when I first discovered The Rats and Lair and other horror stories by James Herbert. The thing I like about horror, in particular, is that there are no holds barred, no censorship, as to what can be written. I grew up on movies like The Exorcist, Friday the 13th, Jaws, Alien, The Thing, etc., but horror writing takes you deeper and gives a more visceral experience than anything any film can do.