Books like Mr. Limpet — picked by fans

This sci-fi romp by an author more famous for space fiction takes an unusual dive into the ocean’s depths, where pole-to-pole zones of plankton cultivation and whale ranching provide food to feed the earth’s enlarged population. Using a typical trope of maritime fiction, Arthur C. Clarke introduces readers to this future world through a neophyte whale warden whose past as a spaceman colors his experiences and perceptions of his new ocean surroundings. Compared with outer space, Clarke’s ocean is fuller of resources, and also more mysterious, but emerges as a place that promises to foster peace and understanding.

The title Neptune’s Laboratory invokes knowledge of the oceans through science alongside the equally central role imagination has played in the human relationship with the sea. Antony Adler astutely observes how its mirror-like qualities encouraged scientists, politicians, and the public since the early 19th century to use the ocean to spin utopian fantasies and explore dystopian fears. Most importantly, he reminds readers that our propensity to fathom oceans to project the fate of the human species and our planet offers an important key: imagination could chart a course toward a better future.

This important and revealing book conveys the untold history of West Africans and their relationship with the ocean, including the underwater realm, from before New World slavery and extending around the Atlantic as enslaved African swimmers and divers carried their skills and the culture associated with them in the African diaspora. Kevin Dawson’s story is not only fascinating but also firmly discredits the false and insidious belief that Blacks are naturally poor swimmers and demonstrates instead the long and proud traditions of West African knowledge and use of the undersea.

Ann Elias demonstrates how visual media – photography, film, art, and museum displays – re-cast coral reefs in the early 20th century from dangers to navigation into fantastical but familiar and inviting spectacles. Coral Empire reveals photographers, artists, and scientific explorers as they rendered the undersea modern yet colonial. Using technology, indigenous knowledge, and their own visions, they presented the oceans as wild, untouched spaces full of resources that invited exploitation, conquest, and tourism. Desire-fueled uses of the undersea obscured the destructive nature of human activities on coral reefs, now abundantly apparent, while the power of the visual for imagining and knowing the undersea remains.

This book is the book that made me decide to become an author. I was always a voracious reader and crazy about all things technological—space exploration, airplanes, naval warfare, you name it. In my mind, there was no way anyone would want to read a book about my interests—until Tom Clancy showed it absolutely could be done and singlehandedly created a new genre of fiction with one book.

His research was so accurate that he was accused of spilling classified information about our submarine capabilities and tactics. But no, he was just an insurance agent from Owings, Maryland, who touched a 220-volt wire in my soul that made me decide, “Someday I’m going to do that, too!”

David Kahn explains the most widely-known effort (widely-known today but in complete secrecy then) to decipher messages sent by the Germans using their Enigma machines during World War II. This book looks at the groundbreaking work done by Polish mathematicians in the 1930s, how Enigma machines were rescued from sinking German U-boats, and how Bletchley Park in Britain became the focal point of breaking these transmissions. Much of the book focuses on how Enigma machines, rotors, and codebooks were confiscated from German submarines and surface vessels, and how these were then used to allow the Allies, by the war's end, to read German messages almost as quickly as the Germans could send them.

Few people understand just how lousy the East Coast of the United States was with U-boats during the opening months of World War II. Operating with virtual impunity, they sank tankers and merchant ships up and down the coast for nearly a year before the U.S. finally organized an effective defense. Gannon does an excellent job both setting the scene and relating the history of the U-boat war—a story that few people know but will keep you riveted.

For as long as I can remember, I have always enjoyed submarine stories. This author got my attention when he put a post-apocalyptic twist on it. Action and adventure are blended with mystery solving in a way that I still enjoy. The author describes a variety of familiar locations around the world in haunting ways that remind us just how fragile civilization can be.

Malta operated a small fleet of submarines from Manoel Island in Valletta’s north harbour. Painted cobalt for camouflage, they were kept submerged at their moorings to avoid enemy attention. Padfield’s book is a huge tour de force that details all aspects of the Mediterranean campaign together with all the other major submarine campaigns during the second world war. We learn about the submarine arms of Britain, America, Japan, and Italy, as well as the anti-submarine measures deployed by all sides. First-hand accounts, from submariners at the sharp end to the decision-makers in dusty ministry offices, are used to embellish this technically definitive account of the cloak and dagger world of underwater warfare.

Related to Das Boot this may be (same author, same boat as within the novel) but this is a factual photographic essay of photos taken by Buchheim, predominantly aboard U96 during August-September 1941 as a member of the Propaganda Company. The photographs show life as it actually was in the North Atlantic on patrol, and end with shots taken aboard U309 as it escaped Brest in August 1944 and was involved in the rescue of crew from U981 which sank after hitting a mine with twelve crewmen killed.

This is, quite simply, a brilliant and evocative set of photographs. Buchheim was part of the propaganda machine that he so vocally lambasted in his later years, and, talking to U-boat veterans, opinions of him as a human being were extremely polarised. However, there can be no doubt about his mastery of the visual medium.