Here are 100 books that Mouse in the Matzah Factory fans have personally recommended if you like
Mouse in the Matzah Factory.
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I believe that good Jewish stories are important tools in building Jewish identity. But when I first taught preschoolers, the books were either too didactic or written for older children. One day, when the children in my class were enthusiastically discussing the Christmas display at the mall, the idea came to me that maybe an eight-legged Spider celebrating the eight days of Hanukkah could compete with Frosty the Snowman. When Sammy Spider asks to spin a dreidel, he is told, “Spider’s don’t spin dreidels. Spiders spin webs.” The response became a favorite with Jewish children and a form of the phrase is part of all the Sammy Spider holiday and values books.
This is a favorite of mine and my students. Every preschool child loves dinosaurs, and nothing is more exciting and fun than a dinosaur celebrating Shabbat! Laughter abounds when the silly dinosaur makes mistakes just like the mistakes that the children hearing the book have made at Shabbat. The rhymes have a nice flow that keeps the attention of young listeners.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I believe that good Jewish stories are important tools in building Jewish identity. But when I first taught preschoolers, the books were either too didactic or written for older children. One day, when the children in my class were enthusiastically discussing the Christmas display at the mall, the idea came to me that maybe an eight-legged Spider celebrating the eight days of Hanukkah could compete with Frosty the Snowman. When Sammy Spider asks to spin a dreidel, he is told, “Spider’s don’t spin dreidels. Spiders spin webs.” The response became a favorite with Jewish children and a form of the phrase is part of all the Sammy Spider holiday and values books.
A Turn for Noah is a Hanukkah story written by Susan Remick Topek. At preschool, Noah can’t quite spin the dreidel. Hanukkah is about to end, and still Noah “can’t do it.” With the encouragement of his teacher and all his friends, on the very last day of Hanukkah, Noah takes a deep breath, twists the handle quickly, and exclaims, “It’s spinning!” And since one good turn deserves another, Noah lights the Hanukkah candles with the teacher’s help.
I particularly like A Turn for Noah because so many of my preschool students have trouble learning to spin a dreidel and the story shows how with effort, even difficult tasks can be completed. Little children identify with Noah's efforts, feelings, and his success.
I’m a New Englander by birth, a Canadian by circumstance, and a Nova Scotian by choice. For as long as I can remember, I’ve told stories, first to my little sister—a captive audience—then to my children, then at my book readings, and now on my podcast, Kate and Friends, which I’m lucky enough to record with two professional musicians. For me, the ultimate test of a story is whether it can be told without visual aids. While I love picture books, and the way an artist can deepen a child’s experience of a story, I gravitate to satisfying, stand-alone tales with a good twist. They’re difficult to write, easy to remember, and great fun to tell!
A deft, charming re-telling of a Jewish folk tale, and winner of the Ruth Schwartz Award. In this gentle story, young Joseph grows up in a shtetl in a warm and loving home. His grandfather, a tailor, makes him a beautiful blanket at birth. As he grows, the blanket becomes worn, but Grandpa can always rejig the fabric into something new. At last, however, the sad day arrives when nothing is left of the blanket… until Joseph realizes that what’s left is a wonderful story.
I nominate this book as a storyteller’s delight because of its comforting, cyclical nature, and surprise ending. While Gilman’s glowing pictures augment the story perfectly, with their warm, humorous depiction of family life, the story can easily be memorized, told, and enjoyed when no pictures are available.
Phoebe Gilman's beloved classic celebrates its 20th anniversary!
Joseph's grandfather made him a beautiful blanket when he was a baby, but now it's frazzled and worn, and Joseph's mother says it is time to throw it out. Joseph doesn't want to part with his special blanket, and he's sure that his grandfather can fix it. Sure enough, Grandfather miraculously alters the blanket into useful items again and again. But when Joseph loses the final item, even Grandfather can't make something from nothing. But maybe Joseph can?
Based on the Yiddish folktale "Joseph's overcoat," Phoebe Gilman's gorgeous artwork charts the transformation…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I believe that good Jewish stories are important tools in building Jewish identity. But when I first taught preschoolers, the books were either too didactic or written for older children. One day, when the children in my class were enthusiastically discussing the Christmas display at the mall, the idea came to me that maybe an eight-legged Spider celebrating the eight days of Hanukkah could compete with Frosty the Snowman. When Sammy Spider asks to spin a dreidel, he is told, “Spider’s don’t spin dreidels. Spiders spin webs.” The response became a favorite with Jewish children and a form of the phrase is part of all the Sammy Spider holiday and values books.
The Shabbat Box is by Lesley Simpson. Ira’s preschool uses a box to store all the Shabbat objects and when school ends on Shabbat, one of the students gets to take the box home. But when it’s Ira’s turn to take it home, he loses it in the snow. Upset, he decides to make a new Shabbat Box for his class. On Monday, at sharing time, his friends are all surprised and pleased by Ira’s new Shabbat Box. And, then to the children’s delight, the teacher tells them she found the missing Shabbat Box, and now they have two! The story is a favorite of preschoolers.
I love how The Shabbat Box transfers the Shabbat classroom experience into an experience at home. For many of the children, Shabbat occurs only in the classroom and this story helps both the child and the family see how they can celebrate Shabbat at…
It's finally Ira's turn to take home the Shabbat Box from school. But a bad storm blows open his book bag and the box is lost. What will Ira do? A warm introduction to Shabbat for preschoolers.
I am a school and public librarian as well as a writer. I also serve as a member of the Children’s Book Committee of the Bank Street College of Education. We review hundreds of books each year for consideration of a place on our list –The Best Children’s Books of the Year. I've chosen to recommend some lighthearted picture books with Jewish characters or themes because a number of my own books fit into this category. Mitzi’s Mitzvah, Little Red Ruthie, and Dance the Hora, Isadora! are three of my Jewish themed books. Each of these titles has been selected by PJ Library, an organization that sends a book each month to children.
When lighter-than-air matzah balls send Passover guests floating on the ceiling, a remedy is needed to bring them down. The author’s solution is brilliant and hilarious for anyone who has experienced cooking mishaps. There are so many Passover books that dwell on the story of the Jewish people’s escape from tyranny in Egypt and this is undoubtedly an important story to tell. But there’s also a need for holiday books that are just plain fun. This is definitely one of those.
When I was young, my father made up stories to tell me, my brother, and my sister each night. One of my favorites was an ongoing series entitled The Lady with the Big Toe. The Lady and her Toe enjoyed daring adventures but the best part was hearing my dad’s voice, being near him and my siblings. I’m not great at making up stories on the spot but because of my study of Jewish texts, languages, and traditions, I knew I wanted to share story-telling and Jewish culture with my own children and grandchildren. Picture books, which are meant to be read aloud, are a magical vehicle for culture/values.
I love stories peppered with Yiddish. Youngsters should know “schlep” and “chutzpah,” Right? And clever riffs on traditional tales are another favorite. Hence The Little Red Hen and the Passover Matzah immediately became my Passover must-read-to-the grandchild-choice. I also love to laugh and there are plenty of giggles in this book.
When Sheep, Horse, and Dog don’t help the Little Red Hen prepare for the holiday she finally gets upset but then, ever aware of the mitzvah of feeding the hungry, she gives in and invites all of them to her seder table. I must admit that after many years of preparing seders and also leading them, I’ve often felt like the Little Red Hen. “Hey, where are the helping hands here?” And, like her, I’m glad when everyone sits down to celebrate together.
A classic tale gets a Jewish twist, when Little Red Hen asks her friends for help making Passover matzah.
Before she knows it, Little Red Hen tells herself, it will be time for Passover. So she decides to plant some grain. But when she asks her friends to help, they're too busy for her. "Sorry, bub," says the Horse. "Think again," barks the dog.
Oy gevalt! "Friends, shmends," she says. "I'll just do it myself."
But when the wheat is grown and harvested, when the flour is milled and the matzah baked and the Seder table set-- all by Red…
I’m a retired children’s librarian with years of experience choosing books and presenting storytimes. I’m also a picture book author. My first three published picture books were about holidays. I recently served on the Sydney Taylor Book Award committee, so I had the opportunity to read all the Jewish picture books published from 2020-2023. Many were about holidays, and the books I selected are among my favorites because they are fun to read and they express the joy of these celebrations. (And yes, I consider Shabbat to be a holiday!)
I love this book because it’s full of puns, and the humorous character names reflect the cultures of the various forms of bread they represent. There’s Alfie Koman (a matzah who likes to hide), Mrs. Crust, and classmates Challah Looyah, Naan-cy, Cornelius Tortilla, Burnie Toast, and Loaf Sourdough.
Alfie tries to tell the story of Passover, but Loaf butts in and says that Pha-Roach (not Pharoah) enslaved the Hebrews and a superhero named Mighty Moses brings 10 plagues (including No Wi-fi and Indoor Recess Forever–horrors!)
I cheer when Alfie finally yells, "Let my story go!" and tells the real history. The cartoonish art is hilarious, and the book includes a glossary of Passover terms. This is a fun way to introduce the holiday to Jewish and non-Jewish kids.
From the creator of Meet the Latkes comes the zaniest retelling of the Passover story starring an earnest matzah and his bready friends!
What makes this Passover different from all other Passovers?
Meet Alfie Koman. He's a matzah who really likes to hide. But Alfie also has a great story to tell his class of how the Hebrews fled Egypt to freedom. Too bad Loaf, the school sourdough bully, turns Alfie's Passover story upside-down. A pharaoh who is a giant cockroach? Moses as a mighty superhero? And Ten Plagues that include "No Wi-fi" and "Chocolate-turned-to-broccoli"?
As an American, a Jew, and a novelist—though not necessarily in that order—I’ve always been interested in Jewish-American literature, and the Jewish-American experience in general. What was it like for the first Jews in America? What accounted for their success? What were the costs of assimilation? And where are they—we—headed? These books are a great starting point for anyone looking for answers to these questions. But be warned: in keeping with the Jewish tradition, they often answer those questions with more questions. Not, to quote the Jewish sage Jerry Seinfeld, that there’s anything wrong with that.
The golden age of Jewish-American literature began in the early 1950s and lasted until the early 1980s.
Pulitzers abounded: Saul Bellow won Humboldt’s Gift, and Bernard Malamud won for The Fixer.Norman Mailer won twice, in nonfiction and in fiction, for The Armies of the Night and The Executioner’s Song. (Grace Paley would win one in 1994 for stories originally published in this period.)
Philip Roth’s Portnoy’s Complaint, a novel about jerking off, sold more than 400,000 copies in hardcover in its first year. But you can’t talk about the golden age without mentioning Cynthia Ozick. The Pagan Rabbi, published in 1971, contains such essential stories as “Envy; or, Yiddish in America,” one of the most searing (and hilarious) indictments of assimilation—and writerly envy—ever printed.
I am a professor who teaches and works in the field of African American History. Because I am both white and Jewish, I’ve been repeatedly asked to give talks about relationships between African Americans and white Jewish Americans, and about what “went wrong” to shatter the “grand alliance” of the civil rights movement embodied by Dr. Martin Luther King, Jr. and Rabbi Abraham Joshua Heschel. I had no answer, but I suspected that none of the stories that we had been told, whether good or bad, were fully true. So I went back to the sources and uncovered a complex and multilayered history. Black and Jewish collaboration was never a given, and underlying tensions and conflicts reflected the broader realities of race and class in the U.S. In the book I explored how these historical and political forces operated, and continue to resonate today.
Too often “Black-Jewish relations” focuses on Jewish engagement in the Black civil rights struggle, a largely one-sided political narrative. This book broadens that horizon in two ways.
First, it focuses on the Black experience and encounter with the other, rather than the Jewish one. Second, it explores the religious dimension that political discussions often ignore—that the Black experience with Jews and Judaism is as much rooted in religion as in politics.
Black Zion explores the myriad ways in which African American religions have encountered Jewish traditions, beliefs, and spaces. The collection's unifying argument is that religion is the missing piece of the cultural jigsaw puzzle, that much of the recent turmoil in black-Jewish relations would be better understood, if not alleviated, if the religious roots of those relations were illuminated. Toward that end, the contributors look a number of provocative topics, including the concept of the Chosen People, the typological identification of blacks with Jews, the actual identification of blacks as Jews, the sacredness of space and symbols, the importance of…
I am a school and public librarian as well as a writer. I also serve as a member of the Children’s Book Committee of the Bank Street College of Education. We review hundreds of books each year for consideration of a place on our list –The Best Children’s Books of the Year. I've chosen to recommend some lighthearted picture books with Jewish characters or themes because a number of my own books fit into this category. Mitzi’s Mitzvah, Little Red Ruthie, and Dance the Hora, Isadora! are three of my Jewish themed books. Each of these titles has been selected by PJ Library, an organization that sends a book each month to children.
This book reflects the author’s own experience as a child during the heyday of Yiddish theater. It’s an exciting story that will engage kids with a slice of history as they imagine themselves taking to the stage and enjoying the thrill of the limelight. So many Jewish-themed books focus on the holidays, so it’s refreshing to have others that just reflect Jewish life in the past or the present.
Rifka's parents are actors in the Yiddish Theater in New York, but one day Rifka finds herself center stage in a special role! A slice of immigrant life on New York's Second Avenue, this is a unique book about a vanished time and a place – the Yiddish theater in the early 20th century―made real through the telling of the true life story of the 96-year-old author as a little girl.
