Here are 100 books that Mother's Boy fans have personally recommended if you like
Mother's Boy.
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I’m a historian and professor in Louisiana, in the southern United States. When I was an undergraduate in college (many years ago!), I embraced the opportunity to study diverse subjects, ranging from the natural sciences to the humanities. I became fascinated by medicine and health and their relationship to history, society, and international relations–and have remained fascinated ever since. These interests led me to study humanitarianism and its place in 20th-century US foreign relations and international history. Over the years, I have researched and written two books and more than 20 articles on these subjects, and I love sharing this history with readers and students alike.
More than a century has passed since the First World War, but this book shows us that its humanitarian legacies are well worth remembering.
I appreciate this book for many reasons, but most of all, for the truly global perspective its authors take. They make it clear that the Great War was truly a world war. More than this, it should be remembered as a global humanitarian crisis. The authors examine many diverse efforts to assist both soldiers and civilians while also considering the messy politics involved in these relief efforts.
I find this book valuable for revealing the complex relationships between aid workers and relief recipients, a dynamic as central today as it was 100 years ago.
This book provides fresh perspectives on a key period in the history of humanitarianism. Drawing on economic, cultural, social and diplomatic perspectives, it explores the scale and meaning of humanitarianism in the era of the Great War. Foregrounding the local and global dimensions of the humanitarian responses, it interrogates the entanglement of humanitarian and political interests and uncovers the motivations and agency of aid donors, relief workers and recipients. The chapters probe the limits of humanitarian engagement in a period of unprecedented violence and suffering and evaluate its long-term impact on humanitarian action.
When the ground shifts, where is one true thing to be found?
Jane, in her twenties, is left parentless when her father dies suddenly; a second shock follows when his Will reveals the existence of a son no-one knew of. Now Wildings, the family home, must be sold.
I was not intentionally set out to write books for children, but I was inspired to do so after struggling to face the challenges brought on by my illness—multiple brain tumors and surgeries. Creating messages through stories for children facing such hardship as a life-threatening illness, at times even brought me the reason I needed to keep fighting for my health and for my life.
I was very pleased to read that book. It comforts us to know that the people we lost are living through us, through our actions I share the author's view that the world we live in is not our home. Like the author, I think we're just passing through this world, which means we will all see each other again when the time comes.
Till We Meet Again is a story about death & grieving for children. This book provides comfort to families when they experience the loss of a loved one. The book is meant to help a grieving child remember and share their special memories with those around them, to help them grow to see how they can honor and cherish their loved ones through their own actions. Much love and hope has been poured into this book to help young children deal with loss and provide hope that someday we will all meet again.
At 13 years old I told my father that “I will be travelling around the USA as soon as I graduate college." It took 10 days to prepare but prepare and depart I did. I worked my way around the USA for 6 months and on the way home I told my Dad, “Next is Europe.” A year later I traveled with the son of the richest man in the world and the adventures we had driving 19,865 miles through 12 European countries for 10 weeks were both mind-blowing and life-changing. My passion for traveling and life shows throughout my book, and I assure you that you'll enjoy travelling along with me.
This is a collection of a dozen essays allowing us to feel the fun, the drama, the craziness of travel, and the effect it can have on both our personalities and views after the journey. In other words, this book teaches us to feel these stories, which show us the more you risk the more rewards you will gain from your travel adventures.
It also reminds us to worry or at least be concerned for whom you are traveling with. After reading this, I believe it is not what we accomplish by traveling but what we take away from traveling.
When the ground shifts, where is one true thing to be found?
Jane, in her twenties, is left parentless when her father dies suddenly; a second shock follows when his Will reveals the existence of a son no-one knew of. Now Wildings, the family home, must be sold.
I’m a professor of history at the University of Nevada, Las Vegas where I teach and write about topics ranging from feminism to World War. I became interested in the history of the Armenian Genocide because my grandmother was a survivor. Other books I’ve written include: Women Making News: Gender and Journalism in Modern Britain; Smyrna’s Ashes: Humanitarianism, Genocide and the Birth of the Middle East and The British Empire and the Armenian Genocide.
I think this book explains why genocide happens under the cover of war. It made me see why both World War I and World War II were marked by genocides. I really liked how the author explained why the Armenian Genocide was a key event of World War I.
Balakian is a poet who turned to history writing to explain the experience of genocide and demonstrate the central importance of the international response to genocide. He uses interesting source material from eyewitnesses and official archives to trace both the humanitarian response and military decisions that brought the US into the war on the side of the Allies in the wake of the first large-scale genocide of the twentieth century.
A History of International Human Rights and Forgotten Heroes
In this national bestseller, the critically acclaimed author Peter Balakian brings us a riveting narrative of the massacres of the Armenians in the 1890s and of the Armenian Genocide in 1915 at the hands of the Ottoman Turks. Using rarely seen archival documents and remarkable first-person accounts, Balakian presents the chilling history of how the Turkish government implemented the first modern genocide behind the cover of World War I. And in the telling, he resurrects an extraordinary lost chapter of American history.
Awarded the Raphael Lemkin Prize for the best scholarly…
I am a New York Times bestselling author of six books, including The Mosquito: A Human History of Our Deadliest Predator. My works have been published globally in more than fifteen languages. I hold a PhD from the University of Oxford, served as an officer in the Canadian and British Armies, and have appeared in numerous documentaries, television programs, and podcasts. I am an associate professor of history (and, as a true Canadian, head coach of the hockey team) at Colorado Mesa University.
There are a handful of books that, upon finishing, I remark with absolute admiration, “I wish I would have written that.” This is one of these select, extraordinary books. Yergin presents an eye-opening, at times uncomfortably shocking, journey through petroleum geopolitics, challenging conventional notions about historical events, the modern world order, and how it came to pass.
Written by the author of "Shattered Peace" and "Energy Future", this book brings to life the tycoons, wildcatters, monopolists, regulators, presidents, generals and sheiks whose struggle for oil has shaken the world economy, dictated the outcome of wars, transformed the destiny of Britain and the world and profoundly changed all our lives. Beginning with the first oil well of the 1850s and continuing up to Saddam Hussein's invasion of Kuwait, it is a story of greed, gumption nad ingenuity, all in pursuit of "the prize" - worldwide economic, military and political mastery through the control of oil. The book includes…
My entire life has revolved around the military. At seven years old, I decided that I would serve my country as a Marine, so my formative years were spent reading as much as I could about the ideas of service, leadership, combat, and sacrifice. I joined the Corps at seventeen and spent the next twenty-one years trying to live up to those stories I read as a child. Now, I divide my time between training special operations Marines for combat, writing about my experiences, and encouraging veterans of all services to put their stories on paper as a senior editor for the Lethal Minds Journal. I share the lessons I’ve learned in my weekly substack, Walking Point.
This is a book I have read over and over. Jünger, a German infantryman, paints a picture of trench warfare that does nothing to glamorize combat, but I found the ideas of duty, bravery, leadership, and even ethics in its pages.
I appreciate that this memoir began as Jünger’s journal and was re-written and edited over a number of years, which allowed for the level of reflection that I feel is necessary for a memoir.
Originally published in 1920, The Storm of Steel is a first-hand account of World War I trench combat lifted from the diaries of Ernst Jünger, a German infantryman who would become one of Europe's most talented writers. The book was first translated into English in 1929 by Basil Creighton, the acclaimed translator of many other classic works of German literature, and was widely hailed as a masterpiece.
The Storm of Steel remains the definitive account of World War I, following Jünger through several major engagements as he develops from an eager young soldier into a battle-hardened officer. Subsequent revisions by…
Once upon a time, I didn’t know any stories from Africa. I found one, and it stirred me to my core. I found others and read them to my children. These were oral stories that had been trapped between the covers of books. One day, I discovered the oral tradition – stories told as they were originally heard. They had been liberated from the page and flew into my heart. A storyteller was born in me. I went on my own journey to collect stories in Ghana. I now tell stories from traditions around the world.
This wonderful South African storyteller enchanted me when I heard her telling stories at the Toronto Storytelling Festival. I loved the empowering story, "Khethiwe, Queen of the Imbira", about a girl who defiantly plays an instrument claimed as the exclusive purview of men. Another is the story of a woman who must go to the depths of the ocean to bring the magic of stories to the world. These, with eight other beautifully told tales, are included in a colourfully illustrated book.
This folklore story collection offers a feast of enjoyment for young South African readers. Ten enchanting tales, steeped in the imaginative richness of African storytelling: Where did the first stories in the world come from? How did little Tortoise win the respect of all the other animals? Who was Nanana Bo Sele Sele and what happened when she built her house in the middle of the animals' road? Why was young Crocodile so determined to get hold of Monkey's heart? Told with inimitable aplomb by South Africa's most popular performance storyteller and illustrated by a lively selection of KwaZulu-Natal artistic…
Stephanie Cowell has been an opera singer, balladeer, founder of Strawberry Opera and other arts venues including a Renaissance festival in NYC. She is the author of Nicholas Cooke, The Physician of London, The Players: a novel of the young Shakespeare, Marrying Mozart, Claude & Camille: a novel of Monet, and The Boy in the Rain. Her work has been translated into nine languages and made into an opera. Stephanie is the recipient of an American Book Award. She has lived in NYC all her life.
Like so many marvelous novels, this one has traveled through the underground of the fiction world too little known, despite catching many awards and the intense praise of people such as Stephen Fry.
It is set in France during the final bloody months of World War I and features an unexpected love affair between two ordinary young soldiers, Australian and American. What is amazing is that the author is such a vivid, meticulous historian, such a fine military researcher, and yet can write so intimately.
I became so involved with Tommy and David. Will they survive the last months of the war and go on together hiding their relationship from condemning neighbors, or will the war cancel their great love?
Gold Winner -- Foreword Indies Book of the Year Award (War & Military Fiction) and IBPA Benjamin Franklin Award (Fiction: Romance)Silver Winner -- IBPA Benjamin Franklin Award (LGBTQ)Bronze Medal -- Independent Publisher Book Award (Military/Wartime Fiction)Finalist -- Lambda Literary Award (Gay Romance) Lance Ringel's Flower of Iowa is a sprawling tale of battle and romance during the First World War, the four years that tore Europe in half and hastened the end of an era. In the tradition of stirring historical novels, this grand epic showcases courage, the resilience of the human spirit, and the transformative power of love. Flower…
My debut novel, Where Ivy Dares to Grow, inherently explores many kinds of grief through the lens of a gothic novel; the grief of losing one’s sense of self to mental illness, of family estrangement, of relationships that have run their course, of illness in loved ones, of beloved places no longer being the beautiful things we remember them as. While this was not something I did consciously while writing, the gothic genre simply seemed to be a natural fit to investigate mourning in so many untraditional senses, using a sentient home and timeslips as metaphors for the way that grief can seem to shift the world and swallow one whole.
This modern gothic follows Ivy Radcliffe as she suddenly inherits an estate house in England, during the tail end of World War I.
Throughout this story grief is explored very intimately through Ivy mourning the loss of her brother to the war, but also the way that the communal grief of the war affects individuals and shapes English society and how it functions.
Without giving away too many spoilers, memory places a huge, multilayered role in the story, and of course we see the way that grief and memory are connected, both through the way Ivy remembers her lost brother and characters mourning the way life once was before the war and, ultimately, will never be again.
"Weaves a spell of darkness that’s mysterious and magical, and binds it with a knot of deathless love." —New York Times bestselling author Susanna Kearsley on A Lullaby for Witches
In post–World War I England, a young woman inherits a mysterious library and must untangle its powerful secrets…
With the stroke of a pen, twenty-three-year-old Ivy Radcliffe becomes Lady Hayworth, owner of a sprawling estate on the Yorkshire moors. Ivy has never heard of Blackwood Abbey, or of the ancient bloodline from which she’s descended. With nothing to keep her in London since losing her brother in the Great War,…
I am a Professor of modern European history at the University of San Francisco. I have written or co-edited three major books and many articles and reviews, as well as serving as a correspondent for a German newspaper. My areas of expertise are intellectual, political, military, and cultural history. I also work on the history of espionage and served as a consultant to the CIA on my last book about student radicals in Germany.
I was riveted by this revisionist history of how America got into World War I and changed American society and politics. He shows how much of American collective memory about why WWI was fought, and the perception of Germany in America was fashioned, to a large extent, by British propaganda. He also shows why Germany had no choice but to engage in unrestricted submarine warfare, which eventually brought the United States into the war.
Had the British modified the naval blockade on Germany, which starved the German population in a horrific manner, the United States might never have become involved. But Great Britain was determined to make sure Germany would never again pose a threat to its colonial overseas empire. President Wilson at first understood that American neutrality was the means by which he could have brokered peace, but British and French recalcitrance, and eventually the deaths of relatively few…
A bracing, indispensable account of America’s epoch-defining involvement in the Great War, rich with fresh insights into the key issues, events, and personalities of the period
After years of bitter debate, the United States declared war on Imperial Germany on April 6, 1917, plunging the country into the savage European conflict that would redraw the map of the continent—and the globe. The World Remade is an engrossing chronicle of America’s pivotal, still controversial intervention into World War I, encompassing the tumultuous politics and towering historical figures that defined the era and forged the future. When it declared war, the United…
