Here are 100 books that Mother Tongue fans have personally recommended if you like
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I grew up in Santa Fe, New Mexico. My mother’s family traces their ancestry to the arrival of Spanish settlers in the Southwest, and my family taught me to draw strength from our sense of being deeply rooted in the region. I attended the United World College of the American West, which has an extensive outdoors education program, and I learned there to value the natural world that I had previously taken for granted. I left New Mexico at nineteen and haven’t lived there a full year since. Reading and writing are my salve for my homesickness and my portal to the ever-changing world that is the American Southwest.
Generations of students like me learned of this classic from a classic in her own right, English teacher Betsy Tapia of St. Michael’s High School in Santa Fe, New Mexico.
The book is set in eastern New Mexico, outside the more studied Santa Fe and Taos, in a fictionalized version of Pastura, Anaya’s hometown. The story resonated with those of us who knew atole as a favorite dish when ill or who had seen our grandmothers or neighbors’ grandmothers sprinkle dust devils with holy water on dry, windy, spring days.
Written with insight from those like Tapia, the novel captures a place and a time that feels real to me, even if it’s fiction.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I grew up in Santa Fe, New Mexico. My mother’s family traces their ancestry to the arrival of Spanish settlers in the Southwest, and my family taught me to draw strength from our sense of being deeply rooted in the region. I attended the United World College of the American West, which has an extensive outdoors education program, and I learned there to value the natural world that I had previously taken for granted. I left New Mexico at nineteen and haven’t lived there a full year since. Reading and writing are my salve for my homesickness and my portal to the ever-changing world that is the American Southwest.
Most memoirs of Native life describe Native-White relationships. Taffa dives into relationships among Native communities and between Native and Chicanx neighbors and family members in both the Fort Yuma Quechan Reservation and Farmington, New Mexico.
Threaded throughout are the TV shows and diner dinners and dusty hikes and radio soundtracks that almost any New Mexican who came of age in the 1980s and 1990s will remember.
A Best Book of the Year: Washington Post, Esquire, Time, The Atlantic, NPR, and Publishers Weekly
An Oprah Daily "Best New Book" and "Riveting Nonfiction and Memoir You Need to Read" * A New York Times "New Book to Read" * A Zibby Mag "Most Anticipated Book" * A San Francisco Chronicle "New Book to Cozy Up With" * The Millions "Most Anticipated" *An Amazon Editors "Best Book of the Month" * A Parade "Best New Work By Indigenous Writers" *…
I grew up in Santa Fe, New Mexico. My mother’s family traces their ancestry to the arrival of Spanish settlers in the Southwest, and my family taught me to draw strength from our sense of being deeply rooted in the region. I attended the United World College of the American West, which has an extensive outdoors education program, and I learned there to value the natural world that I had previously taken for granted. I left New Mexico at nineteen and haven’t lived there a full year since. Reading and writing are my salve for my homesickness and my portal to the ever-changing world that is the American Southwest.
At first glance, this book of short stories is about Denver gentrification, but the volume is much more – a series of studies of how Native and Mexican women remember and revisit the “lost territory” of northern New Mexico and southern Colorado when they head to the Rocky Mountain metropolis.
I love that rather than look back East or out West when seeking home, the women of Fajardo-Anstine’s work look northward and southward, to the past and to the future. I was not at all surprised to learn that Fajardo-Anstine consulted with Prof. Vanessa Fonseca-Chávez for her work. Fonseca-Chávez’s Following the Manito Trail oral history project let me keep listening for similar voices.
NATIONAL BOOK AWARD FINALIST • Latinas of Indigenous descent living in the American West take center stage in this haunting debut story collection—a powerful meditation on friendship, mothers and daughters, and the deep-rooted truths of our homelands.
“Here are stories that blaze like wildfires, with characters who made me laugh and broke my heart.”—Sandra Cisneros
WINNER OF THE AMERICAN BOOK AWARD • FINALIST FOR THE STORY PRIZE • FINALIST FOR THE PEN/ROBERT W. BINGHAM PRIZE FOR DEBUT SHORT STORY COLLECTION
Kali Fajardo-Anstine's magnetic story collection breathes life into her Latina characters of indigenous ancestry and the land they inhabit in…
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
I grew up in Santa Fe, New Mexico. My mother’s family traces their ancestry to the arrival of Spanish settlers in the Southwest, and my family taught me to draw strength from our sense of being deeply rooted in the region. I attended the United World College of the American West, which has an extensive outdoors education program, and I learned there to value the natural world that I had previously taken for granted. I left New Mexico at nineteen and haven’t lived there a full year since. Reading and writing are my salve for my homesickness and my portal to the ever-changing world that is the American Southwest.
A controversial classic – controversial because the book shares sacred Laguna clan stories, classic because the book shares the trauma and the ongoing recovery of indigenous lands and people victimized by World War II and the creation and testing of the atomic bomb.
For me, the book answers the question: how to continue when all appears lost? I turn to it when I need that insight.
'An exceptional novel ... a cause for celebration' Washington Post
'The most accomplished Native American writer of her generation' The New York Times Book Review
Tayo, a young Second World War veteran of mixed ancestry, is coming home. But, returning to the Laguna Pueblo Reservation, he finds himself scarred by his experiences as a prisoner of war, and further wounded by the rejection he finds among his own people. Only by rediscovering the traditions, stories and ceremonies of his ancestors can he start to heal, and find peace.
'Ceremony is the greatest novel in Native American literature. It is one…
I love writing books that feature buildings and construction as a backdrop to life. I’ve worked as an interior designer for over 30 years, and now I teach design at a university in Sydney. Our homes offer so much more than four walls and a roof. They provide us with comfort and shelter. They offer security and stability. They help us stay sane and grounded in a sometimes confusing and turbulent world. I don’t think the importance of our homes can be underestimated.
There’s a lot to love about this book. An alpha heroine who knows what she wants. A large extended family. An angry ghost. An old house with hidden passages and a long-established, much-loved bar/restaurant renovation.
There’s also a very spicy love affair. Curl up with this after a long day renovating.
"A sexy, emotional, and pitch-perfect romance." —NPR on Lush Money
Opposites attract in this rivals-to-lovers romance from Lush Money author Angelina M. Lopez
Guapo pobrecito her grandmother calls him. The “poor handsome man.”
Professor Jeremiah Post, the poor handsome man, is in fact standing in the way of Alejandra “Alex” Torres turning Loretta’s, her grandmother’s bar, into a viable business. The hot brainiac who sleeps in one of the upstairs tenant rooms already has all of her Mexican American family’s admiration; she won’t let him have the bar and building she needs to resurrect her career, too.
I am the USS Midway Chair in Modern US Military History at San Diego State University. I’ve been teaching courses on the relationships between war and society for years and am fascinated not just by the causes and conduct of war, but, more importantly, by the costs of war. To me, Americans have a rather peculiar connection with war. In many ways, war has become an integral part of American conduct overseas—and our very identity. And yet we often don’t study it to question some of our basic assumptions about what war can do, what it means, and what the consequences are for wielding armed force so readily overseas.
I teach at a Hispanic-Serving Institution (HSI) and it’s important for my students to identify with the historical actors we study. Escobedo resonates with them because she artfully discusses how the “Good War” was perceived within Mexican American families living in Southern California. She argues that Mexican American women, especially those working in the defense industry, were “racially malleable” and members of an “in-between” community during the war.
There’s so much going on in this story—insights into race and gender, sexuality and family dynamics, fears about “race mixing,” and wartime demographic shifts. Yet in all this, Escobedo never loses sight of the women themselves and their powerful voices.
During World War II, unprecedented employment avenues opened up for women and minorities in U.S. defense industries at the same time that massive population shifts and the war challenged Americans to rethink notions of race. At this extraordinary historical moment, Mexican American women found new means to exercise control over their lives in the home, workplace, and nation. In From Coveralls to Zoot Suits, Elizabeth R. Escobedo explores how, as war workers and volunteers, dance hostesses and zoot suiters, respectable young ladies and rebellious daughters, these young women used wartime conditions to serve the United States in its time of…
On the morning of December 26, 2004, an undersea earthquake struck off the coast of Sumatra in the Indian Ocean. The resulting tsunami killed an estimated 230,000 people across fourteen countries, from Indonesia to Sri Lanka to Thailand to the Maldives to India and all the way to East Africa.…
I discovered labor history during a decade-long hiatus between my first and second years in college. Before that, I had never enjoyed reading about the past, unless it was in a novel. Then I discovered slave narratives and they inspired wider reading about workers’ lives. I loved both the drama of stories about resistance to oppression and the optimism I derived from understanding working people as historical protagonists. Now, as a professional historian, I often approach the past in a more academic way, but dramatic stories continue to attract me and knowledge that working people united have achieved great things in the past still gives me hope for humanity’s future.
Time and again, I’ve given this book to folks in need of inspiration or opened it on a bad day to remind myself of the astonishing inventiveness, generosity, and stamina working people possess.
Recounting the life of a Mexican-American farm worker who became a community activist and union organizer, the book emerged from hundreds of hours of conversation in which Maria Elena Lucas told her story to Fran Leeper Buss and from hundreds of pages of creative writing Lucas had earlier produced. The result is riveting, because of the breadth of Lucas’s experience and the depth of what she shares about her inner life.
Especially stirring to me are the passages that lay out a personal theology that sees the divine in ordinary people and identifies God as a woman of color seeking the best for her children.
I have loved history since I was a girl, visiting my grandparents in Virginia and reading American Girl books. I began to focus on women’s history when I learned in college just how much the women’s movement of the generation before mine had made my life possible. So much changed for American women in the ten years before I was born, and I wanted to know how that happened and how it fit into the broader political changes. That connection, between women making change and the bigger political scene, remains the core of my research. I have a B.A. in history and English from the University of Kentucky, and a Ph.D. in American history from the University of Virginia.
Blackwell’s book is very different from Springer’s, and that difference is my favorite part. Instead of giving an overview of several Chicana feminist groups, as Springer does with Black feminists, Blackwell dives deep into one major ones, Las Hijas, in Los Angeles. Oral history is a major source for Blackwell, and the way she includes some of her major characters not only talking about their historical actions but reflecting on them several decades later makes this a great read.
The first book-length study of women's involvement in the Chicano Movement of the late 1960s and 1970s, !Chicana Power! tells the powerful story of the emergence of Chicana feminism within student and community-based organizations throughout southern California and the Southwest. As Chicanos engaged in widespread protest in their struggle for social justice, civil rights, and self-determination, women in el movimiento became increasingly militant about the gap between the rhetoric of equality and the organizational culture that suppressed women's leadership and subjected women to chauvinism, discrimination, and sexual harassment. Based on rich oral histories and extensive archival research, Maylei Blackwell analyzes…
I’m a Canadian author who thought too much about death as a child. But I was also a happy little goblin who grew up watching Disney fairytales and Transformers cartoons—all of which shine in my blend of twisting horror meeting tales of love and friendship. My degree in History helps me add depth and a political thriller edge. Bands of brothers, found family, and loyal hounds round out my books. I adore being scared, but I also want my characters to find happiness. So I’ll put you on the edge of your seat and have you jumping at the next twist—but don’t worry, the dog always lives.
This book rose out of the grave and grabbed me by the ankles. I’ve always loved (and been completely terrified of) zombies. After 28 Days Later scarred me for life (that one scene with the crow and the blood ACK), zombies became somewhat of an obsession. But I always found myself wanting…more. Then this book shambled in my door, and suddenly, I had the twisted, funny, heartwarming zombie fairytale I never knew I needed in my life. It upended the undead genre, and I will love it forever for giving the mix of zombies and romance a big ole bear hug.
Now a major motion picture starring Nicholas Hoult, Teresa Palmer and John Malkovich, Warm Bodies is the ultimate zombie read this Halloween.
'R' is a zombie. He has no name, no memories, and no pulse, but he has dreams. He is a little different from his fellow Dead.
Amongst the ruins of an abandoned city, R meets a girl. Her name is Julie and she is the opposite of everything he knows - warm and bright and very much alive, she is a blast of colour in a dreary grey landscape. For reasons…
Nelson West, a former Chicago homicide detective, is hired by wealthy heir Lionel Bing to discreetly help “fix” scandals and legal problems for his father’s wealthy friends.
Bing, a brilliant but troubled investigator, suffers from PTSD symptoms as a result of being kidnapped and witnessing the murder of his mother…
Well, truly, who doesn’t want to live inside of a magical castle? A few years ago, I was lucky enough to become the owner of a crumbling Victorian house. It was in bad shape—a hoarder had lived there before with lots of cats and also, somehow, rats?—but the place had “good bones.” My husband and I were determined to scrape away all of the rot and give it new life—all while I was writing my middle-grade novel. Now that both projects are done, I truly feel like I live in an enchanted space.
I am a huge fan of Roshani Chokshi’s work—but she outdid herself with this book. The writing is thickly luxurious, and the House of Dreams, where much of the story takes place, feels like it sits at the borders of a fae otherworld. The magic is palpable. And deliciously foreboding.
A sumptuous, gothic story about an obsessive female friendship cursed to end in tragedy, a marriage unraveled by dark secrets, and the danger of believing in fairy tales - the breathtaking adult debut from New York Times bestselling author Roshani Chokshi.
Once upon a time, a man who believed in fairy tales married a beautiful, mysterious woman named Indigo Maxwell-Castenada. He was a scholar of myths. She was heiress to a fortune. They exchanged gifts and stories and believed…
