76 Books Like Mort

I loved this book because it shows that the setting/particulars of the “journey” don’t actually matter.

It’s all about the author’s voice, perspective, and, in this case, their sense of humor. If these aspects are unique and engaging, it doesn’t matter where they went, or if you have any interest in seeing/doing those things for yourself.

I’ve always felt like I can resonate more with people that are willing to admit their fallibility, and even draw attention to/make light of it. To just how ignorant or clumsy or hapless or cowardly they are. I think that always makes for a better, more human story, a better connection with the reader.

On top of all this, I have a soft spot for the Appalachian Trail, since it crosses through Pennsylvania, only a few miles from where I grew up.

I first encountered Douglas Adams when I caught The Hitchhiker’s Guide on late-night radio, and I was hooked. The novel is slightly different, with Adams giving a bit more consideration to plot and logic, but it has the same wonderful, rapid-fire dialogue style, which has seldom been replicated.

I absolutely love Arthur Dent’s ludicrous accidental odyssey, meeting characters like Zaphod Beeblebrox and the wonderfully named Slartibartfast. The Guide sits in the background, popping up to provide superbly funny explanations of the history of the universe, humanity’s obsession with money, and a lot more.

For me, the thing that sets this apart from a lot of SFF humor is its ‘Britishness’—there’s a distinct feel of the surreal comic legacy of, for example, Monty Python and The Goon Show.

With its combination of mature, flawed characters, slow-burn romance, and just the right amount of magic and wonder in the world, Swordheart is one of my favorite fantasy romances.

It’s an odd couple: a quirky widow for whom life on the road, and certainly pursuit by all manner of bandits is unfamiliar territory, together with a grumpy warrior imprisoned in an enchanted sword. Yet the two draw closer as they overcome countless obstacles together. 

When I was a kid, a favorite uncle gave me a later book in this series, and I was immediately entranced by the combination of humor and fantasy–I love both genres, and I’d never seen them done together before. This is the first book in that much-loved and reread series.

It starts when Garkin, an irascible old wizard, summons a demon to impress his mouthy apprentice. Garkin then gets killed, which releases the demon and launches the mouthy apprentice, Skeeve, into a series of outlandish adventures. It’s a dark start to a light book, full of trope reversals and puns. I loved it as a kid and as an adult.

If rolling on the floor laughing your ass off is your thing, then Carl Hiaasen is for you. This was my entry into whack-job Florida crime capers, and it still puts me in stitches.

The carousel of nuttiness starts spinning when two rare “blue-tongued voles” are nicked from Amazing Kingdom of Thrills, a low-rent theme park. Bouncing off each other is a crowd of madcap and/or menacing characters. The racketeer park owner. The two boneheaded thieves. An enviro-radical granny. An oversexed dolphin. A security chief hopped up on steroids. An actress who plays a goofy park critter. A gonzo former Florida governor turned eco-guerrilla. And, as the only normal person in sight, an ex-journo PR flak. Now, just climb aboard and hang on.

While Silverstein is most known for his wonderful compendium of poetry, Where The Sidewalk Ends, this was one of my favorite books as a child (and my sister’s too). Yes, it’s written for kids, but it’s still a great read as an adult, laugh-out-loud funny – and ultimately, very affecting. As you may have deduced from the title, it’s about a lion who figures out how to shoot back to defend himself and his pride against hunters – which then sparks an extremely inventive and surprising journey. Plus, it is deftly illustrated by Silverstein as well.

Cinnamon Bun is a litRPG with heart.

Starting at zero may be typical for a litRPG, but Broccoli Bunch, heroine of the story, sets herself apart by humanizing all the creatures of her new world rather than devaluing them as objects to be slaughtered in the quest for power, glory, and loot. While fighting monsters in pursuit of some grand quest is commonplace in fantasy, within the litRPG subgenre, it’s practically the sole focus.

Which is why to me, our compassionate heroine Broccoli Bunch trying to make friends with all the monsters in the world is such a satisfying breath of fresh air.

Another odd couple adventure story, the travels and adventures of Sigurt and the Bard in a historical setting were fun, authentic, and a reminder that grand adventures don’t always need magic.

With a bard as a pov character, there was a lot of song in the book, and the modest aspirations of our heroes (a decent meal and sleeping by the fire) are a welcome change from the powerful and ambitious protagonists you often see in the genre. 

I stumbled across this book, written by a Nobel prize winner I had never heard of, when I was researching “comps” for my new novel. Both turn on the premise that suddenly death ceases to happen to people after a certain point in time; in Saramago’s novel, this is because Death is a female deity who gets really tired of her job.

It’s utterly fanciful but scathingly satirical in portraying humankind’s reactions to what they always thought would be a boon but soon realize is a catastrophe. It made me change some aspects of my book to try to emulate Saramago’s level of sophistication—and sense of humor—about human nature.

Gods of Jade and Shadow starts as a Mexican Cinderella story, except that the fairy godmother is a Mayan god of death.

Not sold yet? What if I told you the god of death is also Prince Charming?

It’s an awesome premise.

I also enjoyed the setting. The story takes place in Jazz Age Mexico, shortly after the Mexican Revolution and at a time when pop culture was “all about the United States” and “reproducing its women, its dances, its fast pace.” Yet there’s far more old than new here. Mayan mythology threads throughout.

I didn’t always love the pace, but the book has an irresistible style. If you like fresh takes on classic fairy tales, Gods of Jade and Shadow is definitely worth a look.