24 Books Like Mister Magic

I like understanding television as culturally situated. Television is constructed along a number of sites: cultural, institutional, ideological, historical, or via the different ways audiences understand it. Interrogating television and what it does as a medium was historically relevant because it was a mass medium. But how can we evaluate the medium in times of highly fragmented audiences? Because of this, exploring Netflix as a new form of ‘television’ has become so important to me. The authors all try to get to terms with how television has changed over its short existence. This helps us understand the medium better, as well as our current moment.

As well as being a novelist, I am also a script editor for film and TV. I specialise in thriller narratives and big themes in screenwriting, so it's no accident I am drawn to them in fiction too. Dystopian worlds offer such a rich backdrop for the BIG questions and observations. By putting new societies and threats under the microscope in stories, it can hold a mirror up to what's going on in real life. I think of dystopian novels as being akin to the canaries in the coal mine: they are not only cathartic, they sound the warning bell on where we are going as a society ourselves.

I’ve been fascinated with the macabre since childhood and have always been drawn to the darker sides of humanity. In nearly every story, the villain is my favorite character, and I’m most intrigued with their motives. From The Magic Tree House to Artemis Fowl to The Hunger Games to The Purge, I’ve consumed as much sci-fi, dystopian, thriller fiction as possible my entire life. I’ve written several thriller novels and dystopian books and have worked with Bradley Fuller, the producer of The Purge and A Quiet Place, on the possible movie adaptation of my debut novel. If you also like dystopian thrillers, feel free to check out my recommendations!

I've been fascinated by the ocean and all of its inhabitants for as long as I can remember. When I was little, I discovered my dad’s SCUBA license and it blew my mind that I was related to someone who was allowed to explore the underwater world! Later, when I got to college, I took advantage of two exciting opportunities. First, I got my own scuba license. Second, I studied abroad in Belize, where I conducted manatee research by tagging, tracking, and rescuing manatees. I enjoyed the time I spent with the animals, but not the lab work. Now I express my passion for sea creatures in the books I write.

I’ve always been surrounded by food culture. I grew up in a diner family. My parents started Lakey’s Cafe just before I was born. My first jobs as a kid were in that restaurant. After that, I worked in restaurants as a server for more than 10 years of my life. When the opportunity presented itself to throw in the napkin and become a writer, I did. My writing now as a professional writer centers around the food and beverage industry. One topic that I don’t see discussed enough is the role that food plays in science fiction and fantasy novels. Food in novels has a way of showing us something about ourselves.

As a writer of murder mysteries, it goes without saying I’m a fan of whodunits. But I’m also a fan of horror stories and those tales that keep me turning pages and looking into the shadows. So in my newest book, I wanted to combine the two. That is, mixing scares and thrills with a whodunit and adding a big dose of Latino culture and characters. In a lot of my work, I write about the culture with which I grew up. I also love to tap into the Mexican myths and folk stories I heard as a kid then revamping and retelling them into something new.

Quoting Aristotle when writing about yourself probably comes off as pretentious, but looking back at how I became a writer, his idea of how good stories must be “surprising yet inevitable” rings true: from a childhood split in rural Bavaria, where dark German fairytales sparked my love for books to experiments with lucid dreaming that ended in a loss of reality, my ending up as a game writer and novelist focused on the mind and dreams does sound somewhat inevitable—even if it took me some detours and distractions to get there. Now, I couldn’t be happier. 😊

I have spent over fifteen years researching, collecting, and archiving the work of Fred Rogers through the Neighborhood Archive–an online resource for all things Mister Rogers. In addition to an established working relationship with Fred Rogers Productions (Pittsburgh, PA), the Archive site itself has grown to be used by academic professionals, child development researchers, television writers, and countless others with fond memories of their visits to Mister Rogers’ Neighborhood.

I have always been a romantic at heart, although it took time for me to realize and act on this as I was conditioned from an early age to be scholarly and rational (life-allowing). One of my favorite silent films as a teenager was a love story that focuses on a forbidden relationship between a British girl and a Chinese man at the turn of the twentieth century, called Broken Blossoms; it left an indelible impression. Eventually, I myself became involved in a life-changing romantic relationship with a Chinese man. I now love exploring the vicissitudes of the human heart at the crossroads of cultural differences in my writing.

I have an inclusive family with LGBTCuties whom I love dearly. I write and read paranormal romance, but quickly realized that my family might not be able to connect with my favorite genre because they don’t often see themselves represented as anything more than tragic plot points. I gaped at the horror that was hard to face, and realized I had work to do. Paranormal romance has enough room for all of us, so I set out to ensure that my children have books to read in my favorite genre, so we can all be one silly, magical family together, casting spells and looking around every corner for shifters and vampires.