Books like Metanoia

I believe you can choose to be kick-ass. Delilah “Lila” Bard eventually chooses to be kick-ass. Eventually, on the surface, this book is about Kell. But Lila has the true character arc. I love that Lila walks the edge: hero or anti-hero?

My own life has been defined by the choices I make. I wasn’t given a lot of opportunities. I didn’t have a lot of luck. I had to make my own luck. Lila makes her own ‘luck’. She turns surviving into an opportunity to thrive because of the choices she makes. She screws up several times, risking her life and others. Even at the end, I’m not sure if she’s a hero. She’s real and attempting to evolve out of a dim past into a bright future in her own unique way. I relate to that. 

The Oracle Stone is a wonderfully imaginative story set in an immersive world and centres around a diverse cast of loveable characters. It is a story that brings to mind classic fantasy tales of magic, epic quests, and heroics, while also putting some modern-day spins onto each of these beloved fantasy tropes. 

I loved the magical girl reminiscent transformations in this book mixed with a dark story. I’ve always had a fondness for the genre, and this book gave me a mix of Shugo Chara and Madoka Magica vibes. As a demisexual, I also really felt seen from all of the asexual spectrum representation in the main cast. I am a character first writer, so I loved the large cast and how insanely compelling each character and their backstory was. Every personality is so unique it bursts off the page, which is what really drew me into this book and made it my favorite novel of all time. The aesthetics also really help, since the flashier the magic the better in my opinion.

Did you fall in love with tales such as Lord of the Rings and other great fantasy classics about the battle between good and evil growing up? Then Dark Rise is the perfect book for you. It's an epic full of twists and where nothing is ever as it seems. And, of course, getting to read a book with such a classic fantasy feel to it, with the inclusion of some queer rep, was just so refreshing and exciting. 

This book gets triple points in my opinion, as it specifically addresses adoption by two dads who are an interracial couple. There are very few children’s books that cover all of these topics and even fewer that do it as simplistic and easy as this one. We have this one in our personal library and it has been one of our go-to books for helping our own daughter who my husband and I adopted.  

It takes a lot to make me emotional, and Jenn Burke managed to get me in the feels with each book in this series, starting with Not Dead Yet. Wes Cooper is not living, but not quite dead due to a spell performed by a witch. He can travel between the living plane and the other plane. When Wes witnesses a murder by something otherworldly, he’s not sure what to do. Crossing paths with his one-time lover Hudson Rojas isn’t what Wes expected, but it does mean he has help to figure out what’s going on. He just doesn’t expect to fall in love again. And oh what a love it is. More than once, I got choked up over Wes and Hudson. Read it. You won’t regret it.

This book was published by Lollipop Power Press, an iconic feminist publishing house formed in 1969. I have a soft spot for old-school one-color illustrations (these ones are forest green against an off-white background). Emily is raised in an intentional community of four women. One mom is studying to be an electrician. Another is a healer. Vicki drives a school bus. Annie Jo is a carpenter who loves to cook. No one at school believes that Emily has so many mothers, but that all changes when she falls on the playground and her amazing parents get called into school. Suddenly it's très cool to have so many moms. I want this book to have a revival. It’s so good.

While trying to learn about gay life in the 1920s, I was delighted to find this novel, “privately” published in 1919. One soon learns that Bertram Cope, who comes to teach at an undergraduate college as he works on an advanced degree, has a relationship with another young male with whom he plans to cohabit—interesting that two men could openly set up housekeeping together, even back then. Meanwhile an older matron, an aging homosexual man, and various young women hope to attract Cope’s attention. Though seen by some as a trivial social satire, Fuller’s light touch and subtle wit mask an undertone of eroticism and homosexual associations. His anonymous, authorial, third-person narrative voice is humorous and incisive, revealing his penetrating observations of social niceties and the layers of his characters’ maneuverings. Clever and understated, the book implies much that is never declared.

The fact that this queer masterpiece was written entirely in the solitude of a prison cell is only the first of many awe-inspiring truths about the book and its author. The drag queen Divine, a pimp named Darling Daintyfoot and Our Lady populate the book (published in 1943) offering a glimpse into a voluptuous Parisian fringe world. It was the thrilling—at times disturbing—story that first drew me in as a budding writer, but ultimately it was my realization that a book can be at once highly artful and literary as well as deeply erotic. It opened up a new freedom that I draw on every day as a novelist. 

Little Heather has two eyes, two ears, two legs, two pets, and two mommies. Doesn’t everybody? Maybe not, Heather discovers on her first day at school. She also finds out that families may come in all different shapes and sizes, but what they all have in common is love. This is the book I found when there weren’t any others. Originally published—bravely—in 1989 and republished most recently in 2015 with a new illustrator, this groundbreaking, very first LGBT picture book is a must-read.