Here are 100 books that Mass Destruction fans have personally recommended if you like
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My passion for mining history was sparked when I lived in Fort Resolution, Northwest Territories. One of my students wanted to write a short essay on the Pine Point Mine, which he claimed had cheated the community by making so much money, providing few jobs, and leaving a big mess after closing. I offered to drive the student out to tour the abandoned mine and was blown away by the dozens of open pits and abandoned haul roads that had been carved out of the northern forest. From that day on, I was hooked on mining history, hungry to learn as much as possible about these abandoned places.
I have rarely encountered a book that captures the local impacts of mining as well as Lianne Leddy’s Serpent River Resurgence. I was impressed with how the author, a Serpent River First Nation member, used oral history and family stories to document how the uranium rush at Elliot Lake, Ontario, irrevocably altered the ability of Serpent River members to hunt, fish, and gather off the land.
To me, the book's real strength was the author’s refusal to depict her fellow community members as victims, highlighting their successful campaign for environmental cleanup of the toxic legacies that remained long after the uranium mines had closed.
Serpent River Resurgence tells the story of how the Serpent River Anishinaabek confronted the persistent forces of settler colonialism and the effects of uranium mining at Elliot Lake, Ontario. Drawing on extensive archival sources, oral histories, and newspaper articles, Lianne C. Leddy examines the environmental and political power relationships that affected her homeland in the Cold War period.
Focusing on Indigenous-settler relations, the environmental and health consequences of the uranium industry, and the importance of traditional uses of land and what happens when they are compromised, Serpent River Resurgence explores how settler colonialism and Anishinaabe resistance remained potent forces in…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
My passion for mining history was sparked when I lived in Fort Resolution, Northwest Territories. One of my students wanted to write a short essay on the Pine Point Mine, which he claimed had cheated the community by making so much money, providing few jobs, and leaving a big mess after closing. I offered to drive the student out to tour the abandoned mine and was blown away by the dozens of open pits and abandoned haul roads that had been carved out of the northern forest. From that day on, I was hooked on mining history, hungry to learn as much as possible about these abandoned places.
Asbestos was once thought of as a life-saving fire retardant used to construct walls and ceilings, but now we know it is (in its dust form) the cause of deadly lung diseases. I loved this book because it focuses on the struggles of people on the front lines of exposure: asbestos miners and millworkers.
I was inspired by the bravery of asbestos miners when they went on strike in 1949, partly for safer working conditions, only to meet the batons and paddy wagons of the Quebec provincial police. I was also shocked by the fact the owner of the mine, Johns-Manville, secretly harvested the lungs of dead miners for analysis at a lab in Saranac, New York, all the while suppressing the evidence of harm to the workers’ bodies.
For decades, manufacturers from around the world relied on asbestos to produce a multitude of fire-retardant products. As use of the mineral became more widespread, medical professionals discovered it had harmful effects on human health. Mining and manufacturing companies downplayed the risks to workers and the general public, but eventually, as the devastating nature of asbestos-related deaths became common knowledge, the industry suffered terminal decline. A Town Called Asbestos looks at how the people of Asbestos, Quebec, worked and lived alongside the largest chrysotile asbestos mine in the world. Dependent on this deadly industry for their community's survival, they developed…
My passion for mining history was sparked when I lived in Fort Resolution, Northwest Territories. One of my students wanted to write a short essay on the Pine Point Mine, which he claimed had cheated the community by making so much money, providing few jobs, and leaving a big mess after closing. I offered to drive the student out to tour the abandoned mine and was blown away by the dozens of open pits and abandoned haul roads that had been carved out of the northern forest. From that day on, I was hooked on mining history, hungry to learn as much as possible about these abandoned places.
This one challenged me to get out of my historian’s bubble and confront the impacts of mining in the present and near future, especially those associated with the looming energy transition. Pollon blew me away with sobering facts, such as the need to mine 3 billion tons of minerals to stay below 2 degrees of global temperature increases.
I was also captivated by the author’s accounts of his travels to the front lines of the critical minerals boom, which paint a vivid portrait of the vast scale of development associated with lithium, copper, and nickel development. Pollon’s book reminded me that technological solutions to climate change (important as they are) come with their own environmental and human costs.
A harrowing journey through the past, present, and future of mining, this expertly-researched account ends on a vision for how industry can better serve the needs of humanity.
A race is on to exploit the last bonanzas of gold, silver, and industrial metals left on Earth. These metals are not only essential for all material comfort and need, but for the transition to clean energy: in the coming decades, billions of tons of copper, nickel, silver, and other metals will be required to build electric vehicles, solar and wind installations, and green infrastructure. We need more metals than ever before,…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
My passion for mining history was sparked when I lived in Fort Resolution, Northwest Territories. One of my students wanted to write a short essay on the Pine Point Mine, which he claimed had cheated the community by making so much money, providing few jobs, and leaving a big mess after closing. I offered to drive the student out to tour the abandoned mine and was blown away by the dozens of open pits and abandoned haul roads that had been carved out of the northern forest. From that day on, I was hooked on mining history, hungry to learn as much as possible about these abandoned places.
I have read a fair number of books, including Emile Zola’s famous Germinal, that depict coal miners as the helpless of a particularly horrible working-class hell.
I loved Thomas Andrews’ book because it highlights how much Colorado’s coal miners controlled their destiny. I was captivated by Andrews’ descriptions of how coal miners shaped the underground environment to enhance safety and increase their income (they were paid by the weight of ore mined rather than an hourly wage).
For me, the most fascinating part of it was Andrews’ revisionist history of the infamous Ludlow massacre of 1914, which the author argues was part of a larger shooting war where workers fought back against company guards and state militia rather than passively accept the coal companies’ efforts to control them.
On a spring morning in 1914, in the stark foothills of southern Colorado, members of the United Mine Workers of America clashed with guards employed by the Rockefeller family, and a state militia beholden to Colorado's industrial barons. When the dust settled, nineteen men, women, and children among the miners' families lay dead. The strikers had killed at least thirty men, destroyed six mines, and laid waste to two company towns.
Killing for Coal offers a bold and original perspective on the 1914 Ludlow Massacre and the "Great Coalfield War." In a sweeping story of transformation that begins in the…
I grew up a fan of an evening news segment called “On the Road with Charles Kuralt.” Kuralt spotlighted upbeat, affirmative, sometimes nostalgic stories of people and places he discovered as he traveled across the American landscape. The charming stories he told were only part of the appeal; the freedom and adventure of being on the open road ignited a spark that continues to smolder. Some of my fondest memories from childhood are our annual family road trips, and I still jump at the chance to drive across the country.
The physical journey as a metaphor for personal growth and enlightenment is no better accomplished than in this book on the environment. Gessner takes two very different authors, Wallace Stegner and Edward Abbey, and weaves their perspectives together as he embarks on his own trip through their worlds and through his own American West. Highly educational in a style that is lively and readable.
Archetypal wild man Edward Abbey and proper, dedicated Wallace Stegner left their footprints all over the western landscape. Now, award-winning nature writer David Gessner follows the ghosts of these two remarkable writer-environmentalists from Stegner's birthplace in Saskatchewan to the site of Abbey's pilgrimages to Arches National Park in Utah, braiding their stories and asking how they speak to the lives of all those who care about the West.
These two great westerners had very different ideas about what it meant to love the land and try to care for it, and they did so in distinctly different styles. Boozy, lustful,…
I’ve been passionate about Edward Abbey since I read Desert Solitaire in 1994.By 2010, I decided to write a biography on Abbey,Finding Abbey: The Search for Edward Abbey and His Hidden Desert Grave, which allowed me to research and explore Abbey. I interviewed his great friends, including Jack Loeffler, Doug Peacock, Ken Sleight, and David Petersen. I visited Abbey’s special collections library and read his master’s thesis on anarchism and an unpublished novel. I visited his first home in Pennsylvania and many of his Desert Southwest homes. Along the way, I found the spirit of Abbey and the American Southwest.Finding Abbeywon the National Outdoor Book Award.
For decades, Jack Loeffler and Ed Abbey were best friends. Nearly fifteen years after Abbey’s death, Loeffler wrote about their friendship and their time exploring the Desert Southwest in this beautiful biographical memoir.
Loeffler takes us on some of the countless backpacking trips the two men went on while also revealing the many complexities of Abbey. This beautiful book lets us lean in and listen to Loeffler and Abbey talking about anarchism and environmentalism around so many campfires. I had the pleasure of interviewing Loeffler, and this book sounds so authentic to him.
It is smart, passionate, and kind, just like Loeffler is.
No writer has had a greater influence on the American West than Edward Abbey (1927-1989), author of twenty-one books of fiction and non-fiction. This long-awaited biographical memoir by one of Abbey's closest friends is a tribute to the anarchist who popularised environmental activism in his novel 'The Monkey Wrench Gang' and articulated the spirit of the arid West in Desert Solitaire and scores of other essays and articles. His 1956 novel 'The Brave Cowboy' launched his literary career, and by the 1970s he was recognised as an important, uniquely American voice. Abbey used his talents to protest against the mining…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
Just because you’re told something is true doesn’t make it the case. I have never accepted received ideas before subjecting them first to my own personal sniff test. Non-fiction is a wonderful way of acquiring knowledge, and stories open a door to the human soul to make possible living through someone else’s sensibility. Life becomes more vibrant and meaningful. My Ph.D. in English taught me to analyze the ways writers tell their stories. Add in my own life experience, and something magical happens during the creative process. Whether writing historical, literary, or popular fiction, I can’t help but reshape limitation into independence and personal freedom.
While researching Annie Oakley as a character in my novel, I was amazed by what an exceptional icon she was. This non-fiction book gives sumptuous detail about a singular woman and the life she led. Oakley met Frank at a shooting competition, where she beat him by only one shot. Rather than becoming defensive, he married her and became her agent. Clearly, she didn't need his help to do what she did better than anyone else in the world, but he helped showcase her skills for adoring crowds in a rough and tumble business. My protagonist Abigail was inspired by her, and frankly so am I.
With a widowed mother and six siblings, Annie Oakley first became a trapper, hunter, and sharpshooter simply to put food on the table. Yet her genius with the gun eventually led to her stardom in Buffalo Bill's Wild West Show during the latter half of the nineteenth century. The archetypal western woman, Annie Oakley urged women to take up shooting to procure food, protect themselves, and enjoy healthy exercise, yet she was also the proper Victorian lady, demurely dressed and skeptical about the value of women's suffrage. Glenda Riley presents the first interpretive biography of the complex woman who was…
I have loved the history of the West since I was a child, as my family has lived here for over a century. I devoured historical fiction about pioneer girls in grammar school (including the works of Laura Ingalls Wilder), and as I got into college, I expanded my reading universe to include books about women’s roles in the West, and the meaning of this region in overall American history. This concept is what drew me to study the cultural influence of dude ranching, where women have always been able to shine -- and where I placed the protagonist of my first novel.
If you’re a fan of Deadwood or, going further back, the 1953 Doris Day movie, Calamity Jane, you will be fascinated by Jones’s book about the buckskin-wearing Martha Jane Canary, a.k.a. Calamity Jane. Details about her life are either sparse or exaggerated, so Jones tells us what the frontier legend has symbolized, both in her own time and in ours. Dressing like a man made her stand out and made her the object of both derision and decades of bad biographies. She still serves as a symbol of the way that women could defy expectations in the West, and Jones’s book gives us a Calamity Jane we can root for.
A fascinating new account of the life and legend of the Wild West's most notorious woman: Calamity Jane
"In this vivid and compelling biography, Karen Jones recovers the remarkable creativity of Martha Jane Canary, who helped to invent the mythic West by reinventing herself. As Calamity Jane, she told wild tales of adventure and blurred the lines between legend and history, male and female, and truth and possibility."-Alan Taylor, author of The Internal Enemy
Martha Jane Canary, popularly known as Calamity Jane, was the pistol-packing, rootin' tootin' "lady wildcat" of the American West. Brave and resourceful, she held her own…
History and video games have defined much of my life, so it’s no surprise I’m writing about both. I was born in Sweden and first encountered the Wild West through the Lucky Luke comic books (huge in Europe!), and they instilled in me a fascination with American history. I emigrated to the U.S. with my family at age 8 and misspent most of my adolescence playing video games. In college, I returned to my childhood passion for studying the past and earned a BA, MA, and PhD in American history. Since 2013, I’ve been a professor at the University of Tennessee. Red Dead’s History is my second book.
I can’t tell you how often I hear people talking about an Old West–an era imagined as distinct from a New West that followed. Spoiler alert–that makes no sense. No author does a better job blowing up this fantasy than Patty Limerick, who argues that there’s a single throughline in Western history–that of conquest by external forces, usually the federal government or big businesses from Wall Street.
You’ll never think of the West in the same after reading this powerful book.
The "settling" of the American West has been perceived throughout the world as a series of quaint, violent, and romantic adventures. But in fact, Patricia Nelson Limerick argues, the West has a history grounded primarily in economic reality; in hardheaded questions of profit, loss, competition, and consolidation. Here she interprets the stories and the characters in a new way: the trappers, traders, Indians, farmers, oilmen, cowboys, and sheriffs of the Old West "meant business" in more ways than one, and their descendents mean business today.
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
I’m a novelist and admire writing that pushes against the conventions of mainstream fiction, that goes around and beyond the formulaic, commercial concept of plot. In the Western world, we’re especially stuck on what film director Raul Ruiz calls “conflict theory”—the masculinist idea that only conflict can create narrative. Of course conflict is part of life, but hello—there’s more. Conventional plot’s well-worn heroes, helpers, villians, saviours, and conflict-based climax, so closely tied to Hollywood USA, are predictable and unfulfilling. Many people seek something more innovative, like the literary versions of Philip Glass or Fernando Botero.
A mysterious, melancholy narrative translated from French is rendered in stripped-down sentences, following a novelist, Mia, after a death in the family. The subsequent plot of subterfuge and corporate crime is so full and busy with knotty, overly complex occurrences that it begins to seem a deliberate distortion and exaggeration of the convention of plot itself. Through the character of Mia, the gifted Redonnet reports tragic and powerful occurrences in flat, clear prose that packs emotion just under the surface of the affectless sentences. The word “Candy” recurs hauntingly through the novel: as a song title, as the name of a character in a show, and as the name that Mia’s lovers call her. This slight novel leaves searing traces of emotional impact long after you read it.
Candy Story recounts a turbulent year in the life of Mia, a young woman whose apparent calm is perpetually threatened by inner doubts and outer catastrophe. Her modest dreams of happiness are dashed by the deaths of her mother, old friends, and her lover. Mia is a talented writer, the author of an autobiographical novel. Now, assailed by calamity and misfortune, she struggles with writer's block, confounded-at least for the moment-by the senseless world around her. Candy Story is the fourth novel by Marie Redonnet. Translations of the first three-Hotel Splendid, Forever Valley, and Rose Mellie Rose-are also available from…
