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Jane Austen now dominates my teaching and research. This was not always so. I was trained in the writers that came before Austen and was happily teaching classes on them when someone at my university asked me to teach a class on Jane Austen. At first, I refused to switch. I countered, “She does not need yet another class.” But I agreed, and soon, I was hooked on her humor and her deft responses to those earlier writers. While the new graphic novel is my third book about Jane, I have not exhausted the things to research! The more I know, the more I admire her writings and her life.
I relish the intimacy of reading Austen’s private letters, and this is the best and most complete edition. Although her sister Cassandra notoriously burned many of her letters, the 160-or-so that survive offer plenty of unguarded moments to satisfy curiosity about her daily life.
In fact, I think Austen’s best lines are not from her novels but from her letters to Cassandra. For example, on the fashion for decorating bonnets, she quips “I cannot help thinking that it is more natural to have flowers grow out of the head than fruit.” And in a note about their garden: “I will not say that your Mulberry trees are dead, but I am afraid they are not alive.”
Jane Austen's letters afford a unique insight into the daily life of the novelist: intimate and gossipy, observant and informative, they bring alive her family and friends, her surroundings and contemporary events with a freshness unparalleled in biography. Above all we recognize the unmistakable voice of the author of Pride and Prejudice, witty and amusing as she describes the social life of town and country, thoughtful and constructive when writing about the business of literary composition.
R. W. Chapman's ground-breaking edition of the collected Letters first appeared in 1932, and a second edition followed twenty years later. A third edition,…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I was brought up in Maidenhead in Berkshire, a town on the River Thames to the west of London. After studying archaeology at University College, Cardiff, I worked for many years as a field archaeologist. I met my wife, Lesley, on an excavation at Milton Keynes, and we have worked together ever since, both in archaeology and as authors of archaeology and history books. It was only after studying the Napoleonic period, which was when Jane Austen lived and wrote, that I understood the context of her novels and came to a much deeper appreciation of them.
Nowadays, Jane Austen’s novels look superficially like historical romances, but she actually wrote contemporary novels for a contemporary audience, and they are much more complicated and subtle than they first appear. This book explains many of the mentions of people, places, and events in her novels that were obvious to her readers, but which are far from obvious now.
In Matters of Fact in Jane Austen: History, Location, and Celebrity, Janine Barchas makes the bold assertion that Jane Austen's novels allude to actual high-profile politicians and contemporary celebrities as well as to famous historical figures and landed estates. Barchas is the first scholar to conduct extensive research into the names and locations in Austen's fiction by taking full advantage of the explosion of archival materials now available online. According to Barchas, Austen plays confidently with the tension between truth and invention that characterizes the realist novel. Of course, the argument that Austen deployed famous names presupposes an active celebrity…
I was brought up in Maidenhead in Berkshire, a town on the River Thames to the west of London. After studying archaeology at University College, Cardiff, I worked for many years as a field archaeologist. I met my wife, Lesley, on an excavation at Milton Keynes, and we have worked together ever since, both in archaeology and as authors of archaeology and history books. It was only after studying the Napoleonic period, which was when Jane Austen lived and wrote, that I understood the context of her novels and came to a much deeper appreciation of them.
Although we have some of Jane Austen’s letters and other writing, besides her novels, many more letters have been lost, and relatively little is known about her life. In 1913, nearly a century after her death, William and Richard Austen-Leigh (descendants of her brother James) published what was then known in a book called Life and Letters of Jane Austen. Much more material has been accumulated since, and in 1989 the work was extensively enlarged and revised by Deirdre Le Faye. It is essential reading for those who want to find out about Jane Austen’s life.
This book is the outcome of years of research in Austen archives, and stems from the original family biography by W. and R. A. Austen-Leigh, Jane Austen: her Life and Letters. Jane Austen, A Family Record was first published in 1989, and this edition incorporates information that has come to light since then, and provides new illustrations and updated family trees. Le Faye gives a detailed account of Austen's life and literary career. She has collected together documented facts as well as the traditions concerning the novelist, and places her within the context of a widespread, affectionate and talented family…
In 1913, a 15-year-old pregnant girl was found dead of apparent suicide. Dr. James Wilson, a new graduate and the first doctor ever to start a practice in this rural town, feels guilty over her death because of his delayed intervention.
I was brought up in Maidenhead in Berkshire, a town on the River Thames to the west of London. After studying archaeology at University College, Cardiff, I worked for many years as a field archaeologist. I met my wife, Lesley, on an excavation at Milton Keynes, and we have worked together ever since, both in archaeology and as authors of archaeology and history books. It was only after studying the Napoleonic period, which was when Jane Austen lived and wrote, that I understood the context of her novels and came to a much deeper appreciation of them.
There are many biographies and other narratives of Jane Austen, with many published since 1997, when Professor Park Honan updated his original book. Even so, his biography is still, in my opinion, the best. It is comprehensive, detailed, and accurate, with copious endnotes. The author also had unparalleled help from descendants of Jane Austen. His writing style is straightforward, and he is excellent at depicting the overall context of her life and how it influenced her writing, from her two brothers in the Royal Navy to productions in the London theatres.
Park Honan's landmark biography of Jane Austen has been lavished with praise since its original publication. Written in an accessable atyle and meticulously researched, this book combones intanacy with Austen as a child and a woman.
Jane Austen now dominates my teaching and research. This was not always so. I was trained in the writers that came before Austen and was happily teaching classes on them when someone at my university asked me to teach a class on Jane Austen. At first, I refused to switch. I countered, “She does not need yet another class.” But I agreed, and soon, I was hooked on her humor and her deft responses to those earlier writers. While the new graphic novel is my third book about Jane, I have not exhausted the things to research! The more I know, the more I admire her writings and her life.
I like fan fiction that respects the boundaries of established fact, which is why I adore both this one and the next—each of which imagines an utterly compelling story between the lines of bare biographical facts. Reading this was like getting a chance to meet some of Austen’s family members and early readers.
Jane Austen’s seafaring brother Frank was her longest-lived sibling, and he eventually rose in the navy to the post of Admiral. Like Cassandra, Frank lived long enough to witness a sea-change (excuse the pun) in his sister’s reputation as a novelist. Exciting stuff for Janeites! If anyone wants to make a movie out of this one, I also have strong casting preferences!
Two pairs of siblings, devotees of Jane Austen, find their lives transformed by a visit to England and Sir Francis Austen, her last surviving brother and keeper of a long-suppressed, secret legacy.
In Boston, 1865, Charlotte and Henrietta Stevenson, daughters of a Massachusetts Supreme Court Justice, have accomplished as much as women are allowed in those days. Chafing against those restrictions and inspired by the works of Jane Austen, they start a secret correspondence with Sir Francis Austen, her last surviving brother, now in his nineties. He sends them an original letter from his sister and invites them to come…
When I was a little girl, my parents bought me a children’s edition of Pride and Prejudice. Ever since, I have loved Jane Austen’s works. As I grew older, I really enjoyed learning about her, and researching the history of her times. I hope you will enjoy reading these books as much as I did!
Hundreds (possibly thousands) of biographies of Austen have been written, but Tomalin’s work has long been a favourite of mine.
Her sympathetic portrait of Jane digs deep into her early family life, schooldays, literary influences, and early authorship. Jane’s relationship with her mother; her family’s encouragement of her writings; the fear of poverty after her father’s death; the disastrous (rejected) marriage proposal, and her literary legacy are all detailed with warmth and energy.
The novels of Jane Austen depict a world of civility, reassuring stability and continuity, which generations of readers have supposed was the world she herself inhabited. Claire Tomalin's biography paints a surprisingly different picture of the Austen family and their Hampshire neighbours, and of Jane's progress through a difficult childhood, an unhappy love affair, her experiences as a poor relation and her decision to reject a marriage that would solve all her problems - except that of continuing as a writer. Both the woman and the novels are radically reassessed in this biography.
Voyager 1 was launched on September 5, 1977, and Voyager 2 was launched on August 20, 1977. Both began a historic journey with unique 'time capsules' on board intended to communicate a story of our world to extraterrestrials. The Voyager message is carried by a phonograph record 12-inch gold-plated disk…
All my life I loved her novels and often reread them, but in secret. My friends—in the 1960s—scoffed at her plots. When I began my career as a classicist, I went on rereading her novels when I should've been reading academic articles. Then by a stroke of luck, I ran across a sentence in one of her letters that alluded to an obscure area of classical literature. This changed reading her novels from a guilty pleasure to scholarly research. I questioned why she and members of her family concealed her learning. The reason shocked me. The people of her day believed that women who knew Latin and Greek were sexually frigid, sexually promiscuous, man-crazy lesbians.
Gilbert and Gubar take the reader on an exhilarating ride through women’s literature from Jane Austen to Emily Dickinson. Women writers freed female characters from their stereotypes in novels written by men—angels and monsters, dull virgins, and evil temptresses—to become friends, or people I would choose for friends if only they were real. The book’s title alludes to the first Mrs. Rochester in Jane Eyre, a haunting specter of the thwarted woman author raging at her bars.
"A feminist classic."-Judith Shulevitz, New York Times Book Review
"A pivotal book, one of those after which we will never think the same again."-Carolyn G. Heilbrun, Washington Post Book World
A pathbreaking book of literary criticism is now reissued with a new introduction by Lisa Appignanesi that speaks to how The Madwoman in the Attic set the groundwork for subsequent generations of scholars writing about women writers, and why the book still feels fresh some four decades later.
I read Pride and Prejudice for the first time when I was ten years old, and I loved the book so much that I reread it a few months later. In my teenage years and early twenties, I thought that I was like Elizabeth Bennet—she’s witty and opinionated, goes her own way, and loves to read books and play the pianoforte. As I grew older, I realized that in many ways I'm more like Mary Bennet (social situations can be difficult!). Jane Austen always offers me new insights into my life, and her stories have become a sort of mythology, providing fertile ground from which writers and filmmakers have created their own works.
Jane Austen wrote and revised most of her novels in a cottage lent to her by her brother in Chawton, England. This book is a fictional account of a group of individuals in post-World War II Chawton who are all lost—or have experienced great loss. They band together in an attempt to save Jane Austen’s home from destruction. I loved getting to experience the story from each of the character’s perspectives, and the author’s prose is delightful. This novel is a testament to how people from all walks of life have been changed by Jane Austen, and how reading Jane Austen can save us.
'A wonderful book, a wonderful read' Karen Joy Fowler, bestselling author of The Jane Austen Book Club
Only a few months after the end of the Second World War, a new battle is beginning in the little village of Chawton. Once the final home of Jane Austen, the Chawton estate is dwindling, and the last piece of Austen's heritage is at risk of being sold to the highest bidder...
Drawn together by their love of her novels, eight very different people - from a local farmer to a glamorous film star - must unite to attempt something…
I’m an author and a college writing professor with an MFA in Creative Writing. Additionally, I am involved in and teach other art forms and the humanities including music, film, and literature. I enjoy researching and writing about literary figures, musicians, and other creatives, all of which have been a focus in my children’s books.
A luminous portrait of Jane Austen chocked full of spirited text and shimmery illustrations that capture the times. The story highlights the beginnings of Austen’s great career as a novelist from her youngest days all the way to famous writer. It’s a great addition to any classroom or library. Like Jane Taylor before her, Austen’s success paved the way for women authors to come.
It is a truth universally acknowledged that Jane Austen is one of our greatest writers.
But before that, she was just an ordinary girl.
In fact, young Jane was a bit quiet and shy; if you had met her back then, you might not have noticed her at all. But she would have noticed you. Jane watched and listened to all the things people around her did and said and locked those observations away for safekeeping.
Jane also loved to read. She devoured everything in her father's massive library, and before long she began creating her own…
Deputy Jenna Hart has only been working in her sleepy hometown of Pearl Springs for seven months when city officials begin to be targeted by a killer. Twenty years ago, the construction of a dam caused people to lose their land to eminent domain. That wound has not healed with…
Jane Austen now dominates my teaching and research. This was not always so. I was trained in the writers that came before Austen and was happily teaching classes on them when someone at my university asked me to teach a class on Jane Austen. At first, I refused to switch. I countered, “She does not need yet another class.” But I agreed, and soon, I was hooked on her humor and her deft responses to those earlier writers. While the new graphic novel is my third book about Jane, I have not exhausted the things to research! The more I know, the more I admire her writings and her life.
I love this biography for its quirky materialist approach. Each chapter zooms in upon an object that survives from Austen’s lifetime (a shawl, a watercolor, an item of jewelry, a piece of furniture) and conjures an incident in Austen’s life from the details of that object.
In the end, I learned as much about the famous writer as from a traditional chronology, but the manner of getter there was more like an animated museum exhibition than a cradle-to-grave narrative.
Who was the real Jane Austen? Overturning the traditional portrait of the author as conventional and genteel, bestseller Paula Byrne's landmark biography reveals the real woman behind the books.
In this new biography, bestselling author Paula Byrne (author of Perdita, Mad World) explores the forces that shaped the interior life of Britain's most beloved novelist: her father's religious faith, her mother's aristocratic pedigree, her eldest brother's adoption, her other brothers' naval and military experiences, her relatives in the East and West Indies, her cousin who lived through the trauma of the French Revolution, the family's amateur theatricals, the female…
