76 Books Like Maids of Misfortune

While I love the old classics, I’ve discovered several contemporary authors whose cozy mysteries draw me in. I read this prequel after having devoured several books about Raleigh Harmon as an adult working for the FBI and then as a private investigator. They’re all great, but the three in the Prequel series (or Young Raleigh Harmon series) are now my favorites. I love the teenage Raleigh, who must solve serious mysteries while dealing with her difficult family. I love her genius best friend, Drew. And I love the way Raleigh uses her passion for geology and her common sense in every mystery.

Sister Joan is yet another religious sleuth. Set in the early 1990s, I think this series now qualifies as a historical mystery. It is a lighter read than my other choices, but one I absolutely loved and, like Cadfael, I dived in and devoured the lot. Vow of Silence is the first and hooked me straight away. The religious life fascinates me and I enjoyed the way the ceremonial routine of the convent was woven into the mysteries. This detail serves to immerse you in the life of Sister Joan, a down-to-earth heroine who drew my admiration. The mysteries unfold naturally into the setting and don’t seem incongruous. A more gentle read than the others I have chosen, but acutely satisfying.

The characters always pull me back for the next book in the series. Trudy Loveday is a WPC—Woman Police Constable—in the 1960s. She’s a young woman clawing her way up in a man’s world. Her favorite sidekick is Dr. Clement Ryder, the local coroner. He’s nearing retirement, and he has secrets he’d rather not reveal—like the reason he quit being a surgeon and signed on as coroner. Together these two solve murders faster than the local police detectives, inspiring jealousy and suspicion. Trudy and Clement make an ideal sleuthing team. I pre-order these books as soon as I learn there’s another one coming out, I love them so much.

Try as I might, I can’t get into Marple. But T.E. Kinsey’s Lady Hardcastle series, beginning with the debut A Quiet Life in The Country turns the cozy genre on its head. In this case, the dithering, older busybody is Lady Emily Hardcastle, with her trusty ladies’ maid, Florence Armstrong. As the book and series progress, we find that neither woman is quite the helpless Edwardian female the neighbors believe. Come for the murder mystery and stay for the… knife throwing? 

I am in absolute awe of this essential American writer. This book made me cry, laugh, and shout in pleasure at the same time. I could hear, taste, and feel myself present in this book of poems, which explore loss and grief, but also tradition and legacy, our connection to the beloved dead through traditions.

Black food, music, and religious traditions are strongly present, but so is Wilco and Gram Parsons’ “Grievous Angel,” and we are immersed in one human’s attempt to sort out his place. Along with Heather Cahoon’s Horsefly Dress, which explores grief in the context of a Montana tribe, this book taught me how to think both beyond and more deeply within my own sense of “legacy.” 

The Words We Lost is a powerful portrayal of the surprising gift of kindred spirits, of the trust required to grow deep friendships, and of the intense emotions when friendships are interrupted by death—all things I’ve been dealing with in the recent loss of a dear friend. 

This book is a beautiful study of the long and complicated, individual journey of grief, and of the persistence needed to restore broken trusts. Trust, friendship, betrayal, grief, and the journey to restoration of trust and friendship are all themes close to my heart—themes beautifully portrayed in the contemporary story of The Words We Lost.

This retelling of the Book of Hosea reminded me that love is meant to be unconditional. Patient, healing, hopeful. No matter what Angel does, Michael loves her. I read this entire book in less than two days. I laughed, I cried, and while I couldn’t put the book down, I dreaded closing the cover for the final time. I had a book hangover for days.

If I could choose one book to reread for the first time, it would be this one. I haven’t experienced things that these characters have, but this story still inspired healing and sparked hope. It broke me and put my back together. I walked away with a clearer view of how much God loves me and the lengths He will go to prove it.

The forthright honesty and the audacity of Nora Simms, narrator of Erika Mailman’s Woman of Ill Fame, is stunning and nearly as compelling as the murder mystery at the center of the novel. Set in San Francisco during the Gold Rush, the novel takes us into the city’s bordellos, which, like the rest of the state, have been infected by a get rich quick at any cost ethos. The cost for many of Nora’s colleagues is high. Women of ill-fame are being killed, one by one, and only Nora is capable and willing to wade through layers of deception to discover the identity of the killer and to save her own life. 

Nora is not your typical damsel in distress and that might be why I love this book so much. She’s not a “good” woman, by society's standards, but she is one of the most surprising… show more.

I always worry about being homeless. If you’re fifty percent of this country, you probably should worry a little bit because it wouldn’t take much. Teresa Gowan lived with the homeless population of San Francisco the way she might a tribe in Amazon.

This is one that didn’t so much blow my mind as it did humanize a group of people that sit on the margins. Gowan did a great job.

What drew me to this book was the inspiring journey of the main character, Victoria Jones. A victim of the sometimes cruel foster care system, she learns to express herself through the Victorian language of flowers.

Each flower embodies a specific meaning, and Victoria uses this understanding to transform from a victim of trauma to a survivor, forging relationships with others along the way.