Here are 72 books that Magpie Speaks fans have personally recommended if you like
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I am, and always have been, stimulated by a spiritual connection to my world beyond the laws of physics and men. My hiking, climbing, and trail running have taken me to breathless places imbued with auras and presences I don’t understand but readily accept. And I am filled with the same spirituality when performing or listening to music. I have no ego to shun that which I don’t understand, for I know there is so much beyond me. Some authors describe this intangible better than others in their stories; I hope I am among the former.
I have long been intrigued by the concept of shapeshifters, particularly the Navajo Skinwalker, a practitioner of spiritual arts who can learn to transform into another species while in pursuit of a particular end. I am not alone, judging from all the ancient legends around the globe. Even today, depictions of shapeshifters are found in literature and on film in many guises. Tony Hillerman takes a deep dive into Navajo lore in this early novel with a close encounter with a suspected “yee naaldlooshii”. Feel the hair rise on your neck!
Don’t Miss the AMC television series, Dark Winds, based on the Leaphorn, Chee, & Manuelito novels, coming this summer!
From New York Times bestselling author Tony Hillerman, Skinwalkers is the seventh novel featuring Lieutenant Joe Leaphorn and Officer Jim Chee—a riveting tale of sorcery, secrets, and murder.
Three shotgun blasts rip through the side of Officer Jim Chee’s trailer as the Navajo Tribal Policeman sleeps. He survives, but the inexplicable attack has raised disturbing questions about a lawman once beyond reproach.
Lieutenant Joe Leaphorn wonders why Chee was a target and what connection the assault has to a series of…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
In 1971, when I graduated from law school, I received a fellowship to help staff a Legal Aid office on the Rosebud Sioux Indian Reservation in South Dakota. I lived there for nearly four years, representing tribal members in tribal, state, and federal courts. I then worked for 45 years on the National Legal Staff of the American Civil Liberties Union (ACLU). One of my major responsibilities was helping Indian tribes and their members protect and enforce their rights, and I filed numerous cases on their behalf. During that time, I taught Federal Indian Law for more than 20 years and also published The Rights of Indians and Tribes.
This novel won the National Book Award and it’s easy to see why. Written by a Native author about reservation life, it discusses a crime that occurred that—like many reservation crimes—went unsolved for a long time.
The book is informative and compelling, and it weaves Native practices and culture into the story. I found it particularly interesting because it includes characters and themes that resonated with my experiences.
Winner of the National Book Award • Washington Post Best Book of the Year • A New York Times Notable Book
From one of the most revered novelists of our time, an exquisitely told story of a boy on the cusp of manhood who seeks justice and understanding in the wake of a terrible crime that upends and forever transforms his family.
One Sunday in the spring of 1988, a woman living on a reservation in North Dakota is attacked. The details of the crime are slow to surface because Geraldine Coutts is traumatized and reluctant to relive or reveal…
I am, and always have been, stimulated by a spiritual connection to my world beyond the laws of physics and men. My hiking, climbing, and trail running have taken me to breathless places imbued with auras and presences I don’t understand but readily accept. And I am filled with the same spirituality when performing or listening to music. I have no ego to shun that which I don’t understand, for I know there is so much beyond me. Some authors describe this intangible better than others in their stories; I hope I am among the former.
In this novel, L’Amour explores the ancient spirituality of Native Americans in a tangential way while adhering to his tried and true formula of adventure, lovely women in distress, and brave young heroes. Finding his mother in despair following the death of his father, and with financial loss looming, Sean and his mother pursue a rumor of treasure buried deep in the mountains beyond his Malibu home. L’Amour paints the mystic “Old Ones” into his story with a movement of bushes here, and a mysterious wind-borne cry there, all within an ambiance of dusky, trembling stillness. Masterful!
Captain Sean Mulkerin comes home from the sea to find his family home in jeopardy. After the death of his father, Sean’s determined mother, Eileen, took it upon herself to run the sprawling Rancho Malibu—until a fire destroyed her hard-earned profits. Now, on the edge of financial ruin, Eileen hopes Sean can help them find a way out. The rumor is that her late husband found gold in the wild and haunted California hills, but the only clue to its whereabouts lies with an ancient, enigmatic Indian.
When Sean and Eileen set forth to retrace his father’s footsteps, they know…
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
I have a life-long love of Westerns. I’ve researched the period and the events extensively. One of the first things I look for in any book I read is period accuracy. The books I write are historically accurate, though they are fiction. I’m on a mission, through my writing, to save the Western genre.
This was the first Western I read when I was young. It made an impression on me, not only as a Western, but as a classic story of good and evil with sharply drawn characters that make it come alive to the reader. Grey’s writing puts the reader right in the middle of every scene. And it has an ending you don’t see coming, but one that fits perfectly.
This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.
Raised on Nancy Drew who was herself outspoken and independent, I’m attracted to stories about barrier-breaking determined women who don’t back down from a fight. While many of the heroines of fantasy fiction have special abilities or can work magic, being able to stand up for oneself and speak one’s mind in the face of opposition is itself a superpower. I enjoy seeing how other authors portray it, what wrongs the heroines aim to put right, and how they do it.
I am a huge fan of Tony Hillerman’s Leaphorn and Chee novels. I was privileged to meet Mr. Hillerman at a writers convention. He was gracious and supportive of other authors and I learned a lot from his presentation. The main characters of his series are two male Navajo police officers but in The Fallen Man he introduced Bernadette “Bernie” Manuelito. In that story she is a new officer with the tribal police but inSkeleton Man she has become a federal Customs Patrol officer. Smart and capable, she holds her own, be it in the office with senior male officers or in the harsh, challenging American Southwest desert territory that is her “beat.” As an indoor girl, I was almost more impressed with the latter as I was with her role in solving the case.
“In his masterly reworking of this powerful myth, Hillerman creates a kachina for contemporary times. . . . No wonder Hillerman’s stories never grow old. Like myths, they keep evolving with the telling.”— New York Times Book Review
From the enduring "national and literary cultural sensation" (Los Angeles Times) Tony Hillerman, a crackling tale of myth, mystery, and murder featuring the legendary Leaphorn and Chee.
Though he may be retired, Navajo Tribal Police Lieutenant Joe Leaphorn hasn’t lost his curiosity or his edge. He’s eager to help Sergeant Jim Chee and his fiancée Bernie Manuelito with their latest case—clearing an…
I've been captivated with legends of witches, vampires, faeries, fae, and most magical beings since childhood. Studied and wrote about them with a mysterious twist most of my life. I spent eighteen years as a paralegal in a criminal law firm. Also animal and wildlife rescue is my passion. Working with sanctuaries gives you an up close and personal understanding of why these institutions are necessary. The first book in my second series, A Witch’s Journey, documents a witch who is passionate about animal rescue, and her efforts to build a sanctuary on her family’s enchanted land with the help of her family, friends, and a former Navy SEAL.
I love Native American legends and lore, especially when they are done well.
This book hits all the right notes, plus the characters are well written, plus Jim Chee, a Sargent of the Navajo police in the book takes on a quest to unravel a sacred mystery. Love mysteries.
The vivid descriptions of the locations in the southwest make you feel like you are there.
Life on the Navajo Nation is depicted well, as Anne Hillerman’s father, Tony Hillerman wrote before her.
Don’t miss the TV series, Dark Winds, based on the Leaphorn, Chee, & Manuelito novels, now on AMC and AMC+!
NEW YORK TIMES BESTSELLER
“A fine legacy series . . . in the spirit of her late father, Tony.”—Booklist
An ancient mystery resurfaces with ramifications for the present day in this gripping chapter in the Leaphorn, Chee & Manuelito series from New York Times bestselling author Anne Hillerman.
Sergeant Jim Chee’s vacation to beautiful Antelope Canyon and Lake Powell has a deeper purpose. He’s on a quest to unravel a sacred mystery his mentor, the Legendary Lieutenant Joe Leaphorn, stumbled…
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
I’m a piano technician who’s had the incredible fortune of getting to know and work for just about all my childhood heroes. I’m also a recording artist who’s produced several recordings that have made it into the Billboard Top 20, had two PBS specials, and whose music has been streamed over 75 million times around the globe. At the beginning of the pandemic, I began putting pen to paper to share some of the extraordinary experiences I’ve had with music icons and how being in that jet stream helped me tune in to my mission as an artist.
As with Tara Westover’s book, I was inspired by David Crow’s story of self-determinism in the face of incredible adversity. David was raised in abject poverty on a Navajo reservation. His father was a “violent ex-con who forced his son to commit crimes.”
I related to David’s unwavering resolve, forging his way into college and ultimately creating a successful lobbying firm in D.C. I was drawn in by his simple, unadorned writing and was profoundly moved by his willingness to tell his life story unvarnished and unapologetically.
I’ve been writing about women and girls who rock the boat for two decades. I’ve written about it from my own point of view, in award-winning essays, and from imagined points of view, in almost-award-winning women’s contemporary novels. Now, I’ve tackled it in the YA genre. I want to keep on exploring what it means to buck the system and live to tell the tale. We’re still making up for men writing women’s voices, for women’s voices going unheard. I’m trying to do my part to ask, what if we heard about history from the women’s point of view?
Another unlikely heroine, but only because she sees ghosts—okay, okay, maybe also because seeing ghosts or even talking about them is strictly forbidden in Rita Todacheene’s Navajo culture.
I loved this book so, so much for both its detail and its unusual premise. Todacheene’s ghosts haunt her and play an active part in her investigations as a forensic photographer. And, since the author was a forensic photographer herself, the work rings true and sharp. Ghosts aside, she also has to contend with her own culture, a struggle with which I’m intimately familiar.
I also loved the way that Emerson structured this book—Todacheene’s beloved cameras, acting as framing devices, guide us through her timeline, and she keeps on learning things about herself even as we go from the most advanced camera to the oldest possible film-based option. I can’t wait to read the second in this series to see what our…
This blood-chilling debut set in New Mexico’s Navajo Nation is equal parts gripping crime thriller, supernatural horror, and poignant portrayal of coming of age on the reservation.
Rita Todacheene is a forensic photographer working for the Albuquerque police force. Her excellent photography skills have cracked many cases—she is almost supernaturally good at capturing details. In fact, Rita has been hiding a secret: she sees the ghosts of crime victims who point her toward the clues that other investigators overlook.
As a lone portal back to the living for traumatized spirits, Rita is terrorized by…
As a retired psychotherapist, I love a good book with complex characters that stand up to analysis. As a moody introvert, I especially enjoy untangling a set of clues in an atmosphere of suspense. Given that I live in a remote, wild area with plenty of snow and extreme weather, I am a good judge of stories about people being pitted against the elements. Finally, I am always curious to learn more about indigenous cultures since I live near more tribal land than anywhere in the US except Alaska. And, of course, I’m a mystery writer!
His writing is as crisp and startling as the turquoise skies over the New Mexico desert. Laconic Lieutenant Joe Leaphorn quickly felt like a familiar friend.
The story haunted me, especially the scary scene at the Shalako ceremonial in a Zuni village.
Don’t miss the TV series, Dark Winds, based on the Leaphorn, Chee, & Manuelito novels, now on AMC and AMC+!
The Edgar-Award winning second novel in New York Times bestselling author Tony Hillerman’s bestselling and highly acclaimed Leaphorn and Chee series
“Hillerman is a wonderful storyteller.”—New York Times Book Review
Two Native American boys have vanished into thin air, leaving a pool of blood behind them. Lieutenant Joe Leaphorn of the Navajo Tribal Police has no choice but to suspect the very worst, since the blood that stains the parched New Mexico ground once flowed through the veins of one…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I was a computer programmer (BA and MA in math) for several organizations, including NASA and the Savannah River Ecology Lab before retirement, went to the Clarion and Tulane SF&F Workshops, and read the slush pile for Amazing/Fantastic. I’ve done a lot of theatre as actor and lighting tech, have always liked to hike in the woods, have written 11 novels (including 3 published SF novels), had 5 plays given full production, and have 2 CDs of my original songs. In my copious spare time, I sleep.
LaFarge’s first novel, Laughing Boy, about the love affair between a reservation Indian and one who had been raised in a religious school, won the 1930 Pulitzer Prize. LaFarge spent much of his life fighting for Native American rights, sometimes in the “dark of Washington.” I wanted to grow up to be an Indian. I still do.
Winner of the Pulitzer Prize: “A romantic idyll played out in the rhythms and meanings of a vanished Navajo world.” —The Denver Post
Laughing Boy is a model member of his tribe. Raised in old traditions, skilled in silver work, and known for his prowess in the wild horse races, he does the Navajos of T’o Tlakai proud. But times are changing. It is 1914, and the first car has just driven into their country. Then, Laughing Boy meets Slim Girl—and despite her “American” education and the warnings of his family, he gives in to desire and marries her.
