37 Books Like Magic

This is the spy thriller that started it all! I was a huge fan of the Matt Damon trilogy and had always been an avid reader, so naturally, I gravitated toward the original novel, which was far better than the film.

Popular action thrillers tend to suffer from one of two diseases: “soldier syndrome,”—meaning the author knows what he or she is writing about but isn’t a master of the language—or from “poser-itis,” which is when the writer is good with a pen but would be too scared to use it to gauge out an eye if he or she had to.

So it’s a rare wordsmith who can understand the deepest, most primal parts of the human psyche and then put it into a literary form that delights the eyes and ears. Ludlum is one such writer.

I’ll be honest: I read this book out of pure nostalgia. David Baldacci’s novels have sold over 150 million copies, so I wanted to go back to his debut novel to see how it all started, and it didn’t disappoint. Though it had the luck of being released during the Monica Lewinsky scandal, the novel lives well on its own merits.

At the time of its release, most political thriller books utilized protagonists fighting on behalf of their president to save the day, but this one turned the tables on its readers and not only made the president the villain but explored the filthy side of politics and the lengths to which administration officials will go to protect the presidency.

This was the first book I read twice. It was groundbreaking back in the ’80s. A mixture of cultures, assassins, adventure, thrills, love, sex, and passion. A huge bestseller at the time. His detail of Japanese philosophy, fighting styles, honor, and code in a modern-day world is beyond captivating.

While he went on to a huge success with dozens of bestsellers, nothing topped this. It was a lifetime of daydreaming and research that he poured out onto the page.

I read it in two days on the beach under the sun and stars. Five days later, I read it again. I couldn’t get the story out of my head.

A true original. Arthur Conan Doyle working -to solve a series of grisly murders. Released in 1993, it sucked me in with the first paragraph.

It mixes genres and the historical with the fictional. There are Sherlock Holmes easter eggs everywhere, the idea being this thriller informed his writing. The characters, both good and evil, flesh out the great detective in a thriller-paced adventure.

You may not have heard of the author, but you definitely heard of one of his TV shows: Twin Peaks, which he created and wrote with David Lynch. While the TV show’s known for its quirkiness, it has a fantastic underlying mystery that drove the story. Much like Frost drives the story in The List of Seven.

This early American novel starts off with an episode of human spontaneous combustion, followed by repeated episodes of characters hearing disembodied voices.

Brown’s novel uses these Gothic devices and a couple of real-life murder cases to explore religious and political issues that preoccupied Americans in the years after the Revolution. How do we know whether we’re really being guided by reason? What is the basis of authority?

Most editions of Wieland include Brown’s prequel Memoirs of Carwin, which complicates the story by placing one of the main characters in an Illuminati-like organization. American Gothic literature pretty much starts here.  

This was my first delightful introduction to Susan Elizabeth Phillips's romantic comedies. I adore genre-benders, and this romance also has suspense and mystery.

I was curious by the unconventional set-up: a female ventriloquist who talks to her puppets has to live on a remote island off the coast of Maine in winter. There, she encounters an unlikable boy from her childhood—now a man who’s become a huge horror author and may or may not be a killer. The rugged island setting and its quirky cast of characters let Phillips have some fun with gothic tropes, a favorite of mine. 

Paul Monette's life could have been mine. (His death, too.) Fear kept us both closeted until full adulthood. All he ever wanted was a lover, one of "the smiling men" he could never seem to touch. (Me, too.) Then he got HIV. (By dumb luck, I didn't.)

Writing in 1991, years before new drugs could have saved his life, Monette was "dying by inches." By then he had found his man—twice, actually—but lost each one to AIDS. His searing anger brought that tragic, terrifying time back to me hard. But rage couldn't hide the innocent, pained boy he shows us he had been.

I was humbled by his self-forgiveness: "I can't judge the world of my first twenty years by the laws of freedom that followed Stonewall." 

One of the things I love most about this book is the foreword, which was written by Fauja himself – Fauja, the oldest person ever to run a marathon. Fauja was unable to walk until he was five years old and after he walked, he was still very weak. People were always teasing him and telling him he couldn’t do things. There’s a wonderful refrain that runs through the book: “But Fauja did not listen and Fauja did not stop.” At 89, he completed his first marathon. He ran marathons from London to New York to Toronto. The book ends with the Toronto Marathon, in which Fauja set a new world record as the oldest person to run a marathon.

Britain used to be a hotbed of marathon talent that ruled the world over 26.2 miles decades before Lottery funding. This is a collection of 21 interviews of men and women who left their mark on the sport often by force of will alone. For those of us who grew up watching these people – and I was one - this is the how and why they did it which at the time was the bit that was never really in the spotlight. So it squares the circle for me. And for those of you who came later – welcome to Old School…

Running was magic to Kathrine Switzer. But she grew up in a time when most people thought women were too fragile to run a race, especially a 26.2-mile marathon. The illustrations are vibrant and the text well-written, with a “Pat, Pat, Pat” refrain which expands as Kathrine runs faster and faster. The story revolves around how Kathrine entered the Boston Marathon in 1967 when it was a race for men only. She was almost stopped during the race by an angry Race Director, who also believed women should not run a marathon. Kathrine persevered and finished! Since 2008, more than 10,000 women have officially entered to run the Boston Marathon.