Here are 100 books that Machine Dreams fans have personally recommended if you like
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I am a writer and novelist who comes to storytelling via several curious paths. I am a historian trained in archival research and the collection of oral histories. I also come from a long line of ghost magnets–all of the women in my family have been for generations. And while I am living in blissful exile on the West Coast, my heart remains bound to my childhood home, the Great State of Texas.
This remains one of the most haunting novels I have ever read. I cannot shake the character of Judge Holden, a formidable man both physically and intellectually, who deploys his insidious intellect to justify acts of abject violence seemingly only for the sake of violence itself. I was mesmerized by a world where “all covenants were brittle.” This was no straight-up Western as I had expected. It was something more.
McCarthy pushed the boundaries of the classic Western by challenging the notion that good will ultimately overcome evil and the hero will save the day. There was no hero here, and the day was truly lost to forces beyond the characters’ control, hallmarks of the Southern Gothic tradition. I was hooked on this curious blend of genres!
Blood Meridian by Cormac McCarthy is an epic novel of the violence and depravity that attended America's westward expansion, brilliantly subverting the conventions of the Western novel and the mythology of the Wild West. Based on historical events that took place on the Texas-Mexico border in the 1850s, it traces the fortunes of the Kid, a fourteen-year-old Tennessean who stumbles into a nightmarish world where Indians are being murdered and the market for their scalps is thriving.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I read a lot of literary fiction. At the moment, I’m finishing To Paradise by Hanya Yanagihara, which I’ve enjoyed and whose novel, A Little Life,was brilliant. My interest in thriller fiction is sparked by writers who bring their considerable literary talents to their trade. John LeCarré comes to mind. Writers who sacrifice depth of character or concern for place quickly lose my interest. Thankfully, there are many thriller writers who do a superb job of keeping my wandering nature in check. (A quick note: I also write dystopian fiction under my pen name James Jaros.)
The Rape of the Rose is an unforgettable novel that details the horrors of the Industrial Revolution in nineteenth-century Britain. Hughes, also a poet of note, portrays the enslavement of children in those “dark Satanic mills” with disturbing precision, offering his youngest characters shreds of dignity, which life has deprived them of so roundly. He also shows men and women maimed and worked to death by owners intent on extracting every last ounce of their labor. A major figure in the novel is a father who flees a mill and joins the Luddite Revolution. I read this book thirty-five years ago and remember it vividly. It presents the underbelly of the Industrial Revolution—and the ample reasons for the rebellions it triggered.
Set in 1812, this novel concerns Mor Greave, a self-educated man, who is caught up in an English revolution in the North. He is hunted by the authorities and becomes drawn into a underworld of duplicity, passion and sexual licence he never imagined.
As a 34-year-old memoirist, one of the most frequent questions I get about my genre, delivered with both curiosity and disdain, is: “Why?” After all, why? What could I, the life experience and literary equivalent of a pollywog, have to share about my journey—or, gasp, what I’ve LEARNED? The fun thing is, as someone who once broke my parents’ computer by using dial-up internet to download Napster, I’m used to disappointing people. Even more fun: as a millennial memoirist, I don’t believe in writing books that will tell people what I’ve learned. I hope my writing shows, through both merit and content, that I have indeed learned something.
All hail the queen. Sally Rooney makes it look easy, with just the right amount of Irish, nothing-is-easy-you-insufferable-wanker on the side. This book has it all: awkward yet undeniably hot sexual tension! Arguments! Cool names! A house that is bigger than yours!
And within Rooney’s stupidly gorgeous prose, we find ourselves not only yelling “EXACTLY!” out loud, many times, to an empty room but answering the book’s central question: right here. As long as we have a good book, that beautiful world is right here.
Beautiful World, Where Are You is a new novel by Sally Rooney, the bestselling author of Normal People and Conversations with Friends.
Alice, a novelist, meets Felix, who works in a warehouse, and asks him if he’d like to travel to Rome with her. In Dublin, her best friend, Eileen, is getting over a break-up, and slips back into flirting with Simon, a man she has known since childhood.
Alice, Felix, Eileen, and Simon are still young—but life is catching up with them. They desire each other, they delude each other, they get…
Alice Wilson wants children; her husband, Dan, doesn’t. So Alice "accidentally" gets pregnant, trusting that Dan will eventually go along—and he seems to, at first. But as their marriage falls apart, Alice realizes that, even from the beginning, Dan has cruelly used small criticisms and belittling comments to undermine her…
After completing the first draft of Monday Rent Boy, I was taken aback to discover a common theme running through all of my books: a focus on children in adverse situations. A Secret Music. The Ghost Garden. And now Monday Rent Boy. What holds paramount importance for me… is tracing the trajectory of the injured child as he or she navigates the journey toward adulthood…And…what does that path look like… what are the factors that help a person rise versus the ones that crush another? The more urgent answer to the question of why write? I came to see that certain subjects need to be written. And hopefully, read.
This Pulitzer Prize-winning novel follows Theo Decker, a young man grappling with trauma, loss, and guilt. Themes of friendship, mentorship (through his relationship with Hobie), and the search for redemption are central to the story.
This book has the best opening scene of any book I’ve ever read. No matter what, I needed to be on this journey with the characters Tartt had drawn so evocatively.
Winner of the Pulitzer Prize for Fiction 2014 Aged thirteen, Theo Decker, son of a devoted mother and a reckless, largely absent father, survives an accident that otherwise tears his life apart. Alone and rudderless in New York, he is taken in by the family of a wealthy friend. He is tormented by an unbearable longing for his mother, and down the years clings to the thing that most reminds him of her: a small, strangely captivating painting that ultimately draws him into the criminal underworld. As he grows up, Theo learns to glide between the drawing rooms of the…
Behind every cloud, a silver lining, right? You have to take the good days with the bad. But those clichés miss that life is funny, sad, hilarious, mournful, at the same time. We understand that the happiest of days have a tinge of sadness about them. Conversely, real sadness or missing someone possesses a strange beauty. But sometimes we forget that when it comes to our books. We want our novels to be “a comedy,” or “a romance,” a “laugh riot,” or “tear-jerker,” even though Life doesn’t put itself into those separate boxes. Funny, sad, romantic–all have informed my own writing, and all are present in this list of books as well.
West Virginia’s Jayne Anne Phillips made a noisy arrival on the literary scene with her triumphant collection of short stories, Black Tickets. One of the first of the “dirty realists,” Phillips paints the backroads and forgotten lives of rural West Virginia during a time when that state, and many like it, were on no one’s radar. As one of her characters says, “This ain’t the South…this is the goddam past.” Phillips captures the loneliness and the disconnected lives of young women and men in a way few books have done.
This collection of short stories looks at the undeniable power of myth, these tales of initiation and betrayal focus on a gallery of characters - a rootless young woman confronts her divorced parents and a 14-year-old girl who leaves a series of foster homes for the world of drug addicts.
For decades I have volunteered in different capacities, helping the hurting and those living on the margins by tutoring and teaching literacy to the formally incarcerated or homeless, teaching parenting in a maximum-security jail, and teaching ESL to resettled immigrants. Because my own suburban father fell into homelessness at the end of his life due to depression, job losses, divorce, and more, I feel tremendous compassion for anyone in this situation. And as the mother of four grown sons, we filled our home with books—especially books that taught compassion so our sons would grow into men with big hearts towards others. I believe we succeeded.
I would read anything written by the talented Cynthia Rylant. Her books for young people introduce moving stories and unforgettable characters. Missing May is one of those stories featuring young Summer who loses her mom and then is passed around to different aunts and uncles who don’t want to care for her. Finally, elderly Aunt May and Uncle Ob meet her and take her to live with them in West Virginia.
I especially love Rylant’s portrayal of the humble life of May, Ob, and Summer in a rusty old trailer that feels like a palace because it’s so full of love and tenderness. When May dies, Summer’s pain is compounded—and then we meet quirky Cletus who helps Summer and Ob seek relief from their grief.
This critically acclaimed winner of the Newbery Medal joins the Scholastic Gold line, which features award-winning and beloved novels. Includes exclusive bonus content.
Ever since May, Summer's aunt and good-as-a-mother for the past six years, died in the garden among her pole beans and carrots, life for Summer and her Uncle Ob has been as bleak as winter. Ob doesn't want to create his beautiful whirligigs anymore, and he and Summer have slipped into a sadness that they can't shake off. They need May in whatever form they can have her -- a message, a whisper, a sign that will…
This is a novel about choices. How would you have chosen to act during the Second World War if your country had been invaded and occupied by a brutal enemy determined to isolate and murder a whole community?
That’s the situation facing an ordinary family man with two children, a…
I saw my first horse before I could walk or talk – a humble mare with flies in her eyes and a feed basket tied to her nose. I was drawn to her with a magnetic force, and that attraction to horses never diminished. Over the years I’ve presided over their birth, raised them, and conditioned them to various disciplines. When it exists, the bond between horse and human is undeniable. In my novels—through family disfunction, hardship, adventure, and mystery – I explore how this connection gives young people confidence and the courage to overcome any obstacles.
Jaimy Gordon has written a beautiful, unforgettable novel that takes place at a run-down racecourse in West Virginia, where a has-been trainer forms a get-rich-quick plan with used-up racehorses. The story of Lord of Misrule, the legendary stakes winner, brings us into the heart of it, where everybody’s searching for something, everything has a price and what’s truly valuable is right in front of your nose.
Longlisted for the Orange Prize 2012. He planned to steal with these horses, who were all better than they looked on paper. The trick was to get in and get out fast. But could he really pull it off? Could he be that sure, could he count on being that lucky? Listen carefully my dear. Lord of Misrule, he whispered loudly. Lord of Misrule, Margaret. Memorize that name.
I’m a seventh-generation West Virginian. My husband and I own the farm that’s been in my family since before the Civil War. My Appalachian roots are sunk deep, so when it comes to “writing what you know,” this is it! I was baptized in stories by my father who transformed my ancestors and my history into a living, breathing cast of characters I longed to meet. So, I began to write their stories in the guise of novels about made-up people. My seven novels (and two novellas) are love letters to the place that shaped me.
Mary and I both grew up in West Virginia. And while her family life was rougher than mine, I recognize so many of the characters she writes about in her bittersweet memoir. This is Mary's story of trying to move past poverty, shame, and those doggone hillbilly stereotypes to discover who she really is. And in doing so, she reminds us all of who we are too—broken people trying to get the dirt out from under our fingernails before anyone sees. If you've ever struggled to embrace your roots, this is the book for you!
Dirt is a story about the places where we start. From a single-wide trailer in the mountains of rural West Virginia to the halls of Yale Law School, Mary Marantz's story is one of remembering our roots while turning our faces to the sky. From growing up in that trailer, where it rained just as hard inside as out and the smell of mildew hung thick in the air, Mary has known what it is to feel broken and disqualified because of the muddy scars leaving smudged fingerprints across our lives. Generations of her family lived and logged in those…
I live in the southern Appalachians, a place that boasts some of the most beautiful views on earth and laments some of the most ravaged landscapes. As a fiction writer who is passionate about nature and human rights, I’ve taken up my pen to craft a novel with regular people at its heart, all living regular lives that are disrupted by tragedies all too common to the region. This is the general throughline in the books I am recommending, although the themes differ. I’ve offered a variety of genres, as well, which best reflects my own bookshelf at my home in the hills.
I loved reading this novel first and foremost for its exquisite craftswomanship; van Eerden just writes beautiful sentences. Her descriptions are palpable, delivering the reader to a hollow and its people—all characters who remain intricately bound to their homeplaces no matter how far away they travel. Like my own novel, this story revolves around women and also includes an LGBTQ character. And themes of grieving and motherhood, love and loss, and compromise, are naturally woven into the fabric of the story.
Set in small-town West Virginia in the twilight of the eighties, Call It Horses tells the story of three women-niece, aunt, and stowaway-and an improbable road trip.
Frankie is an orphan (or a reluctant wife). Mave is an autodidact (or the town pariah). Nan is an artist (or the town whore). Each separately haunted, Frankie, Mave, and Nan-with a hound in tow-set out in an Oldsmobile Royale for Abiquiu and the desert of Georgia O'Keeffe, seeking an escape from everything they've known.
Frankie records the journey in letters to her aunt Mave's…
I’ve always loved books about outsiders and stories that make you palpably feel what others do. In real life and fiction, the characters that interest me most are often outsiders. Because characters on the outside of social groups and norms are often isolated and lonely, there is something so powerful about works that can bring you inside their experience and relate what their inner life is like. Interiority is the great strength of literature, and stories that convey the inner architecture of outsiders have always attracted me. I love books that make me feel deeply connected and that linger in my subconscious long after I’ve read them.
The characters and stories in this book carved out a permanent place in my inner life. It took me a long time to read the book because I wanted to savor each sentence. I have rarely found a book that combined such an emotional impact, compulsive readability, and such striking, polished sentences.
Every story has the raw, ringing truth of felt experience, and this experience worked its way into my consciousness like a dream or memory. There is a universal quality of aloneness and separateness among all of Pancake’s characters. The Appalachian settings in this book are as symbolic, arresting, and affecting as the characters. Character and setting are inseparable, both bearing an emotional weight and haunting quality that is rarely found in even the best literature. There is no other book like this.
A collection of short stories that memorably capture American life in rural Appalachia by Breece D'J Pancake, the brilliant writer praised by Joyce Carol Oates as "a young writer of such extraordinary gifts that one is tempted to compare his debut to Hemingway's."
Breece D'J Pancake cut short a promising career when he took his own life at the age twenty-six. Published posthumously, this is a collection of stories that depict the world of Pancake's native rural West Virginia with astonishing power and grace.
"Breece D'J Pancake's is an exceptional voice: gritty, mordant, invested with the texture of stroked reality,…