Here are 100 books that Machine Dreams fans have personally recommended if you like
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I am a writer and novelist who comes to storytelling via several curious paths. I am a historian trained in archival research and the collection of oral histories. I also come from a long line of ghost magnets–all of the women in my family have been for generations. And while I am living in blissful exile on the West Coast, my heart remains bound to my childhood home, the Great State of Texas.
This remains one of the most haunting novels I have ever read. I cannot shake the character of Judge Holden, a formidable man both physically and intellectually, who deploys his insidious intellect to justify acts of abject violence seemingly only for the sake of violence itself. I was mesmerized by a world where “all covenants were brittle.” This was no straight-up Western as I had expected. It was something more.
McCarthy pushed the boundaries of the classic Western by challenging the notion that good will ultimately overcome evil and the hero will save the day. There was no hero here, and the day was truly lost to forces beyond the characters’ control, hallmarks of the Southern Gothic tradition. I was hooked on this curious blend of genres!
Blood Meridian by Cormac McCarthy is an epic novel of the violence and depravity that attended America's westward expansion, brilliantly subverting the conventions of the Western novel and the mythology of the Wild West. Based on historical events that took place on the Texas-Mexico border in the 1850s, it traces the fortunes of the Kid, a fourteen-year-old Tennessean who stumbles into a nightmarish world where Indians are being murdered and the market for their scalps is thriving.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I read a lot of literary fiction. At the moment, I’m finishing To Paradise by Hanya Yanagihara, which I’ve enjoyed and whose novel, A Little Life,was brilliant. My interest in thriller fiction is sparked by writers who bring their considerable literary talents to their trade. John LeCarré comes to mind. Writers who sacrifice depth of character or concern for place quickly lose my interest. Thankfully, there are many thriller writers who do a superb job of keeping my wandering nature in check. (A quick note: I also write dystopian fiction under my pen name James Jaros.)
The Rape of the Rose is an unforgettable novel that details the horrors of the Industrial Revolution in nineteenth-century Britain. Hughes, also a poet of note, portrays the enslavement of children in those “dark Satanic mills” with disturbing precision, offering his youngest characters shreds of dignity, which life has deprived them of so roundly. He also shows men and women maimed and worked to death by owners intent on extracting every last ounce of their labor. A major figure in the novel is a father who flees a mill and joins the Luddite Revolution. I read this book thirty-five years ago and remember it vividly. It presents the underbelly of the Industrial Revolution—and the ample reasons for the rebellions it triggered.
Set in 1812, this novel concerns Mor Greave, a self-educated man, who is caught up in an English revolution in the North. He is hunted by the authorities and becomes drawn into a underworld of duplicity, passion and sexual licence he never imagined.
As a 34-year-old memoirist, one of the most frequent questions I get about my genre, delivered with both curiosity and disdain, is: “Why?” After all, why? What could I, the life experience and literary equivalent of a pollywog, have to share about my journey—or, gasp, what I’ve LEARNED? The fun thing is, as someone who once broke my parents’ computer by using dial-up internet to download Napster, I’m used to disappointing people. Even more fun: as a millennial memoirist, I don’t believe in writing books that will tell people what I’ve learned. I hope my writing shows, through both merit and content, that I have indeed learned something.
All hail the queen. Sally Rooney makes it look easy, with just the right amount of Irish, nothing-is-easy-you-insufferable-wanker on the side. This book has it all: awkward yet undeniably hot sexual tension! Arguments! Cool names! A house that is bigger than yours!
And within Rooney’s stupidly gorgeous prose, we find ourselves not only yelling “EXACTLY!” out loud, many times, to an empty room but answering the book’s central question: right here. As long as we have a good book, that beautiful world is right here.
Beautiful World, Where Are You is a new novel by Sally Rooney, the bestselling author of Normal People and Conversations with Friends.
Alice, a novelist, meets Felix, who works in a warehouse, and asks him if he’d like to travel to Rome with her. In Dublin, her best friend, Eileen, is getting over a break-up, and slips back into flirting with Simon, a man she has known since childhood.
Alice, Felix, Eileen, and Simon are still young—but life is catching up with them. They desire each other, they delude each other, they get…
Alice Wilson wants children; her husband, Dan, doesn’t. So Alice "accidentally" gets pregnant, trusting that Dan will eventually go along—and he seems to, at first. But as their marriage falls apart, Alice realizes that, even from the beginning, Dan has cruelly used small criticisms and belittling comments to undermine her…
After completing the first draft of Monday Rent Boy, I was taken aback to discover a common theme running through all of my books: a focus on children in adverse situations. A Secret Music. The Ghost Garden. And now Monday Rent Boy. What holds paramount importance for me… is tracing the trajectory of the injured child as he or she navigates the journey toward adulthood…And…what does that path look like… what are the factors that help a person rise versus the ones that crush another? The more urgent answer to the question of why write? I came to see that certain subjects need to be written. And hopefully, read.
This Pulitzer Prize-winning novel follows Theo Decker, a young man grappling with trauma, loss, and guilt. Themes of friendship, mentorship (through his relationship with Hobie), and the search for redemption are central to the story.
This book has the best opening scene of any book I’ve ever read. No matter what, I needed to be on this journey with the characters Tartt had drawn so evocatively.
Winner of the Pulitzer Prize for Fiction 2014 Aged thirteen, Theo Decker, son of a devoted mother and a reckless, largely absent father, survives an accident that otherwise tears his life apart. Alone and rudderless in New York, he is taken in by the family of a wealthy friend. He is tormented by an unbearable longing for his mother, and down the years clings to the thing that most reminds him of her: a small, strangely captivating painting that ultimately draws him into the criminal underworld. As he grows up, Theo learns to glide between the drawing rooms of the…
Behind every cloud, a silver lining, right? You have to take the good days with the bad. But those clichés miss that life is funny, sad, hilarious, mournful, at the same time. We understand that the happiest of days have a tinge of sadness about them. Conversely, real sadness or missing someone possesses a strange beauty. But sometimes we forget that when it comes to our books. We want our novels to be “a comedy,” or “a romance,” a “laugh riot,” or “tear-jerker,” even though Life doesn’t put itself into those separate boxes. Funny, sad, romantic–all have informed my own writing, and all are present in this list of books as well.
West Virginia’s Jayne Anne Phillips made a noisy arrival on the literary scene with her triumphant collection of short stories, Black Tickets. One of the first of the “dirty realists,” Phillips paints the backroads and forgotten lives of rural West Virginia during a time when that state, and many like it, were on no one’s radar. As one of her characters says, “This ain’t the South…this is the goddam past.” Phillips captures the loneliness and the disconnected lives of young women and men in a way few books have done.
This collection of short stories looks at the undeniable power of myth, these tales of initiation and betrayal focus on a gallery of characters - a rootless young woman confronts her divorced parents and a 14-year-old girl who leaves a series of foster homes for the world of drug addicts.
I’m a seventh-generation West Virginian. My husband and I own the farm that’s been in my family since before the Civil War. My Appalachian roots are sunk deep, so when it comes to “writing what you know,” this is it! I was baptized in stories by my father who transformed my ancestors and my history into a living, breathing cast of characters I longed to meet. So, I began to write their stories in the guise of novels about made-up people. My seven novels (and two novellas) are love letters to the place that shaped me.
I can just imagine Chris Fabry saying, “Hey, let’s set a retelling of Les Miserable in West Virginia!” Which is exactly what he does in June Bug, resulting in a story that’s just as wonderful and heart-rending as its inspiration. June Bug is traveling the country with her father in an RV. Then, one day, she sees her own face on a poster for missing children. What if her father isn’t her father? Well worth picking up a copy to find out!
From the best-selling author of War Room comes a Christy Award finalist, now a Lifetime original movie called Child of Grace. “I believed everything my daddy told me until I walked into Wal-Mart and saw my picture on a little poster . . .” For as long as she can remember, June Bug and her father have traveled the back roads of the country in their beat-up RV, spending many nights parked at Wal-Mart. One morning, as she walks past the greeter at the front of the store, her eyes are drawn to the pictures of missing children, where she…
When I was eight, my mother was called in to see the principal…yet again. He pulled me out of class, stood me in the hall for maximum intimidation value, then said to my mom, “Your son has no respect for authority.” Mom asked, “What about that, Larry?” My reply—and this is totally true—was, “He doesn’t mean respect. He means courtesy. You can demand courtesy, but you have to earn respect.” Those sentiments have not changed, which is why, I suppose, I have an extremely critical eye for history, especially American history, that deifies the winners. I don’t think we make ourselves stronger as a nation by pretending our leaders were somehow not as human in their flaws as the rest of us. I prefer to look under what is called “conventional wisdom,” because that’s where the real story often lies.
Henry Louis Gates, Jr. is a renowned Harvard professor and author of a series of deeply insightful books on African American history. He has also become one of the most recognizable public figures in the nation, from the PBS series Finding Your Roots and Reconstruction to a cameo in Watchmen in which he played the United States Treasury Secretary. It can be easy to forget that “Skip” Gates was raised in the hills of West Virginia, part of a tight-knit, quirky, distinctly African American community. In Gates’ affectionate memoir detailing his growing up, a series of fascinating characters leap from the page—some Churchgoing, some anything but; some strait-laced; some definitely not; some ambitious, some content to do as little as possible to get by. Everyone we meet in Colored People is both recognizable and a revelation, and Gates has created a moving and nostalgic look at African American culture that…
A re-creation of what it was like to grow up in the hill town of Piedmont, West Virginia, in the 1950s and 1960s. Recalling an age at which the town and people represented his known universe, Gates describes the clannish pride of the family and the sense of place that characterized Piedmont, with its beautiful countryside, its paper mill, whose sulphurous fumes permeated the air but brought the town its prosperity, and the social event of the year, the annual mill picnic. The young Gates's consciousness takes in "colored people" in a time when segregation was still influential. He tells…
For decades I have volunteered in different capacities, helping the hurting and those living on the margins by tutoring and teaching literacy to the formally incarcerated or homeless, teaching parenting in a maximum-security jail, and teaching ESL to resettled immigrants. Because my own suburban father fell into homelessness at the end of his life due to depression, job losses, divorce, and more, I feel tremendous compassion for anyone in this situation. And as the mother of four grown sons, we filled our home with books—especially books that taught compassion so our sons would grow into men with big hearts towards others. I believe we succeeded.
I would read anything written by the talented Cynthia Rylant. Her books for young people introduce moving stories and unforgettable characters. Missing May is one of those stories featuring young Summer who loses her mom and then is passed around to different aunts and uncles who don’t want to care for her. Finally, elderly Aunt May and Uncle Ob meet her and take her to live with them in West Virginia.
I especially love Rylant’s portrayal of the humble life of May, Ob, and Summer in a rusty old trailer that feels like a palace because it’s so full of love and tenderness. When May dies, Summer’s pain is compounded—and then we meet quirky Cletus who helps Summer and Ob seek relief from their grief.
This critically acclaimed winner of the Newbery Medal joins the Scholastic Gold line, which features award-winning and beloved novels. Includes exclusive bonus content.
Ever since May, Summer's aunt and good-as-a-mother for the past six years, died in the garden among her pole beans and carrots, life for Summer and her Uncle Ob has been as bleak as winter. Ob doesn't want to create his beautiful whirligigs anymore, and he and Summer have slipped into a sadness that they can't shake off. They need May in whatever form they can have her -- a message, a whisper, a sign that will…
I saw my first horse before I could walk or talk – a humble mare with flies in her eyes and a feed basket tied to her nose. I was drawn to her with a magnetic force, and that attraction to horses never diminished. Over the years I’ve presided over their birth, raised them, and conditioned them to various disciplines. When it exists, the bond between horse and human is undeniable. In my novels—through family disfunction, hardship, adventure, and mystery – I explore how this connection gives young people confidence and the courage to overcome any obstacles.
Jaimy Gordon has written a beautiful, unforgettable novel that takes place at a run-down racecourse in West Virginia, where a has-been trainer forms a get-rich-quick plan with used-up racehorses. The story of Lord of Misrule, the legendary stakes winner, brings us into the heart of it, where everybody’s searching for something, everything has a price and what’s truly valuable is right in front of your nose.
Longlisted for the Orange Prize 2012. He planned to steal with these horses, who were all better than they looked on paper. The trick was to get in and get out fast. But could he really pull it off? Could he be that sure, could he count on being that lucky? Listen carefully my dear. Lord of Misrule, he whispered loudly. Lord of Misrule, Margaret. Memorize that name.
As with many people, my life has been full of twists and turns. I know what it means to be an outsider and to be cast aside as though my voice and presence doesn’t matter. But, with grit and determination, I battled systemic racism head-on, and with my good L.U.C.K (labor under correct knowledge), encouragement, and faith, I am thriving in an environment that was designed to be non-inclusive for People of Color. Currently, I am the only Black female professor in the 94-year history in the college where I am employed.
Sarah by Laura Albert aka JT LeRoy captivated my attention right from the start. The story crackles with originality even years after its release. The writing is so vivid that it engulfs the reader in the story. The characters are three dimensional, and the tale being told in the first person and present tense makes you empathize more with the main character. Having gone through a difficult upbringing, the story of Cherry Vanilla and their quest to find love and acceptance spoke to me. This is a title I would highly recommend, not only for the merit of the writing but also because its message continues to resonate to this day. Also check out the audiobook of Sarah, read splendidly by Winsome Brown.
A reissue of the national bestselling novel by JT LeRoy/Laura Albert - published to coincide with the Jeff Feuerzeig documentary: Author: The JT LeRoy Story.
'A deft and imaginative...novel' New York Times Book Review
Sarah never admits that she's his mother, but the beautiful boy has watched her survive as a "lot lizard": a prostitute working the West Virginia truck stops. Desperate to win her love, he decides to surpass her as the best and most famous lot lizard ever. With his own leather mini-skirt and a makeup bag that closes with Velcro, the young "Cherry Vanilla" embarks on a…
